Difference between revisions of "5.03 Free to Be You and Me (transcript)"

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(...I'm gonna have to reformat every single one of these to my specifications, aren't I? Curses upon OCD.)
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}}
 
}}
  
 +
==THEN==
 +
 +
From [[5.02 Good God Y'All]], SAM stares at the blood on Ruby's knife, runs his thumb along the blade to collect some blood, and stares at that.
 +
 +
SAM (voiceover from [[5.02 Good God Y'All]]) <br />
 +
You think I'll take one look at a demon and then suddenly fall off the wagon.
 +
 +
From [[5.02 Good God Y'All]], SAM talks to DEAN.
 +
 +
SAM<br />
 +
As if after everything, I haven't learned my lesson.
 +
 +
DEAN<br />
 +
Well, have you?
 +
 +
SAM shoves DEAN into the wall.
 +
 +
From [[1.01 Pilot]], JESS stands in their apartment in the Smurfs shirt.
 +
 +
SAM<br />
 +
This is my girlfriend, Jessica.
 +
 +
From [[1.01 Pilot]], SAM lies on their bed, staring at the ceiling and screaming.
 +
 +
SAM<br />
 +
No! Jess!
 +
 +
From [[1.01 Pilot]], JESS burns on the ceiling.
 +
 +
From [[1.05 Bloody Mary]], JESS stands on a street corner. SAM watches her as the car drives by.
 +
 +
DEAN (voiceover from [[1.01 Pilot]])<br />
 +
What are you going to do? Just live some normal apple-pie life?
 +
 +
SAM (voiceover from [[1.01 Pilot]])<br />
 +
Not normal. Safe.
 +
 +
From [[5.01 Sympathy For The Devil]], DEAN talks to ZACHARIAH.
 +
 +
DEAN<br />
 +
I'm a vessel?
 +
 +
ZACHARIAH<br />
 +
You're ''the'' vessel. Michael's vessel.
 +
 +
DEAN<br />
 +
The answer's no.
 +
 +
From [[4.10 Heaven And Hell]], CASTIEL vanishes in [[Angel Banishing Sigil]]-induced blue light.
 +
 +
DEAN (voiceover from [[5.01 Sympathy For The Devil]])<br />
 +
Where's Cas?
 +
 +
From [[5.01 Sympathy For The Devil]], CHUCK answers DEAN.
 +
 +
CHUCK<br />
 +
The archangel smote the crap out of him.
 +
 +
From [[5.01 Sympathy For The Devil]], ZACHARIAH talks to CASTIEL.
 +
 +
ZACHARIAH<br />
 +
How are you&mdash;
 +
 +
CASTIEL<br />
 +
Alive? That's a good question.
 +
 +
From [[4.01 Lazarus Rising]], CASTIEL spreads his wings.
 +
 +
From [[5.02 Good God Y'All]], SAM talks to DEAN.
 +
 +
SAM<br />
 +
I just wish I could save people. Like I used to.
 +
 +
From [[4.22 Lucifer Rising]], SAM's eyes go black.
 +
 +
From [[5.02 Good God Y'All]], DEAN answers SAM.
 +
 +
DEAN<br />
 +
Like when you were all hopped up on demon blood?
 +
 +
From (...help...), SAM exorcises a demon with his mind.
 +
 +
From [[5.02 Good God Y'All]], CASTIEL talks to DEAN.
 +
 +
CASTIEL<br />
 +
Your plan&mdash;
 +
 +
From [[5.01 Sympathy For The Devil]], NICK stands on his front walk and looks back.
 +
 +
CASTIEL (voiceover from [[5.02 Good God Y'All]])<br />
 +
&mdash;to kill Lucifer, it's foolish&mdash;
 +
 +
From [[5.01 Sympathy For The Devil]], white light flares from the window of NICK's house.
 +
 +
CASTIEL (voiceover from [[5.02 Good God Y'All]])<br />
 +
&mdash;can't be done. I have the solution.
 +
 +
From [[5.02 Good God Y'All]], CASTIEL talks to DEAN.
 +
 +
CASTIEL<br />
 +
I'm gonna find God.
 +
 +
DEAN<br />
 +
Try New Mexico. I hear he's on a tortilla.
 +
 +
From [[5.02 Good God Y'All]], CASTIEL talks to DEAN.
 +
 +
CASTIEL<br />
 +
I killed two angels this week. I rebelled, and I did it, all of it, for you, and you failed.
 +
 +
From [[5.02 Good God Y'All]], SAM talks to DEAN.
 +
 +
SAM<br />
 +
I'm in no shape to be hunting.
 +
 +
From [[5.02 Good God Y'All]], DEAN sits at a picnic table and SAM walks away.
 +
 +
SAM (voiceover from [[5.02 Good God Y'All]])<br />
 +
Maybe it's best we just go our separate ways.
 +
 +
From [[5.02 Good God Y'All]], DEAN looks up, silent.
 +
 +
DEAN (voiceover from [[5.02 Good God Y'All]])<br />
 +
Well, I think you're right.
 +
 +
==PROLOGUE==
 +
 +
===SAM'S MOTEL ROOM===
 +
 +
''EXT. GREAT PLAINS MOTEL &ndash; NIGHT''
 +
 +
''INT. MOTEL ROOM &ndash; NIGHT''
 +
 +
SAM lies in an otherwise empty bed, trying to sleep. He opens his eyes, sighs, and rolls over. He sits up and sees JESS beside him.
 +
 +
JESS<br />
 +
Hey, baby.
 +
 +
SAM stares.
  
