Academic Books and Articles

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Supernatural and our fandom has become a subject of academic interest with a number of books and articles published on a variety of aspects of both.

For shorter fan writings in this area see Meta Essays

Books

2020

  • Supernatural Out of the Box
  • Howell, Charlotte E. (2020). Divine Programming: Negotiating Christianity in American Dramatic Television Production 1996-2016. Oxford University Press.

2019

  • Death in Supernatural
  • Bennett, Eve. 2019. Gender in Post-9/11 American Apocalyptic Television: Representations of Masculinity and Femininity at the End of the World. New York: Bloomsbury.

2017

  • Booth, Paul and Isabella Menichiello (eds). 2017. Time Lords & Tribbles, Winchesters and Muggles: The DePaul Pop Culture Conference. Self published by Booth and Menichiello.
  • Fathallah, Judith May. 2017. Fanfiction and the Author: How Fanfic Changes Popular Culture Texts. Amsterdam: Amsterdam University Press.
  • Langley, Travis and Lynn Zubernis (eds). 2017. Supernatural Psychology: Roads Less Traveled. Sterling Publishing.

2016

  • Booth, Paul. 2016. Crossing Fandoms: SuperWhoLock and the Contemporary Fan Audience. Basingstoke: Palgrave Macmillan.
  • Edmundson, Melissa (ed). 2016. The Gothic Tradition in Supernatural: Essays on the Television Series. Jefferson, NC: McFarland.
  • Wright, Julia M. 2016. Men with stakes: Masculinity and the Gothic in US Television. Manchester University Press.

2014

2013

2012

2011

2009

2007

Individual Chapters in Edited Volumes

2020

  • [tk]

2019

  • Beeler, Karin. 2019. "Hunting for the branded body in Supernatural." In Tattoos in Crime and Detective Narratives: Marking and Remarking, eds. Kate Watson and Katharine Cox. Manchester University Press.
  • Chin, Bertha. 2019. "When Hated Characters Talk Back: Twitter, Hate, and Fan/Celebrity Interactions." In Anti-Fandom: Dislike and Hate in the Digital Age, edited by Melissa Click, 291-314. New York: NYU Press.
  • George, Jessica. 2019. 'Some Normal, Apple-pie Life': Gendering Home in Supernatural. In Gender and Contemporary Horror in Television (Emerald Studies in Popular Culture and Gender, Volume 2), eds. Steven Gerrard, Samantha Holland, Robert Shail, 187-199. Emerald Publishing Limited.
  • Graves, Stephanie A. (2019, in press). "The Transtextual Road Trip: Buffy the Vampire Slayer, Supernatural, and Televisual Forebears." In Transmediating the Whedonverses: Essays on Text, Paratext, and Metatext, edited by Julie L. Hawk and Juliette C. Kitchens, Palgrave Macmillan.
  • Howell, Linda. 2019. Supernatural's Winchester Gospel: A Fantastic Midrash. In The Sacred in Fantastic Fandom: Essays on the Intersection of Religion and Pop Culture. Edited by Carole M. Cusack, John W. Morehead and Venetia L.D. Robertson. Jefferson: McFarland, pp. 49-65.
  • Roach, Emily E. 2019. "Supernatural: Wincest and Dean Winchester's Bisexual Panic." Queerbaiting and Fandom: Teasing Fans through Homoerotic Possibilities, edited by Joseph Brennan. University of Iowa Press.
  • Ronnenberg, Susan Cosby. 2019. "So Many Chick Flick Moments: Dean Winchester's Centrifugal Evolution." In Gender and Contemporary Horror in Television (Emerald Studies in Popular Culture and Gender, Volume 2), eds. Steven Gerrard, Samantha Holland, Robert Shail, 131-147. Emerald Publishing Limited.
  • Rose, Jonathan A. 2019. Breaking the Scales: Refusal, Excess, and the Fat Male Body in Supernatural and Harry Potter Fan Fiction. In Representing Kink: Fringe Sexuality and Textuality in Literature, Digital Narrative and Popular Culture, edited by Sara K. Howe and Susan E. Cook. Lanham, Maryland: Lexington Books.

