Difference between revisions of "9.07 Bad Boys (transcript)"

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{{TranscriptHead
 
|Episode=[[9.07 Bad Boys]]
 
|Episode=[[9.07 Bad Boys]]
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== THEN ==
 
== THEN ==
; SCENE from [[1.01 Pilot]]
+
; SCENE from {{1.01}}
  
JOHN: Take your brother outside as fast as you can!  Now, Dean! Go!
+
JOHN (to 4yo DEAN)<br />
 +
Take your brother outside as fast as you can!  Now, Dean! Go!
  
  
Line 18: Line 17:
 
; SCENE from [[1.18 Something Wicked]]
 
; SCENE from [[1.18 Something Wicked]]
  
SAM: What else do you remember?
+
SAM<br />
 +
What else do you remember?
  
DEAN: Nothing. I was a kid, all right?
+
DEAN<br />
 +
Nothing. I was a kid, all right?
  
  
  
 
; SCENE from [[1.18 Something Wicked]]
 
; SCENE from [[1.18 Something Wicked]]
JOHN: And most important --
+
JOHN<br />
 +
And most important—
  
DEAN: Watch out for Sammy.
+
YOUNG DEAN (10 or 11yo)<br />
 +
Watch out for Sammy.
  
  
  
 
; SCENE from [[5.22 Swan Song]]  
 
; SCENE from [[5.22 Swan Song]]  
Watching out for you -- it's kinda who I am.
+
DEAN (to SAM)<br />
 +
Watching out for you it's kinda who I am.
  
  
  
; SCENE from [[2.21 All Hell Breaks Loose, Part One]]
+
; SCENE from {{2.21}}
 +
SAM (voiceover)<br />
 
I got this brother, right? And he's always telling me how he's gonna watch out for me.
 
I got this brother, right? And he's always telling me how he's gonna watch out for me.
  
Line 42: Line 47:
  
 
; SCENE from [[1.18 Something Wicked]]  
 
; SCENE from [[1.18 Something Wicked]]  
 +
YOUNG DEAN (to YOUNG SAM)<br />
 
Now eat your dinner.
 
Now eat your dinner.
  
Line 47: Line 53:
  
 
; SCENE from [[3.08 A Very Supernatural Christmas]]  
 
; SCENE from [[3.08 A Very Supernatural Christmas]]  
 +
YOUNG DEAN (to YOUNG SAM)<br />
 
Don't forget your vegetables.
 
Don't forget your vegetables.
  
Line 52: Line 59:
  
 
; SCENE from [[8.23 Sacrifice]]  
 
; SCENE from [[8.23 Sacrifice]]  
DEAN: Don't you dare think that there is anything that I would put in front of you!
+
DEAN (to SAM)<br />
 +
Don't you dare think that there is anything that I would put in front of you!
  
  
  
 
; SCENE from [[9.01 I Think I'm Gonna Like It Here]]  
 
; SCENE from [[9.01 I Think I'm Gonna Like It Here]]  
DEANSammy's hurt.  He's hurt real bad.
+
DEAN (praying)<br />
 +
Sammy's hurt.  He's hurt real bad.
  
  
  
 
; SCENE from [[9.01 I Think I'm Gonna Like It Here]]  
 
; SCENE from [[9.01 I Think I'm Gonna Like It Here]]  
EZEKIELI heal Sam while healing myself.   
+
EZEKIEL<br />
 +
I heal Sam while healing myself.   
  
  
  
; SCENE from ……….
+
; SCENE from [[9.04 Slumber Party]]
EZEKIEL: Every time I use my power, it weakens me.
+
EZEKIEL (in SAM)<br />
 +
Every time I use my power, it weakens me.
  
  
  
; SCENE from ……….
+
; SCENE from [[9.03 I'm No Angel]]
DEAN: You went through the trials.  I just think it's better if you took it easy, you know, and didn't act like you were --
+
DEAN<br />
 +
You went through the trials.  I just think it's better if you took it easy, you know, and didn't act like you were—
  
EZEKIEL (in SAM): Possessed by an angel.
+
EZEKIEL (in SAM)<br />
 +
Possessed by an angel?
  
 
== NOW (TEASER) ==  
 
== NOW (TEASER) ==  
Line 80: Line 93:
 
Two kids running, twilight or night; foggy; outside.   
 
Two kids running, twilight or night; foggy; outside.   
  
RED SWEATSHIRT KIDAah!  Wait up!
+
KID 1 (in red sweatshirt)<br />
 +
Aah!  Wait up!
  
PLAID SHIRT KIDHurry!  He's right behind us.
+
KID 2 (in plaid shirt)<br />
 +
Hurry!  He's right behind us.
  
HURLEYVILLE, NEW YORK
+
:: '''HURLEYVILLE, NEW YORK'''
  
PLAID SHIRT KIDCome on, come on!
+
KID 2<br />
Hurry!
+
Come on, come on!<br />
 +
Hurry!
  
RED SWEATSHIRT KIDGo, go, go -- it's open!
+
KID 1<br />
 +
Go, go, go it's open!
  
They run into a barn.   
+
The kids run into a barn.   
  
  
KID WITH GLASSESCome on, guys.  The barn is a no-fly zone during hide-and-go-seek.
+
KID WITH GLASSES (TIMMY)<br />
 +
Come on, guys.  The barn is a no-fly zone during hide-and-go-seek.
  
VOICE OVERHEARD:
+
A MAN's voice is overheard.<br />
 
Boys?  Come on, you delinquents.  Time for bed!
 
Boys?  Come on, you delinquents.  Time for bed!
  
He comes in to barn: All right!  Game is over, boys!
+
MAN comes in to barn.
Let's bring it in!
+
 
Lights out was 10 minutes ago!
+
MAN<br />
 +
All right!  Game is over, boys! Let's bring it in! (looking for kids)  Lights out was 10 minutes ago!
 +
 
 +
The MAN shines his flashlight around, looking for the kids.
 +
 
 +
MAN (continues)<br />
 +
(muttering under his breath) You little bastards.<br />
 +
(Yelling loudly again:) Okay, I'm gonna...
 +
 
 +
The MAN gets spooked a little by a breeze and an eerie supernatural sound.
 +
 
 +
MAN (continues)<br />
 +
You got till the count of 10, and you'd better come out or the belt's coming off!<br />
 +
One ...<br />
 +
Come on!  <br />
  
Shines his flashlight around looking for the kids.  
+
The MAN's flashlight is flickering and dying. He hits it to try to get it to work again. The tractor/forklift suddenly starts to turn onIts lights flip on.  
(muttering under his breath) You little bastards.
 
(Yelling loudly again:) Okay, I'm gonna...  (He gets spooked a little by a breeze and an eerie supernatural sound.)
 
You got till the count of 10, and you'd better come out or the belt's coming off!
 
  
1...
+
MAN<br />
 +
Boys?  (pause)  Come on!  This isn't funny.
  
Come on!  (hitting his flashlight that went out) … forklift starts on its own … lights flip on
+
The tractor/forklift starts moving toward the MAN.  He backs up, away from the tractor, but falls and lands on his back.
Boys?
 
Come on!
 
This isn't funny.
 
  
The tractor/forklift starts moving … it has a fork lift … he backs up, falls on his back … he scrambles backward on his hands and legs … forklift heads for him, he gets up to try to get away … backed up against concrete wall … lifts to impale him .. screams … forks go through him and out the other side of the wall …
+
The tractor is still coming on; the MAN scrambles backward.  The tractor continues to head towards him.
  
 +
The MAN gets to his feet and keeps backing up, until he's backed up against a wall.  The forklift lifts as the tractor continues to advance towards him. 
  
 +
He screams, and the camera cuts to the exterior of the barn—where the forklift has pierced through the wall, and presumably impaled the man inside the barn.
  
 
== ACT ONE ==  
 
== ACT ONE ==  
Line 128: Line 157:
  
  
TITLE CARD :  
+
TITLE CARD : <br />
 
BAD BOYS
 
BAD BOYS
(Supernatural 9x07 Original Air Date Nov. 19, 2013)
+
 
 +
Supernatural 9x07
 +
 
 +
Original Air Date Nov. 19, 2013
  
  
Line 142: Line 174:
 
; SCENE - Bunker, Research Table.  
 
; SCENE - Bunker, Research Table.  
  
Sam wanders into the research / library -- nobody's there but he looks around.
+
Sam wanders into the research / library nobody's there but he looks around.
  
 
:: Starring
 
:: Starring
 
:: JARED PADALECKI
 
:: JARED PADALECKI
  
SAMDean?   
+
SAM<br />
 +
Dean?   
  
 
:: JENSEN ACKLES
 
:: JENSEN ACKLES
  
 +
SAM (continues)<br />
 
Kevin?
 
Kevin?
  
Line 158: Line 192:
 
:: SEAN MICHAEL KYER
 
:: SEAN MICHAEL KYER
  
Seeing that nobody is in the room, SAM reaches for a book off the library bookshelves -- The Marvelous Land of Oz by L. Frank Baum.  [rejects CONRAD / LORD JIM] Picks it up, looks speculatively, sits down to read it.
+
Nobody else is in the roomSAM heads for some of the library bookshelves, and pulls a book off the shelves—''The Marvelous Land of Oz'' by L. Frank Baum.  (Other books on the shelf include Joseph Conrad's ''Lord Jim''. He picks it up, looks at it speculatively and with a sort of sense of anticipation, sits down to read it, opening it up to the beginning.  
  
 
:: KARIN KONOVAL
 
:: KARIN KONOVAL
Line 164: Line 198:
 
:: DYLAN EVERETT
 
:: DYLAN EVERETT
  
SAM looks annoyed by the buzzing of a cell phone.   
+
Cell phone starts buzzing; SAM looks annoyed.   
  
 
:: ERIN KARPLUK
 
:: ERIN KARPLUK
Line 185: Line 219:
 
:: TODD ARONAUER
 
:: TODD ARONAUER
  
SAM: Hello?
+
SAM<br />
 +
Hello?
  
DEAN enters the room from behind.
+
DEAN enters the room from behind (having presumably also heard the cellphone buzzing).
  
SAM: I'm sorry, there's no, uh -- there's no Dee-dawg, uh...  
+
SAM<br />
 +
I'm sorry, there's no, uh ˜ there's no Dee-dawg, uh...  
  
 
DEAN grabs the phone.  
 
DEAN grabs the phone.  
  
DEAN: I got itI got it.  (takes the phone)  Sonny, hey.  (pause)  So what's up?  (pause)  Okay.  (pause)  All right. Yeah, just sit tight.  I'll be there as soon as I can.  (pause)  Yeah.  (He hangs up.)
+
DEAN<br />
 +
I got it, I got it.  (DEAN takes the phone.)  Sonny, hey.  (pause)  So what's up?  (pause)  Okay.  (pause)  All right. Yeah, just sit tight.  I'll be there as soon as I can.  (pause)  Yeah.   
  
SAM: So, what was that all about, 'Dee-dawg'?
+
DEAN hangs up.
 +
 
 +
SAM<br />
 +
So, what was that all about, 'Dee-dawg'?
  
 
:: Consulting Producers
 
:: Consulting Producers
Line 201: Line 241:
 
:: EUGENIE ROSS-LEMING
 
:: EUGENIE ROSS-LEMING
  
DEAN: You remember when we were kids that spring in upstate New York?  Dad was on a [[rugaru]] hunt.  
+
DEAN<br />
 +
You remember when we were kids that spring in upstate New York?  Dad was on a [[rugaru]] hunt.  
  
 
:: Co-Executive Producers
 
:: Co-Executive Producers
Line 207: Line 248:
 
:: NICOLE SNYDER
 
:: NICOLE SNYDER
  
DEAN (continuing)We, uh -- we crashed at the, uh... the bungalow colony with the ping-pong table?
+
DEAN (continues)<br />
 +
We, uh we crashed at the, uh ... the bungalow colony with the ping-pong table?
  
 
:: Co-Executive Producer
 
:: Co-Executive Producer
 
:: ANDREW DABB
 
:: ANDREW DABB
  
SAM: Yeah. Uh, y-you disappeared.  Dad came back. You were gone.  He shipped me off to Bobby's for a couple months and went and … found you.  You were lost on a hunt or something.
+
SAM<br />
 +
Yeah. Uh, y-you disappeared.  Dad came back. You were gone.  He shipped me off to [[Bobby Singer|Bobby]]'s for a couple months and went and … found you.  You were lost on a hunt or something.
  
DEAN: *THAT'S* what we told you.  (As if his memory is refreshed.)  Right.
+
DEAN<br />
 +
''THAT'S'' what we told you.  (as if Sam's story refreshed his memory)  Right.
  
 
:: Executive Producer
 
:: Executive Producer
 
:: ADAM GLASS
 
:: ADAM GLASS
  
SAM: I'm sorry. That's what you told me?
+
SAM<br />
 +
I'm sorry? That's what you ''told'' me?
  
 
:: Executive Producer
 
:: Executive Producer
 
:: PHIL SGRICCIA
 
:: PHIL SGRICCIA
  
DEAN: Truth is, uh…  
+
DEAN<br />
 +
Truth is, uh…  
  
 
:: Co-Executive Producer
 
:: Co-Executive Producer
 
:: JIM MICHAELS
 
:: JIM MICHAELS
  
DEAN (continues): I lost the food money that Dad left for us in a card game.   
+
DEAN (continues)<br />
 +
I lost the food money that Dad left for us in a card game.   
  
 
:: Created by
 
:: Created by
 
:: ERIC KRIPKE
 
:: ERIC KRIPKE
  
DEAN (continues): I knew you'd get hungry, so ... I tried taking the five-finger discount at the local market and got busted.  I wasn't on a hunt.  They sent me to a boys' home.
+
DEAN (continues)<br />
 +
I knew you'd get hungry, so ... I tried taking the five-finger discount at the local market and got busted.  I wasn't on a hunt.  They sent me to a boys' home.
  
SAM: A boys' home, like a … reform school?
+
SAM<br />
 +
A boys' home, like a … reform school?
  
 
:: Written by
 
:: Written by
 
:: ADAM GLASS
 
:: ADAM GLASS
  
DEAN: Yeah, more or less.  It was a farm, and the guy who ran it -- Sonny -- he, uh -- you know, he looked after me.
+
DEAN<br />
 +
Yeah, more or less.  It was a farm, and the guy who ran it Sonny he, uh, you know, he looked after me.
  
SAMWait. Does Sonny know what we do?
+
SAM<br />
 +
Wait. Does Sonny know what we do?
  
DEANYeah. He's good people.  I gave him the number to the Bat Phone, and sounds like he's got something in our wheelhouse.
+
DEAN<br />
 +
Yeah. He's good people.  I gave him the number to the Bat Phone, and sounds like he's got something in our wheelhouse.
  
 
:: Directed by  
 
:: Directed by  
 
:: KEVIN PARKS
 
:: KEVIN PARKS
  
So...  Hey -- you gonna be cool to do this, or are you too tired?
+
DEAN (continues)<br />
 +
So...  Hey you gonna be cool to do this, or are you too tired?
  
SAMUh, no. Yeah, I'm just, uh... I'll be fine.
+
SAM<br />
 +
Uh, no. Yeah, I'm just, uh ... I'll be fine.
  
DEANAnd ''everybody's'' okay with … heading out to the Catskills?  (DEAN emphasizes "everybody" like he's trying to reach through SAM's skull to talk to EZEKIEL.)
+
DEAN<br />
 +
And ''everybody's'' okay with … heading out to the Catskills?  (DEAN emphasizes "everybody" like he's trying to reach through SAM's skull to talk to EZEKIEL.)
  
SAM (looking bemused): I am everybody.
+
SAM (looking bemused)<br />
 +
I am everybody.
  
DEANYeah.  Right.  All right.  Grab your stuff,  and we'll head out.
+
DEAN<br />
 +
Yeah.  Right.  All right.  Grab your stuff,  and we'll head out.
  
SAM: Hey, Dean... I mean, why didn't you just tell me you went to a boys' home?
+
SAM<br />
 +
Hey, Dean ... I mean, why didn't you just tell me you went to a boys' home?
  
DEAN: I don't know. Uh, it was Dad's idea.  And then it just -- you know, the story became the story.  I was 16.
+
DEAN<br />
 +
I don't know. Uh, it was Dad's idea.  And then it just you know, the story became the story.  I was 16.
  
  
  
  
; SCENE -- Impala driving to SONNY'S HOME FOR BOYS
+
; SCENE - Driving in the Impala
  
Sign for SONNY'S HOME FOR BOYS.  DEAN pulls up by fields and stops in front of house.   
+
Sign for SONNY'S HOME FOR BOYS.  DEAN pulls up and parks between some farm fields and a house.   
  
SAM: You were here for two months and Dad couldn't find you?
+
SAM<br />
 +
You were here for two months and Dad couldn't find you?
  
DEAN: Oh, no. He found me.  He found me quick.  But he left me here 'cause I lost our money.
+
DEAN<br />
 +
Oh, no. He found me.  He found me quick.  But he left me here 'cause I lost our money.
  
 
Somebody is watching from an upstairs window.
 
Somebody is watching from an upstairs window.
  
SAMYou were 16.  You made a mistake.
+
SAM<br />
 +
You were 16.  You made a mistake.
  
DEANYeah.  ''I'' made the mistake.  Look, I know how you think.  None of this was Dad's fault.
+
DEAN<br />
 +
Yeah.  ''I'' made the mistake. (getting out of the car.) Look, I know how you think.  None of this was Dad's fault.
  