==TEASER==
 
<br />
 
<br />
 
EXT. GREAT PLAINS MOTEL - NIGHT<br />
 
<br />
 
To set the scene.<br />
 
<br />
 
INT. MOTEL ROOM - NIGHT<br />
 
<br />
 
SAM lies in an otherwise empty bed. He rolls over and sees JESS beside him.<br />
 
<br />
 
 
JESS<br />
 
JESS<br />
Hey, baby. I missed you.<br />
+
I missed you.
<br />
+
 
 +
SAM keeps staring.
 +
 
 
SAM<br />
 
SAM<br />
Jessica. I'm dreaming.<br />
+
Jessica. I'm dreaming.
<br />
+
 
 
JESS<br />
 
JESS<br />
Or you're not. What's the difference? I'm here.<br />
+
Or you're not. What's the difference? I'm here.
<br />
+
 
 
SAM<br />
 
SAM<br />
I miss you so much.<br />
+
I miss you so much.
<br />
+
 
 +
JESS<br />
 +
I know.
 +
 
 +
JESS reaches out to take SAM's hand.
 +
 
 
JESS<br />
 
JESS<br />
I know. I miss you too. What are you doing, Sam?<br />
+
I miss you too. What are you doing, Sam?
<br />
+
 
 
SAM<br />
 
SAM<br />
What do you mean?<br />
+
What do you mean?
<br />
+
 
 
JESS<br />
 
JESS<br />
Running away. Haven't we been down this road before?<br />
+
Running away. Haven't we been down this road before?
<br />
+
 
 
SAM<br />
 
SAM<br />
No. It's different now.<br />
+
No. It's different now.
<br />
+
 
 
JESS<br />
 
JESS<br />
Really?<br />
+
Really?
<br />
+
 
 
SAM<br />
 
SAM<br />
Last time I wanted to be normal. This time I know I'm a freak.<br />
+
Last time I wanted to be normal. This time I know I'm a freak.
<br />
+
 
 
JESS<br />
 
JESS<br />
Which is all a big ball of semantics. You know that.<br />
+
Which is all a big ball of semantics. You know that.
<br />
+
 
 
SAM<br />
 
SAM<br />
No.<br />
+
No.
<br />
+
 
 
JESS<br />
 
JESS<br />
Even at Stanford you knew. You knew there was something dark inside of you. Deep down, maybe, but you knew. Maybe that's what got me killed.<br />
+
Even at Stanford you knew. You knew there was something dark inside of you. Deep down, maybe, but you knew. Maybe that's what got me killed.
<br />
+
 
