Changes

From Super-wiki
Jump to: navigation, search

5.03 Free to Be You and Me (transcript)

326 bytes added, 03:52, 15 March 2010
...I'm gonna have to reformat every single one of these to my specifications, aren't I? Curses upon OCD.
}}
==THEN==
 
From [[5.02 Good God Y'All]], SAM stares at the blood on Ruby's knife, runs his thumb along the blade to collect some blood, and stares at that.
 
SAM (voiceover from [[5.02 Good God Y'All]]) <br />
You think I'll take one look at a demon and then suddenly fall off the wagon.
 
From [[5.02 Good God Y'All]], SAM talks to DEAN.
 
SAM<br />
As if after everything, I haven't learned my lesson.
 
DEAN<br />
Well, have you?
 
SAM shoves DEAN into the wall.
 
From [[1.01 Pilot]], JESS stands in their apartment in the Smurfs shirt.
 
SAM<br />
This is my girlfriend, Jessica.
 
From [[1.01 Pilot]], SAM lies on their bed, staring at the ceiling and screaming.
 
SAM<br />
No! Jess!
 
From [[1.01 Pilot]], JESS burns on the ceiling.
 
From [[1.05 Bloody Mary]], JESS stands on a street corner. SAM watches her as the car drives by.
 
DEAN (voiceover from [[1.01 Pilot]])<br />
What are you going to do? Just live some normal apple-pie life?
 
SAM (voiceover from [[1.01 Pilot]])<br />
Not normal. Safe.
 
From [[5.01 Sympathy For The Devil]], DEAN talks to ZACHARIAH.
 
DEAN<br />
I'm a vessel?
 
ZACHARIAH<br />
You're ''the'' vessel. Michael's vessel.
 
DEAN<br />
The answer's no.
 
From [[4.10 Heaven And Hell]], CASTIEL vanishes in [[Angel Banishing Sigil]]-induced blue light.
 
DEAN (voiceover from [[5.01 Sympathy For The Devil]])<br />
Where's Cas?
 
From [[5.01 Sympathy For The Devil]], CHUCK answers DEAN.
 
CHUCK<br />
The archangel smote the crap out of him.
 
From [[5.01 Sympathy For The Devil]], ZACHARIAH talks to CASTIEL.
 
ZACHARIAH<br />
How are you&mdash;
 
CASTIEL<br />
Alive? That's a good question.
 
From [[4.01 Lazarus Rising]], CASTIEL spreads his wings.
 
From [[5.02 Good God Y'All]], SAM talks to DEAN.
 
SAM<br />
I just wish I could save people. Like I used to.
 
From [[4.22 Lucifer Rising]], SAM's eyes go black.
 
From [[5.02 Good God Y'All]], DEAN answers SAM.
 
DEAN<br />
Like when you were all hopped up on demon blood?
 
From (...help...), SAM exorcises a demon with his mind.
 
From [[5.02 Good God Y'All]], CASTIEL talks to DEAN.
 
CASTIEL<br />
Your plan&mdash;
 
From [[5.01 Sympathy For The Devil]], NICK stands on his front walk and looks back.
 
CASTIEL (voiceover from [[5.02 Good God Y'All]])<br />
&mdash;to kill Lucifer, it's foolish&mdash;
 
From [[5.01 Sympathy For The Devil]], white light flares from the window of NICK's house.
 
CASTIEL (voiceover from [[5.02 Good God Y'All]])<br />
&mdash;can't be done. I have the solution.
 
From [[5.02 Good God Y'All]], CASTIEL talks to DEAN.
 
CASTIEL<br />
I'm gonna find God.
 
DEAN<br />
Try New Mexico. I hear he's on a tortilla.
 
From [[5.02 Good God Y'All]], CASTIEL talks to DEAN.
 
CASTIEL<br />
I killed two angels this week. I rebelled, and I did it, all of it, for you, and you failed.
 
From [[5.02 Good God Y'All]], SAM talks to DEAN.
 
SAM<br />
I'm in no shape to be hunting.
 
From [[5.02 Good God Y'All]], DEAN sits at a picnic table and SAM walks away.
 
SAM (voiceover from [[5.02 Good God Y'All]])<br />
Maybe it's best we just go our separate ways.
 
From [[5.02 Good God Y'All]], DEAN looks up, silent.
 
DEAN (voiceover from [[5.02 Good God Y'All]])<br />
Well, I think you're right.
 
==PROLOGUE==
 
===SAM'S MOTEL ROOM===
 
''EXT. GREAT PLAINS MOTEL &ndash; NIGHT''
 
''INT. MOTEL ROOM &ndash; NIGHT''
 
SAM lies in an otherwise empty bed, trying to sleep. He opens his eyes, sighs, and rolls over. He sits up and sees JESS beside him.
 
JESS<br />
Hey, baby.
 