The person watching from an upstairs window is a small boy with glasses, clutching a doll / action figure.
+
The person watching from an upstairs window is a small boy with glasses, clutching an action figure doll.
  
 
DEAN and SAM go to the front door and knock.  A middle-aged woman, with a sweater and a large cross on a necklace, answers the door.  She folds her arms and looks at them.  
 
DEAN and SAM go to the front door and knock.  A middle-aged woman, with a sweater and a large cross on a necklace, answers the door.  She folds her arms and looks at them.  
  
DEANHi.   
+
DEAN<br />
 +
Hi.   
  
RUTHWhat can I do for you boys?
+
RUTH<br />
 +
What can I do for you boys?
  
DEANI'm Dean. This is my brother, Sam.  We're old buddies of Sonny's.
+
DEAN<br />
 +
I'm Dean. This is my brother, Sam.  We're old buddies of Sonny's.
  
RUTHPrison buddies?
+
RUTH<br />
 +
Prison buddies?
  
 
DEAN swallows, taken aback; SAM coughs.   
 
DEAN swallows, taken aback; SAM coughs.   
  
DEANNo. Uh ... you mind telling him that we're here?
+
DEAN<br />
 +
No. Uh ... you mind telling him that we're here?
  
RUTH, after a pauseI'll go get him.  (She turns around, then as they are about to follow her in, turns back to them to say: )  I just mopped this floor, so you take off those roach stompers.
+
RUTH, after a pause<br />
 +
I'll go get him.  (She turns around, then as they are about to follow her in, turns back to say: )  I just mopped this floor, so you take off those roach stompers.
  
 
SAM and DEAN look down at their boots and kick them off.  
 
SAM and DEAN look down at their boots and kick them off.  
  
SAM (quietly, to DEAN)Sonny's an ex-con, huh?
+
SAM (quietly, to DEAN)<br />
 +
Sonny's an ex-con, huh?
  
DEANWhat, and we're such angels?  Trust me, he's more than made up for it.
+
DEAN<br />
 +
What, and we're such angels?  Trust me, he's more than made up for it.
  
They enter the house.  DEAN looks at a couch.  
+
They enter the house.  DEAN looks at the couch in the living room, and has a memory ...
  
  
Line 315: Line 386:
 
A deputy sheriff, DEPUTY BILLY, wearing sunglasses, is talking to SONNY, a guy with large sideburns and a plaid shirt.  They are in a living room with 16yo YOUNG DEAN sitting cuffed on a couch.
 
A deputy sheriff, DEPUTY BILLY, wearing sunglasses, is talking to SONNY, a guy with large sideburns and a plaid shirt.  They are in a living room with 16yo YOUNG DEAN sitting cuffed on a couch.
  
DEPUTY BILLYSteven Hewlett caught him red-handed stealing up at his store.
+
DEPUTY BILLY<br />
 +
Steven Hewlett caught him red-handed stealing up at his store.
  
SONNYSo what'd he take?   
+
SONNY<br />
 +
So what'd he take?   
  
DEPUTY BILLY: Get this -- peanut butter and bread.
+
DEPUTY BILLY<br />
 +
Get this – peanut butter and bread.
  
SONNY looks at YOUNG DEAN assentingly, sitting cuffed on the couch.  
+
SONNY looks at YOUNG DEAN assessingly, as he sits cuffed on the couch.  
  
SONNYOkay.  And how about family?
+
SONNY<br />
 +
Okay.  And how about family?
  
DEPUTY BILLYWell, his old man called.  Once he found out what happened, he said let him rot in jail.  (YOUNG DEAN looks down at his knees.)  Judge is off on a fishing trip.  Boy's too young to leave in County.  So we thought it best he stay here till arraignment.
+
DEPUTY BILLY<br />
 +
Well, his old man called. (YOUNG DEAN looks up.) Once he found out what happened, he said let him rot in jail.  (YOUNG DEAN looks down at his knees.)  Judge is off on a fishing trip.  Boy's too young to leave in County.  So we thought it best he stay here till arraignment.
  
SONNYI don't see why not, man.
+
SONNY<br />
 +
I don't see why not, man.
  
DEPUTY BILLY (taking off his sunglasses)Appreciate it, Sonny.
+
DEPUTY BILLY (taking off his sunglasses)<br />
 +
Appreciate it, Sonny.
  
SONNY (noting a black eye on DEPUTY BILLY)Where'd you get the shiner?
+
SONNY (noting a black eye on DEPUTY BILLY)<br />
 +
Where'd you get the shiner?
  
 
YOUNG DEAN laughs.  
 
YOUNG DEAN laughs.  
  
DEPUTY BILLY to DEAN: You think that's funny?
+
DEPUTY BILLY to YOUNG DEAN<br />
 +
You think that's funny?
  
YOUNG DEAN: I think you're slow.
+
YOUNG DEAN<br />
 +
I think you're slow.
  
DEPUTY BILLY (angry, advancing towards YOUNG DEAN): You sucker punched me!   
+
DEPUTY BILLY (angry, advancing towards YOUNG DEAN)<br />
 +
You sucker punched me!   
  
YOUNG DEAN: You wish!
+
YOUNG DEAN<br />
 +
You wish!
  
SONNYCome on, now (yelling)more calmly:  Billy, I got this, buddy.  It's all right.
+
SONNY<br />
 +
Come on, now(loudly, to get their attention) <br />
 +
(then, more calmly:) Billy, I got this, buddy.  It's all right.
  
BILLY leaves.  YOUNG DEAN waves goodbye sarcastically.   
+
DEPUTY BILLY, calmer, leaves.  YOUNG DEAN waves goodbye sarcastically.   
  
SONNYYou shouldn't do that, kid.
+
SONNY<br />
 +
You shouldn't do that, kid.
  
DEANYeah? Why? Because he's a cop?
+
YOUNG DEAN<br />
 +
Yeah? Why? Because he's a cop?
  
SONNYBecause when you make him mad, he leaves with the key.
+
SONNY<br />
 +
Because when you make him mad, he leaves with the key.
  
 
YOUNG DEAN's face falls, he holds up his cuffs, and shakes his head disgustedly.  SONNY watches, with a tiny small on his face.  Then he leans forward to pick up a paperclip from an ashtray on the coffee table.   
 
YOUNG DEAN's face falls, he holds up his cuffs, and shakes his head disgustedly.  SONNY watches, with a tiny small on his face.  Then he leans forward to pick up a paperclip from an ashtray on the coffee table.   
  
SONNYEh, don't sweat it.  
+
SONNY<br />
 +
Eh, don't sweat it.  
  
Sitting in front of YOUNG DEAN, he takes his cuffed hands to open up the cuffs.  YOUNG DEAN's forearms are bruised and red, as if he was bound or injured.
+
Sitting in front of YOUNG DEAN, SONNY takes his cuffed hands to open up the cuffs.  YOUNG DEAN's forearms are bruised and red, as if bruised or abraded by bindings or ligature marks.
  
SONNY (with concern)Deputy do that?  (YOUNG DEAN scoffs and shakes his head.)    What, your old man?  (YOUNG DEAN shakes his head no.)  Well, then, how'd you get it?
+
SONNY (noting the marks with concern)<br />
 +
Deputy do that?  (YOUNG DEAN scoffs and shakes his head.)    What, your old man?  (YOUNG DEAN shakes his head no.)  Well, then, how'd you get it?
  
YOUNG DEAN (turning back to SONNY, somewhat defiantly): Werewolf.
+
YOUNG DEAN (turning back to SONNY, somewhat defiantly)<br />
 +
Werewolf.
  
 
SONNY looks at YOUNG DEAN for a long moment, realizing he's not going to get a different answer from the kid.
 
SONNY looks at YOUNG DEAN for a long moment, realizing he's not going to get a different answer from the kid.
  
SONNY: Okay.  (and turns back toward opening up the cuffs with the paperclip.  Freeing him.  SONNY stands up and starts walking out of the room.  DEAN shakes his hands and stands up too.
+
SONNY<br />
 +
Okay.   
 +
 
 +
SONNY turns back toward the cuffs, opening up them with the paperclip, and removing them.  SONNY stands up and starts walking out of the room.  Freed, YOUNG DEAN stands up too, shaking his hands.
  
DEAN: So, how do you know I won't just run away?
+
DEAN<br />
 +
So, how do you know I won't just run away?
  
SONNY: Because you're hungry.
+
SONNY<br />
 +
Because you're hungry.
  
YOUNG DEAN: No, I'm not.
+
YOUNG DEAN<br />
 +
No, I'm not.
  
SONNY: Well, then, why'd you steal bread and peanut butter?
+
SONNY<br />
 +
Well, then, why'd you steal bread and peanut butter?
  
 
YOUNG DEAN shrugs.   
 
YOUNG DEAN shrugs.   
  
YOUNG DEAN: So, what is this place, anyway?
+
YOUNG DEAN<br />
 +
So, what is this place, anyway?
  
SONNY: It's for boys like you.  You work the land.  Teaches you some discipline and responsibility.  Keep you out of trouble.
+
SONNY<br />
 +
It's for boys like you.  You work the land.  Teaches you some discipline and responsibility.  Keep you out of trouble.
  
YOUNG DEAN: (laughs) That's lame.
+
YOUNG DEAN<br />
 +
(laughs)<br />
 +
That's lame.
  
SONNYBeats jail.  Come on.  I'll fix you something to eat.
+
SONNY<br />
 +
Beats jail.  Come on.  I'll fix you something to eat.
  
  
Line 393: Line 496:
 
Back to present day.  DEAN is smiling slightly.  SONNY walks in.  He's wearing glasses, has his hair pulled back in ponytail.   
 
Back to present day.  DEAN is smiling slightly.  SONNY walks in.  He's wearing glasses, has his hair pulled back in ponytail.   
  
SONNY: Dee-dawg!
+
SONNY<br />
 +
Dee-dawg!
  
DEANSonny! Good to see you.
+
DEAN<br />
 +
Sonny! Good to see you.
  
SONNYHey, you, too, brother.  (They hug. SAM stands by watching.)  Oh, and this must be Sam.   
+
SONNY<br />
 +
Hey, you, too, brother.  (They hug. SAM stands by watching.)  Oh, and this must be Sam.   
  
SAMGood to meet you.
+
SAM<br />
 +
Good to meet you.
  
SONNYBack at you, brother.
+
SONNY<br />
 +
Back at you, brother.
  
DEANSo, farm looks, uh, nice.
+
DEAN<br />
 +
So, farm looks, uh, nice.
  
SONNYOh, please, man.  It's barely standing.  Only got a handful of kids working around here now.
+
SONNY<br />
 +
Oh, please, man.  It's barely standing.  Only got a handful of kids working around here now.
  
DEANWhy's that?
+
DEAN<br />
 +
Why's that?
  
SONNY: Because these days, the system would rather incarcerate a boy than redeem him.
+
SONNY<br />
 +
Because these days, the system would rather incarcerate a boy than redeem him.
  
 
RUTH is wiping down a table nearby.   
 
RUTH is wiping down a table nearby.   
  
SAMHey, Sonny, uh, you–you mind if we talk alone?
+
SAM<br />
 +
Hey, Sonny, uh, you – you mind if we talk alone?
  
SONNY turns to RUTH: Hey, Ruth, would you, uh, please go check on the boys, make sure their morning chores are getting done?
+
SONNY turns to RUTH<br />
 +
Hey, Ruth, would you, uh, please go check on the boys, make sure their morning chores are getting done?
  
DEAN: All right. So, what's happening?
+
DEAN<br />
 +
All right. So, what's happening?
  
SONNYWell, you remember Jack, don't you?
+
SONNY<br />
 +
Well, you remember Jack, don't you?
  
DEANYeah. The, uh, tough, old leatherneck.
+
DEAN<br />
 +
Yeah. The, uh, tough, old leatherneck.
  
SONNYMm-hmm.  Well, somehow, that ancient, rusty, broken-down tractor just roared to life and ran him over the other night.
+
SONNY<br />
 +
Mm-hmm.  Well, somehow, that ancient, rusty, broken-down tractor just roared to life and ran him over the other night.
  
SAMMaybe -- maybe it just, uh, slipped out of park or something.
+
SAM<br />
 +
Maybe maybe it just, uh, slipped out of park or something.
  
SONNYCouldn't have.  (Shakes his head.)  You know, I never -- I never believed any of this mumbo-jumbo stuff you boys are into, but... something ain't right.
+
SONNY<br />
 +
Couldn't have.  (Shakes his head.)  You know, I never I never believed any of this mumbo-jumbo stuff you boys are into, but... something ain't right.
  
SAMWhat do you mean?
+
SAM<br />
 +
What do you mean?
  
SONNYWell, just … things started happening -- you know, lights flickering on and off, strange scratching sounds coming from inside the walls, windows and doors slamming.
+
SONNY<br />
 +
Well, just … things started happening you know, lights flickering on and off, strange scratching sounds coming from inside the walls, windows and doors slamming.
  
DEANAll right.  You think you can round up the boys while we take a look around?
+
DEAN<br />
 +
All right.  You think you can round up the boys while we take a look around?
  
SONNY: Well, that shouldn't be a problem.  Most are home on break -- well, except those with no home worth going to.
+
SONNY<br />
 +
Well, that shouldn't be a problem.  Most are home on break well, except those with no home worth going to.
  
DEANMm.
+
DEAN<br />
 +
Mm.
  
 
SONNY walks out of the room.  
 
SONNY walks out of the room.  
  
DEAN (to SAM)All right.  Why don't you take the house? I'll check out the barn.
+
DEAN (to SAM)<br />
 +
All right.  Why don't you take the house? I'll check out the barn.
  
SAMYeah.
+
SAM<br />
 +
Yeah.
  
  
Line 458: Line 585:
 
; SCENE
 
; SCENE
  
SAMHey. I am so sorry.  I-I-I thought I... saw something in, uh --
+
SAM<br />
 +
Hey. I am so sorry.  I-I-I thought I ... saw something in, uh
  
RUTH (sounding more human and pleasant for the first time, and looking at the window):  Like a ghost? 
+
RUTH<br />
 +
Like a ghost?  (She sounds more human and pleasant for the first time, and looks at the window.)
  
 
SAM looks at her, as if to say why would you think that?  or how do you know that?  RUTH looks down for a moment.  
 
SAM looks at her, as if to say why would you think that?  or how do you know that?  RUTH looks down for a moment.  
  
RUTHSonny told me you were old friends, but … I know why you're really here.  That's why I was praying for us.
+
RUTH<br />
 +
Sonny told me you were old friends, but … I know why you're really here.  That's why I was praying for us.
  
SAMPraying for what?
+
SAM<br />
 +
Praying for what?
  
RUTH (smils slightly)For the ghost that haunts this farm to leave.
+
RUTH (smiles slightly)<br />
 +
For the ghost that haunts this farm to leave.
  
  
Line 475: Line 607:
 
; SCENE - barn
 
; SCENE - barn
  
DEAN opens and shuts the barn door.  Pigeon sounds.  He walks through the shadowy light and whips out his old EMF detector which makes a "wheee--oooo" chattering sound.
+
DEAN opens and shuts the barn door.  Pigeon sounds.  He walks through the shadowy light and whips out his old EMF detector which makes a "wheee–oooo" chattering sound.
 +
 
 +
DEAN<br />
 +
All right, Casper... Where're you at?
  
DEAN:  All right, Casper... Where're you at?  (puts the EMF back in his pocket) (hears a noise … a kid's voice … walks and opens another door … it's dim in here.)
+
DEAN puts the EMF back in his pocket. He hears a noise … a kid's voice … and walks toward it, opening another door to a dim room.  
  
DEAN calls outHello?  (stills a swinging lightbulb)  Anybody here?  (whirls around)
+
DEAN calls out<br />
 +
Hello?  (He reaches out to still a swinging lightbulb.)  Anybody here?   
  
DEAN: Hey, kid, what are you doing in here by yourself?
+
DEAN whirls around to a sound. It's the third kid, with glasses, seen earlier in the barn scene.
  
TIMMY:  Fighting monsters.
+
DEAN<br />
 +
Hey, kid, what are you doing in here by yourself?
  
DEAN:  What kind of monsters?
+
Kid<br />
 +
Fighting monsters.
  
TIMMY:  All sorts with Bruce the monster smasher.  (holds up doll/action figure)
+
DEAN<br />
 +
What kind of monsters?
  
DEAN: Hm. Is that a cape?  Little impractical for smashing monsters, huh?  You know, you could choke --
+
KID<br />
 +
All sorts, with Bruce the monster smasher. (The KID holds up his action figure doll.)
  
TIMMY activates DOLL which says: <i>I clobber evil!</i>
+
DEAN<br />
 +
Hm.  Is that a cape?  Little impractical for smashing monsters, huh?  You know, you could choke—
  
DEAN: (chuckles slightly) I bet you do.
+
The KID activates DOLL which says<br />
 +
''I clobber evil!''
  