2018

  • Stein, Louisa. 2018. "Of Spinoffs and Spinning Off." In A Companion to Media Fandom and Fan Studies, edited by Paul Booth, 401-413. John Wiley & Sons, Inc.
  • Zubernis, L., & Larson, K. 2018. Make space for us! Fandom in the real world. In A Companion to Media Fandom and Fan Studies, edited by Paul Booth, 145-161. John Wiley & Sons, Inc.

2017

  • Askwith, Ivan, Britta Lundin, and Aja Romano. 2017. "Industry/Fan Relations: A Conversation." In The Routledge Companion to Media Fandom, edited by Melissa A. Click and Suzanne Scott, 365–378. New York: Routledge.
  • Booth, Paul and Isabella Menichiello (eds). 2017. Part III: A Celebration of Supernatural. Time Lords & Tribbles, Winchesters & Muggles: The DePaul Pop Culture Conference: A Five-Year Retrospective. https://communication.depaul.edu/academics/research/publications/Pages/booth-time-lords.aspx
  • George, Jessica. 2017. "'The Monster at the End of This Book': Authorship and Monstrosity in Supernatural." In Monsters and Monstrosity in 21st-Century Film and Television, eds. Cristina Artenie and Ashley Szanter, Universitas Press. https://www.academia.edu/32103362/_The_Monster_at_the_End_of_This_Book_Authorship_and_Monstrosity_in_Supernatural
  • Re, Valentina. 2017. "The Monster at the End of This Book: Metalepsis, Fandom, and World Making in Contemporary TV Series." In World Building, edited by Marta Boni, 321-342, Amsterdam University Press, Amsterdam. https://www.oapen.org/search?identifier=1004106
  • Sell, Christian and Sevenja Taubner. 2017. "Carry on Wayward Son: Supernatural als gottverlassene Suche nach dem richtigen Leben." In Von Game of Thrones bis The Walking Dead, eds. Timo Storck and Svenja Taubner. Berlin: Springer.

2016

  • Booth, Paul and Lucy Bennett. 2016. "Interview with Emily Perkins, Actor in Supernatural." In Seeing Fans: Representations of Fandom in Media and Popular Culture, eds. Paul Booth and Lucy Bennett. London: Bloomsbury.
  • Booth Paul. 2016. "Supernatural Fandom: The Fandom Business." Crossing Fandoms. Palgrave Macmillan, London.
  • Larsen, Katherine and Lynn Zubernis. 2016. "We See You (Sort of): Representations of Fans on Supernatural." In Seeing Fans: Representations of Fandom in Media and Popular Culture, eds. Paul Booth and Lucy Bennett. London: Bloomsbury.

2015

2014

  • Fuchs, Michael. 2014. "'Three hundred channels and nothing's on': Metaleptic Genre-Mixing in Supernatural," in Critical Reflections on Audience and Narrativity: New Connections, New Perspectives, eds. Bianca Mitu, Silvia Branea, and Valentina Marinescu. Hanover: ibidem-Verlag.
  • Macklem, Lisa. 2014. "From Monstrous Mommies to Hunting Heroines: The Evolution of Women on Supernatural." In The Canadian Fantastic in Focus: New Perspectives, edited by Allan Weiss. Jefferson, NC: McFarland.

2013

  • Graham. Anissa M. 2013. "A New Kind of Pandering: Supernatural and the World of Fanfiction." Fan CULTure: Essays on Participatory Fandom in the 21st Century, eds. Kristin M. Barton and Jonathan M. Lampley. Jefferson, NC: McFarland.
  • Stein, Louisa Ellen. 2013. "#Bowdown to Your New God: Misha Collins and Decentered Authorship in the Digital Age." In A Companion to Media Authorship, eds. Jonathan Gray and Derek Johnson. Hoboken, NJ: Wiley-Blackwell.
  • Wilkinson, Jules. 2013. "The Epic Love Story of Supernatural and Fanfic." Fic: Why Fanfiction Is Taking Over the World, edited by Anne Jamison. https://www.wattpad.com/40308458-fic-why-fanfiction-is-taking-over-the-world-the

2012

  • Fuchs, Michael. 2012. "Play it Again, Sam ... and Dean: Temporality and Meta-Textuality in Supernatural." In Time in Television Narrative: Exploring Temporality in Twenty-First-Century Programming, edited by Melissa Ames. Jackson: University Press of Mississippi.
  • Klein, Michael J. and Kristi L. Shackelford. 2012. "'Hey Sammy, We're Not in Kansas Anymore': The Frontier Motif in Supernatural." In Undead in the West: Vampires, Zombies, Mummies, and Ghosts on the Cinematic Frontier, eds. Cynthia J. Miller and A. Bowdoin Van Riper. Lanham, Md.: Scarecrow Press.