SAM stares.
==TEASER==
<br />
<br />
EXT. GREAT PLAINS MOTEL - NIGHT<br />
<br />
To set the scene.<br />
<br />
INT. MOTEL ROOM - NIGHT<br />
<br />
SAM lies in an otherwise empty bed. He rolls over and sees JESS beside him.<br />
<br />
JESS<br />
Hey, baby. I missed you.<br /><br />SAM keeps staring. 
SAM<br />
Jessica. I'm dreaming.<br /><br />
JESS<br />
Or you're not. What's the difference? I'm here.<br /><br />
SAM<br />
I miss you so much. JESS<br /><br />I know. JESS reaches out to take SAM's hand. 
JESS<br />
I know. I miss you too. What are you doing, Sam?<br /><br />
SAM<br />
What do you mean?<br /><br />
JESS<br />
Running away. Haven't we been down this road before?<br /><br />
SAM<br />
No. It's different now.<br /><br />
JESS<br />
Really?<br /><br />
SAM<br />
Last time I wanted to be normal. This time I know I'm a freak.<br /><br />
JESS<br />
Which is all a big ball of semantics. You know that.<br /><br />
SAM<br />
No.<br /><br />
JESS<br />
Even at Stanford you knew. You knew there was something dark inside of you. Deep down, maybe, but you knew. Maybe that's what got me killed.<br /><br />SAM looks up, startled.<br /><br />
SAM<br />
No.<br /><br />
JESS<br />
I was dead from the moment we said hello.<br /><br />
SAM<br />
No.<br /><br />
JESS<br />
Don't you get it? You can't run from yourself. Why are you running now?<br /><br />
SAM<br />
Why are you here, Jess?<br /><br />
JESS<br />
Would you believe I'm actually trying to protect you?<br /><br />
SAM<br />
From what? JESS<br /><br />You. Sooner or later the past is going to catch up to you like it always does. You know what happens then? SAM looks down. 
JESS<br />
You. Sooner or later the past is going to catch up to you like it always does. You know what happens then? People die. Baby, the people closest to you die.<br /><br />
SAM<br />
Don't worry because I won't make that mistake again.<br /><br />
JESS<br />
Same song, different verse. Things are never gonna change with you. Ever.<br /><br />SAM looks down, then back up. JESS is gone.<br /><br />
==ACT ONE==
<br /><br />Caption: "'''One Week Earlier''' ===LYNYRD SKYNYRD'S "SIMPLE MAN"<br />MONTAGE===<br />''EXT. GREAT PLAINS MOTEL - &ndash; DAY<br />''<br />Caption: "Garber, Oklahoma"<br /><br />A car pulls up in front of the motel.  '''Garber, Oklahoma''' SAM gets out of the shotgun seat.<br /><br />
SAM<br />
Thanks.<br /><br />
DRIVER<br />
You're welcome.<br /><br />The SAM goes around to the back of the car drives offand opens the trunk.<br /><br />''EXT. TAFT MEMORIAL HOSPITAL - &ndash; DAY<br />''<br />DEAN closes the trunk of the Impala. He is wearing a suit and tie, in contrast to SAM's casual dress. DEAN hides a long knife under the coat and goes into the hospital. MUSIC<br /><br />Mama told me Caption: "'''Greeley, Pennsylvania"''' MUSIC<br /><br />When I was young ''INT. MOTEL ROOM - &ndash; DAY'''' MUSIC<br /><br />Come sit beside me SAM squirts lighter fluid onto papers in a sink, . MUSIC<br />My only son SAM lights a match, and drops it in. SAM's fake IDs and credit cards, including one for the Pennsylvania state police, catch fire.<br /><br />''INT. HOSPITAL - &ndash; DAY'' MUSIC<br /><br />And listen closely DEAN shows his Pennsylvania state police ID to a doctor.<br /><br />
DEAN<br />
Hi, Detective Bill Buckner.<br /><br />
DOCTOR<br />
Yes. How can I help you, Detective? MUSIC<br />To what I say DEAN<br />I'm here about those patients, the exsanguinated ones. ''INT. BAR &ndash; DAY'' MUSIC<br />And if you do this it'll help you some sunny day SAM is visible through the window walking up to the bar. A sign that reads "BUSBOY WANTED" is on the door. '''FREE TO BE YOU AND ME''' ''INT. BAR'' SAM holds a crate full of fruit and dumps it out. ''EXT. NIGHT'' DEAN shoves a MAN onto the ground. The MAN bares vampire fangs. 
DEAN<br />
IEat it, Twilight. DEAN brings his knife down on the vampire's neck. ''INT. BAR'' SAM chops lemons. 'm here about those patients'EXT. NIGHT'' DEAN, face blood-spattered, hacks at the exsanguinated onesvampire's neck'''Starring'''<br />'''JARED PADALECKI''' ''INT. BAR'' SAM slices lemons and wipes his forehead. ''EXT. NIGHT'' DEAN wipes his cheek, smearing some of the blood. MUSIC<br />INTOh take your time ''EXT. NIGHT'' DEAN opens the trunk of the Impala. BAR - DAY MUSIC<br />Don't live too fast '''JENSEN ACKLES''' ''INT. BAR'' MUSIC<br />Troubles will come SAM is visible through the window walking up carries a rag over to the barand starts wiping it down.  '''MISHA COLLINS''' MUSIC<br />And they will pass A sign that reads "BUSBOY WANTED" WAITRESS (her name is on the doorLINDSEY) eyes him appreciatively and carries off somebody's glass and beer bottle'''Guest Starring'''<br />'''ADRIANNE PALICKI''' MUSIC<br />Go find a woman and you'll find love SAM continues to clean the bar with soapy liquid. ''EXT. NIGHT'' DEAN washes the car. '''JIM BEAVER''' MUSIC<br />And don't forget, son ''INT. BARIMPALA &ndash; NIGHT'' DEAN drives, listening to music. MUSIC<br />There is someone up above '''MARK PELLEGRINO''' MUSIC<br />SAM holds And be a crate full of fruit and dumps it out.simple '''DEMORE BARNES''' MUSIC<br />Kind of man '''EMMA BELL''' MUSIC<br />EXT. NIGHTOh won't you do this '''SCOTT MICHAEL CAMPBELL''' MUSIC<br />For me son, if you can<br />DEAN shoves Baby be a MAN onto the groundsimple ''EXT. ROAD &ndash; NIGHT'' The MAN bares vampire fangsImpala drives onMUSIC<br /><br />Be a simple man ===DEAN'S MOTEL ROOM=== ''INT. MOTEL ROOM &ndash; NIGHT'' DEAN dampens a washcloth in the motel room sink and starts to clean his jacket. CASTIEL appears behind him. DEAN sees him in the mirror and startles. 
DEAN<br />