DEANI'm Dean. (holds out his hand)  
+
DEAN<br />
 +
(chuckles slightly)<br />
 +
I bet you do.<br />
 +
(pauses)<br />
 +
I'm Dean. <br />
 +
(holds out his hand)  
  
KID (TIMMY): Timmy.  (shakes hand)
+
KID<br />
 +
Timmy.  (shakes hand)
  
DEAN: Let's try that again.  If you're gonna be a man, you got to learn how to shake like one, okay?  So give me your best Kung Fu grip.  Good.  (They shake again.)  Now look me straight in the eye.  Let me know  that you mean business.  Shake as hard as you can.  (Shake again.)  That's it.  You shake like that, you'll be all right.  (TIMMY smiles.)  Hey, Timmy, did you know Jack who worked here?   
+
DEAN<br />
 +
Let's try that again.  If you're gonna be a man, you got to learn how to shake like one, okay?  So give me your best Kung Fu grip.  Good.  (They shake again.)  Now look me straight in the eye.  Let me know  that you mean business.  Shake as hard as you can.  (Shake again.)  That's it.  You shake like that, you'll be all right.  (TIMMY smiles.)  Hey, Timmy, did you know Jack who worked here?   
  
TIMMY nodsMM-hmmm (he says, very quietly)
+
TIMMY nods<br />
 +
MM-hmmm (he says, very quietly)
  
DEANWhat can you tell me about him?
+
DEAN<br />
 +
What can you tell me about him?
  
TIMMY: He yelled a lot.  He was yelling when he had his accident.
+
TIMMY<br />
 +
He yelled a lot.  He was yelling when he had his accident.
  
DEAN: How do you know that?
+
DEAN<br />
 +
How do you know that?
  
TIMMY: 'Cause me and the other boys were playing here when it happened.
+
TIMMY<br />
 +
'Cause me and the other boys were playing here when it happened.
  
DEAN: Did you see anything?  (TIMMY shakes his head no.)  Is there anything else about that night that you can remember, anything at all?
+
DEAN<br />
 +
Did you see anything?  (TIMMY shakes his head no.)  Is there anything else about that night that you can remember, anything at all?
  
TIMMY: It suddenly … got really cold.  (DEAN looks thoughtful.)  Can I go?  I have to finish my chores before Miss Ruth gets mad.
+
TIMMY<br />
 +
It suddenly … got really cold.  (DEAN looks thoughtful.)  Can I go?  I have to finish my chores before Miss Ruth gets mad.
  
DEAN: That Ruth -- she runs a tight ship, huh?  Yeah, you better roll.
+
DEAN<br />
 +
That Ruth she runs a tight ship, huh?  Yeah, you better roll.
  
  
Line 521: Line 678:
  
 
; SCENE
 
; SCENE
RUTH (to SAM)I grew up in this town.  I used to come up here as a little girl.  The Wasserlaufs, Howard and Doreen -- they used to own this farm back then.  (View from above, as if someone is watching them.)  My co-worker, Jack, may he rest in peace, he worked here as a farmhand.  Howard was a nice man, but... Well, he'd get into that corn liquor, and … one night he got it into his thick skull that Jack and his wife, Doreen, were rolling around in the hay.  It wasn't true, but -- but Howard's paranoia got the better of him.  He tried to kill them both.  Jack got away, but Doreen...
+
RUTH (to SAM)<br />
 +
I grew up in this town.  I used to come up here as a little girl.  The Wasserlaufs, Howard and Doreen they used to own this farm back then.  (View from above, as if someone is watching them.)  My co-worker, Jack, may he rest in peace, he worked here as a farmhand.  Howard was a nice man, but... Well, he'd get into that corn liquor, and … one night he got it into his thick skull that Jack and his wife, Doreen, were rolling around in the hay.  It wasn't true, but but Howard's paranoia got the better of him.  He tried to kill them both.  Jack got away, but Doreen...
  
SAMHe killed her?
+
SAM<br />
 +
He killed her?
  
RUTHWith a meat cleaver.  Got life in jail.  Which for Howard ended a year ago.  He always swore he'd get his revenge on poor old Jack, and ... looks like he finally got it.
+
RUTH<br />
 +
With a meat cleaver.  Got life in jail.  Which for Howard ended a year ago.  He always swore he'd get his revenge on poor old Jack, and ... looks like he finally got it.
  
SAMIs Howard buried here in town?
+
SAM<br />
 +
Is Howard buried here in town?
  
 
She looks at him.  
 
She looks at him.  
Line 534: Line 695:
  
 
; SCENE - digging up a grave, nighttime of course!  
 
; SCENE - digging up a grave, nighttime of course!  
SAMSo …  Dad didn't want you to tell me.  How come?  Was this place really so bad?
+
SAM<br />
 +
So …  Dad didn't want you to tell me.  How come?  Was this place really so bad?
  
DEAN: I don't really remember.  I mean, look, nobody bad touched me.  Nobody burned me with their smokes, or beat me with a metal hanger.  I call that a win.
+
DEAN<br />
 +
I don't really remember.  I mean, look, nobody bad touched me.  Nobody burned me with their smokes, or beat me with a metal hanger.  I call that a win.
  
 
SAM laughs a little.  
 
SAM laughs a little.  
  
DEAN:  (hitting the coffin)  Hey(they open up the coffin, pour salt)
+
DEAN hits something hard with his shovel.   
  
DEAN (sighs)All right. Let's barbecue old MacDonald here, get the hell out of Dodge.
+
DEAN:<br />
 +
Hey. 
 +
 
 +
SAM and DEAN open up the coffin to reveal a corpse.  They pour salt over it, liberally.
 +
 
 +
DEAN (sighs)<br />
 +
All right. Let's barbecue old MacDonald here, get the hell out of Dodge.
  
 
They toss a light, stand and watch.   
 
They toss a light, stand and watch.   
Line 550: Line 719:
  
 
; SCENE - Impala, daytime
 
; SCENE - Impala, daytime
It's daytime, and the IMPALA is on the road -- driving, we presume, away from SONNY's.   
+
It's daytime, and the IMPALA is on the road driving, we presume, away from SONNY's.   
  
  
Line 558: Line 727:
 
♪ Ave Maria ♪  
 
♪ Ave Maria ♪  
  
"Ave Maria" is playing on an old-fashioned radio.  We see the outside of SONNY's, then the inside -- a bathroom.  RUTH's cross is draped on the sink.  RUTH is relaxing in the bath listening to "Ave Maria".  The lights start flickering but RUTH doesn't notice because she has a washcloth over her eyes.  A frost forms on the mirror, and RUTH's breath suddenly is visible, indicating a sudden chill.  The shower curtain slides on its rings, and then falls over RUTH's face.   
+
"Ave Maria" is playing on an old-fashioned radio.  We see the outside of SONNY's, then inside, in a bathroom.  RUTH's cross is draped on the sink.  RUTH is relaxing in the bath listening to "Ave Maria".  The lights start flickering but RUTH doesn't notice because she has a washcloth over her eyes.  A frost forms on the mirror, and RUTH's breath suddenly is visible, indicating a sudden chill.  The shower curtain slides on its rings, and then falls over RUTH's face.   
  
 
RUTH is struggling and screaming, trying to peel the shower curtain off her face.   
 
RUTH is struggling and screaming, trying to peel the shower curtain off her face.   
  
RUTHHelp! Help!
+
RUTH<br />
 +
Help! Help!
  
 
SONNY knocks on the bathroom door.   
 
SONNY knocks on the bathroom door.   
  
SONNYRuth, you okay?  What's wrong?
+
SONNY<br />
 +
Ruth, you okay?  What's wrong?
  
 
Flashing between RUTH being murdered in the bath, and SONNY banging on the door to get in, and the volume on the radio going up.  The close-up of RUTH's face through the shower curtain is really grotesque.  Her hand rigidly grasps the side of the bathtub, then relaxes … with a splash into the bathtub.   
 
Flashing between RUTH being murdered in the bath, and SONNY banging on the door to get in, and the volume on the radio going up.  The close-up of RUTH's face through the shower curtain is really grotesque.  Her hand rigidly grasps the side of the bathtub, then relaxes … with a splash into the bathtub.   
  
SONNYOpen up!
+
SONNY<br />
 +
Open up!
  
SONNYRuth!
+
SONNY<br />
 +
Ruth!
  
 
♪ Ave Maria ♪  
 
♪ Ave Maria ♪  
♪ Ave Maria ♪  
+
♪ Ave Maria ♪
 
 
 
 
  
 
== ACT TWO ==  
 
== ACT TWO ==  
Line 584: Line 755:
 
; SCENE - Cus's Place
 
; SCENE - Cus's Place
  
Daytime, exterior of restaurant "Cus's Place: HOME SYTLE MEALS"
+
Daytime, exterior of restaurant "CUS'S PLACE: HOME STYLE MEALS"
  
 
DEAN and SAM are sitting at a table.  DEAN, with a sly smile on his face, is watching the waitress who is at the counter, laughing with some other customers.
 
DEAN and SAM are sitting at a table.  DEAN, with a sly smile on his face, is watching the waitress who is at the counter, laughing with some other customers.
  
WAITRESSThat's okay.
+
WAITRESS (to other customers)<br />
 +
That's okay.
  
SAMDean, you know I'm fine just grabbing a burger-to-go somewhere, right?
+
SAM<br />
 +
Dean, you know I'm fine just grabbing a burger-to-go somewhere, right?
  
DEANWhat, and miss out on the best banana pancakes you ever had? (He looks down at menu ….)
+
DEAN<br />
 +
What, and miss out on the best banana pancakes you ever had?  
 +
 
 +
DEAN looks down at menu ….
  
  
Line 599: Line 775:
 
; SCENE - FLASHBACK  
 
; SCENE - FLASHBACK  
  
(DEAN is looking at the menu in a flashback, sitting with SONNY.)
+
YOUNG DEAN is looking at the menu in a flashback, sitting with SONNY.
  
DEANThanks.
+
YOUNG DEAN<br />
 +
Thanks.
  
SONNY: No prob.  I do this for all the boys after they've been here for a month.
+
SONNY<br />
 +
No prob.  I do this for all the boys after they've been here for a month.
  
DEAN: I meant for getting the charges against me dropped.
+
YOUNG DEAN<br />
 +
I meant for getting the charges against me dropped.
  
SONNY: Well, being hungry's not a crime.  It's the stealing that is.  But I feel if you only do that once, you don't deserve a record.  And seeing as how we can't find your pops anywhere, you can stay here as long as you want, Dean.  You're doing good in school.  You're making friends.  You made the wrestling team.  I'm proud of you.  (pause)  Let me ask you something, and I want you to be straight with me.  Are you into the whole heavy-metal, devil-worshiping stuff?
+
SONNY<br />
 +
Well, being hungry's not a crime.  It's the stealing that is.  But I feel if you only do that once, you don't deserve a record.  And seeing as how we can't find your pops anywhere, you can stay here as long as you want, Dean.  You're doing good in school.  You're making friends.  You made the wrestling team.  I'm proud of you.  (pause)  Let me ask you something, and I want you to be straight with me.  Are you into the whole heavy-metal, devil-worshiping stuff?
  
DEAN: What?  No.
+
YOUNG DEAN<br />
 +
What?  No.
  
SONNYHey, I'm not -- I'm not judging.  It's just I found a few occult-looking symbols carved into your bedpost.
+
SONNY<br />
 +
Hey, I'm not I'm not judging.  It's just I found a few occult-looking symbols carved into your bedpost.
  
DEAN: (sighs)  It's a very long story.
+
YOUNG DEAN<br />
 +
(sighs)  It's a very long story.
  
SONNYThat story have anything to do with why you put the salt in front of your bunk door every night before bed?
+
SONNY<br />
 +
That story have anything to do with why you put the salt in front of your bunk door every night before bed?
  
DEAN: Well, it's a family thing, so I can't really talk about it.
+
YOUNG DEAN<br />
 +
Well, it's a family thing, so I can't really talk about it.
  
SONNY: Same family that left you here?  (Dean is speechless)  (SONNY laughs)  What are you --  what are you, in the mob or something?
+
SONNY<br />
 +
Same family that left you here?  
  
DEAN:  More like something. (looks back down at his menu)
+
YOUNG DEAN is speechless.
  
SONNY:  I was part of this gang, right?  They were my family.  I lived, breathed, I would have even died for them.  You know where it got me?  15 years in a correctional facility.  And for what? Being loyal?  To who?  I should have been loyal to myself. Because you get one shot at this game, Dean, and when you look in the mirror, you want the guy looking back at you to be his own man.
+
SONNY (continues)<br />
 +
(laughs)
 +
What are you – what are you, in the mob or something?
  
DEAN nodsWaitress with ROBIN name tag comes to their table.
+
YOUNG DEAN<br />
 +
More like something(looks back down at his menu)
  
ROBIN: Hey, guys.
+
SONNY<br />
 +
I was part of this gang, right?  They were my family.  I lived, breathed, I would have even died for them. You know where it got me?  15 years in a correctional facility.  And for what? Being loyal?  To who?  I should have been loyal to myself. Because you get one shot at this game, Dean, and when you look in the mirror, you want the guy looking back at you to be his own man.
  
SONNY: Hey, Robin. How are you?
+
YOUNG DEAN nods. Waitress with ROBIN name tag comes to their table.  
  
ROBIN:  I'm good. How are you?
+
YOUNG ROBIN<br />
 +
Hey, guys.
  
SONNY:  GoodMeet my new ranch foreman here, Dean.
+
SONNY<br />
 +
Hey, RobinHow are you?
  
DEAN eyes her name tag, ROBIN.   
+
YOUNG ROBIN<br />
 +
I'm good. How are you?
 +
 
 +
SONNY<br />
 +
Good.  Meet my new ranch foreman here, Dean.
 +
 
 +
YOUNG DEAN eyes her name tag, ROBIN.   
  
  
Line 645: Line 843:
 
DEAN is eyeing her name tag, ROBIN.   
 
DEAN is eyeing her name tag, ROBIN.   
  
ROBINHi. Welcome to Cus's.  What can I get you two?
+
ROBIN<br />
 +
Hi. Welcome to Cus's.  What can I get you two?
  
DEANBet you never thought you'd see me here, huh?  (He smiles insinuatingly.)
+
DEAN<br />
 +
Bet you never thought you'd see me here, huh?  (He smiles insinuatingly.)
  
ROBIN:  (She looks at him with a blankly friendly expression.) Uh,  look, I'm a little bit slammed right now.  Do you guys want to hear the specials?
+
ROBIN looks at him with a blankly friendly expression.
  
DEAN (looking hopeful): Robin ..Dean Winchester.
+
ROBIN<br />
 +
Uh, look, I'm a little bit slammed right nowDo you guys want to hear the specials?
  
ROBIN: Um ...  
+
DEAN (looking hopeful)<br />
 +
Robin ...  Dean Winchester.
  
DEANI used to live up at Sonny's.
+
ROBIN<br />
 +
Um ...
 +
 
 +
DEAN<br />
 +
I used to live up at Sonny's.
  
 
SAM is watching with interest.  
 
SAM is watching with interest.  
  
ROBINOh, oh.  Uh, look, sorry.  There's just -- there's so many boys that pass through there, it's -- it's hard to remember every -- every name and face.
+
ROBIN<br />
 +
Oh, oh.  Uh, look, sorry.  There's just there's so many boys that pass through there, it's it's hard to remember every every name and face.
  
DEANYeah. Uh, no.  Sorry, I just -- I remember you coming up there  with your mom.  She'd give guitar lessons.  It's, uh -- it was a long time ago.
+
DEAN<br />
 +
Yeah. Uh, no.  Sorry, I just I remember you coming up there  with your mom.  She'd give guitar lessons.  It's, uh it was a long time ago.
  
ROBIN: Yeah. Mom -- she loved helping out the boys.  I guess that's why I kept giving lessons after she passed.  (She clears her throat.)
+
ROBIN<br />
 +
Yeah. Mom she loved helping out the boys.  I guess that's why I kept giving lessons after she passed.   
  
Another woman: Hey, Robin?
+
ROBIN clears her throat. There's an awkward silence.
  
ROBIN:  Um, would you excuse me? I'll be right back.
+
ANOTHER WOMAN<br />
 +
Hey, Robin?
  
SAM: Dude …?
+
ROBIN<br />
 +
Um, would you excuse me? I'll be right back.
  
DEAN (suddenly getting up): Let's go.
+
SAM<br />
 +
Dude …?
  
They're outside walking to the IMPALA.
+
DEAN (suddenly getting up)<br />
 +
Let's go.
  
SAM:  W-- what was that?
 
  
DEAN:  Nothing.
 
  
SAM:  Nothing? Well, obviously it was something.  Who was that waitress?
 
  
DEAN: I said it was nothing, all right?  Drop it.
+
 
 +
Seconds later they're outside walking to the IMPALA.
 +
 
 +
SAM<br />
 +
Wh – what was that?
 +
 
 +
DEAN<br />
 +
Nothing.
 +
 
 +
SAM<br />
 +
Nothing? Well, obviously it was something. Who was that waitress?
 +
 
 +
DEAN<br />
 +
I said it was nothing, all right?  Drop it.
  
 
DEAN's phone is ringing; he picks it up.   
 
DEAN's phone is ringing; he picks it up.   
  
DEANSonny.  (pause)  What?!
+
DEAN<br />
 +
Sonny.  (pause)  What?!
  
  
Line 696: Line 920:
 
Outside.  Door on the COUNTY CORONER's van slams shut.  Police car is behind it.  Police radio is chattering.  Camera pans over to DEAN, SAM, and SONNY, watching.   
 
Outside.  Door on the COUNTY CORONER's van slams shut.  Police car is behind it.  Police radio is chattering.  Camera pans over to DEAN, SAM, and SONNY, watching.   
  
