8.21 The Great Escapist (transcript)

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SUPERNATURAL

8.21 The Great Escapist

Written by: Ben Edlund

Directed by: Robert Duncan McNeill

Air Date: May 1, 2013

TEASER

TITLE: NOW


INT. GARTH'S BOAT - DAY

KEVIN TRAN wakes up, a note still stuck to his face. He gets up and sticks it onto the wall with the rest of his notes. Someone bangs on the door and he approaches it warily.


DEAN (O.S.)

Kevin! Come on, it's us. Open up. [more banging] Bleeding out here!


KEVIN cracks open the door.


DEAN

Come on man, it's me. [KEVIN sprays him with water] Now it's wet me.


KEVIN

You forgot the knock. What's the point of a secret knock if you don't use it?


SAM

Sorry, Kevin. [SAM gets hit with the water gun as well] We got it.


KEVIN takes the chains off the door and SAM and DEAN enter the boat.


KEVIN

Got what?


DEAN

We got a tip that Crowley was moving his earth-side operations, so we, uh, laid ourselves an awesome trap.


SAM

And it worked.


DEAN takes the other half of the broken demon tablet out of his bag.


DEAN

We got the other half of the tablet.


KEVIN

What?


DEAN

It's the light at the end of your tunnel, kid. Don't say we never got you nothing.


DEAN hands KEVIN the tablet.


KEVIN

Holy crap. Are you kidding? We can get the third trial. We can finally figure out how to close the gates of Hell on Crowley's ass forever.


SAM

Sounds good to me. So, we digging up the other half of that thing, or what?


KEVIN

Don't need to.


KEVIN points to the wall of notes.


SAM

So, uh, Special K, you keep your nose to the God-stone, we're gonna drive out and make a lotta noise a long way from here, keep the safeboat safe for you.


KEVIN ignores him, already scribbling down more notes.


DEAN

We'll be back as soon as we can, okay?


KEVIN continues to ignore them.


DEAN

[to SAM] I guess he's okay. [to KEVIN] Alright, don't forget to lock up after us.


SAM and DEAN exit.


EXT. GARTH'S BOAT - CONTINUOUS

SAM and DEAN walk onto the pier, where they are engulfed by a rippling effect and transported to —


INT. CROWLEY'S LAIR - CONTINUOUS

The moment they enter the building, "SAM" and "DEAN" transform back into two DEMONS.


CROWLEY

So, it's three trials. Three trials and the Winchesters get to lock the door on me. Ha! [to DEMON #1] You. Fake Sam. If you're gonna tip our hand, I'll have to scrub Kevin's short-term memory again. And that's risky, so watch the patois in there.


DEMON #1

Patois?


CROWLEY

Your slang. Special K, nose to the God-stone, that's the way Dean speaks. Sam is... more basic, more sincere. Remember, I want two distinct, authentic characterisations.


DEMON #1

Yes, sir.


CROWLEY waves them off and both DEMONS exit.


CROWLEY

I was born to direct.


TITLE: SUPERNATURAL

ACT ONE

INT. BUNKER - LIBRARY - DAY

DEAN enters, carrying a tray of food. SAM's sitting at the table, huddled underneath a blanket, going over some documents.


DEAN

Alright, here we go. John Winchester's famous cure-all kitchen sink stew. There you go. Enough cayenne pepper in there to burn your lips off, just like Dad used to make.


DEAN sets the tray down in front of SAM, who pushes it away.


DEAN

Yeah, we do the whole airplane thing with the spoon? When was the last time you ate?


SAM

I- I don't...


DEAN

Days, Sam. It's been three days.


DEAN pulls out a thermometer.


SAM

When'd you get that?


DEAN

When you started throwing off heat waves. Here.


SAM throws the blanket aside and stands up, stumbling.


SAM

Enough, Dean. Please.


DEAN

The bloody handkerchiefs, the fever, the shaky legs... this is not good.


SAM

Well, I'm not good. And I'm not going to be good until we can start moving again. Until I can start the third trial.


DEAN

Trial? I wouldn't let you start a moped. We're on the rails with this thing, okay, and the only way out of it is through it, believe me, I know. And you know how bad I wanna slam the door on all those sons of bitches. But you gotta let me take care of you, man. You gotta let me help you get your strength back.


SAM

This isn't a cold. Or a fever, or whatever it is you're supposed to feed. This is part of it all. Those first two trials... they're not just things I did. They're doing something to me. They're changing me, Dean.


DEAN's phone buzzes and he pulls it out. The screen reads "New Email from Kevin Tran."


DEAN

It's Kevin.


SAM

Finally.