Eat it, TwilightGod.<br /><br />DEAN brings his knife down on thumps the vampire's neck.<br /><br />INT. BAR<br /><br />SAM chops lemons.<br /><br />EXT. NIGHT<br /><br />DEAN, face blood-spattered, hacks at the vampire's neck.<br /><br />INT. BAR<br /><br />SAM slices lemons and wipes his forehead.<br /><br />EXT. NIGHT<br /><br />DEAN wipes his cheek, smearing some of the blood.<br /><br />EXT. NIGHT<br /><br />DEAN opens the trunk of the Impala.<br /><br />INT. BAR<br /><br />SAM carries a rag over to the bar and starts wiping it down. A WAITRESS eyes him appreciatively and carries off somebody's glass and beer bottle. SAM continues to clean the bar with soapy liquid.<br /><br />EXT. NIGHT<br /><br />DEAN washes the car.<br /><br />INT. IMPALA - NIGHT<br /><br />DEAN drives, listening to "Simple Man", the same song that has been playing over the montage.<br /><br />INT. MOTEL ROOM - NIGHT<br /><br />DEAN starts to clean his jacket at the motel room sink. CASTIEL appears behind him. DEAN sees him in the mirror and startles.<br /><br />
DEAN<br />
God. Don't do that.<br /><br />
CASTIEL<br />
Hello, Dean.<br /><br />DEAN turns around; CASTIEL is inches from him.<br /><br />
DEAN<br />
Cas, we've talked about this. Personal space?<br /><br />
CASTIEL<br />
My apologies.<br /><br />CASTIEL steps back. DEAN grabs his jacket and walks toward the bed. '''Co-Producer'''<br /><br />'''JEREMY CARVER''' 
DEAN<br />
How'd you find me? I thought I was flying below the angel radar.<br /><br />DEAN rubs his ribs to illustrate the point. '''Co-Producers'''<br />'''JERRY WANEK'''<br />'''SERGE LADOUCEUR''' 
CASTIEL<br />
You are. Bobby told me where you were. '''Producer'''<br /><br />'''TODD ARONAUER''' CASTIEL looks around the motel room, which has no signs of SAM's presence, not even a second bed.<br /><br />
CASTIEL<br />
Where's Sam? '''Co-Executive Producer'''<br /><br />'''PETER JOHNSON''' DEAN puts on his jacket without looking at CASTIEL.<br /><br />
DEAN<br />
Me and Sam are taking separate vacations for a while. So, you .  '''Executive Producer'''<br />'''SERA GAMBLE''' DEAN<br />You find God yet? More importantly, can I have my damn necklace back, please? '''Executive Producer'''<br /><br />'''BEN EDLUND''' 
CASTIEL<br />
No, I haven't found him. That's why I'm here. I need your help. '''Executive Producer'''<br /><br />'''PHIL SGRICCIA''' 
DEAN<br />
With what? God hunt?<br />Not interested.<br />
CASTIEL<br />
It's not God. It's someone else. '''Executive Producer'''<br /><br />'''McG''' 
DEAN<br />
Who?<br /><br />
CASTIEL<br />
Archangel. The one who killed me.<br /><br />
DEAN<br />
'Scuse me?<br /><br />
CASTIEL<br />
His name is Raphael.<br /><br />
DEAN<br />
You were wasted by a teenage mutant ninja angel?<br /><br />
CASTIEL<br />
I've heard whispers that he's walking the earth. This is a rare opportunity.<br /><br />
DEAN<br />
For what? Revenge?<br /><br />
CASTIEL<br />
Information. '''Produced by'''<br /><br />'''JIM MICHAELS''' DEAN goes back over to the sink, picks up his knife and a washcloth, and starts to clean the knife. 
DEAN<br />
So, what, you think you can find this dude and he's just gonna spill God's address? '''Created by'''<br /><br />'''ERIC KRIPKE''' 
CASTIEL<br />
Yes, because we are going to gonna trap him and interrogate him. DEAN pauses and turns back. DEAN<br />You're serious about this. CASTIEL turns around to face DEAN. DEAN drops the washcloth and walks back toward CASTIEL. '''Written by'''<br />'''JEREMY CARVER''' 
DEAN<br />
You're serious about this. So, what, I'm Thelma and you're Louise and we're just going to hold hands and sail off this cliff together? '''Directed by'''<br /><br />'''J. MILLER TOBIN''' CASTIEL stares at DEAN, confused.<br />DEAN goes around CASTIEL and does something offscreen with the knife.<br />
DEAN<br />
Give me one good reason why I should do this.<br /><br />
CASTIEL<br />
Because you're Michael's vessel and no angel will dare harm you.<br /><br />DEAN looks at CASTIEL. 
DEAN<br />
Oh, so I'm your bullet shield.<br /><br />
CASTIEL<br />
I need your help because you are the only one who'll help me. Please.<br /><br />DEAN considers. 
DEAN<br />
All right, fine. Where is he?<br /><br />
CASTIEL<br />
Maine. Let's go.<br /><br />CASTIEL reaches to touch DEAN's forehead with two fingers. DEAN leans away.<br /><br />
DEAN<br />
Whoa.<br /><br />CASTIEL removes his hand.<br /><br />
CASTIEL<br />
What?<br /><br />
DEAN<br />
Last time you zapped me someplace I didn't poop for a week. We're driving.<br /><br />===BAR=== ''INT. BAR - &ndash; NIGHT<br />''<br />The WAITRESS LINDSEY is throwing darts; they land near the center of the target. SAM is at the bar next to the BARTENDER.<br /><br />WAITRESSLINDSEY<br />Hey Keith, you play?<br /><br />
SAM<br />
That depends. What are we playing for?<br /><br />WAITRESSLINDSEY<br />World peace.<br /><br />
SAM<br />
Oh, is that all?<br /><br />WAITRESSLINDSEY<br />Can I ask you something?<br /><br />
SAM<br />
Shoot.<br /><br />WAITRESSSAM wipes his hands off on a cloth and tosses it at the bar. LINDSEY retrieves her darts. LINDSEY<br />You finished that crossword puzzle in the kitchen?<br /><br />
SAM<br />
Uh, I guess. Why?<br /><br />WAITRESSLINDSEY<br />The ''New York Times'' Saturday crossword?<br /><br />SAM looks down. 
SAM<br />
Was it?<br /><br />WAITRESSLINDSEY<br />Uh-huh. You blow into town last week, you don't talk to anybody, you're obviously highly educated. You're like this...<br /><br />
SAM<br />
Riddle wrapped inside an enigma wrapped inside a taco?<br /><br />WAITRESSLINDSEY nods, smiling. LINDSEY<br />Here's what we play for. When I win, you buy me dinner and tell me your life story.<br /><br />
SAM<br />