SONNY: I tried to get in to save her, but the damn door wouldn't open.
+
SONNY<br />
 +
I tried to get in to save her, but the damn door wouldn't open.
  
SAMLocked?
+
SAM<br />
 +
Locked?
  
SONNYThere's no locks on the farm.
+
SONNY<br />
 +
There's no locks on the farm.
  
 
DEAN sighs.   
 
DEAN sighs.   
  
DEAN (to SAM)That means our little field trip to the cemetery was a bust.  Sonny, is there anything else weird you can remember?
+
DEAN (to SAM)<br />
 +
That means our little field trip to the cemetery was a bust.  Sonny, is there anything else weird you can remember?
  
SONNYWhat, 'cause we're not chest-deep in weird already, boys?
+
SONNY<br />
 +
What, 'cause we're not chest-deep in weird already, boys?
  
DEANI know, I know.  I mean anything -- really.
+
DEAN<br />
 +
I know, I know.  I mean anything really.
  
SONNYThere was one thing.  Ruth always had her rosary beads with her, but now I can't find them anywhere.
+
SONNY<br />
 +
There was one thing.  Ruth always had her rosary beads with her, but now I can't find them anywhere.
  
SAMAll right. Um, let's start with the vics, okay?  I mean, both lived in the house.  They both, uh, worked closely with the boys.
+
SAM<br />
 +
All right. Um, let's start with the vics, okay?  I mean, both lived in the house.  They both, uh, worked closely with the boys.
  
DEANAll right, why don't I go have a chat with the rug rats, see what's up?  (Dean walks off)
+
DEAN<br />
 +
All right, why don't I go have a chat with the rug rats, see what's up?  (Dean walks off)
  
SAMYeah.  Sonny, you got any employee records on the victims?
+
SAM<br />
 +
Yeah.  Sonny, you got any employee records on the victims?
  
SONNYIn my office.  Let's do it.
+
SONNY<br />
 +
In my office.  Let's do it.
  
  
Line 728: Line 963:
 
DEAN walking around the house.  He hears some kids talking.   
 
DEAN walking around the house.  He hears some kids talking.   
  
KID 1: Come on, whatcha gonna do about it? You gonna cry?
+
KID 1<br />
 +
Come on, whatcha gonna do about it? You gonna cry?
  
KID 2: Timmy, you're such a little weirdo.
+
KID 2<br />
 +
Timmy, you're such a little weirdo.
  
 
DEAN picks up his pace to intervene.   
 
DEAN picks up his pace to intervene.   
  
DEAN:  (grabbing red sweatshirt kid, who's now in camo shirt; plaid flannel shirt is pushing up against TIMMY against the side of the houseHey, hey, hey, hey!  Hey!
+
DEAN grabs KID 1, previously in the red sweatshirt kid and now in a camouflage pattern shirt; KID 2, previously in a plaid flannel shirt and now in a dark t-shirt, is pushing up against TIMMY against the side of the house.
What are you doing?  (DEAN grabs plaid flannel shirt kid, who's now in a dark tshirt)
+
 
 +
DEAN<br />
 +
Hey, hey, hey, hey!  Hey!<br />
 +
What are you doing?  (DEAN grabs KID 2)<br />
 
Come here. Huh?
 
Come here. Huh?
  
DARK T-SHIRT KID : Nothing.
+
KID 2<br />
 +
Nothing.
  
DEANTimmy, what's going on?  (TIMMY is silent.)
+
DEAN<br />
 +
Timmy, what's going on?   
  
sweatshirt / camp kid huffs in annoyance.
+
TIMMY is silent.
 +
 
 +
KID 1 huffs in annoyance.
  
 
DEAN turns around to face the other kids.   
 
DEAN turns around to face the other kids.   
  
DEANAll right, you two.  Where were you this morning when Ruth had her accident?
+
DEAN<br />
 +
All right, you two.  Where were you this morning when Ruth had her accident?
  
sweatshirt / camp kid:  Unless you're a cop, we don't need to tell you anything.
+
KID 1<br />
 +
Unless you're a cop, we don't need to tell you anything.
  
DEANOh, okay.  Well...how about <i>that?</i>  (he shoves an FBI badge in each of their faces)
+
DEAN<br />
 +
Oh, okay.  Well ...  
  
sweatshirt / camo kid:  We weren't even here this morningSonny sent us into town to get some chicken feed -- we swear.
+
DEAN pulls an ID out of his pocket.   
  
DEAN:  What about RuthWhat can you tell me about her?
+
DEAN (continuing)<br />
 +
... How about ''that''(he shoves an FBI badge in each of their faces)
  
plaid / dark tshirt kid: Uh, we used to call her the warden.  She was a real Bible-thumping hard-ass.
+
KID 1<br />
 +
We weren't even here this morning. Sonny sent us into town to get some chicken feed – we swear.
  
Other kid nods.  
+
DEAN<br />
 +
What about Ruth? What can you tell me about her?
  
DEAN: Obviously. What else?  Anything different or weird you can think of?
+
KID 2<br />
 +
Uh, we used to call her the warden. She was a real Bible-thumping hard-ass.
  
CAMO kid:  You mean besides Timmy?  (both kids laughTIMMY looks sad.)
+
KID 1 nods.   
  
DEAN: Hey!  (lower voice:)  Either of you touch him ever again, I'm gonna go all Guantánamo on you.  (dark tshirt kid swallows)  Understand me?  You get the hell out of here.  Go on! Get.  (He gestures irritably and they scurry off.)   DEAN turns back toward TIMMY who is watching the bigger kids go.   
+
DEAN<br />
 +
Obviously. What else?  Anything different or weird you can think of?
 +
 
 +
KID 1<br />
 +
You mean besides Timmy? 
 +
 
 +
Both kids laugh. TIMMY looks sad.
 +
 
 +
DEAN<br />
 +
Hey!  (lower voice:)  Either of you touch him ever again, I'm gonna go all Guantánamo on you.  (KID 2 swallows.)  Understand me?  You get the hell out of here.  Go on! Get.   
 +
 
 +
DEAN gestures irritably and the kids scurry off.  DEAN turns back toward TIMMY who is watching the bigger kids go.   
  
 
TIMMY steps forward to pick up his doll/action figure.  DEAN gives him a hand up.   
 
TIMMY steps forward to pick up his doll/action figure.  DEAN gives him a hand up.   
  
DEANHey.  You and Bruce okay?
+
DEAN<br />
 +
Hey.  You and Bruce okay?
  
TIMMYYeah.
+
TIMMY<br />
 +
Yeah.
  
DEANListen to me.  Guys like that -- they're cowards, okay?  All you got to do is stand up to them one time and they'll stop, I promise.
+
DEAN<br />
 +
Listen to me.  Guys like that they're cowards, okay?  All you got to do is stand up to them one time and they'll stop, I promise.
  
TIMMY (looks down)Okay.
+
TIMMY (looks down)<br />
 +
Okay.
  
  
Line 783: Line 1,049:
 
SAM and SONNY are walking briskly through the house.  SAM stops, seeing something.   
 
SAM and SONNY are walking briskly through the house.  SAM stops, seeing something.   
  
SAMHey Sonny, wait.  Um ...  W-what is all this?
+
SAM<br />
 +
Hey Sonny, wait.  Um ...  W-what is all this?
  
SONNY: It's our hall of fame.  We had some pretty great athletes come through here, including your brother.  (SAM exhales.)  He was Sullivan county 135-pound wrestling champion.  (SAM exhales again.)
+
SONNY<br />
 +
It's our hall of fame.  We had some pretty great athletes come through here, including your brother.  (SAM exhales.)  He was Sullivan county 135-pound wrestling champion.  (SAM exhales again.)
  
  
Line 791: Line 1,059:
  
  
; SCENE - black t-shirt is mowing & camo is raking
+
; SCENE - KID 2 is mowing and KID 1 is raking
 
They're being watched from above, from a window.   
 
They're being watched from above, from a window.   
  
 
Horn honks. Car drives up.  Boys turn to see ROBIN getting out of car, with a guitar case.   
 
Horn honks. Car drives up.  Boys turn to see ROBIN getting out of car, with a guitar case.   
  
ROBINHey, guys!
+
ROBIN<br />
 +
Hey, guys!
  
T-SHIRT:  She could give me a lesson anytime.
+
KID 2<br />
 +
She could give me a lesson anytime.
  
CAMO:  Gross.  She's like ancient.
+
KID 1<br />
 +
Gross.  She's like ancient.
  
T-SHIRT turns back to the lawnmower.  It seems to pick up a rock, or something causing it to make a strange sound.   
+
KID 2 turns back to the lawnmower.  It seems to pick up a rock, or something causing it to make a strange sound.   
  
T-SHIRT:  What the hell?  (He grabs the lever to turn it off.  Tilts it on its side.  We see that the underside has RUTH's cross caught up in the mechanism. CAMO comes over to look.)
+
KID 2<br />
 +
What the hell?   
  
T-SHIRT: What's this doing in here?  The other kid shrugs and shakes his head.  T-SHIRT reaches his hand in cautiously and starts pulling out grass, and trying to pull off the cross necklace.  
+
KID 2 grabs the lever to turn it off.  He tilts it on its side. We see that the underside has RUTH's cross caught up in the mechanism. KID 1 comes over to look.
 +
 
 +
KID 2<br />
 +
What's this doing in here?   
 +
 
 +
KID 1 shrugs and shakes his head.  KID 2 reaches his hand in cautiously and starts pulling out grass, and trying to pull off the cross necklace.  
  
 
The view from the window above has ghostly noises.  We see TIMMY standing in the window clutching his doll/action figure.  
 
The view from the window above has ghostly noises.  We see TIMMY standing in the window clutching his doll/action figure.  
  
Below, T-SHIRT is still working with the lawnmower.  The camera pauses on the red power lever for a moment.  CAMO watches to see what happens.  The camera pauses on the red power level -- which flips.  The engine turns over.  T-SHIRT screams; blood sprays out over CAMO, who tries to help his friend; T-SHIRT falls over; the lawnmower continues to run.  The camera pans over to TIMMY in the house.  A hand clasps him on the shoulder -- the hand has what appears to be strange markings, tattoos or scarring.
+
Below, KID 2 is still working with the lawnmower.   
  
==  COMMERCIAL BREAK ==  
+
The camera pauses on the red power lever for a moment.  KID 1 watches to see what happens.  The camera pauses on the red power level – which flips.  The engine turns over. 
 +
 
 +
KID 2 screams; blood sprays out over KID 1, who tries to help his friend; KID 2 falls over; the lawnmower continues to run. 
 +
 
 +
The camera pans over to TIMMY in the house.  A hand clasps him on the shoulder – a hand with what appears to be strange markings, tattoos or scarring.
 +
 
 +
==  ACT THREE ==  
  
  
Line 820: Line 1,103:
 
Open on someone reviewing a file about TIMMY.  DEAN walks in.   
 
Open on someone reviewing a file about TIMMY.  DEAN walks in.   
  
DEANKid's gonna need about 8,000 stitches, but he'll be fine.
+
DEAN<br />
 +
Kid's gonna need about 8,000 stitches, but he'll be fine.
 +
 
 +
SAM<br />
 +
That kid was bullying Timmy before the accident, right?
 +
 
 +
DEAN<br />
 +
Yeah. Why?
  
SAM: That kid was bullying Timmy before the accident, right?
+
SAM<br />
 +
Check this out.  (handing DEAN the file)  Timmy was found in an abandoned building about a year ago all by himself.  No one was sure how long he had been there.
  
DEAN: Yeah. Why?
+
DEAN<br />
 +
And what about his parents? (tosses file back to SAM)
  
SAM:  Check this out.  (handing DEAN the file)  Timmy was found in an abandoned building about a year ago all by himself.  No one was sure how long he had been there.
+
SAM<br />
 +
Well, they posted a picture on the Internet, but no one ever showed up.
  
DEAN: And what about his parents(tosses file back to SAM)
+
DEAN<br />
 +
Well, then, what's he doing hereShouldn't he be in an orphanage?
  
SAM: Well, they posted a picture on the Internet, but no one ever showed up.
+
SAM<br />
 +
He kept running away from Child Services.  So about three months ago, Sonny offered to take him in.
  
DEAN: Well, then, what's he doing hereShouldn't he be in an orphanage?
+
DEAN<br />
 +
All right, so hard-ass counselors, bullies, all bite the dust, but Timmy's still standing.  So, what are we talkingWe got ourselves a Damien on our hands?
  
SAM: He kept running away from Child Services.  So about three months ago, Sonny offered to take him in.
+
SAM<br />
 +
No. EMF rules out a demon.  So ...  probably ghost possession.
  
DEAN:  All right, so hard-ass counselors, bullies all bite the dust, but Timmy's still standing.  So, what are we talkingWe got ourselves a Damien on our hands?
+
DEAN<br />
 +
Meaning what, we find Timmy and shove a fistful of salt down his throat, forced ejection?   
  
SAM: NoEMF rules out a demon.  SAM: So ...  probably ghost possession.
+
DEAN sighs, points at SAM<br />
 +
You're taking the barn this time.   
  
DEAN: Meaning what, we find Timmy and shove a fistful of salt down his throat, forced ejection?  (DEAN sighs, points at SAM)  You're taking the barn this time.  DEAN turns around and heads out.  SAM sighs, taps the folder.   
+
DEAN turns around and heads out.  SAM sighs, taps the folder.   
  
  
Line 847: Line 1,146:
 
; SCENE - barn
 
; SCENE - barn
  
chains rattling.  SAM walks into the barn.  Cows low.  SAM opens the same door where DEAN found TIMMY.  Pigeons coo.  SAM looks up, sees the rafters, a trapdoor; goes up a ladder.  Upstairs, he looks around; pulls out a flashlight.  Sees a child's drawing on a wall.  The drawing shows a happy family.  Then shows a car driving, with "YMMOM" (MOMMY spelled backwards); then shows a car crash; flames; mom putting TIMMY outside the car.  
+
Chains rattling.  SAM walks into the barn.  Cows low.  SAM opens the same door where DEAN found TIMMY.  Pigeons coo.  SAM looks up, sees the rafters, a trapdoor; goes up a ladder.  Upstairs, he looks around; pulls out a flashlight.  Sees a child's drawing on a wall.  The drawing shows a happy family.  Then shows a car driving, with "YMMOM" (MOMMY spelled backwards); then shows a car crash; flames; mom putting TIMMY outside the car.  
  
  
Line 861: Line 1,160:
 
YOUNG ROBIN is playing the guitar.  YOUNG DEAN is sitting beside her.  She plays a few chords and they laugh.   
 
YOUNG ROBIN is playing the guitar.  YOUNG DEAN is sitting beside her.  She plays a few chords and they laugh.   
  
ROBIN: So, you've been a lot of places?
+
YOUNG ROBIN<br />
 +
So, you've been a lot of places?
  
DEAN: Yeah. My, uh …  My dad likes to move around a lot.
+
YOUNG DEAN<br />
 +
Yeah. My, uh …  My dad likes to move around a lot.
  
ROBIN: What's your dad do?
+
YOUNG ROBIN<br />
 +
What's your dad do?
  
DEAN: (pauses) Boring stuff.
+
YOUNG DEAN<br />
 +
(pauses)<br />
 +
Boring stuff.
  
ROBIN: Do you like it?
+
YOUNG ROBIN<br />
 +
Do you like it?
  
DEAN: shakes his head NONo, not really. But my dad expects me to follow in his footsteps. So I've kind of gotten used to it. (seems resigned)
+
YOUNG DEAN<br />
 +
shakes his head NO<br />
 +
No, not really. But my dad expects me to follow in his footsteps. So I've kind of gotten used to it.
  
ROBIN:  Yeah. I-I get it. My pops wants me to take over the diner?  But that's not happening.  So, what do you really want to do?  (DEAN hesitates)  I want to be a photographer and see the world, go to strange lands, eat crazy food.
+
He seems resigned.
  
DEAN: (takes a breath)  I want to be a rock star, but... I also really like cars.
+
YOUNG ROBIN<br />
 +
Yeah. I - I get it. My pops wants me to take over the diner?  But that's not happening.  So, what do you really want to do?
  
ROBIN: Being a mechanic seems rough.
+
DEAN hesitates.
  
DEAN: What?  No, no. Not at all.  Cars are freaking cool as hell.  Fixing them is like … a puzzle, and the best part is when you're done, they leave, and you're not responsible for them anymore.
+
YOUNG ROBIN (continues)<br />
 +
I want to be a photographer and see the world, go to strange lands, eat crazy food.
  
ROBIN leans in to kiss him. He seems shocked.
+
YOUNG DEAN<br />
 +
(takes a breath)<br />
 +
I want to be a rock star, but... I also really like cars.
  
ROBIN:  Have you kissed many girls?
+
YOUNG ROBIN<br />
 +
Being a mechanic seems rough.
  
DEANWhat?  (whew) Yeah. Of courseLots.
+
YOUNG DEAN<br />
 +
What?  No, no. Not at all. Cars are freaking cool as hellFixing them is like … a puzzle, and the best part is when you're done, they leave, and you're not responsible for them anymore.
  