2011

  • Freim, Nicole. 2011. "I'll Take Our Family Over Normal Any Day: Supernatural's Commentary on the Modern American Family." In Bound by Love: Familial Bonding in Film and Television since 1950, edited by Laura Mattoon D'Amore. Cambridge Scholars Publishing.
  • Fuchs, Michael. 2011. "Trapped in TV Land: Encountering the Hyperreal in Supernatural." In Simulation in Media and Culture: Believing the Hype, edited by Robin DeRosa. Lanham, MD: Lexington Books.

2009

  • Murphy, Caryn. 2008. "A Joint (Ad)Venture: The CW Network and the Youth Market." In The Business of Entertainment: Volume III, Television, edited by Robert C. Sickels, 17-33. Praeger.

Peer Reviewed Academic Articles

2020

  • Xanthoudakis, Alex. 2020. "Mobilizing Minions: Fanactivism Efficacy of Misha Collins Fans in Supernatural Fandom." Transformative Works and Cultures, no. 32. https://doi.org/10.3983/twc.2020.1827

2019

  • Leetal, D. B. 2019. Those Crazy Fangirls on the Internet: Activism of Care, Disability and Fan Fiction. Canadian Journal of Disability Studies, 8(2), 45-72. https://doi.org/10.15353/cjds.v8i2.491

2018

  • Brennan, Joseph. 2018. "Queerbaiting: The 'Playful' Possibilities of Homoeroticism." International Journal of Cultural Studies 21: 189-206. https://doi.org/10.1177%2F1367877916631050
  • "Special Issue: Queerbaiting," edited by Joseph Brennan, Journal of Fandom Studies, 6:2.
  • Bourdaa, Mélanie., Cornillon, Claire., & Wells-Lassagne, Shannon. 2018. Introduction: Investigating The CW. Series - International Journal of TV Serial Narratives, 4(2), 5-8. https://doi.org/10.6092/issn.2421-454X/8809
  • Cardin, M. 2018. The "Problem" of Male Friendship in Supernatural and Its Fan Fiction. Sic, (1 - Year 9). https://doi.org/10.15291/SIC/1.9.LC.4
  • Favard, Florent. 2018. Angels, demons and whatever comes next: the storyworld dynamics of Supernatural. Series - International Journal of TV Serial Narratives, 4(2), 19-26. https://doi.org/10.6092/issn.2421-454X/8164
  • Fuchs, Michael. 2018. Transgression -- identification -- interaction: Blu-ray bonus features and Supernatural's cult status. The Journal of Popular Television. 6: 303-322. https://doi.org/10.1386/jptv.6.3.303_1
  • Hautsch, Jessica. 2018. "The Rhetorical Affordance of GIFs by Tumblr's Supernatural Fandom." Transformative Works and Cultures, no. 27. http://dx.doi.org/10.3983/twc.2018.1165.
  • Jacobs, Naomi. 2018. "Live Streaming as Participation: A Case Study of Conflict in the Digital/Physical Spaces of Supernatural Conventions." Transformative Works and Cultures, no. 28. https://doi.org/10.3983/twc.2018.1393
  • Joseph, Charles. 2018. The CW Arrowverse and myth-making, or the commodification of transmedia franchising. Series - International Journal of TV Serial Narratives, 4(2), 27-45. https://doi.org/10.6092/issn.2421-454X/8177
  • Kemerly, Tony and Trisha Kemerly. 2018. A Supernatural Tale of Agency, Othering, and Oppression: The Road So Far. Popular Culture Review 29.1.
  • Kies, Bridget. 2018. "The Ex-Fan's Place in Fan Studies." Transformative Works and Cultures, no. 28. http://dx.doi.org/10.3983/twc.2018.1402
  • Le Fèvre-Berthelot, Anais. 2018. Gossip Girl and The CW: defining a new network. (You're nobody until you're talked about). Series - International Journal of TV Serial Narratives, 4(2), 9-18. https://doi.org/10.6092/issn.2421-454X/8190
  • Popova, Milena. 2018. 'Dogfuck rapeworld': Omegaverse fanfiction as a critical tool in analyzing the impact of social power structures on intimate relationships and sexual consent. Porn Studies, DOI: 10.1080/23268743.2017.1394215
  • Sanseverino, Gabriela Gruszynski, and Ana Cláudia Gruszynski. 2018. "Super-wiki: um olhar sobre cultura da convergência, inteligência coletiva e cultura participativa a partir do seriado supernatural." Mídia e Cotidiano: revista do Programa de Pós-Graduação em Mídia e Cotidiano. Niterói, RJ. Niterói, RJ: UFF. Vol. 12, n. 2, p. 51-68. http://hdl.handle.net/10183/182183
  • Scott, Suzanne. 2018. "Towards A Theory of Producer/Fan Trolling." Participations: International Journal of Audience Research 15: 143-159.