Sounds fair. NEWS ANCHOR JOHN (on TV in background)<br /><br />&mdash;last year alone, standards of ??? and see how that turns out&mdash; SAM throws all three darts into the center of the target. NEWS ANCHOR JOHN<br /><br />And now ??? with ???&mdash; WAITRESSLINDSEY<br />Very mysterioso.<br /><br />TVNEWS ANCHOR JOHN<br />&mdash;large Spring hail, lightning strikes, and now fire&mdash;<br /><br />WAITRESSLINDSEY<br />I like it.<br /><br />SAM's attention is on KPJT 6 News on the TV, which shifts from one video of a hailstorm to another, then to video of trees on fire, then to the REPORTER live with fire and firemen in the background. While the REPORTER is onscreen, so is a box that says "LIVE REPORT" next to a scrollbar repeating "FIRE CONSUMES TOWN, RESIDENTS FORCED TO EVACUATE.<br />.."<br />TVREPORTER<br />&mdash;the town of ??Tully? tonight, John. Locals say that what started as a torrential hailstorm late this afternoon suddenly turned to massive lightning strikes that triggered the fires now consuming more than twenty acres here along the Route 17 corridor. County officials are advising all ??? Tully residents to prepare for what could become mandatory evacuations.<br /><br />The BARTENDER shuts the TV off.<br /><br />
BARTENDER<br />
Damn. Makes Is it me or does it seem like it's the end of the world.<br />?<br />SAM looks away.<br /><br />===WATERVILLE SHERIFF'S DEPARTMENT=== ''EXT. STREET - &ndash; DAY<br />''<br />DEAN and CASTIEL get out of the Impala. Caption: " '''Waterville, Maine"<br />'''<br />
DEAN<br />
And we're here why?<br /><br />
CASTIEL<br />
A deputy sheriff laid eyes on the archangel.<br /><br />
DEAN<br />
And he still has eyes? All right, what's the plan?<br /><br />
CASTIEL<br />
We'll...tell the officer that he witnessed an angel of the Lord, and the officer will tell us where the angel is.<br /><br />
DEAN<br />
Seriously? You're going to walk in there and tell him the truth?<br /><br />
CASTIEL<br />
Why not?<br /><br />
DEAN<br />
Because we're humans.<br /><br />DEAN pulls out another fake ID and stashes it inside CASTIEL's coat, then adjusts CASTIEL's coat and tie.<br /><br />
DEAN<br />
And when humans want something really, really bad, we lie.<br /><br />
CASTIEL<br />
Why?<br /><br />
DEAN<br />
Because that's how you become President.<br /><br />''INT. SHERIFF'S DEPARTMENT - &ndash; DAY<br />''<br />
DEAN<br />
Deputy Framingham?<br /><br />The DEPUTY turns around. DEAN holds up an FBI ID.<br /><br />
DEAN<br />
Hi. ?? Alonzo Mosely, FBI. This is my partner, Eddie Moscone.<br /><br />CASTIEL does nothing.<br /><br />
DEAN<br />
Also FBI.<br /><br />CASTIEL does nothing. DEAN stares at him. CASTIEL catches on and pulls out his FBI ID, which he displays upside-down. DEAN turns it over for him.<br /><br />
DEAN<br />
He's, uh, he's new. Mind if we ask you a few questions?<br /><br />CASTIEL looks at the ID, curious.<br /><br />
FRAMINGHAM<br />
Yeah, sure. Talk here, though.<br /><br />FRAMINGHAM indicates his right ear, leading DEAN and CASTIEL to his office.<br /><br />
FRAMINGHAM<br />
Hearing's all blown to hell in this one.<br /><br />
DEAN<br />
That happen recently?<br /><br />
FRAMINGHAM<br />
Yeah. Gas station. Why you're here, isn't it?<br /><br />
DEAN<br />
Yes, it is.<br /><br />They all sit down.<br /><br />
DEAN<br />
You mind just, uh, running us through what happened?<br /><br />
FRAMINGHAM<br />
A call came in. Disturbance out at the Pump and Go on Route 4.<br /><br />
DEAN<br />
What kind of disturbance?<br /><br />
FRAMINGHAM<br />
Would not have believed my eyes if I hadn't seen it myself. We're talking a riot. Full scale.<br /><br />
DEAN<br />
How many?<br /><br />
FRAMINGHAM<br />
Thirty, forty, in all-out kill-or-be-killed combat?<br /><br />
DEAN<br />
Any idea what set them off?<br /><br />
CASTIEL<br />
It's angels and demons, probably.<br /><br />FRAMINGHAM looks at CASTIEL. CASTIEL looks back.<br /><br />
CASTIEL<br />
They're skirmishing all over the globe.<br /><br />
FRAMINGHAM<br />
Come again?<br /><br />FRAMINGHAM turns back to DEAN.<br /><br />
FRAMINGHAM<br />
What did he say?<br /><br />DEAN and CASTIEL speak simultaneously.<br /><br />
DEAN<br />
Nothing. Nothing.<br /><br />
CASTIEL<br />
Demons. Demons.<br /><br />CASTIEL shuts up.<br /><br />
DEAN<br />
Demons, you know, drink, adultery. We all have our demons, Walt.<br /><br />FRAMINGHAM looks back and forth.<br /><br />
FRAMINGHAM<br />
I guess.<br /><br />DEAN looks at CASTIEL.<br /><br />
DEAN<br />
Anyway.<br /><br />DEAN returns his attention to FRAMINGHAM.<br /><br />
DEAN<br />
What happened next?<br /><br />
FRAMINGHAM<br />
Freaking explosion, that's what. They said it was one of those underground gas tanks, but, uh, I don't think so.<br /><br />
DEAN<br />
Why not?<br /><br />
FRAMINGHAM<br />
Wasn't your usual fireball. It was, um&mdash;<br /><br />
CASTIEL<br />
Pure white.<br /><br />
FRAMINGHAM<br />
Yeah. Gas station was leveled. Everyone was...it was just horrible. And I see this one guy, kneeling, real focused-like, not a damn scratch on him.<br /><br />
DEAN<br />
You know him?<br /><br />
FRAMINGHAM<br />
Donnie Finneman. Mechanic there.<br /><br />
DEAN<br />
Let me guess, he just, uh, vanished into thin air?<br /><br />
FRAMINGHAM<br />
Uh, no, cold shockKolchak. He's down at Saint Pete's.<br /><br />CASTIEL turns to DEAN.<br /><br />
CASTIEL<br />
Saint Pete's.<br /><br />
DEAN<br />
Thank you.<br /><br />===ST. PETER'S HOSPITAL=== ''INT. HOSPITAL - &ndash; DAY<br />''<br />DONNIE is sitting in a wheelchair, catatonic. DEAN and CASTIEL observe him from the hallway window.<br /><br />
DEAN<br />
I take it that's not Raphael anymore.<br /><br />
CASTIEL<br />
Just an empty vessel.<br /><br />
DEAN<br />
So is this what I'm looking at if Michael jumps in my bones?<br /><br />
CASTIEL<br />
No, not at all. Michael is much more powerful. It'll be far worse for you.<br /><br />DEAN looks away.<br /><br />===PHONE CONVERSATION=== ''INT. MOTEL ROOM - &ndash; NIGHT<br />''<br />SAM has his laptop open to a calligraphed page of the Book of Revelation in Latin. He SAM highlights a section and magnifies it, then picks up the phone and scrolls past Adele, Alana, Bobby, Butcher, Cassidy, Cory, Courtenay, Dan, Darilyn, and Deborah to Dean. He stares at the highlighted number for a moment , (212) 555-0113, and scrolls up to Bobby.<br /><br />''INT. BOBBY'S HOUSE - &ndash; NIGHT '' alternating with ''INT. MOTEL ROOM - &ndash; NIGHT<br />''<br />The phone rings. BOBBY answers.<br /><br />