SAM looks up, startled.<br />
+
SAM looks up, startled.
<br />
+
 
 
SAM<br />
 
SAM<br />
No.<br />
+
No.
<br />
+
 
 
JESS<br />
 
JESS<br />
I was dead from the moment we said hello.<br />
+
I was dead from the moment we said hello.
<br />
+
 
 
SAM<br />
 
SAM<br />
No.<br />
+
No.
<br />
+
 
 
JESS<br />
 
JESS<br />
Don't you get it? You can't run from yourself. Why are you running now?<br />
+
Don't you get it? You can't run from yourself. Why are you running now?
<br />
+
 
 
SAM<br />
 
SAM<br />
Why are you here, Jess?<br />
+
Why are you here, Jess?
<br />
+
 
 
JESS<br />
 
JESS<br />
Would you believe I'm actually trying to protect you?<br />
+
Would you believe I'm actually trying to protect you?
<br />
+
 
 
SAM<br />
 
SAM<br />
From what?<br />
+
From what?
<br />
+
 
 +
JESS<br />
 +
You. Sooner or later the past is going to catch up to you like it always does. You know what happens then?
 +
 
 +
SAM looks down.
 +
 
 
JESS<br />
 
JESS<br />
You. Sooner or later the past is going to catch up to you like it always does. You know what happens then? People die. Baby, the people closest to you die.<br />
+
People die. Baby, the people closest to you die.
<br />
+
 
 
SAM<br />
 
SAM<br />
Don't worry because I won't make that mistake again.<br />
+
Don't worry because I won't make that mistake again.
<br />
+
 
 
JESS<br />
 
JESS<br />
Same song, different verse. Things are never gonna change with you. Ever.<br />
+
Same song, different verse. Things are never gonna change with you. Ever.
<br />
+
 
SAM looks down, then back up. JESS is gone.<br />
+
SAM looks down, then back up. JESS is gone.
<br />
+
 
 
==ACT ONE==
 
==ACT ONE==
<br />
+
 
<br />
+
'''One Week Earlier'''
Caption: "One Week Earlier"<br />
+
 
<br />
+
===LYNYRD SKYNYRD'S "SIMPLE MAN" MONTAGE===
EXT. GREAT PLAINS MOTEL - DAY<br />
+
 
<br />
+
''EXT. GREAT PLAINS MOTEL &ndash; DAY''
Caption: "Garber, Oklahoma"<br />
+
 
<br />
+
A car pulls up in front of the motel.
A car pulls up in front of the motel. SAM gets out of the shotgun seat.<br />
+
 
<br />
+
'''Garber, Oklahoma'''
 +
 
 +
SAM gets out of the shotgun seat.
 +
 
 
SAM<br />
 
SAM<br />
Thanks.<br />
+
Thanks.
<br />
+
 
 
DRIVER<br />
 
DRIVER<br />
You're welcome.<br />
+
You're welcome.
<br />
+
 
The car drives off.<br />
+
SAM goes around to the back of the car and opens the trunk.
<br />
+
 
EXT. TAFT MEMORIAL HOSPITAL - DAY<br />
+
''EXT. TAFT MEMORIAL HOSPITAL &ndash; DAY''
<br />
+
 
DEAN is wearing a suit and tie, in contrast to SAM's casual dress. DEAN hides a long knife under the coat and goes into the hospital.<br />
+
DEAN closes the trunk of the Impala. He is wearing a suit and tie, in contrast to SAM's casual dress. DEAN hides a long knife under the coat and goes into the hospital.
<br />
+
 
Caption: "Greeley, Pennsylvania"<br />
+
MUSIC<br />
<br />
+
Mama told me
INT. MOTEL ROOM - DAY<br />
+
 
<br />
+
'''Greeley, Pennsylvania'''
SAM squirts lighter fluid onto papers in a sink, lights a match, and drops it in. SAM's fake IDs and credit cards, including one for the Pennsylvania state police, catch fire.<br />
+
 