2017

2016

2015

  • Benecchi, Eleonora. 2015. "Online Italian Fandoms of American TV Shows." Transformative Works and Cultures, no. 19. https://doi.org/10.3983/twc.2015.0586
  • Blake, Linnie. 2015. All Hell Breaks Loose: Supernatural, Gothic Neo-Liberalism and the American Self. Horror Studies, 6: 225-238.
  • Cornillon, Claire. 2015. "Previously on Supernatural." Revue française des sciences de l'information et de la communication: 7. http://journals.openedition.org/rfsic/1700
  • Gonçalves, Diana. 2015. Popping (it) up: Popular Culture in Supernatural. Diffractions 4.
  • Nam, Myoung Hee, and Eun-Soon You. 2015. "Case Study of Video Work Connecting with Fans: Supernatural the TV Series Making Full Use of Convention." Journal of Digital Contents Society 16: 145-55. https://doi.org/10.9728/dcs.2015.16.1.145
  • Schultz, Matthew. 2015. "Teaching Multimodal Short Fiction: A Supernatural Gothic Tale." Eureka Studies in Teaching Short Fiction, vol. 11/12: 60.
  • van de Goor, Sophie Charlotte. 2015. "'You Must Be New Here': Reinforcing the Good Fan". Participations: International Journal of Audience Research 12(2): 275-295.

2014

2013

  • Busse, Kristina. 2013. Geek hierarchies, boundary policing, and the gendering of the good fan. Participations: International Journal of Audience Research 10(1): 73-91.
  • Howell, Charlotte E. 2013. The Gospel of the Winchesters (And Their Fans): Neoreligious Fan Practices and Narrative in Supernatural. Kinephanos 4:1.
  • Schmidt, Lisa. 2013. "Television: Horror's 'Original' Home." Horror Studies 4: 159-171.
  • Valenzano III, Joseph. M. and Erika Engstrom. 2013. "Homilies and Horsemen: Revelation in the CW's Supernatural." Journal of Communication & Religion, vol. 36: 50-72.

2012

2011

  • [tk]