BOBBY<br />
Sam?<br /><br />
SAM<br />
Hey Bobby. How you doing?<br /><br />
BOBBY<br />
Well I ain't running any marathons, but I'll live.<br /><br />SAM laughs.<br /><br />
BOBBY<br />
Where are you?<br /><br />
SAM<br />
Uh, Garber, Oklahoma. I found a town up the road showing some Revelation omens.<br /><br />
BOBBY<br />
What omens?<br /><br />
SAM<br />
All right, listen to this. 'And upon his rising there shall be hail and fire mixed with blood.'<br /><br />
BOBBY<br />
AinWell ain't that delightful.<br /><br />
SAM<br />
Yeah. But we already got hailstorms and fire so I'm guessing blood can't be too far behind.<br /><br />
BOBBY<br />
Okay.<br /><br />
SAM<br />
What?<br /><br />
BOBBY<br />
There a reason you're calling?<br /><br />
SAM<br />
Dean didn't tell you?<br /><br />
BOBBY<br />
He told me.<br /><br />
SAM<br />
Yeah. So I just thought you might want to find out who's in the area and put a man on this.<br /><br />
BOBBY<br />
Okay, let me see if I can think of the best hunter who might be in the immediate vicinity&mdash;oh, that'd be you.<br /><br />
SAM<br />
I can't, Bobby, I'm sitting this one out.<br /><br />
BOBBY<br />
Sam&mdash;<br /><br />
SAM<br />
I gotta go. I'm so sorry.<br /><br />
BOBBY<br />
Hold on, Sam&mdash;<br /><br />SAM hangs up. BOBBY throws down the phone.<br /><br />
==ACT TWO==
<br /><br />===ABANDONED HOUSE=== ''INT. HOUSE - &ndash; DAY<br />''<br />DEAN walks through the empty cabin, paging through John's journal. He sets it down on the table and turns. CASTIEL is there, holding a ceramic jar.<br /><br />
DEAN<br />
Where've you been?<br /><br />
CASTIEL<br />
Jerusalem.<br /><br />
DEAN<br />
Oh, how was it?<br /><br />
CASTIEL<br />
Arid.<br /><br />CASTIEL sets the jar on the table.<br /><br />
DEAN<br />
What's that?<br /><br />
CASTIEL<br />
It's oil. It's very special. Very rare.<br /><br />CASTIEl sits down.<br /><br />
DEAN<br />
Okay, so we trap Raphael with a nice vinaigrette?<br /><br />
CASTIEL<br />
No.<br /><br />
DEAN<br />
So this ritual of yours, when does it got to go down?<br /><br />
CASTIEL<br />
Sunrise.<br /><br />
DEAN<br />
Tell me something. You keep saying we're gonna trap this guy. Isn't that kinda like trapping a hurricane with a butterfly net?<br /><br />
CASTIEL<br />
No, it's harder.<br /><br />
DEAN<br />
Do we have any chance of surviving this?<br /><br />
CASTIEL<br />
You do.<br /><br />
DEAN<br />
So odds are you're a dead man tomorrow.<br /><br />
CASTIEL<br />
Yes.<br /><br />
DEAN<br />
Well. Last night on earth. What are your plans?<br /><br />
CASTIEL<br />
I just thought I'd sit here quietly.<br /><br />
DEAN<br />
Come on, anything? Booze, women?<br /><br />CASTIEL looks at DEAN and away, uncomfortable.<br /><br />
DEAN<br />
You have been with women before. Right? Or an angel, at least?<br /><br />CASTIEL rubs the back of his neck.<br /><br />
DEAN<br />
You mean to tell me you've never been up there doing a little cloud-seeding?<br /><br />
CASTIEL<br />
I've never had occasion, okay?<br /><br />
DEAN<br />
All right.<br /><br />DEAN grabs his jacket.<br /><br />
DEAN<br />
Let me tell you something. There are two things I know for certain. One, Bert and Ernie are gay. Two, you are not gonna die a virgin. Not on my watch. Let's go.<br /><br />DEAN leaves. CASTIEL stares after him, then follows.<br /><br />===BAR=== ''INT. BAR - NIGHT<br />''<br />A patron plays pool. SAM takes a tray of drinksempty glasses and trash.<br /><br />
MAN<br />
Hey, Sam. Sam SAM ignores him.<br /> MAN<br />SAM looks overSam.<br /><br />WAITRESSLINDSEY<br />Sam? What happened to Keith?<br /><br />SAM puts down the tray and looks over. 
SAM<br />
Wait, what?<br /><br />WAITRESSLINDSEY gestures at the MAN, whose name is HANK, and his two companions, REGGIE and STEVE. LINDSEY<br />He called you Sam.<br /><br />
SAM<br />
Yeah. Uh. Sam's my middle name.<br /><br />WAITRESSLINDSEY laughs. LINDSEY<br />Keith Sam? Man, I'm sorry.<br /><br />MANHANK<br />Well, actually, it's Samuel, so it's not quite as dumb as it sounds.<br /><br />WAITRESSLINDSEY<br />Are you guys friends?<br /><br />SECOND MANSTEVE<br />Hunting buddies. With his dad. But Samuel here is quite the hunter himself.<br /><br />WAITRESSLINDSEY<br />Wow. You kill killed deer and things?<br /><br />FIRST MANHANK<br />Yeah, and things.<br /><br />
SAM<br />
Um. Why don't I get you guys some drinks?<br /><br />The three hunters sit at a table. SAM puts beers in front of them and takes the fourth seat.<br /><br />FIRST MANHANK<br />Sorry. Didn't mean to bust you back there.<br /><br />
SAM<br />
No, uh, itIt's all right. So what's up?<br /><br />FIRST MANHANK<br />Well, Bobby called.<br /><br />
SAM<br />
And?<br /><br />FIRST MANHANK<br />You were right. Major demon block party going on.<br /><br />
SAM<br />
But why? What are they up to?<br /><br />SECOND MANSTEVE<br />Don't know yet.<br /><br />THIRD MANREGGIE<br />Bobby told us you were off limits. That true?<br /><br />
SAM<br />
Yeah, that's right.<br /><br />FIRST MANHANK<br />That's fine in theory and all, but we could really use all hands on deck here.<br /><br />
SAM<br />
I know you could. But I can't. I'm sorry.<br /><br />SECOND MANSTEVE<br />Why not?<br /><br />
SAM<br />
It's personal.<br /><br />FIRST MANHANK<br />Look, Samman, no offense, but what baggage is so heavy it can't be stowed away for the freaking apocalypse?<br /><br />
SAM<br />
Like I said&mdash;<br /><br />THIRD MANREGGIE<br />Yeah. You're sorry. Heard it the first time.<br /><br />FIRST MANHANK<br />Suit yourself. More for us then, right?<br /><br />