DEAN opens KEVIN's message on the laptop — it says "WATCH THIS VIDEO NOW". He clicks the link and KEVIN's video message plays.


INT. GARTH'S BOAT - DAY

(The following is intercut with reaction shots of SAM and DEAN in the bunker.)


KEVIN

Sam, Dean. I've set up this message with some software on a remote server so it'd send itself to you if I didn't reset it with a command once a week. Which means I didn't reset it this week. And there's only one reason I wouldn't. Which means if you're watching this, then I... then I— I'm dead. I'm dead, you bastards! So screw you, screw God and everybody in between! (beat) Crowley must've gotten to me. And the one thing I know is that I won't break this time. Not sure how I know, but— but I do. I've been uploading all my notes, the translations, I'm sending you the links so you can get all of it. You guys are gonna have to try to figure out the rest. I'm sorry. [tearing up] I know it was my job, but I— but I couldn't... (beat) I'm sorry.


INT. BUNKER - LIBRARY - DAY

DEAN angrily swipes a stack of books off the table.


DEAN

Damn it!


INT. BUNKER - LIBRARY - LATER

SAM is printing out KEVIN's notes while DEAN is on the phone.


DEAN

Yeah, I know you haven't seen him, Keel, nobody has. Alright, well, if you talk to Garth, well, just have him call in. Yeah. [hangs up]


SAM

Garth still MIA?


DEAN

Yeah.


SAM

How about the other prophets in line? I mean if Kevin is, uh... is dead, then won't one of them be activated?


DEAN

Nothing, no, not a peep. (beat) Here we are. No lead, no tablet, squat.


SAM

Well, I mean, we got all this. [picks up a stack of notes]


DEAN

We should've moved him here.


INT. BIGGERSON'S RESTAURANT - DAY

CASTIEL sits at one of the tables, looking at his watch.


SUPERIMPOSED: Santa Fe, New Mexico


A waitress, KARA, comes up and refills his coffee cup.


CASTIEL

I guess I've been acquiring the taste.


KARA

Yeah, the coffee's not too bad here.


CASTIEL

You know, I remember when you first discovered it. Before you started brewing it, you'd just chew the berries. Folk tale is true, by the way, you learned it from the goats.


KARA

Uh, been on the road a long time, huh?


CASTIEL

Feels like I've been on the run forever.


KARA exchanges a look with the man behind the counter.


KARA

Uh, I'm sorry, mister, but you're gonna have to order more than coffee if you wanna keep the table.


CASTIEL

Of— of course, um. [glances at a menu] I'll have the smart-heart beer-battered tempura tempters.


KARA

Of course. Coming right up.


KARA walks off. There's a buzzing noise and CASTIEL's coffee cup starts to shake.


CASTIEL

They're getting closer.


A nearby waiter, PERRY, looks up.


PERRY

What's that, chief?


CASTIEL disappears.


INT. BIGGERSON'S RESTAURANT - MOMENTS LATER

PERRY is on all fours, looking underneath the table CASTIEL was sitting at.


PERRY

I swear to God, Lance, the guy just disappeared.


LANCE

You on that crack again, Perry?


Two ANGELS (ION and another) appear and observe them.


INT. NAOMI'S OFFICE - DAY


NAOMI

Ion, tell me that you have good news.


ION

He's using a clever tactic. It's a restaurant called Biggerson's.


INTERCUT WITH:


INT. BIGGERSON'S RESTAURANT - DAY

CASTIEL sits at the table, drinking his coffee.


SUPERIMPOSED: Palm Bay, Florida


ION (O.S.)

The humans have built hundreds of them, almost exactly alike.


INT. NAOMI'S OFFICE - DAY


NAOMI

What are you talking about?


ION

It's their sameness.


INT. BIGGERSON'S RESTAURANT - DAY

SUPERIMPOSED: Denver, Colorado


ION (O.S.)

Castiel is using it against us.


INT. BIGGERSON'S RESTAURANT - DAY

CASTIEL remains in the same position, continuous from before, while the backdrop changes.


SUPERIMPOSED: Pittsburgh, Pennsylvania


INT. NAOMI'S OFFICE - DAY


ION

Now, we try to orient ourselves, but it's as if we're in every Biggerson's at once—


INT. BIGGERSON'S RESTAURANT - DAY

SUPERIMPOSED: Portland, Oregon


ION (O.S., cont'd)

Trapped in a quantum superposition.


INT. BIGGERSON'S RESTAURANT - DAY

SUPERIMPOSED: St. Louis, Missouri


ION (O.S.)