<br />
+
MUSIC<br />
INT. HOSPITAL - DAY<br />
+
When I was young
<br />
+
 
DEAN shows his Pennsylvania state police ID to a doctor.<br />
+
''INT. MOTEL ROOM &ndash; DAY''''
<br />
+
 
 +
MUSIC<br />
 +
Come sit beside me
 +
 
 +
SAM squirts lighter fluid onto papers in a sink.
 +
 
 +
MUSIC<br />
 +
My only son
 +
 
 +
SAM lights a match and drops it in. SAM's fake IDs and credit cards, including one for the Pennsylvania state police, catch fire.
 +
 
 +
''INT. HOSPITAL &ndash; DAY''
 +
 
 +
MUSIC<br />
 +
And listen closely
 +
 
 +
DEAN shows his Pennsylvania state police ID to a doctor.
 +
 
 
DEAN<br />
 
DEAN<br />
Hi, Detective Bill Buckner.<br />
+
Hi, Detective Bill Buckner.
<br />
+
 
 
DOCTOR<br />
 
DOCTOR<br />
Yes. How can I help you, Detective?<br />
+
Yes. How can I help you, Detective?
<br />
+
 
 +
MUSIC<br />
 +
To what I say
 +
 
 +
DEAN<br />
 +
I'm here about those patients, the exsanguinated ones.
 +
 
 +
''INT. BAR &ndash; DAY''
 +
 
 +
MUSIC<br />
 +
And if you do this it'll help you some sunny day
 +
 
 +
SAM is visible through the window walking up to the bar. A sign that reads "BUSBOY WANTED" is on the door.
 +
 
 +
'''FREE TO BE YOU AND ME'''
 +
 
 +
''INT. BAR''
 +
 
 +
SAM holds a crate full of fruit and dumps it out.
 +
 
 +
''EXT. NIGHT''
 +
 
 +
DEAN shoves a MAN onto the ground. The MAN bares vampire fangs.
 +
 
 
DEAN<br />
 
DEAN<br />
I'm here about those patients, the exsanguinated ones.<br />
+
Eat it, Twilight.
<br />
+
 
INT. BAR - DAY<br />
+
DEAN brings his knife down on the vampire's neck.
<br />
+
 
SAM is visible through the window walking up to the bar. A sign that reads "BUSBOY WANTED" is on the door.<br />
+
''INT. BAR''
<br />
+
 
INT. BAR<br />
+
SAM chops lemons.
<br />
+
 
SAM holds a crate full of fruit and dumps it out.<br />
+
''EXT. NIGHT''
<br />
+
 
EXT. NIGHT<br />
+
DEAN, face blood-spattered, hacks at the vampire's neck.
<br />
+
 
DEAN shoves a MAN onto the ground. The MAN bares vampire fangs.<br />
+
'''Starring'''<br />
<br />
+
'''JARED PADALECKI'''
 +
 
 +
''INT. BAR''
 +
 
 +
SAM slices lemons and wipes his forehead.
 +
 
 +
''EXT. NIGHT''
 +
 
 +
DEAN wipes his cheek, smearing some of the blood.
 +
 
 +
MUSIC<br />
 +
Oh take your time
 +
 
 +
''EXT. NIGHT''
 +
 
 +
DEAN opens the trunk of the Impala.
 +
 
 +
MUSIC<br />
 +
Don't live too fast
 +
 
 +
'''JENSEN ACKLES'''
 +
 
 +
''INT. BAR''
 +
 
 +
MUSIC<br />
 +
Troubles will come
 +
 
 +
SAM carries a rag over to the bar and starts wiping it down.
 +
 
 +
'''MISHA COLLINS'''
 +
 
 +
MUSIC<br />
 +
And they will pass
 +
 
 +
A WAITRESS (her name is LINDSEY) eyes him appreciatively and carries off somebody's glass and beer bottle.
 +
 