SAM<br />
Good luck.<br /><br />FIRST MANHANK<br />But hey. Beers are on you when we get back.<br /><br />
SAM<br />
Yeah, you bet.<br /><br />WAITRESSLINDSEY<br />So your parents were drunk when they named you and you shoot Bambi?<br /><br />
SAM<br />
It's a long story.<br /><br />WAITRESSLINDSEY<br />That is it. Enough with the kung fu wandering the earth thing. I'm gonna buy you dinner and we're gonna talk.<br /><br />
SAM<br />
Lindsey, I can't.<br /><br />
LINDSEY<br />
No. The only way to avoid bloodshed is to say yes.<br /><br />===BROTHEL=== ''INT. BROTHEL BAR - &ndash; NIGHT<br />''<br />DEAN drinks. CASTIEL looks terrified.<br /><br />
DEAN<br />
Hey. Relax.<br /><br />
CASTIEL<br />
This is a den of iniquity. I should not be here.<br /><br />
DEAN<br />
Dude, you full-on rebelled against heaven. Iniquity is one of the perks.<br /><br />A HOOKER approaches. DEAN notices.<br /><br />
DEAN<br />
Showtime.<br /><br />
HOOKER<br />
Hi. What's your name?<br /><br />CASTIEL tries not to look at her.<br /><br />
DEAN<br />
Cas.<br /><br />CASTIEL startles.<br /><br />
DEAN<br />
His name is Cas. What's your name?<br /><br />
HOOKER<br />
Chastity.<br /><br />
DEAN<br />
Chastity.<br /><br />CASTIEL drinks his beer.<br /><br />
DEAN<br />
Wow. Is that kismet or what, buddy? Well, he likes you, you like him, so dayenu.<br /><br />CHASTITY tugs CASTIEL up.<br /><br />
CHASTITY<br />
Come on, baby.<br /><br />DEAN catches CASTIEL on the way past.<br /><br />
DEAN<br />
Hey, listen. Take this.<br /><br />DEAN holds out a handful of money.<br /><br />
DEAN<br />
If she asks for a credit card, no. Now just stick to the basics, okay? Do not order off the menu. Go get her, tiger.<br /><br />CASTIEL stays still.<br /><br />
DEAN<br />
Don't make me push you.<br /><br />CASTIEL takes the money and turns to follow CHASTITY. Another HOOKER walks past; DEAN follows her. She and DEAN clink glasses at the bar.<br /><br />
DEAN<br />
Well, cheers to you.<br /><br />A scream offscreen. DEAN goes to investigate.<br /><br />''INT. BROTHEL BACK CORRIDOR &ndash; NIGHT'' 
CHASTITY<br />
Get out of my face! Leave me alone! Bastard! Screw you, jerk!<br /><br />She throws something at CASTIEL, who is a little disheveled.<br /><br />
CHASTITY<br />
I'll kill you!<br /><br />She storms past DEAN.<br /><br />
CHASTITY<br />
Screw you too! God! Oh! Jerk!<br /><br />DEAN approaches CASTIEL.<br /><br />
DEAN<br />
The hell did you do?<br /><br />
CASTIEL<br />
I don't know. I just looked her in the eyes and told her it wasn't her fault that her father Gene ran off. It was because he hated his job at the post office.<br /><br />
DEAN<br />
Oh, no, man.<br /><br />
CASTIEL<br />
What?<br /><br />
DEAN<br />
This whole industry runs on absent fathers. It's, it's the natural order.<br /><br />Two BOUNCERS enter from the door CHASTITY left through.<br /><br />
DEAN<br />
We should go. Come on.<br /><br />He and CASTIEL head for the door at the opposite end of the corridor.<br /><br />''EXT. ALLEY - &ndash; NIGHT<br />''<br />DEAN is laughing as he closes the door behind himself and CASTIEL.<br /><br />
CASTIEL<br />
What's so funny?<br /><br />
DEAN<br />
Oh, nothing. Whoo. It's been a long time since I've laughed that hard. It's been more than a long time. Years.<br /><br />DEAN's face falls as he realizes.<br /><br />===BAR=== ''INT. BAR - &ndash; NIGHT<br />''<br />SAM and LINDSEY are sitting at a table, eating.<br /><br />
LINDSEY<br />
So...you gonna tell me who those guys back there really were? And don't say hunting buddies.<br /><br />
SAM<br />
Okay. Um. We used to be in the same business together.<br /><br />
LINDSEY<br />
What business?<br /><br />
SAM<br />
How's your salad?<br /><br />
LINDSEY<br />
Witness protection, right? From Mafia?<br /><br />
SAM<br />
I'm not Mafia.<br /><br />
LINDSEY<br />
Okay, I get it. Don't mean to pry, my bad.<br /><br />
SAM<br />
I used to be in business with my brother. Truth is I was pretty good at the job. But...I made some mistakes, I did some stuff I'm not so proud of, and people got hurt. A lot of people.<br /><br />
LINDSEY<br />
What was your poison?<br /><br />
SAM<br />
Sorry?<br /><br />
LINDSEY<br />
Come on. You were hooked on something, I know the look.<br /><br />LINDSEY pulls a medallion out of her pocket.<br /><br />
LINDSEY<br />
Three years sober.<br /><br />
SAM<br />
You work in a bar.<br /><br />
LINDSEY<br />
So do you. Look, Keith. I don't know you and I'm the last person to be giving advice, but I do know that no one has ever done anything so bad that they can't be forgiven. They can't change.<br /><br />
==ACT THREE==
<br /><br />===ST. PETER'S HOSPITAL=== ''INT. HOSPITAL - &ndash; DAY<br />''<br />A nurse walks down the hallway. DEAN watches her go and slips into the room, shutting the door behind him and closing the shades. CASTIEL is already inside; he pours the oil in a circle around DONNIE's wheelchair.<br /><br />
CASTIEL<br />
When the oil burns, no angel can touch or pass through the flames, or he dies.<br /><br />
DEAN<br />
Okay, so we trap him in a steel cage of holy fire, but one question. How the hell do we get him here?<br /><br />
CASTIEL<br />
Very simple. There's, well, almost an open phone line between a vessel and his angel. One just has to know how to dial.<br /><br />CASTIEL leans down to DONNIE's ear and chants in Enochian.<br /><br />
CASTIEL<br />
I'm here, Raphael. Come and get me, you little bastard.<br /><br />CASTIEL leaves the oil circle.<br /><br />
DEAN<br />
Just out of curiosity, what is the average customer wait time to speak to an archangel?<br /><br />
CASTIEL<br />
Be ready.<br /><br />CASTIEL lights a match and drops it on the oil, which bursts into a ring of flame.<br /><br />===ABANDONED HOUSE=== ''EXT. ROAD - &ndash; NIGHT<br />''<br />DEAN and CASTIEL drive up to a house.<br /><br />
DEAN<br />