2010

  • "Saving People, Hunting Things," edited by Catherine Tosenberger, special issue, Transformative Works and Cultures, no. 4.
    • Åström, Berit. 2010. "Let's get those Winchesters pregnant": Male pregnancy in Supernatural fan fiction. Transformative Works and Cultures, no. 4. https://doi.org/10.3983/twc.2010.0135
    • Bruce, Melissa N. 2010. The Impala as negotiator of melodrama and masculinity in Supernatural. Transformative Works and Cultures, no. 4. https://doi.org/10.3983/twc.2010.0154
    • Chan, Suzette. 2010. "Supernatural bodies: Writing subjugation and resistance onto Sam and Dean Winchester." Transformative Works and Cultures, no. 4. https://doi.org/10.3983/twc.2010.0179
    • Felschow, Laura E. 2010. "'Hey, check it out, there's actually fans': (Dis)empowerment and (Mis)representation of Cult Fandom in Supernatural." Transformative Works and Cultures, no. 4. https://doi.org/10.3983/twc.2010.0134
    • Flegel, Monica, and Jenny Roth. 2010. Annihilating love and heterosexuality without women: Romance, generic difference, and queer politics in Supernatural fan fiction. Transformative Works and Cultures, no. 4. https://doi.org/10.3983/twc.2010.0133
    • Freund, Katharina. 2010. "'I'm glad we got burned, think of all the things we learned': Fandom conflict and context in Counteragent's 'Still Alive.'" Transformative Works and Cultures, no. 4. https://doi.org/10.3983/twc.2010.0187.
    • Gray, Melissa. 2010. "From canon to fanon and back again: The epic journey of Supernatural and its fans." Transformative Works and Cultures, no. 4. https://doi.org/10.3983/twc.2010.0146
    • Noone, Kristin. 2010. "What are little ghouls made of? The Supernatural family, fandom, and the problem of Adam." Transformative Works and Cultures, no. 4. https://doi.org/10.3983/twc.2010.0136
    • Petersen, Line Nybro. 2010. Renegotiating religious imaginations through transformations of "banal religion" in Supernatural. Transformative Works and Cultures, no. 4. https://doi.org/10.3983/twc.2010.0142
    • Schmidt, Lisa. 2010. Monstrous melodrama: Expanding the scope of melodramatic identification to interpret negative fan responses to Supernatural. Transformative Works and Cultures, no. 4. https://doi.org/10.3983/twc.2010.0152
    • Sivarajan, Deepa. 2010. "Tlön, fandom, and source text: The effect of fan works on the narrative of Supernatural." Transformative Works and Cultures, no. 4. https://doi.org/10.3983/twc.2010.0171
    • Stein, Louisa Ellen. 2010. "What you don't know": Supernatural fan vids and millennial theology. Transformative Works and Cultures, no. 4. https://doi.org/10.3983/twc.2010.0192
    • Tosenberger, Catherine. 2010. "Love! Valor! Supernatural!" [editorial]. Transformative Works and Cultures, no. 4. https://doi.org/10.3983/twc.2010.0212
    • Tosenberger, Catherine. 2010. "Kinda like the folklore of its day": Supernatural, fairy tales, and ostension. Transformative Works and Cultures, no. 4. https://doi.org/10.3983/twc.2010.0174
    • Wilkinson, Jules. 2010. "A box of mirrors, a unicorn, and a pony." Transformative Works and Cultures, no. 4. https://doi.org/10.3983/twc.2010.0159
    • Zarin, Babak. 2010. "Infernal redemption." Transformative Works and Cultures, no. 4. https://doi.org/10.3983/twc.2010.0156
  • Engstrom, Erika, and Joseph M. Valenzano, III. 2010. Demon hunters and hegemony: Portrayal of religion on the CW's Supernatural. Journal of Media and Religion 9: 67-83.
  • McGuire, Ann and David Buchbinder. 2010. The Forensic Gothic: Knowledge, the Supernatural, and the Psychic Detective. Canadian Review of American Studies 40: 289-307.

2009

  • [tk]


2008

Unrefereed Manuscripts (i.e. Theses & Dissertations)

2020

  • [tk]

2019

  • Anderson, Chrisha. 2019. Women in Online Science Fiction Fandoms: Perceived Impact on Psychological Well-Being. PhD Dissertation, Advanced Studies in Human Behavior, Capella University.
  • Barone, Tessa. 2019. "Just Go Find Yourself a Nice Alpha: Gender and Consent in Supernatural Fandom's Alpha/Beta/Omega Universe." Honors College Thesis, Oregon State University. [1]
  • Brala, Nikolina. 2019. "The Representation of Female Characters in the CW's Supernatural." Undergraduate Thesis, Department of English, University of Zadar, Croatia. https://urn.nsk.hr/urn:nbn:hr:162:892975
  • Nenou, Stergiani. "The Representation of Fandom in Supernatural." Master's Program in English and American Studies. Master of Arts. Department of Philosophy School of English Aristotle University of Thessaloniki, Thessaloniki, Greece. n.d. http://ikee.lib.auth.gr/record/305389/files/GRI-2019-24432.pdf
  • Trudeau, Cassidy. 2019. "Freedom to Fall: Milton's Christ, Supernatural's Castiel, and the Secularity of Choice." Undergraduate Research Awards, Hollins University. https://digitalcommons.hollins.edu/researchawards/52
  • Takamäki, Topi. 2019. "The Road So Far": Supernatural as an American Road Narrative. MA Thesis, School of Marketing and Communication, University of Vaasa. https://osuva.uwasa.fi/handle/10024/9567