ROBIN: Really?  (grabs his collars)  Well, I guess we'll just have to keep practicing. (pulls him in for another kiss)
+
YOUNG ROBIN leans in to kiss him.  He seems shocked. 
 +
 
 +
YOUNG ROBIN<br />
 +
Have you kissed many girls?
 +
 
 +
YOUNG DEAN<br />
 +
What? (whew)  Yeah. Of course.  Lots.
 +
 
 +
YOUNG ROBIN<br />
 +
Really?  (she grabs his collar)  Well, I guess we'll just have to keep practicing.  
 +
 
 +
She pulls him in for another kiss.
  
  
Line 899: Line 1,223:
 
; SCENE PRESENT-DAY
 
; SCENE PRESENT-DAY
  
ROBIN:  (looks up, sees DEAN)  Oh. HeyUh, what happened to you at the diner?  I turned around to take your order, and you were just … gone.
+
ROBIN looks up, sees DEAN.   
  
DEAN:  Long storyUm, have you seen Timmy?
+
ROBIN<br />
 +
Oh. HeyUh, what happened to you at the diner? I turned around to take your order, and you were just … gone.
  
ROBIN: No, not yet, but he should be here any minute for his guitar lesson.
+
DEAN<br />
 +
Long story. Um, have you seen Timmy?
  
DEAN:  Yeah, we're gonna cancel that.
+
ROBIN<br />
 +
No, not yet, but he should be here any minute for his guitar lesson.
  
ROBIN: What?
+
DEAN<br />
 +
Yeah, we're gonna cancel that.
  
DEAN:  We got to get out of here, okay? I don't have time to explain.  You just got to trust me.
+
ROBIN<br />
 +
What?
  
ROBIN: T-trust you(scoffs) (sighs)  And why would I do that again?
+
DEAN<br />
 +
We got to get out of here, okayI don't have time to explain. You just got to trust me.
  
DEAN: You <i>do</i> remember me.
+
ROBIN<br />
 +
T-trust you?  (scoffs)  (sighs)  And why would I do that again?
  
ROBIN: How could I forget?
+
DEAN<br />
 +
You ''do'' remember me!
 +
 
 +
ROBIN (softly)<br />
 +
How could I forget?
  
  
Line 923: Line 1,258:
 
; SCENE - FLASHBACK
 
; SCENE - FLASHBACK
  
DEAN and ROBIN kissing on the porch swing
+
YOUNG DEAN and YOUNG ROBIN kissing on the porch swing
  
 
♪ I do recall ♪
 
♪ I do recall ♪
Line 929: Line 1,264:
 
♪ In the heat with a blue-Jean girl ♪
 
♪ In the heat with a blue-Jean girl ♪
  
she puts a hand to his chest
+
She puts a hand to his chest.
  
DEANWhat's wrong?
+
YOUNG DEAN<br />
 +
What's wrong?
  
 
♪ Burnin' love comes once in a lifetime ♪
 
♪ Burnin' love comes once in a lifetime ♪
  
ROBINI just hope this lasts.
+
YOUNG ROBIN<br />
 +
I just hope this lasts.
  
DEAN: I'm not going anywhere, Robin.
+
YOUNG DEAN<br />
 +
I'm not going anywhere, Robin.
  
ROBINYeah, says you.
+
YOUNG ROBIN<br />
 +
Yeah, says you.
  
DEANWell, I can't.
+
YOUNG DEAN<br />
 +
Well, I can't.
  
 
♪ Those summer nights are callin' ♪
 
♪ Those summer nights are callin' ♪
  
DEANWho else would take you to the school dance?
+
YOUNG DEAN (continues)<br />
 +
Who else would take you to the school dance?
  
 
♪ Stone in love ♪
 
♪ Stone in love ♪
  
ROBINIs this your way of asking me to be your date, Dean Winchester?
+
YOUNG ROBIN<br />
 +
Is this your way of asking me to be your date, Dean Winchester?
  
DEANYeah.  How am I doing so far?
+
YOUNG DEAN<br />
 +
Yeah.  How am I doing so far?
  
(she laughs)
+
She laughs.
  
 
♪ Stone in love ♪
 
♪ Stone in love ♪
Line 961: Line 1,304:
 
; SCENE - PRESENT DAY
 
; SCENE - PRESENT DAY
  
DEAN looks devastated …
+
DEAN looks upset.
 +
 
 +
DEAN<br />
 +
There were – there were reasons why I had to leave.  I don't have time to explain them to you right now.  I got to get you out of here. 
  
DEAN: There were -- there were reasons why I had to leave.  I don't have time to explain them to you right now.  I got to get you out of here.  (he comes over to the couch, grabs her by the hand, pulls her out)
+
He comes over to the couch, grabs her by the hand, pulls her up and out of the room.
  
ROBINHey!  What are you doing?!
+
ROBIN<br />
 +
Hey!  What are you doing?!
  
TIMMY: I'm sorry.
+
TIMMY<br />
 +
I'm sorry.
  
 
DEAN whirls around, with ROBIN, to see TIMMY.  
 
DEAN whirls around, with ROBIN, to see TIMMY.  
  
DEANSorry about what, Timmy?
+
DEAN<br />
 +
Sorry about what, Timmy?
  
TIMMY: I can't stop it.
+
TIMMY<br />
 +
I can't stop it.
  
 
A vase shatters against the door.  ROBIN and DEAN flinch; he yells "ahhh!" and she screams.   
 
A vase shatters against the door.  ROBIN and DEAN flinch; he yells "ahhh!" and she screams.   
  
DEANGo, go, go!  (he grabs her by the arm and pushes her to another room)  vases are flying in the air crashing against walls.  DEAN grabs a fireplace poker.  A lamp picks up and flies over their heads; they duck.   
+
DEAN<br />
 +
Go, go, go!   
 +
 
 +
DEAN grabs her by the arm and pushes her to another room. Vases are flying in the air crashing against walls.  DEAN grabs a fireplace poker.  A lamp picks up and flies over their heads; they duck.   
  
 
SAM is coming in through an open door that they're heading toward.  They duck another lamp, SAM enters,  
 
SAM is coming in through an open door that they're heading toward.  They duck another lamp, SAM enters,  
  
DEANSam, go!
+
DEAN<br />
 +
Sam, go!
  
 
SAM whirls around but the door slams shut before he can get to it.   
 
SAM whirls around but the door slams shut before he can get to it.   
  
DEANLocked.  Damn it!
+
DEAN<br />
 +
Locked.  Damn it!
  
 
ROBIN gasps.  DEAN runs to kitchen cabinet and grabs a box of salt, tosses it to SAM.   
 
ROBIN gasps.  DEAN runs to kitchen cabinet and grabs a box of salt, tosses it to SAM.   
  
DEANCircle. (SAM catches the box.)  
+
DEAN<br />
 +
Circle.   
  
ROBIN:  Dean, what -- what just happened in there?
+
SAM catches the box and starts to open it.
  
DEAN:  Okay, listen to me.  Whatever happens, you stay inside this circle.  Understood?
+
ROBIN<br />
 +
Dean, what – what just happened in there?
  
SAMAll right. Dean...  
+
DEAN<br />
 +
Okay, listen to me.  Whatever happens, you stay inside this circle.  Understood?
 +
 
 +
SAM<br />
 +
All right. Dean (warningly) ...  
  
 
DEAN whirls around to see TIMMY standing in the doorway with his action figure doll.   
 
DEAN whirls around to see TIMMY standing in the doorway with his action figure doll.   
  
TIMMY: I can't control her.
+
TIMMY<br />
 +
I can't control her.
  
DEAN: Can't control who?
+
DEAN<br />
 +
Can't control who?
  
SAM: Your mom, right?  SAM puts down the salt and comes over to TIMMY.  Timmy, listen.  We need you to tell us about the fire, okay?
+
SAM (stepping forward)<br />
 +
Your mom, right?   
  
Camera pans over Timmy's drawings, as he retells his story.   
+
SAM puts down the salt and comes over to TIMMY.   
  
TIMMY: It was late, and we were driving home when we crashed in the woods. Everything was on fire.  But she saved me, pushed me out...  (in the memory we can hear her cries)  Before the car blew up... With her in it.
+
SAM (continues)<br />
 +
Timmy, listen. We need you to tell us about the fire, okay?
  
SAM:  But that's not all, was it?
+
Camera pans over Timmy's drawings, as he retells his story in voiceover: 
  
TIMMY:  I ran through the woods.  I found an empty building, where I hid. I was scared. It was dark and coldSo I cried. I cried for my mom. And then she came.
+
TIMMY<br />
 +
It was late, and we were driving home when we crashed in the woods. Everything was on fireBut she saved me, pushed me out...  (in the memory we can hear her cries)  Before the car blew up... with her in it.
  
SAMBut she'd changed, right?
+
SAM<br />
 +
But that's not all, was it?
  
(flashback to TIMMY's final drawing, showing a large phoenix-like shape labeled MOMMY hovering over stick figure TIMMY)
+
TIMMY<br />
 +
I ran through the woods.  I found an empty building, where I hid.  I was scared. It was dark and cold.  So I cried.  I cried for my mom.  And then she came.
  
DEAN:  I'll bet she gave you that cool action figure, huh?
+
SAM<br />
 +
But she'd changed, right?
  
TIMMY: Yeah. When I turned 9.
+
Flashback to TIMMY's final drawing, showing a large phoenix-like shape labeled MOMMY hovering over stick figure TIMMY.
  
SAMTimmy…(A figure flickers in the kitchen near the refrigerator … it's a woman with blonde hair, horribly burned.)   ...I'm gonna need that action figure.
+
DEAN<br />
 +
I'll bet she gave you that cool action figure, huh?
 +
 
 +
TIMMY<br />
 +
Yeah. When I turned 9.
 +
 
 +
SAM<br />
 +
Timmy…
 +
 
 +
A figure flickers in the kitchen near the refrigerator … it's a woman with blonde hair, horribly burned.
 +
 
 +
SAM (continues)<br />
 +
...I'm gonna need that action figure.
  
 
The spirit attacks SAM and throws him against the wall.  DEAN swings the iron poker through the figure which dissipates.  DEAN grabs the action figure doll from TIMMY, and puts it on the oven, turning the gas burner on.   
 
The spirit attacks SAM and throws him against the wall.  DEAN swings the iron poker through the figure which dissipates.  DEAN grabs the action figure doll from TIMMY, and puts it on the oven, turning the gas burner on.   
  
TIMMY: No!
+
TIMMY<br />
 +
No!
  
 
TIMMY watches in despair.  SAM grabs TIMMY and puts him in the circle of salt with ROBIN, who holds him protectively.  DEAN stands by the stove, watching the doll burn.   
 
TIMMY watches in despair.  SAM grabs TIMMY and puts him in the circle of salt with ROBIN, who holds him protectively.  DEAN stands by the stove, watching the doll burn.   
  
ACTION FIGURE VOICE <i>I clobber evil!  … I clobber evil!  … I clobber evil!  … I … clobber … evil! </i>
+
ACTION FIGURE DOLL'S VOICE <br />
 +
''I clobber evil!  … I clobber evil!  … I clobber evil!  … I … clobber … evil!''
  
 
A wind blows in through the window, disrupting the circle of salt.  
 
A wind blows in through the window, disrupting the circle of salt.  
  
SAMIt looks like it wasn't the action figure that was anchoring her here, Dean.
+
SAM<br />
 +
It looks like it wasn't the action figure that was anchoring her here, Dean.
  
DEAN: Then what is?!
+
DEAN<br />
 +
Then what is?!
  
SAMHim.
+
SAM<br />
 +
Him.
  
 +
== ACT FOUR  ==
  
 +
; SCENE - kitchen
  
 +
ACTION FIGURE DOLL BRUCE is still burning on the range.  <!-- Seems like kind of a horrible way to destroy the kid's doll, given to him by his mom, who died in a fire! -->
  
 +
SAM steps out of the broken circle to go talk to DEAN.
  
== COMMERCIAL BREAK  ==
+
SAM<br />
 +
You know what?  I think maybe his mom can't let go and she's still protecting him from the grave.
  
; SCENE - kitchen
+
DEAN<br />
 +
Protecting him from what?  What, from us?
 +
 
 +
SAM<br />
 +
Maybe she doesn't know what threats are real and what's not, so she just attacks all of them.
 +
 
 +
DEAN<br />
 +
Great. So, what, unless we waste the kid, we're sitting ducks?
 +
 
 +
ROBIN<br />
 +
This is – this is crazy.
 +
 
 +
DEAN<br />
 +
Robin.
  
ACTION FIGURE DOLL BRUCE is still burning on the range.  <!-- Seems like kind of a horrible way to destroy the kid's doll, given to him by his mom, who died in a fire! -->
+
ROBIN steps out of the remnants of the circle, and runs out of the kitchen toward the front of the house.
  
SAM: (steps out of the broken circle to go talk to DEAN)  You know what?  I think maybe his mom can't let go and she's still protecting him from the grave.
+
DEAN<br />
 +
Robin!  Damn it. (DEAN chases herRobin, wait!  (DEAN catches her)
  
DEAN: Protecting him from what?  What, from us?
+
ROBIN<br />
 +
Who are you?
  
SAM: Maybe she doesn't know what threats are real and what's not, so she just attacks all of them.
+
DEAN<br />
 +
Right now I'm the only thing that's keeping you safe.
  
DEAN: Great. So, what, unless we waste the kid, we're sitting ducks?
+
ROBIN, disbelieving, turns to leave – and turns into the ghost of MOM who has suddenly appeared.  GHOST MOM makes a gesture and DEAN goes flying backwards into a wall.  GHOST MOM clenches her fist, and DEAN clutches his heart in pain.  ROBIN watches in terror.
  
ROBIN:  This is -- this is crazy.
+
From the other room SAM's voice is heard talking to TIMMY.  
  
DEAN:  Robin. Robin!  (She leaves the kitchen and goes running toward the front of the house)  Damn it.  (he chases her)  Robin, wait! (catches her)
+
SAM<br />
 +
Timmy, we're gonna need your help, okay?  
  
ROBIN: Who are you?
+
Hearing SAM and TIMMY, MOM looks towards the kitchen … and lets go of DEAN who gasps in relief. GHOST MOM shimmers out.
  
DEAN: Right now I'm the only thing that's keeping you safe.  (she turns to go away but MOM appears, throws DEAN backwards -- clenches his heart with her hand …  he clutches his heart painfully.  ROBIN watches in terror.
+
In the kitchen, SAM is kneeling in front of TIMMY.  
  
from the other room we hear SAM's voice:
+
SAM<br />
 +
Listen to me.  I need you to focus, okay? 
  
SAM:  Timmy, we're gonna need your help, okay?  (MOM looks towards the kitchen … lets go of DEAN who gasps in relief … MOM shimmers out
+
GHOST MOM reappears behind SAM
  
SAM is kneeling toward TIMMY:
+
SAM (continues)<br />
 +
Look, we are not here to hurt you.
  
SAM: Listen to me.  I need you to focus, okay?  MOM reappears behind SAM.  Look, we are not here to hurt you.  MOM grabs SAM, pulls him backwards, throws him against the wall.
+
GHOST MOM grabs SAM, pulls him backwards, throws him against the wall.
  
 
DEAN comes rushing in.   
 
DEAN comes rushing in.   
  
DEAN:  Sammy!
+
DEAN<br />
 +
Sammy!
 +
 
 +
GHOST MOM turns towards DEAN and throws him backwards too.  She clenches her fist and DEAN groans.  SAM looks at him. 
 +
 
 +
TIMMY<br />
 +
I can't stop her.
 +
 
 +
DEAN<br />
 +
Timmy, you have to try!
 +
 
 +
GHOST MOM looks at DEAN balefully. 
 +
 
 +
DEAN (continues, in a strained voice): She came to you when you cried out for her. Now you have to tell her to stop and go away!
 +
 
 +
TIMMY<br />
 +
She's my mom.
  
MOM turns towards DEAN and throws him backwards tooShe clenches her fist and DEAN groansSAM looks at him.   
+
DEAN<br />
 +
She's a ghostTimmy, because she can't move on, she's going crazy.  Okay? You got to let her goYou'll be okay.   
  
TIMMY: I can't stop her.
+
SAM gasps in pain.
  
DEAN:  Timmy, you have to try!  (MOM looks at DEAN balefullyDEAN, strained She came to you when you cried out for her. Now you have to tell her to stop and go away!
+
DEAN (continues)<br />
 +
Listen to me. Sometimes you got to do what's best for you, even if it's gonna hurt the ones you love.
  
TIMMY: She's my mom.
+
TIMMY adjusts his glasses, stands up, and says in a tremulous voice<br />
 +
Mommy...  Stop it.
  
DEAN:  She's a ghost.  Timmy, because she can't move on, she's going crazy.  Okay? You got to let her go.  You'll be okay.  (SAM gasps in pain)  Listen to me.  Sometimes you got to do what's best for you, even if it's gonna hurt the ones you love.
+
DEAN<br />
 +
Timmy, Kung Fu grip!
  
TIMMY adjusts his glasses, stands up:  Mommy... Stop it.
+
TIMMY (in a louder, stronger voice)<br />
 +
Mommy, stop it! Stop hurting people!
  
DEAN: Timmy, Kung Fu grip!
+
DEAN and SAM both gasp in relief as GHOST MOM lets them go. She turns to face TIMMY, and holds her arms out to him. 
  
TIMMY: Mommy, stop it!  Stop hurting people!  (DEAN and SAM both gasp in relief as she lets them go.  She turns to face TIMMY, and holds her arms out to him.)   You have to go.  Never come back.  I'll be okay.  I promise.  (ghostly burned mama fades and leaves mama looking whole and human, smiling tearfully at her son as she holds her arms out to him)  I love you, too.
+
TIMMY (continues)<br />
 +
You have to go.  Never come back.  I'll be okay.  I promise.
  