Well that's a day I'll never get back.<br /><br />''INT. HOUSE - &ndash; NIGHT<br />''<br />DEAN and CASTIEL enter the house.<br /><br />
CASTIEL<br />
Dean, wait.<br /><br />Bright light.<br /><br />DONNIE is already inside the cabin, flaring with lightning in the shape of wings; now he is RAPHAEL. Lightbulbs shatter.<br /><br />
RAPHAEL<br />
Castiel.<br /><br />
CASTIEL<br />
Raphael.<br /><br />CASTIEL and DEAN walk closer.<br /><br />
DEAN<br />
And I thought you were supposed to be impressive. All you do is black out the room.<br /><br />
RAPHAEL<br />
And the Eastern Seaboard.<br /><br />Lightning flashes outside.<br /><br />
RAPHAEL<br />
It is a testament to my unending mercy that I do not smite you here and now.<br /><br />
DEAN<br />
Or maybe you're full of crap. Maybe you're afraid God will bring Cas back to life again and smite you and your candy-ass skirt. By the way, hi, I'm Dean.<br /><br />
RAPHAEL<br />
I know who you are. And now, thanks to him, I know where you are.<br /><br />
CASTIEL<br />
You won't kill him. You wouldn't dare.<br /><br />
RAPHAEL<br />
But I will take him to Michael.<br /><br />
DEAN<br />
Well then. Sounds terrifying. It does. But, uh, hate to tell you, I'm not going anywhere with you.<br /><br />DEAN grabs a beer.<br /><br />
RAPHAEL<br />
Surely you remember Zachariah giving you stomach cancer?<br /><br />
DEAN<br />
Yeah, that was, that was hilarious.<br /><br />
RAPHAEL<br />
Well, he doesn't have anything close to my imagination.<br /><br />
DEAN<br />
Yeah? I bet you didn't imagine one thing.<br /><br />
RAPHAEL<br />
What?<br /><br />
DEAN<br />
We knew you were coming, you stupid son of a bitch.<br /><br />DEAN lights his lighter and drops it. Holy oil ignites in a circle around RAPHAEL.<br /><br />
DEAN<br />
Don't look at me, it was his idea.<br /><br />
CASTIEL<br />
Where is he?<br /><br />
RAPHAEL<br />
God? Didn't you hear? He's dead, Castiel. Dead.<br /><br />===BAR=== ''INT. BAR - &ndash; NIGHT<br />''<br />SAM wipes down a table. The door chimes open and someone comes in.<br /><br />
SAM<br />
Bar's closed.<br /><br />SAM turns around; it's the FIRST MAN from earlier.<br /><br />
SAM<br />
HankHey.<br /><br />
HANK<br />
Something you want to tell me, Sam?<br /><br />
SAM<br />
What? No.<br /><br />
HANK<br />
You sure about that?<br /><br />
SAM<br />
I&mdash;I don't know&mdash;jeez. Are you okay? Where are Reggie and Steve?<br /><br />
HANK<br />
Oh, Steve's good, he's, uh, his guts are lying roadside outside the ??? five and dime.<br /><br />
SAM<br />
I'm sorry.<br /><br />
HANK<br />
Sorry don't cut it, Sam.<br /><br />
SAM<br />
What do you want me to say?<br /><br />
HANK<br />
The truth.<br /><br />SAM says nothing.<br /><br />
HANK<br />
Okay, fine. Let me give you some of my own, then. We go into town, we catch ourselves a demon, we get jumped by ten more. Steve bought it.<br /><br />
SAM<br />
I'm sorry.<br /><br />
HANK<br />
Saying it twice don't make it so, Sam. You see, this demon, he, uh, he told us things. Crazy things, things about you, Sam.<br /><br />
SAM<br />
Demons lie.<br /><br />
HANK<br />
Yeah. I'm gonna ask you one last time. The truth. Now.<br /><br />The door chimes again. The THIRD MAN, who must be REGGIE, comes in, hauling LINDSEY.<br /><br />
SAM<br />
Lindsey!<br /><br />REGGIE holds a knife to LINDSEY's neck.<br /><br />
LINDSEY<br />
What's going on?<br /><br />
==ACT FOUR==
<br /><br />===ABANDONED HOUSE=== ''INT. HOUSE &ndash; NIGHT'' 
RAPHAEL<br />
But there's no other explanation. He's gone for good.<br /><br />
CASTIEL<br />
You're lying.<br /><br />
RAPHAEL<br />
Am I? Do you remember the twentieth century? Think the twenty-first is going any better? Do you think God would have let any of that happen if he were alive?<br /><br />
DEAN<br />
Oh yeah? Well then who invented the Chinese basket trick?<br /><br />
RAPHAEL<br />
Careful. That's my father you're talking about, boy.<br /><br />
DEAN<br />
Yeah, who would be so proud to know his sons started the frigging apocalypse.<br /><br />
RAPHAEL<br />
Who ran off and disappeared. Who left no instructions and a world to run.<br /><br />
DEAN<br />
Daddy ran away and disappeared. He didn't happen to work for the post office, did he?<br /><br />
RAPHAEL<br />
This is funny to you? You're living in a godless universe.0<br /><br />
DEAN<br />
And? What, you and the other kids just decided to throw an apocalypse while he was gone?<br /><br />
RAPHAEL<br />
We're tired. We just want it to be over. We just want...paradise.<br /><br />
DEAN<br />
So, what, God dies and makes you the boss and you decide you can do whatever you want?<br /><br />
RAPHAEL<br />
Yes. And whatever we want, we get.<br /><br />The windows burst in.<br /><br />===BAR=== ''INT. BAR - &ndash; NIGHT<br />''<br />
SAM<br />
Just take it easy, okay? Put the knife down.<br /><br />REGGIE puts the knife down on the bar but keeps hold of LINDSEY.<br /><br />
SAM<br />
It's true. What the demons said, it's all true.<br /><br />
HANK<br />
Keep going.<br /><br />
SAM<br />
Why? You gonna hate me any less? Am I gonna hate myself any less? What do you want?<br /><br />
HANK<br />
I want to hear you say it.<br /><br />
SAM<br />
I did it. I started the apocalypse.<br /><br />===ABANDONED HOUSE=== ''INT. HOUSE - &ndash; NIGHT<br />''<br />
CASTIEL<br />
If God is dead, why have I returned? Who brought me back?<br /><br />
RAPHAEL<br />
Did it ever occur to you that maybe Lucifer raised you?<br /><br />
CASTIEL<br />
No.<br /><br />
RAPHAEL<br />
Think about it. He needs all the rebellious angels he can find. You know it adds up.<br /><br />
CASTIEL<br />
Let's go.<br /><br />
RAPHAEL<br />
Castiel, I'm warning you. Do not leave me here. I will find you.<br /><br />
CASTIEL<br />
Maybe one day. But today, you're my little bitch.<br /><br />CASTIEL leaves. DEAN follows, pausing.<br /><br />