2018

  • Cantrell, Jacquee D. 2018. "From Fan Fiction to Television: Slash Fan Fiction, the Fandom, and Affecting the Source Material." Honors Theses, Eastern Kentucky University. https://encompass.eku.edu/honors_theses/5177
  • Chiu, W. [招詠琳]. 2018. The gender politics of supernatural : slash fan fictions and the power dynamic in fan/producers relationship. MA Thesis, Department of Literary and Cultural Studies, University of Hong Kong, Pokfulam, Hong Kong SAR. http://hdl.handle.net/10722/265871
  • Golomb, Liorah. 2018. 'Let's Go Gank Ourselves a Paris Hilton' A Textual Analysis of the Dialogue of Supernatural (the First 10 Years). SHAREOK. https://hdl.handle.net/11244/317082
  • Hatchell, Russ Eugene. 2018. Sci-fi TV in the Great White North: the development of Vancouver as a science fiction media capital. MA Thesis, Radio-Television-Film, University of Texas at Austin. http://hdl.handle.net/2152/72746
  • Johansson, Emelie. 2018. Up against Good, Evil, Destiny, and God himself. Bachelor Thesis, School of Humanities and Media Studies, Dalarna University. http://urn.kb.se/resolve?urn=urn:nbn:se:du-27069
  • Koehm, Diana. 2018. "Revision as Resistance: Fanfiction as an Empowering Community for Female and Queer Fans." Honors Scholar Theses, University of Connecticut. https://opencommons.uconn.edu/srhonors_theses/604

2017

2016

2015

2014

2013

  • Double, Krystalle. 2013. Female Roles and Fan Fiction in Charmed, Supernatural, and Buffy the Vampire Slayer. BA honors thesis, Western Michigan University.
  • Fathallah, Judith. 2013. "Changing Discursive Formations from Supernatural: Fanfic and the Legitimation Paradox." PhD Dissertation, Journalism, Media and Culture, Cardiff University. http://orca.cf.ac.uk/id/eprint/58900
  • Ireland, Brian. 2013. ""All I saw was evil": Supernatural's Reactionary Road Trip." American Studies Today: 14. http://www.americansc.org.uk/Online/Online_2013/Supernatural.html
  • Lander, Katherine. 2013. "That's So Meta: Contemporary Reflexive Television and its Textual Strategies." MA Thesis, Department of Media and Cinema Studies, DePaul University. http://via.library.depaul.edu/cmnt/18
  • Lausch, Kayti Adaire. 2013. "The Niche Network: Gender, Genre, and the CW Brand." MA Thesis, Department of Radio-Television-Film, University of Texas at Austin. http://hdl.handle.net/2152/22453
  • Macklem, Lisa. 2013. "We're on This Road Together: The Changing Fan/Producer Relationship in Television as Demonstrated by Supernatural." MA Thesis, Department of Media Studies, University of Western Ontario. http://ir.lib.uwo.ca/etd/1748

2012

2011

2010

  • Grobisen, Hannah. 2010. "The Winchester Gospel: The 'Supernatural' Fandom as a Religion." CMC Senior Theses, Intercollegiate Media Studies, Claremont Colleges. https://scholarship.claremont.edu/cmc_theses/2010/
  • Hampton, Darlene Rose. 2010. "Beyond Resistance: Gender, Performance, and Fannish Practice in Digital Culture." PhD Dissertation, Department of English, University of Oregon. http://hdl.handle.net/1794/11070
  • Handley, Christine. 2010. "'Playthings in the Margins of Literature': Cultural Critique and Rewriting Ideologies in Supernatural and Star Wars Fanfiction." MA Thesis, Department of English, Dalhousie University. http://hdl.handle.net/10222/13027
  • Long, Britt Eira Nicole. 2010. "Wincest Wincest is the best, or, Raep is what happens when you say no: Subversive humor and serious business in 'Capslock_Spn'" MA Thesis, Department of English, University of California, Davis.

2009

2006

  • Turner, Emily 2006. 'Scary just got sexy' The pleasure of transgression in the creative Supernatural fandom. Honours research project. School of Creative Arts. University of Melbourne.

Conference Presentations

  • A-M
  • N-Z
    • above are placeholders until I move the lists over here
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