TIMMY runs to DEAN.  DEAN looks at SAM, who nods at him.  ROBIN comes into the room.  DEAN holds TIMMY and pats on the back.  
+
GHOST MOM's ghostly essence peels off, leaving GHOST MOM looking whole and human, smiling tearfully at her son as she holds her arms out to him. 
 +
 
 +
TIMMY (continues)<br />
 +
I love you, too.
 +
 
 +
GHOST MOM fades completely away.
 +
 
 +
TIMMY runs to DEAN who embraces him.  DEAN looks at SAM, who nods at him.   
 +
 
 +
ROBIN comes into the room.  DEAN holds TIMMY and pats on the back.  
  
  
Line 1,104: Line 1,545:
 
TIMMY is watching from the porch.  It's nighttime.   
 
TIMMY is watching from the porch.  It's nighttime.   
  
ROBIN: So, then, this is … the family business?
+
ROBIN (to DEAN)<br />
 +
So, then, this is … the family business?
  
DEANTold you it was boring.
+
DEAN<br />
 +
Told you it was boring.
  
ROBIN(laughs) Yeah, right.
+
ROBIN<br />
 +
(laughs)<br />
 +
Yeah, right.
  
DEANWell, as you can see, I did not run off to become a rock star.
+
DEAN<br />
 +
Well, as you can see, I did not run off to become a rock star.
  
ROBIN: Mm... I don't know about that.  You look pretty rockin' to me, Dean Winchester.
+
ROBIN<br />
 +
Mm... I don't know about that.  You look pretty rockin' to me, Dean Winchester.
  
 
DEAN chuckles.   
 
DEAN chuckles.   
  
DEANAnd what about you?
+
DEAN<br />
 +
And what about you?
  
ROBIN: I mean, I always thought that I would hate being in the same little town my whole life, and, you know, taking over the diner like Dad always wanted, but ... I don't.  I just -- I love it.
+
ROBIN<br />
 +
I mean, I always thought that I would hate being in the same little town my whole life, and, you know, taking over the diner like Dad always wanted, but ... I don't.  I just I love it.
  
DEANI guess we didn't know everything we thought we did at 16, huh?
+
DEAN<br />
 +
I guess we didn't know everything we thought we did at 16, huh?
  
ROBIN: Not everything.  Just some things.  (She stands up to kiss him on the cheek.  Walks to porch to be with TIMMY.  DEAN waves to them both.   
+
ROBIN<br />
 +
Not everything.  Just some things.   
  
 +
ROBIN stands up to kiss him on the cheek.  She walks to porch to be with TIMMY.  DEAN waves to them both. 
  
  
 +
SONNY approaches DEAN.
  
SONNYSounds like Timmy's gonna need some help adjusting.
+
SONNY<br />
 +
Sounds like Timmy's gonna need some help adjusting.
  
DEANYeah, but he's got you.
+
DEAN<br />
 +
Yeah, but he's got you.
  
SONNYI always hate to see you go, Dee-dawg.  (They clasp hands.)  Can't thank you enough for this one, man.  (they hug.)
+
SONNY<br />
 +
I always hate to see you go, Dee-dawg.  (They clasp hands.)  Can't thank you enough for this one, man.  (they hug.)
  
DEANSonny, we'll see you around.
+
DEAN<br />
 +
Sonny, we'll see you around.
  
SONNYYou can bet on that, boys.  Take it easy, man. (they pat on shoulders again) … SONNY walks off.  DEAN and SAM are together at the IMPALA. 
+
SONNY<br />
 +
You can bet on that, boys.  Take it easy, man.  
  
SAM: Hey, h-how did you know Timmy asking his mom to leave was gonna work?
+
SONNY and DEAN slap each other's shoulders one last time, and SONNY walks off.  DEAN and SAM are alone together at the IMPALA. 
  
DEAN: I didn't. Total hail Mary. Got lucky.
+
SAM<br />
 +
Hey, h-how did you know Timmy asking his mom to leave was gonna work?
  
SAM: You just got lucky?  (DEAN nods.)  Kind of like you did with this place. I mean, here I was thinking this was the worst part of your life, and it turns out it was the best. Why'd you ever leave?
+
DEAN<br />
 +
I didn't. Total hail Mary. Got lucky.
  
DEAN: Never felt right.
+
SAM<br />
 +
You just got lucky?
  
SAM: Really?
+
DEAN nods.
  
DEAN: It was two months, Sam, okay?  And I couldn't wait to get out of here. I don't know what to tell you.  It wasn't me.
+
SAM (continues)<br />
 +
Kind of like you did with this place. I mean, here I was thinking this was the worst part of your life, and it turns out it was the best. Why'd you ever leave?
  
SAM accepts this, sort of, and gets in the car.  DEAN pauses to look back at the house.
+
DEAN<br />
 +
Never felt right.
 +
 
 +
SAM<br />
 +
Really?
 +
 
 +
DEAN<br />
 +
It was two months, Sam, okay?  And I couldn't wait to get out of here. I don't know what to tell you.  It wasn't me.
 +
 
 +
SAM accepts this, sort of, and gets in the car.  DEAN pauses to look back at the house for one last memory.
  
  
Line 1,155: Line 1,626:
 
; SCENE - FLASHBACK  
 
; SCENE - FLASHBACK  
  
DEAN is fastening a tie, wearing a short-sleeve button down shirt.   
+
YOUNG DEAN is fastening a tie, wearing a short-sleeve button down shirt.   
  
SONNY:  Oh, look at you. You clean up good!
+
SONNY enters.  
  
DEAN:  Thank you.   You know, uh ... I've never actually been to one of these school dances before.
+
SONNY<br />
 +
Oh, look at you. You clean up good!
  
SONNY:  Yeah.  Look, about that, Dean, your old man's outside …. and, man, he's really something. I tried to tell him what a big night it was for you, Dean, and ask him if he could come back later, but he just said to tell you he had a job, said you'd know what that means.  (DEAN is nodding, looking emotional but trying to tough it out.  He exhales, looks at picture of himself and ROBIN, holding back tears.  SONNY watches him.)   You know, after I got out of jail, this place gave me a second chance, and it's done the same for you, too. (DEAN nods.)  So if you want, I'll stick my neck out for you, and I'll fight for you to stay.  (DEAN choking back tears.)  Car horn honks outside.  DEAN goes to window to look.  Sees a kid holding a plane or spaceship outside of car.  Looks like a 10yo but it's SAMMY.  DEAN laughs, turns back toward SONNY, shakes his hand.  There's a tear trickling out his eye.
+
YOUNG DEAN<br />
 +
Thank you.  You know, uh ... I've never actually been to one of these school dances before.
  
DEAN: Sonny... ...thank you -- for everything.  But I have to go.
+
SONNY<br />
 +
Yeah. Look, about that, Dean, your old man's outside …. and, man, he's really something. I tried to tell him what a big night it was for you, Dean, and ask him if he could come back later, but he just said to tell you he had a job, said you'd know what that means.  
  
DEAN and SONNY embrace.  
+
YOUNG DEAN is nodding, looking emotional but trying to tough it out.  He exhales, looks at picture of himself and YOUNG ROBIN, holding back tears.  SONNY watches him.  
  
 +
SONNY (continues)<br />
 +
You know, after I got out of jail, this place gave me a second chance, and it's done the same for you, too.
  
 +
YOUNG DEAN nods.
 +
 +
SONNY (continues)<br />
 +
So if you want, I'll stick my neck out for you, and I'll fight for you to stay.
 +
 +
YOUNG DEAN, still speechless, is choking back tears.  JOHN's car horn honks outside.  YOUNG DEAN goes to the window to look, and sees a very young-looking SAM holding a plane or spaceship out the window of the car.  YOUNG DEAN laughs, choked-up, and turns back toward SONNY, holding out his hand.  There's a tear trickling out his eye as they shake hands.
 +
 +
YOUNG DEAN<br />
 +
Sonny... ...thank you – for everything.  But I have to go.
 +
 +
YOUNG DEAN and SONNY embrace.
  
; SCENE - PRESENT DAY
 
  
DEAN gets into car. 
 
  
SAM: Dean...  Thank you.
+
; SCENE - PRESENT DAY
  
DEAN: For what?
+
DEAN gets into the IMPALA. 
  
SAM: For always being there, for  -- having my back. Look, I know it always hasn't been easy ….  
+
SAM<br />
 +
Dean ... Thank you.
  
DEAN: I don't know what the hell you're talking about.
+
DEAN<br />
 +
For what?
  
DEAN starts the car.  SAM shuts his car doorThey drive off into the night.
+
SAM<br />
 +
For always being there, for – having my backLook, I know it always hasn't been easy …
  
 +
DEAN<br />
 +
I don't know what the hell you're talking about.
  
 +
DEAN starts the car.  SAM shuts his car door.  They drive off into the night.
  
 
== CREDITS ==  
 
== CREDITS ==  
 
* sync, corrected by elderman (@elder_man)  
 
* sync, corrected by elderman (@elder_man)  
 
* transcript, edited and corrected by [[User:Lquilter]] from Hulu.com version, 2013/11/30
 
* transcript, edited and corrected by [[User:Lquilter]] from Hulu.com version, 2013/11/30

Latest revision as of 15:22, 23 March 2018


SUPERNATURAL

9.07 Bad Boys

Written by: Adam Glass

Directed by: Kevin Parks

Air Date: November 19, 2013


THEN

SCENE from 1.01 Pilot

JOHN (to 4yo DEAN)
Take your brother outside as fast as you can! Now, Dean! Go!


SCENE from 1.18 Something Wicked

SAM
What else do you remember?

DEAN
Nothing. I was a kid, all right?


SCENE from 1.18 Something Wicked

JOHN
And most important—

YOUNG DEAN (10 or 11yo)
Watch out for Sammy.


SCENE from 5.22 Swan Song

DEAN (to SAM)
Watching out for you – it's kinda who I am.


SCENE from 2.21 All Hell Breaks Loose: Part One

SAM (voiceover)
I got this brother, right? And he's always telling me how he's gonna watch out for me.


SCENE from 1.18 Something Wicked

YOUNG DEAN (to YOUNG SAM)
Now eat your dinner.


SCENE from 3.08 A Very Supernatural Christmas

YOUNG DEAN (to YOUNG SAM)
Don't forget your vegetables.


SCENE from 8.23 Sacrifice

DEAN (to SAM)
Don't you dare think that there is anything that I would put in front of you!


SCENE from 9.01 I Think I'm Gonna Like It Here

DEAN (praying)
Sammy's hurt. He's hurt real bad.


SCENE from 9.01 I Think I'm Gonna Like It Here

EZEKIEL
I heal Sam while healing myself.


SCENE from 9.04 Slumber Party

EZEKIEL (in SAM)
Every time I use my power, it weakens me.


SCENE from 9.03 I'm No Angel

DEAN
You went through the trials. I just think it's better if you took it easy, you know, and didn't act like you were—

EZEKIEL (in SAM)
Possessed by an angel?

NOW (TEASER)

Two kids running, twilight or night; foggy; outside.

KID 1 (in red sweatshirt)
Aah! Wait up!

KID 2 (in plaid shirt)
Hurry! He's right behind us.

HURLEYVILLE, NEW YORK

KID 2
Come on, come on!
Hurry!

KID 1
Go, go, go – it's open!

The kids run into a barn.


KID WITH GLASSES (TIMMY)
Come on, guys. The barn is a no-fly zone during hide-and-go-seek.

A MAN's voice is overheard.
Boys? Come on, you delinquents. Time for bed!

MAN comes in to barn.

MAN
All right! Game is over, boys! Let's bring it in! (looking for kids) Lights out was 10 minutes ago!

The MAN shines his flashlight around, looking for the kids.

MAN (continues)
(muttering under his breath) You little bastards.
(Yelling loudly again:) Okay, I'm gonna...

The MAN gets spooked a little by a breeze and an eerie supernatural sound.

MAN (continues)
You got till the count of 10, and you'd better come out or the belt's coming off!
One ...
Come on!

The MAN's flashlight is flickering and dying. He hits it to try to get it to work again. The tractor/forklift suddenly starts to turn on. Its lights flip on.

MAN
Boys? (pause) Come on! This isn't funny.

The tractor/forklift starts moving toward the MAN. He backs up, away from the tractor, but falls and lands on his back.

The tractor is still coming on; the MAN scrambles backward. The tractor continues to head towards him.

The MAN gets to his feet and keeps backing up, until he's backed up against a wall. The forklift lifts as the tractor continues to advance towards him.

He screams, and the camera cuts to the exterior of the barn—where the forklift has pierced through the wall, and presumably impaled the man inside the barn.

ACT ONE

SUPERNATURAL [wings logo]


♪ Supernatural 9x07 ♪

"BAD BOYS"


TITLE CARD :
BAD BOYS

Supernatural 9x07

Original Air Date Nov. 19, 2013





SCENE - Bunker, Research Table.

Sam wanders into the research / library – nobody's there but he looks around.

Starring
JARED PADALECKI

SAM
Dean?

JENSEN ACKLES

SAM (continues)
Kevin?

Guest Starring
BLAKE GIBBONS
SEAN MICHAEL KYER

Nobody else is in the room. SAM heads for some of the library bookshelves, and pulls a book off the shelves—The Marvelous Land of Oz by L. Frank Baum. (Other books on the shelf include Joseph Conrad's Lord Jim. He picks it up, looks at it speculatively and with a sort of sense of anticipation, sits down to read it, opening it up to the beginning.

KARIN KONOVAL
DYLAN EVERETT

Cell phone starts buzzing; SAM looks annoyed.

ERIN KARPLUK
Co-Producer
CRAIG MATHESON

SAM sets the book aside and reluctantly gets up to get the phone.

Co-Producers
JERRY WANEK
SERGE LADOUCEUR
Producer
ROBBIE THOMPSON

He looks but doesn't recognize the number.

Producer
TODD ARONAUER

SAM
Hello?

DEAN enters the room from behind (having presumably also heard the cellphone buzzing).

SAM
I'm sorry, there's no, uh ˜ there's no Dee-dawg, uh...

DEAN grabs the phone.

DEAN
I got it, I got it. (DEAN takes the phone.) Sonny, hey. (pause) So what's up? (pause) Okay. (pause) All right. Yeah, just sit tight. I'll be there as soon as I can. (pause) Yeah.

DEAN hangs up.

SAM
So, what was that all about, 'Dee-dawg'?

Consulting Producers
BRAD BUCKNER
EUGENIE ROSS-LEMING

DEAN
You remember when we were kids that spring in upstate New York? Dad was on a rugaru hunt.

Co-Executive Producers
ERIC CHARMELO
NICOLE SNYDER

DEAN (continues)
We, uh – we crashed at the, uh ... the bungalow colony with the ping-pong table?

Co-Executive Producer
ANDREW DABB

SAM
Yeah. Uh, y-you disappeared. Dad came back. You were gone. He shipped me off to Bobby's for a couple months and went and … found you. You were lost on a hunt or something.

DEAN
THAT'S what we told you. (as if Sam's story refreshed his memory) Right.

Executive Producer
ADAM GLASS

SAM
I'm sorry? That's what you told me?

Executive Producer
PHIL SGRICCIA

DEAN
Truth is, uh…

Co-Executive Producer
JIM MICHAELS

DEAN (continues)
I lost the food money that Dad left for us in a card game.

Created by
ERIC KRIPKE

DEAN (continues)
I knew you'd get hungry, so ... I tried taking the five-finger discount at the local market and got busted. I wasn't on a hunt. They sent me to a boys' home.

SAM
A boys' home, like a … reform school?

Written by
ADAM GLASS

DEAN
Yeah, more or less. It was a farm, and the guy who ran it – Sonny – he, uh, you know, he looked after me.

SAM
Wait. Does Sonny know what we do?

DEAN
Yeah. He's good people. I gave him the number to the Bat Phone, and sounds like he's got something in our wheelhouse.

Directed by
KEVIN PARKS

DEAN (continues)
So... Hey – you gonna be cool to do this, or are you too tired?

SAM
Uh, no. Yeah, I'm just, uh ... I'll be fine.

DEAN
And everybody's okay with … heading out to the Catskills? (DEAN emphasizes "everybody" like he's trying to reach through SAM's skull to talk to EZEKIEL.)

SAM (looking bemused)
I am everybody.

DEAN
Yeah. Right. All right. Grab your stuff, and we'll head out.

SAM
Hey, Dean ... I mean, why didn't you just tell me you went to a boys' home?

DEAN
I don't know. Uh, it was Dad's idea. And then it just – you know, the story became the story. I was 16.



SCENE - Driving in the Impala

Sign for SONNY'S HOME FOR BOYS. DEAN pulls up and parks between some farm fields and a house.

SAM
You were here for two months and Dad couldn't find you?

DEAN
Oh, no. He found me. He found me quick. But he left me here 'cause I lost our money.

Somebody is watching from an upstairs window.

SAM
You were 16. You made a mistake.

DEAN
Yeah. I made the mistake. (getting out of the car.) Look, I know how you think. None of this was Dad's fault.

The person watching from an upstairs window is a small boy with glasses, clutching an action figure doll.

DEAN and SAM go to the front door and knock. A middle-aged woman, with a sweater and a large cross on a necklace, answers the door. She folds her arms and looks at them.