DEAN<br />
What he said.<br /><br />===BAR=== ''INT. BAR - &ndash; NIGHT<br />''<br />HANK holds up a test tube of red liquid. SAM stares at it.<br /><br />
SAM<br />
What is that?<br /><br />
HANK<br />
What do you think it is? It's go juice, Sammy boy.<br /><br />
SAM<br />
Get that away from me.<br /><br />
HANK<br />
Away from you? This is for you. Hell if that demon wasn't right as rain. Down the hatch, son.<br /><br />
SAM<br />
You're insane.<br /><br />
HANK<br />
Here's what's gonna happen. You're gonna drink this, Hulk out, and you're gonna waste every one of the demon scum that killed my best friend.<br /><br />HANK nods at LINDSEY, whom REGGIE has just handcuffed to the bar.<br /><br />
HANK<br />
Or she dies.<br /><br />
SAM<br />
You wouldn't do that.<br /><br />
HANK<br />
It's funny how watching your best friend die changes that.<br /><br />REGGIE and HANK advance on SAM, who retreats.<br /><br />
HANK<br />
Come on, you know you want it, Sam. Just reach out and take it.<br /><br />REGGIE charges SAM, who tosses him into the pool table. HANK joins in, he and REGGIE restraining SAM and pouring the demon blood into his mouth, then holding his mouth closed so he'll swallow. They drop SAM and back away. SAM gets up.<br /><br />
HANK<br />
There, was that really so bad?<br /><br />SAM spits it in HANK's eye and pounds him and REGGIE both, then grabs HANK, slams him into the bar, takes REGGIE's knife, and holds it to HANK's throat. He notices LINDSEY watching, scared, and throws HANK over to REGGIE.<br /><br />
SAM<br />
Go.<br /><br />
HANK<br />
Don't think we won't be back.<br /><br />
SAM<br />
Don't think I won't be here.<br /><br />
==ACT FIVE==
<br /><br />===IMPALA=== ''INT. IMPALA - &ndash; NIGHT<br />''<br />DEAN drives. CASTIEL rides shotgun.<br /><br />
DEAN<br />
You okay?<br /><br />CASTIEL is silent.<br /><br />
DEAN<br />
Look, I'll be the first to tell you that this little crusade of yours is nuts, but I do know a little something about missing fathers.<br /><br />
CASTIEL<br />
What do you mean?<br /><br />
DEAN<br />
I mean every time I was looking for my dad when all logic said that he was dead, but I knew in my heart he was still alive. Who cares what some ninja turtle says, Cas, what do you believe?<br /><br />
CASTIEL<br />
I believe he's out there.<br /><br />
DEAN<br />
Good. Go find him.<br /><br />
CASTIEL<br />
What about you?<br /><br />
DEAN<br />
What about me? I don't know. Honestly, I'm good. I can't believe I'm saying that, but I am, I'm really good.<br /><br />
CASTIEL<br />
Even without your brother?<br /><br />
DEAN<br />
Especially without my brother. I mean, I spent so much time worrying about the son of a bitch. I mean, I've had more fun with you in the past twenty-four hours than I've had with Sam in years, and you're not that much fun. It's funny, you know, I've been so chained to my family, but now that I'm alone, hell, I'm happy.<br /><br />DEAN looks over; the shotgun seat is empty.<br /><br />===SAM'S MOTEL ROOM=== ''EXT. GREAT PLAINS MOTEL - &ndash; NIGHT<br />''<br />''INT. MOTEL ROOM - &ndash; NIGHT<br />''<br />SAM sleeps alone.<br /><br />
JESS<br />
Sam. Sam.<br /><br />SAM wakes up and looks around. JESS is back. He kisses her on the neck; she rolls over to face him.<br /><br />
JESS<br />
So. This is your life now? Think you can just live forever with your head buried in the sand?<br /><br />
SAM<br />
I love you, Jess.<br /><br />SAM sits up in bed, turning away from JESS, who sits up too.<br /><br />
SAM<br />
God knows how much I miss you, too. But you're wrong. People can change. There is reason for hope.<br /><br />
JESS<br />
No, Sam. There isn't.<br /><br />JESS puts a hand on SAM's shoulder and morphs into NICK from [[5.01 Sympathy For The Devil]]; JESS has been LUCIFER all along.<br /><br />
SAM<br />
How can you be so sure?<br /><br />
LUCIFER<br />
Because you freed me.<br /><br />SAM turns, sees LUCIFER where he expected JESS, and stands up and backs away.<br /><br />
LUCIFER<br />
That's right. You know who I am.<br /><br />
SAM<br />
Lucifer.<br /><br />
LUCIFER<br />
You are a hard one to find, Sam. Harder than most humans. I don't suppose you'd tell me where you are?<br /><br />
SAM<br />
What do you want with me?<br /><br />
LUCIFER<br />
Thanks to you, I walk the earth. I want to give you a gift. I want to give you everything.<br /><br />
SAM<br />
I don't want anything from you.<br /><br />
LUCIFER<br />
I'm so sorry, Sam, I, I really am, but Nick here is just an improvisation. Plan B. He can barely contain me without spontaneously combusting.<br /><br />
SAM<br />
What are you talking about?<br /><br />LUCIFER stands and moves closer to SAM.<br /><br />
LUCIFER<br />
Why do you think you were in that chapel? You're the one, Sam. You're my vessel. My true vessel.<br /><br />
SAM<br />
No.<br /><br />
LUCIFER<br />
Yes.<br /><br />
SAM<br />
No. That'll never happen.<br /><br />
LUCIFER<br />
I'm sorry, but it will. I will find you. And when I do, you will let me in. I'm sure of it.<br /><br />
SAM<br />
You need my consent.<br /><br />
LUCIFER<br />
Of course. I'm an angel.<br /><br />
SAM<br />
I will kill myself before letting you in.<br /><br />
LUCIFER<br />
I'll just bring you back.<br /><br />LUCIFER sighs.<br /><br />
LUCIFER<br />
Sam. My heart breaks for you. The weight on your shoulders, what you've done, what you still have to do. It is more than anyone could bear. If there was some other way...but there isn't. I will never lie to you. I will never trick you. But you will say yes to me.<br /><br />
SAM<br />
You're wrong.<br /><br />
LUCIFER<br />
I'm not. I think I know you better than you know yourself.<br /><br />
SAM<br />
Why me?<br /><br />
LUCIFER<br />
Because it had to be you, Sam. It always had to be you.<br /><br />
SAM looks up. LUCIFER is gone.
1,411
edits

Navigation menu