Now, he chooses which to go to next—


INT. NAOMI'S OFFICE - DAY


ION (cont'd)

That's what's giving him the edge.


NAOMI

You're saying that you can't catch him.


ION

There's— there's just so many Biggerson's.


NAOMI

Very well. You say he can't be caught? Then we will simply have to make him stop.


INT. BUNKER - LIBRARY - DAY

SAM and DEAN are going over KEVIN's notes.


SAM

Hmm. [looks at another page] There it is again, every time.


DEAN

Hmm?


SAM

This symbol? I know it. Now, Kevin has it down as, as sort of like a signature, for the Scribe of God. It appears every time Metatron makes one of his, uh, like, editor's notes.


DEAN

Okay...?


SAM

But I think I've seen it before. I mean, it was a long time ago, it was one of my, uh, humanities courses at Stanford.


DEAN

They taught Word of God at Stanford?


SAM

No, uh, it was an overview of Native American art — I think it's a petroglyph.


DEAN

A petro-what-now?


INT. BUNKER - LIBRARY - MOMENTS LATER

SAM slams a book onto the table and points to the symbol.


SAM

This one belonged to a tiny tribe in Colorado, more of a— a clan, really. It says here they held on to their scrap of mountains when all the other tribes fell to the white men. So this glyph was a territorial marker — closest translation: "messenger of God". (beat) Messenger of God. (beat) Messenger of God — Dean, we have to go there!


DEAN

On that hunch? You can barely function.


SAM

I'm only gonna get worse. I mean, until we get back to the real job, until we find the third trial — we're out of prophets! We're not gonna figure out what Kevin couldn't! I'd say we go to this messenger of God who wrote it in the first place!


DEAN

And you think this Metatron is hiding out in the mountains with a bunch of Indians.


SAM

Yeah! Yeah, I do. (beat) You're not— you're not really supposed to say Indians, it's... We should go.


SAM walks off.


DEAN

You're delirious.


INT. BIGGERSON'S RESTAURANT - DAY

CASTIEL still sits at the table, while the scenery behind him changes rapidly.


SUPERIMPOSED: Bangor, Maine

SUPERIMPOSED: Lincoln, Nebraska

SUPERIMPOSED: Reno, Nevada

SUPERIMPOSED: Tucson, Arizona

SUPERIMPOSED: Santa Fe, New Mexico


CASTIEL looks down at his coffee cup; the table is smeared with blood. He surveys the restaurant, which is now littered with bloody bodies.


KARA (O.S.)

You have to stop.


CASTIEL turns to look at her. KARA lies crumpled against one of the booths, her eyes having been burned out.


KARA

They said you have to stop.


CASTIEL

No.


KARA

They said you have to stop.


CASTIEL moves over to her.


CASTIEL

No.


KARA

Just stop... you have to stop...


CASTIEL

No.


KARA

You have to stop. [CASTIEL reaches out to heal her] They said you have to stop.


ION and the other ANGEL appear behind CASTIEL. ION presses his angel blade to CASTIEL's throat.


KARA

You have to stop.


ACT TWO

EXT. TWO RIVERS HOTEL - DAY

SAM and DEAN pull up in the Impala.


SUPERIMPOSED: Route 34, Colorado


INT. TWO RIVERS HOTEL - DAY

SAM and DEAN enter.


DEAN

Nice place.


They walk up to the desk. DEAN rings the bell. The HOTEL MANAGER enters.


DEAN

Morning. Hi. Uh, we'd like a room? (beat) Here, please.


SAM wanders off while DEAN signs in. From SAM'S PoV, we see his vision blurring and there's a ringing noise.


SAM

[to DEAN] Did you hear that?


DEAN

Hear what? [to the MANAGER] He has the flu.


INT. BIGGERSON'S RESTAURANT - DAY


KARA

You have to stop. You have to stop. They said you—


NAOMI snaps her fingers, breaking KARA's neck.


NAOMI

Can't hear myself think.


CASTIEL

We were supposed to be their shepherds, not their murderers.


NAOMI

Not always, angel. There was that day, back in Egypt, not so long ago, where we slew every first-born infant whose door wasn't splashed with lamb's blood. And that was just PR.


CASTIEL

Well, I wasn't there.


NAOMI

Oh, you were there. You just don't remember it.


CASTIEL

How— how many times have you torn into my head and washed it clean?


NAOMI

Frankly? Too damn many.


NAOMI snaps her fingers to make one of the chairs slide over to her. She sits down.


NAOMI

You're the famous spanner in the works. Honestly, I think you came off the line with a crack in your chassis. You have never done what you were told. Not completely. You don't even die right, do you? Where is the angel tablet, Castiel?