DEAN
Hi.

RUTH
What can I do for you boys?

DEAN
I'm Dean. This is my brother, Sam. We're old buddies of Sonny's.

RUTH
Prison buddies?

DEAN swallows, taken aback; SAM coughs.

DEAN
No. Uh ... you mind telling him that we're here?

RUTH, after a pause
I'll go get him. (She turns around, then as they are about to follow her in, turns back to say: ) I just mopped this floor, so you take off those roach stompers.

SAM and DEAN look down at their boots and kick them off.

SAM (quietly, to DEAN)
Sonny's an ex-con, huh?

DEAN
What, and we're such angels? Trust me, he's more than made up for it.

They enter the house. DEAN looks at the couch in the living room, and has a memory ...



SCENE - FLASHBACK

A deputy sheriff, DEPUTY BILLY, wearing sunglasses, is talking to SONNY, a guy with large sideburns and a plaid shirt. They are in a living room with 16yo YOUNG DEAN sitting cuffed on a couch.

DEPUTY BILLY
Steven Hewlett caught him red-handed stealing up at his store.

SONNY
So what'd he take?

DEPUTY BILLY
Get this – peanut butter and bread.

SONNY looks at YOUNG DEAN assessingly, as he sits cuffed on the couch.

SONNY
Okay. And how about family?

DEPUTY BILLY
Well, his old man called. (YOUNG DEAN looks up.) Once he found out what happened, he said let him rot in jail. (YOUNG DEAN looks down at his knees.) Judge is off on a fishing trip. Boy's too young to leave in County. So we thought it best he stay here till arraignment.

SONNY
I don't see why not, man.

DEPUTY BILLY (taking off his sunglasses)
Appreciate it, Sonny.

SONNY (noting a black eye on DEPUTY BILLY)
Where'd you get the shiner?

YOUNG DEAN laughs.

DEPUTY BILLY to YOUNG DEAN
You think that's funny?

YOUNG DEAN
I think you're slow.

DEPUTY BILLY (angry, advancing towards YOUNG DEAN)
You sucker punched me!

YOUNG DEAN
You wish!

SONNY
Come on, now! (loudly, to get their attention)
(then, more calmly:) Billy, I got this, buddy. It's all right.

DEPUTY BILLY, calmer, leaves. YOUNG DEAN waves goodbye sarcastically.

SONNY
You shouldn't do that, kid.

YOUNG DEAN
Yeah? Why? Because he's a cop?

SONNY
Because when you make him mad, he leaves with the key.

YOUNG DEAN's face falls, he holds up his cuffs, and shakes his head disgustedly. SONNY watches, with a tiny small on his face. Then he leans forward to pick up a paperclip from an ashtray on the coffee table.

SONNY
Eh, don't sweat it.

Sitting in front of YOUNG DEAN, SONNY takes his cuffed hands to open up the cuffs. YOUNG DEAN's forearms are bruised and red, as if bruised or abraded by bindings or ligature marks.

SONNY (noting the marks with concern)
Deputy do that? (YOUNG DEAN scoffs and shakes his head.) What, your old man? (YOUNG DEAN shakes his head no.) Well, then, how'd you get it?

YOUNG DEAN (turning back to SONNY, somewhat defiantly)
Werewolf.

SONNY looks at YOUNG DEAN for a long moment, realizing he's not going to get a different answer from the kid.

SONNY
Okay.

SONNY turns back toward the cuffs, opening up them with the paperclip, and removing them. SONNY stands up and starts walking out of the room. Freed, YOUNG DEAN stands up too, shaking his hands.

DEAN
So, how do you know I won't just run away?

SONNY
Because you're hungry.

YOUNG DEAN
No, I'm not.

SONNY
Well, then, why'd you steal bread and peanut butter?

YOUNG DEAN shrugs.

YOUNG DEAN
So, what is this place, anyway?

SONNY
It's for boys like you. You work the land. Teaches you some discipline and responsibility. Keep you out of trouble.

YOUNG DEAN
(laughs)
That's lame.

SONNY
Beats jail. Come on. I'll fix you something to eat.



SCENE - PRESENT DAY

Back to present day. DEAN is smiling slightly. SONNY walks in. He's wearing glasses, has his hair pulled back in ponytail.

SONNY
Dee-dawg!

DEAN
Sonny! Good to see you.

SONNY
Hey, you, too, brother. (They hug. SAM stands by watching.) Oh, and this must be Sam.

SAM
Good to meet you.

SONNY
Back at you, brother.

DEAN
So, farm looks, uh, nice.

SONNY
Oh, please, man. It's barely standing. Only got a handful of kids working around here now.

DEAN
Why's that?

SONNY
Because these days, the system would rather incarcerate a boy than redeem him.

RUTH is wiping down a table nearby.

SAM
Hey, Sonny, uh, you – you mind if we talk alone?

SONNY turns to RUTH
Hey, Ruth, would you, uh, please go check on the boys, make sure their morning chores are getting done?

DEAN
All right. So, what's happening?

SONNY
Well, you remember Jack, don't you?

DEAN
Yeah. The, uh, tough, old leatherneck.

SONNY
Mm-hmm. Well, somehow, that ancient, rusty, broken-down tractor just roared to life and ran him over the other night.

SAM
Maybe – maybe it just, uh, slipped out of park or something.

SONNY
Couldn't have. (Shakes his head.) You know, I never – I never believed any of this mumbo-jumbo stuff you boys are into, but... something ain't right.

SAM
What do you mean?

SONNY
Well, just … things started happening – you know, lights flickering on and off, strange scratching sounds coming from inside the walls, windows and doors slamming.

DEAN
All right. You think you can round up the boys while we take a look around?

SONNY
Well, that shouldn't be a problem. Most are home on break – well, except those with no home worth going to.

DEAN
Mm.

SONNY walks out of the room.

DEAN (to SAM)
All right. Why don't you take the house? I'll check out the barn.

SAM
Yeah.


SCENE - upstairs

SAM walks into a bedroom. It's completely quiet. He notices a bed with some occult symbols notched on the bedpost. Pulls off several layers of taped name labels (KEVIN P. ... DARRYL ... another ... another ...) to reveal one that says DEAN W. He looks at it and marvels at seeing a piece of DEAN's past that he never knew about.

He hears a sound, draws a knife, and starts walking toward the open door of the adjoining room …

to reveal RUTH, on her knees, praying. She rises suddenly, alarmed.


SCENE

SAM
Hey. I am so sorry. I-I-I thought I ... saw something in, uh –

RUTH
Like a ghost? (She sounds more human and pleasant for the first time, and looks at the window.)

SAM looks at her, as if to say why would you think that? or how do you know that? RUTH looks down for a moment.

RUTH
Sonny told me you were old friends, but … I know why you're really here. That's why I was praying for us.

SAM
Praying for what?

RUTH (smiles slightly)
For the ghost that haunts this farm to leave.



SCENE - barn

DEAN opens and shuts the barn door. Pigeon sounds. He walks through the shadowy light and whips out his old EMF detector which makes a "wheee–oooo" chattering sound.

DEAN
All right, Casper... Where're you at?

DEAN puts the EMF back in his pocket. He hears a noise … a kid's voice … and walks toward it, opening another door to a dim room.

DEAN calls out
Hello? (He reaches out to still a swinging lightbulb.) Anybody here?

DEAN whirls around to a sound. It's the third kid, with glasses, seen earlier in the barn scene.

DEAN
Hey, kid, what are you doing in here by yourself?

Kid
Fighting monsters.

DEAN
What kind of monsters?

KID
All sorts, with Bruce the monster smasher. (The KID holds up his action figure doll.)

DEAN
Hm. Is that a cape? Little impractical for smashing monsters, huh? You know, you could choke—

The KID activates DOLL which says
I clobber evil!

DEAN
(chuckles slightly)
I bet you do.
(pauses)
I'm Dean.
(holds out his hand)

KID
Timmy. (shakes hand)

DEAN
Let's try that again. If you're gonna be a man, you got to learn how to shake like one, okay? So give me your best Kung Fu grip. Good. (They shake again.) Now look me straight in the eye. Let me know that you mean business. Shake as hard as you can. (Shake again.) That's it. You shake like that, you'll be all right. (TIMMY smiles.) Hey, Timmy, did you know Jack who worked here?

TIMMY nods
MM-hmmm (he says, very quietly)

DEAN
What can you tell me about him?

TIMMY
He yelled a lot. He was yelling when he had his accident.

DEAN
How do you know that?

TIMMY
'Cause me and the other boys were playing here when it happened.

DEAN
Did you see anything? (TIMMY shakes his head no.) Is there anything else about that night that you can remember, anything at all?

TIMMY
It suddenly … got really cold. (DEAN looks thoughtful.) Can I go? I have to finish my chores before Miss Ruth gets mad.

DEAN
That Ruth – she runs a tight ship, huh? Yeah, you better roll.



SCENE

RUTH (to SAM)
I grew up in this town. I used to come up here as a little girl. The Wasserlaufs, Howard and Doreen – they used to own this farm back then. (View from above, as if someone is watching them.) My co-worker, Jack, may he rest in peace, he worked here as a farmhand. Howard was a nice man, but... Well, he'd get into that corn liquor, and … one night he got it into his thick skull that Jack and his wife, Doreen, were rolling around in the hay. It wasn't true, but – but Howard's paranoia got the better of him. He tried to kill them both. Jack got away, but Doreen...

SAM
He killed her?

RUTH
With a meat cleaver. Got life in jail. Which for Howard ended a year ago. He always swore he'd get his revenge on poor old Jack, and ... looks like he finally got it.

SAM
Is Howard buried here in town?

She looks at him.


SCENE - digging up a grave, nighttime of course!

SAM
So … Dad didn't want you to tell me. How come? Was this place really so bad?

DEAN
I don't really remember. I mean, look, nobody bad touched me. Nobody burned me with their smokes, or beat me with a metal hanger. I call that a win.

SAM laughs a little.

DEAN hits something hard with his shovel.

DEAN:
Hey.

SAM and DEAN open up the coffin to reveal a corpse. They pour salt over it, liberally.

DEAN (sighs)
All right. Let's barbecue old MacDonald here, get the hell out of Dodge.

They toss a light, stand and watch.



SCENE - Impala, daytime

It's daytime, and the IMPALA is on the road – driving, we presume, away from SONNY's.


SCENE - Sonny's

♪ Ave Maria ♪ ♪ Ave Maria ♪

"Ave Maria" is playing on an old-fashioned radio. We see the outside of SONNY's, then inside, in a bathroom. RUTH's cross is draped on the sink. RUTH is relaxing in the bath listening to "Ave Maria". The lights start flickering but RUTH doesn't notice because she has a washcloth over her eyes. A frost forms on the mirror, and RUTH's breath suddenly is visible, indicating a sudden chill. The shower curtain slides on its rings, and then falls over RUTH's face.

RUTH is struggling and screaming, trying to peel the shower curtain off her face.

RUTH
Help! Help!

SONNY knocks on the bathroom door.

SONNY
Ruth, you okay? What's wrong?

Flashing between RUTH being murdered in the bath, and SONNY banging on the door to get in, and the volume on the radio going up. The close-up of RUTH's face through the shower curtain is really grotesque. Her hand rigidly grasps the side of the bathtub, then relaxes … with a splash into the bathtub.

SONNY
Open up!

SONNY
Ruth!

♪ Ave Maria ♪ ♪ Ave Maria ♪

ACT TWO

SCENE - Cus's Place

Daytime, exterior of restaurant "CUS'S PLACE: HOME STYLE MEALS"

DEAN and SAM are sitting at a table. DEAN, with a sly smile on his face, is watching the waitress who is at the counter, laughing with some other customers.

WAITRESS (to other customers)
That's okay.

SAM
Dean, you know I'm fine just grabbing a burger-to-go somewhere, right?

DEAN
What, and miss out on the best banana pancakes you ever had?

DEAN looks down at menu ….



SCENE - FLASHBACK

YOUNG DEAN is looking at the menu in a flashback, sitting with SONNY.

YOUNG DEAN
Thanks.

SONNY
No prob. I do this for all the boys after they've been here for a month.

YOUNG DEAN
I meant for getting the charges against me dropped.

SONNY
Well, being hungry's not a crime. It's the stealing that is. But I feel if you only do that once, you don't deserve a record. And seeing as how we can't find your pops anywhere, you can stay here as long as you want, Dean. You're doing good in school. You're making friends. You made the wrestling team. I'm proud of you. (pause) Let me ask you something, and I want you to be straight with me. Are you into the whole heavy-metal, devil-worshiping stuff?

YOUNG DEAN
What? No.

SONNY
Hey, I'm not – I'm not judging. It's just I found a few occult-looking symbols carved into your bedpost.

YOUNG DEAN
(sighs) It's a very long story.

SONNY
That story have anything to do with why you put the salt in front of your bunk door every night before bed?

YOUNG DEAN
Well, it's a family thing, so I can't really talk about it.

SONNY
Same family that left you here?

YOUNG DEAN is speechless.

SONNY (continues)
(laughs) What are you – what are you, in the mob or something?

YOUNG DEAN
More like something. (looks back down at his menu)

SONNY
I was part of this gang, right? They were my family. I lived, breathed, I would have even died for them. You know where it got me? 15 years in a correctional facility. And for what? Being loyal? To who? I should have been loyal to myself. Because you get one shot at this game, Dean, and when you look in the mirror, you want the guy looking back at you to be his own man.

YOUNG DEAN nods. Waitress with ROBIN name tag comes to their table.

YOUNG ROBIN
Hey, guys.

SONNY
Hey, Robin. How are you?

YOUNG ROBIN
I'm good. How are you?

SONNY
Good. Meet my new ranch foreman here, Dean.

YOUNG DEAN eyes her name tag, ROBIN.



SCENE - present day

DEAN is eyeing her name tag, ROBIN.

ROBIN
Hi. Welcome to Cus's. What can I get you two?

DEAN
Bet you never thought you'd see me here, huh? (He smiles insinuatingly.)

ROBIN looks at him with a blankly friendly expression.

ROBIN
Uh, look, I'm a little bit slammed right now. Do you guys want to hear the specials?

DEAN (looking hopeful)
Robin ... Dean Winchester.

ROBIN
Um ...

DEAN
I used to live up at Sonny's.

SAM is watching with interest.

ROBIN
Oh, oh. Uh, look, sorry. There's just – there's so many boys that pass through there, it's – it's hard to remember every – every name and face.

DEAN
Yeah. Uh, no. Sorry, I just – I remember you coming up there with your mom. She'd give guitar lessons. It's, uh – it was a long time ago.

ROBIN
Yeah. Mom – she loved helping out the boys. I guess that's why I kept giving lessons after she passed.

ROBIN clears her throat. There's an awkward silence.

ANOTHER WOMAN
Hey, Robin?

ROBIN
Um, would you excuse me? I'll be right back.

SAM
Dude …?

DEAN (suddenly getting up)
Let's go.



Seconds later they're outside walking to the IMPALA.

SAM
Wh – what was that?

DEAN
Nothing.

SAM
Nothing? Well, obviously it was something. Who was that waitress?

DEAN
I said it was nothing, all right? Drop it.

DEAN's phone is ringing; he picks it up.

DEAN
Sonny. (pause) What?!




SCENE - Sonny's

Outside. Door on the COUNTY CORONER's van slams shut. Police car is behind it. Police radio is chattering. Camera pans over to DEAN, SAM, and SONNY, watching.

SONNY
I tried to get in to save her, but the damn door wouldn't open.

SAM
Locked?

SONNY
There's no locks on the farm.

DEAN sighs.

DEAN (to SAM)
That means our little field trip to the cemetery was a bust. Sonny, is there anything else weird you can remember?

SONNY
What, 'cause we're not chest-deep in weird already, boys?

DEAN
I know, I know. I mean anything – really.

SONNY
There was one thing. Ruth always had her rosary beads with her, but now I can't find them anywhere.

SAM
All right. Um, let's start with the vics, okay? I mean, both lived in the house. They both, uh, worked closely with the boys.

DEAN
All right, why don't I go have a chat with the rug rats, see what's up? (Dean walks off)

SAM
Yeah. Sonny, you got any employee records on the victims?

SONNY
In my office. Let's do it.



SCENE - outside

DEAN walking around the house. He hears some kids talking.

KID 1
Come on, whatcha gonna do about it? You gonna cry?

KID 2
Timmy, you're such a little weirdo.

DEAN picks up his pace to intervene.

DEAN grabs KID 1, previously in the red sweatshirt kid and now in a camouflage pattern shirt; KID 2, previously in a plaid flannel shirt and now in a dark t-shirt, is pushing up against TIMMY against the side of the house.

DEAN
Hey, hey, hey, hey! Hey!
What are you doing? (DEAN grabs KID 2)
Come here. Huh?

KID 2
Nothing.

DEAN
Timmy, what's going on?

TIMMY is silent.

KID 1 huffs in annoyance.

DEAN turns around to face the other kids.

DEAN
All right, you two. Where were you this morning when Ruth had her accident?

KID 1
Unless you're a cop, we don't need to tell you anything.

DEAN
Oh, okay. Well ...

DEAN pulls an ID out of his pocket.

DEAN (continuing)
... How about that? (he shoves an FBI badge in each of their faces)

KID 1
We weren't even here this morning. Sonny sent us into town to get some chicken feed – we swear.

DEAN
What about Ruth? What can you tell me about her?

KID 2
Uh, we used to call her the warden. She was a real Bible-thumping hard-ass.

KID 1 nods.

DEAN
Obviously. What else? Anything different or weird you can think of?

KID 1
You mean besides Timmy?

Both kids laugh. TIMMY looks sad.

DEAN
Hey! (lower voice:) Either of you touch him ever again, I'm gonna go all Guantánamo on you. (KID 2 swallows.) Understand me? You get the hell out of here. Go on! Get.

DEAN gestures irritably and the kids scurry off. DEAN turns back toward TIMMY who is watching the bigger kids go.

TIMMY steps forward to pick up his doll/action figure. DEAN gives him a hand up.

DEAN
Hey. You and Bruce okay?

TIMMY
Yeah.

DEAN
Listen to me. Guys like that – they're cowards, okay? All you got to do is stand up to them one time and they'll stop, I promise.

TIMMY (looks down)
Okay.



SCENE - inside

SAM and SONNY are walking briskly through the house. SAM stops, seeing something.

SAM
Hey Sonny, wait. Um ... W-what is all this?

SONNY
It's our hall of fame. We had some pretty great athletes come through here, including your brother. (SAM exhales.) He was Sullivan county 135-pound wrestling champion. (SAM exhales again.)



SCENE - KID 2 is mowing and KID 1 is raking

They're being watched from above, from a window.

Horn honks. Car drives up. Boys turn to see ROBIN getting out of car, with a guitar case.

ROBIN
Hey, guys!

KID 2
She could give me a lesson anytime.

KID 1
Gross. She's like ancient.

KID 2 turns back to the lawnmower. It seems to pick up a rock, or something causing it to make a strange sound.

KID 2
What the hell?

KID 2 grabs the lever to turn it off. He tilts it on its side. We see that the underside has RUTH's cross caught up in the mechanism. KID 1 comes over to look.

KID 2
What's this doing in here?

KID 1 shrugs and shakes his head. KID 2 reaches his hand in cautiously and starts pulling out grass, and trying to pull off the cross necklace.

The view from the window above has ghostly noises. We see TIMMY standing in the window clutching his doll/action figure.

Below, KID 2 is still working with the lawnmower.

The camera pauses on the red power lever for a moment. KID 1 watches to see what happens. The camera pauses on the red power level – which flips. The engine turns over.

KID 2 screams; blood sprays out over KID 1, who tries to help his friend; KID 2 falls over; the lawnmower continues to run.

The camera pans over to TIMMY in the house. A hand clasps him on the shoulder – a hand with what appears to be strange markings, tattoos or scarring.

ACT THREE

SCENE

Open on someone reviewing a file about TIMMY. DEAN walks in.

DEAN
Kid's gonna need about 8,000 stitches, but he'll be fine.

SAM
That kid was bullying Timmy before the accident, right?

DEAN
Yeah. Why?

SAM
Check this out. (handing DEAN the file) Timmy was found in an abandoned building about a year ago all by himself. No one was sure how long he had been there.

DEAN
And what about his parents? (tosses file back to SAM)

SAM
Well, they posted a picture on the Internet, but no one ever showed up.

DEAN
Well, then, what's he doing here? Shouldn't he be in an orphanage?

SAM
He kept running away from Child Services. So about three months ago, Sonny offered to take him in.

DEAN
All right, so hard-ass counselors, bullies, all bite the dust, but Timmy's still standing. So, what are we talking? We got ourselves a Damien on our hands?

SAM
No. EMF rules out a demon. So ... probably ghost possession.

DEAN
Meaning what, we find Timmy and shove a fistful of salt down his throat, forced ejection?

DEAN sighs, points at SAM
You're taking the barn this time.

DEAN turns around and heads out. SAM sighs, taps the folder.



SCENE - barn

Chains rattling. SAM walks into the barn. Cows low. SAM opens the same door where DEAN found TIMMY. Pigeons coo. SAM looks up, sees the rafters, a trapdoor; goes up a ladder. Upstairs, he looks around; pulls out a flashlight. Sees a child's drawing on a wall. The drawing shows a happy family. Then shows a car driving, with "YMMOM" (MOMMY spelled backwards); then shows a car crash; flames; mom putting TIMMY outside the car.


SCENE - inside

DEAN is walking around, hears guitar; walks to room and sees ROBIN on the couch, playing guitar.


SCENE - FLASHBACK

YOUNG ROBIN is playing the guitar. YOUNG DEAN is sitting beside her. She plays a few chords and they laugh.

YOUNG ROBIN
So, you've been a lot of places?

YOUNG DEAN
Yeah. My, uh … My dad likes to move around a lot.

YOUNG ROBIN
What's your dad do?

YOUNG DEAN
(pauses)
Boring stuff.

YOUNG ROBIN
Do you like it?

YOUNG DEAN
shakes his head NO
No, not really. But my dad expects me to follow in his footsteps. So I've kind of gotten used to it.

He seems resigned.

YOUNG ROBIN
Yeah. I - I get it. My pops wants me to take over the diner? But that's not happening. So, what do you really want to do?

DEAN hesitates.

YOUNG ROBIN (continues)
I want to be a photographer and see the world, go to strange lands, eat crazy food.

YOUNG DEAN
(takes a breath)
I want to be a rock star, but... I also really like cars.

YOUNG ROBIN
Being a mechanic seems rough.

YOUNG DEAN
What? No, no. Not at all. Cars are freaking cool as hell. Fixing them is like … a puzzle, and the best part is when you're done, they leave, and you're not responsible for them anymore.

YOUNG ROBIN leans in to kiss him. He seems shocked.

YOUNG ROBIN
Have you kissed many girls?

YOUNG DEAN
What? (whew) Yeah. Of course. Lots.

YOUNG ROBIN
Really? (she grabs his collar) Well, I guess we'll just have to keep practicing.

She pulls him in for another kiss.



camera pulls out to show DEAN standing in the doorway, staring at the couch, reliving that moment; then


SCENE PRESENT-DAY

ROBIN looks up, sees DEAN.

ROBIN
Oh. Hey. Uh, what happened to you at the diner? I turned around to take your order, and you were just … gone.

DEAN
Long story. Um, have you seen Timmy?

ROBIN
No, not yet, but he should be here any minute for his guitar lesson.

DEAN
Yeah, we're gonna cancel that.

ROBIN
What?

DEAN
We got to get out of here, okay? I don't have time to explain. You just got to trust me.

ROBIN
T-trust you? (scoffs) (sighs) And why would I do that again?

DEAN
You do remember me!

ROBIN (softly)
How could I forget?



SCENE - FLASHBACK

YOUNG DEAN and YOUNG ROBIN kissing on the porch swing

♪ I do recall ♪ ♪ those were the best times, most of all ♪ ♪ In the heat with a blue-Jean girl ♪

She puts a hand to his chest.

YOUNG DEAN
What's wrong?

♪ Burnin' love comes once in a lifetime ♪

YOUNG ROBIN
I just hope this lasts.

YOUNG DEAN
I'm not going anywhere, Robin.

YOUNG ROBIN
Yeah, says you.

YOUNG DEAN
Well, I can't.

♪ Those summer nights are callin' ♪

YOUNG DEAN (continues)
Who else would take you to the school dance?

♪ Stone in love ♪

YOUNG ROBIN
Is this your way of asking me to be your date, Dean Winchester?

YOUNG DEAN
Yeah. How am I doing so far?

She laughs.

♪ Stone in love ♪


SCENE - PRESENT DAY

DEAN looks upset.

DEAN
There were – there were reasons why I had to leave. I don't have time to explain them to you right now. I got to get you out of here.

He comes over to the couch, grabs her by the hand, pulls her up and out of the room.

ROBIN
Hey! What are you doing?!

TIMMY
I'm sorry.

DEAN whirls around, with ROBIN, to see TIMMY.

DEAN
Sorry about what, Timmy?

TIMMY
I can't stop it.

A vase shatters against the door. ROBIN and DEAN flinch; he yells "ahhh!" and she screams.

DEAN
Go, go, go!

DEAN grabs her by the arm and pushes her to another room. Vases are flying in the air crashing against walls. DEAN grabs a fireplace poker. A lamp picks up and flies over their heads; they duck.

SAM is coming in through an open door that they're heading toward. They duck another lamp, SAM enters,

DEAN
Sam, go!

SAM whirls around but the door slams shut before he can get to it.

DEAN
Locked. Damn it!

ROBIN gasps. DEAN runs to kitchen cabinet and grabs a box of salt, tosses it to SAM.

DEAN
Circle.

SAM catches the box and starts to open it.

ROBIN
Dean, what – what just happened in there?

DEAN
Okay, listen to me. Whatever happens, you stay inside this circle. Understood?

SAM
All right. Dean (warningly) ...

DEAN whirls around to see TIMMY standing in the doorway with his action figure doll.

TIMMY
I can't control her.

DEAN
Can't control who?

SAM (stepping forward)
Your mom, right?

SAM puts down the salt and comes over to TIMMY.

SAM (continues)
Timmy, listen. We need you to tell us about the fire, okay?

Camera pans over Timmy's drawings, as he retells his story in voiceover:

TIMMY
It was late, and we were driving home when we crashed in the woods. Everything was on fire. But she saved me, pushed me out... (in the memory we can hear her cries) Before the car blew up... with her in it.

SAM
But that's not all, was it?

TIMMY
I ran through the woods. I found an empty building, where I hid. I was scared. It was dark and cold. So I cried. I cried for my mom. And then she came.

SAM
But she'd changed, right?

Flashback to TIMMY's final drawing, showing a large phoenix-like shape labeled MOMMY hovering over stick figure TIMMY.

DEAN
I'll bet she gave you that cool action figure, huh?

TIMMY
Yeah. When I turned 9.

SAM
Timmy…

A figure flickers in the kitchen near the refrigerator … it's a woman with blonde hair, horribly burned.

SAM (continues)
...I'm gonna need that action figure.

The spirit attacks SAM and throws him against the wall. DEAN swings the iron poker through the figure which dissipates. DEAN grabs the action figure doll from TIMMY, and puts it on the oven, turning the gas burner on.

TIMMY
No!

TIMMY watches in despair. SAM grabs TIMMY and puts him in the circle of salt with ROBIN, who holds him protectively. DEAN stands by the stove, watching the doll burn.

ACTION FIGURE DOLL'S VOICE
I clobber evil! … I clobber evil! … I clobber evil! … I … clobber … evil!

A wind blows in through the window, disrupting the circle of salt.

SAM
It looks like it wasn't the action figure that was anchoring her here, Dean.

DEAN
Then what is?!

SAM
Him.

ACT FOUR

SCENE - kitchen

ACTION FIGURE DOLL BRUCE is still burning on the range.

SAM steps out of the broken circle to go talk to DEAN.

SAM
You know what? I think maybe his mom can't let go and she's still protecting him from the grave.

DEAN
Protecting him from what? What, from us?

SAM
Maybe she doesn't know what threats are real and what's not, so she just attacks all of them.

DEAN
Great. So, what, unless we waste the kid, we're sitting ducks?

ROBIN
This is – this is crazy.

DEAN
Robin.

ROBIN steps out of the remnants of the circle, and runs out of the kitchen toward the front of the house.

DEAN
Robin! Damn it. (DEAN chases her) Robin, wait! (DEAN catches her)

ROBIN
Who are you?

DEAN
Right now I'm the only thing that's keeping you safe.

ROBIN, disbelieving, turns to leave – and turns into the ghost of MOM who has suddenly appeared. GHOST MOM makes a gesture and DEAN goes flying backwards into a wall. GHOST MOM clenches her fist, and DEAN clutches his heart in pain. ROBIN watches in terror.

From the other room SAM's voice is heard talking to TIMMY.

SAM
Timmy, we're gonna need your help, okay?

Hearing SAM and TIMMY, MOM looks towards the kitchen … and lets go of DEAN who gasps in relief. GHOST MOM shimmers out.

In the kitchen, SAM is kneeling in front of TIMMY.

SAM
Listen to me. I need you to focus, okay?

GHOST MOM reappears behind SAM.

SAM (continues)
Look, we are not here to hurt you.

GHOST MOM grabs SAM, pulls him backwards, throws him against the wall.

DEAN comes rushing in.

DEAN
Sammy!

GHOST MOM turns towards DEAN and throws him backwards too. She clenches her fist and DEAN groans. SAM looks at him.

TIMMY
I can't stop her.

DEAN
Timmy, you have to try!

GHOST MOM looks at DEAN balefully.

DEAN (continues, in a strained voice): She came to you when you cried out for her. Now you have to tell her to stop and go away!

TIMMY
She's my mom.

DEAN
She's a ghost. Timmy, because she can't move on, she's going crazy. Okay? You got to let her go. You'll be okay.

SAM gasps in pain.

DEAN (continues)
Listen to me. Sometimes you got to do what's best for you, even if it's gonna hurt the ones you love.

TIMMY adjusts his glasses, stands up, and says in a tremulous voice
Mommy... Stop it.

DEAN
Timmy, Kung Fu grip!

TIMMY (in a louder, stronger voice)
Mommy, stop it! Stop hurting people!

DEAN and SAM both gasp in relief as GHOST MOM lets them go. She turns to face TIMMY, and holds her arms out to him.

TIMMY (continues)
You have to go. Never come back. I'll be okay. I promise.

GHOST MOM's ghostly essence peels off, leaving GHOST MOM looking whole and human, smiling tearfully at her son as she holds her arms out to him.

TIMMY (continues)
I love you, too.

GHOST MOM fades completely away.

TIMMY runs to DEAN who embraces him. DEAN looks at SAM, who nods at him.

ROBIN comes into the room. DEAN holds TIMMY and pats on the back.


COMMERCIAL BREAK

ACT FIVE

SCENE

TIMMY is watching from the porch. It's nighttime.

ROBIN (to DEAN)
So, then, this is … the family business?

DEAN
Told you it was boring.

ROBIN
(laughs)
Yeah, right.

DEAN
Well, as you can see, I did not run off to become a rock star.

ROBIN
Mm... I don't know about that. You look pretty rockin' to me, Dean Winchester.

DEAN chuckles.

DEAN
And what about you?

ROBIN
I mean, I always thought that I would hate being in the same little town my whole life, and, you know, taking over the diner like Dad always wanted, but ... I don't. I just – I love it.

DEAN
I guess we didn't know everything we thought we did at 16, huh?

ROBIN
Not everything. Just some things.

ROBIN stands up to kiss him on the cheek. She walks to porch to be with TIMMY. DEAN waves to them both.


SONNY approaches DEAN.

SONNY
Sounds like Timmy's gonna need some help adjusting.

DEAN
Yeah, but he's got you.

SONNY
I always hate to see you go, Dee-dawg. (They clasp hands.) Can't thank you enough for this one, man. (they hug.)

DEAN
Sonny, we'll see you around.

SONNY
You can bet on that, boys. Take it easy, man.

SONNY and DEAN slap each other's shoulders one last time, and SONNY walks off. DEAN and SAM are alone together at the IMPALA.

SAM
Hey, h-how did you know Timmy asking his mom to leave was gonna work?

DEAN
I didn't. Total hail Mary. Got lucky.

SAM
You just got lucky?

DEAN nods.

SAM (continues)
Kind of like you did with this place. I mean, here I was thinking this was the worst part of your life, and it turns out it was the best. Why'd you ever leave?

DEAN
Never felt right.

SAM
Really?

DEAN
It was two months, Sam, okay? And I couldn't wait to get out of here. I don't know what to tell you. It wasn't me.

SAM accepts this, sort of, and gets in the car. DEAN pauses to look back at the house for one last memory.


SCENE - FLASHBACK

YOUNG DEAN is fastening a tie, wearing a short-sleeve button down shirt.

SONNY enters.

SONNY
Oh, look at you. You clean up good!

YOUNG DEAN
Thank you. You know, uh ... I've never actually been to one of these school dances before.

SONNY
Yeah. Look, about that, Dean, your old man's outside …. and, man, he's really something. I tried to tell him what a big night it was for you, Dean, and ask him if he could come back later, but he just said to tell you he had a job, said you'd know what that means.

YOUNG DEAN is nodding, looking emotional but trying to tough it out. He exhales, looks at picture of himself and YOUNG ROBIN, holding back tears. SONNY watches him.

SONNY (continues)
You know, after I got out of jail, this place gave me a second chance, and it's done the same for you, too.

YOUNG DEAN nods.

SONNY (continues)
So if you want, I'll stick my neck out for you, and I'll fight for you to stay.

YOUNG DEAN, still speechless, is choking back tears. JOHN's car horn honks outside. YOUNG DEAN goes to the window to look, and sees a very young-looking SAM holding a plane or spaceship out the window of the car. YOUNG DEAN laughs, choked-up, and turns back toward SONNY, holding out his hand. There's a tear trickling out his eye as they shake hands.

YOUNG DEAN
Sonny... ...thank you – for everything. But I have to go.

YOUNG DEAN and SONNY embrace.


SCENE - PRESENT DAY

DEAN gets into the IMPALA.

SAM
Dean ... Thank you.

DEAN
For what?

SAM
For always being there, for – having my back. Look, I know it always hasn't been easy …

DEAN
I don't know what the hell you're talking about.

DEAN starts the car. SAM shuts his car door. They drive off into the night.

CREDITS

  • sync, corrected by elderman (@elder_man)
  • transcript, edited and corrected by User:Lquilter from Hulu.com version, 2013/11/30