CASTIEL

In the words of a— good friend... bite me.


NAOMI

Oh, we'll bite. Don't worry. [to her ANGELS] Go. Search all these Biggerson's. He must have hidden it along the way.


INT. GARTH'S BOAT - DAY

KEVIN is working on the translation of the demon tablet while DEMON!SAM and DEMON!DEAN keep watch.


KEVIN

I can barely see. I need food.


INT. GARTH'S BOAT - MOMENTS LATER

DEMON!SAM reads from KEVIN's shopping list.


DEMON!SAM

Alright, uh, barbecue ribs, mashed potatoes...


KEVIN

Garlic mashed potatoes.


DEMON!SAM

Garlic mashed potatoes, mixed greens with... baby lettuce, cornbread, and, uh, Pad Thai?


KEVIN

Garth says there's a good little place on the other side of town.


DEMON!DEAN

What the hell. [shrugging] Kid's been working hard.


INT. CROWLEY'S LAIR - DAY

CROWLEY and his HENCHDEMONS are watching DEMON!SAM and DEMON!DEAN on the monitors.


CROWLEY

Those guys aren't half bad.


HENCHDEMON #1

No, sir! You chose well.


CROWLEY

Of course, if I wasn't running everything, I could've played Dean myself.


HENCHDEMON #1

Oh, you would've made a great Dean, sir.


INT. TWO RIVERS HOTEL - SAM & DEAN'S ROOM - DAY

SAM is lying one of the beds, drinking a glass of water. DEAN enters.


DEAN

Regular tourist mecca we got here. We're the only guests in this whole place. Last entry in the registry was in '06.


SAM

Hey, you remember when uh... when Dad took us to the bottom of the Grand Canyon, on that pack-mule ride?


DEAN

The what?


SAM

And you're, uh... your mule kept farting, just— l-letting go, like, gale force?


DEAN

Dude, you were like, four years old. I barely remember that.


SAM

(laughing)

You rode a farty donkey.


DEAN

Okay. Uh, I'm gonna go check out the Two Rivers Tribal Museum and Trading Post.


SAM

Yeah. Yeah! [sits up] I'm gonna— I'm gonna, uh. I'm gonna follow the hotel manager, D-Dr. Scowley-scowl. He's like a villain from Scooby-Doo.


DEAN

No, hey, uh, little big man? You should get some rest.


SAM

Yeah, I can do that too.


SAM promptly falls back onto the bed.


INT. TWO RIVERS TRIBAL MUSEUM - DAY


CLERK

The people of the Two Rivers tribe came to this land centuries ago. A land that was harsh, and stony. But the mighty leader told his people that they must stay here. He claimed that this was the home on Earth of the great spirit's sacred messenger, and that if they'd make offerings, their blessings would be many.


DEAN

What were the offerings?


CLERK

Huh?


DEAN

Uh, what did the great spirit's sacred messenger ask for?


CLERK

Stories. He asked the people to tell him stories.


DEAN spots an old photo on which the hotel's MANAGER looks exactly as he does now.


DEAN

I bet I know what the blessings were.


INT. TWO RIVERS HOTEL - SAM & DEAN'S ROOM - DAY

SAM tosses around on the bed, feverishly, then gets up.


INT. TWO RIVERS HOTEL - HALLWAY - MOMENTS LATER

SAM staggers down the hallway, holding onto the wall for support as he goes. The ringing noise and blurred vision from before have returned. The elevator doors at the end of the hallway open. SAM hides in an alcove while the MANAGER places a stack of boxes in front of one of the rooms. As soon as he leaves, SAM makes his way over and opens one of the boxes, which turns out to be full of books.


INT. TWO RIVERS HOTEL - SAM & DEAN'S ROOM - MOMENTS LATER

SAM stumbles back into the room. He pulls out his phone, swaying, and hits the speed-dial... then passes out as it rings.


DEAN (O.S.)

Sam?


INT. BIGGERSON'S RESTAURANT - DAY

NAOMI's other ANGEL punches CASTIEL in the face. ION appears.


ION

I've been all over them. It's not there.


NAOMI

[to CASTIEL] Why? Why are you doing this? Let us put the tablet back where it should be.


CASTIEL

I need to protect it.


NAOMI

From the angels?


CASTIEL

From all of us.


NAOMI

I'm just going to have to pull you apart, aren't I?


Suddenly, her ANGEL is shot, falling to the ground in a cloud of blood and light. ION is shot in the arm a moment later, Grace leaking out. The shooter turns out to be CROWLEY, who has just appeared.


CROWLEY

Naomi, darling. Miss me?


ACT THREE