 +
'''Guest Starring'''<br />
 +
'''ADRIANNE PALICKI'''
 +
 
 +
MUSIC<br />
 +
Go find a woman and you'll find love
 +
 
 +
SAM continues to clean the bar with soapy liquid.
 +
 
 +
''EXT. NIGHT''
 +
 
 +
DEAN washes the car.
 +
 
 +
'''JIM BEAVER'''
 +
 
 +
MUSIC<br />
 +
And don't forget, son
 +
 
 +
''INT. IMPALA &ndash; NIGHT''
 +
 
 +
DEAN drives, listening to music.
 +
 
 +
MUSIC<br />
 +
There is someone up above
 +
 
 +
'''MARK PELLEGRINO'''
 +
 
 +
MUSIC<br />
 +
And be a simple
 +
 
 +
'''DEMORE BARNES'''
 +
 
 +
MUSIC<br />
 +
Kind of man
 +
 
 +
'''EMMA BELL'''
 +
 
 +
MUSIC<br />
 +
Oh won't you do this
 +
 
 +
'''SCOTT MICHAEL CAMPBELL'''
 +
 
 +
MUSIC<br />
 +
For me son, if you can<br />
 +
Baby be a simple
 +
 
 +
''EXT. ROAD &ndash; NIGHT''
 +
 
 +
The Impala drives on.
 +
 
 +
MUSIC<br />
 +
Be a simple man
 +
 
 +
===DEAN'S MOTEL ROOM===
 +
 
 +
''INT. MOTEL ROOM &ndash; NIGHT''
 +
 
 +
DEAN dampens a washcloth in the motel room sink and starts to clean his jacket. CASTIEL appears behind him. DEAN sees him in the mirror and startles.
 +
 
 
DEAN<br />
 
DEAN<br />
Eat it, Twilight.<br />
+
God.
<br />
+
 
DEAN brings his knife down on the vampire's neck.<br />
+
DEAN thumps the sink.
<br />
+
 
INT. BAR<br />
 
<br />
 
SAM chops lemons.<br />
 
<br />
 
EXT. NIGHT<br />
 
<br />
 
DEAN, face blood-spattered, hacks at the vampire's neck.<br />
 
<br />
 
INT. BAR<br />
 
<br />
 
SAM slices lemons and wipes his forehead.<br />
 
<br />
 
EXT. NIGHT<br />
 
<br />
 
DEAN wipes his cheek, smearing some of the blood.<br />
 
<br />
 
EXT. NIGHT<br />
 
<br />
 
DEAN opens the trunk of the Impala.<br />
 
<br />
 
INT. BAR<br />
 
<br />
 
SAM carries a rag over to the bar and starts wiping it down. A WAITRESS eyes him appreciatively and carries off somebody's glass and beer bottle. SAM continues to clean the bar with soapy liquid.<br />
 
<br />
 
EXT. NIGHT<br />
 
<br />
 
DEAN washes the car.<br />
 
<br />
 
INT. IMPALA - NIGHT<br />
 
<br />
 
DEAN drives, listening to "Simple Man", the same song that has been playing over the montage.<br />
 
<br />
 
INT. MOTEL ROOM - NIGHT<br />
 
<br />
 
DEAN starts to clean his jacket at the motel room sink. CASTIEL appears behind him. DEAN sees him in the mirror and startles.<br />
 
<br />
 
 
DEAN<br />
 
DEAN<br />
God. Don't do that.<br />
+
Don't do that.
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
Hello, Dean.<br />
+
Hello, Dean.
<br />
+
 
DEAN turns around; CASTIEL is inches from him.<br />
+
DEAN turns around; CASTIEL is inches from him.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
Cas, we've talked about this. Personal space?<br />
+
Cas, we've talked about this. Personal space?
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
My apologies.<br />
+
My apologies.
<br />
+
 
CASTIEL steps back. DEAN grabs his jacket and walks toward the bed.<br />
+
CASTIEL steps back. DEAN grabs his jacket and walks toward the bed.
<br />
+
 
 +
'''Co-Producer'''<br />
 +
'''JEREMY CARVER'''
 +
 
 
DEAN<br />
 
DEAN<br />
How'd you find me? I thought I was flying below the angel radar.<br />
+
How'd you find me? I thought I was flying below the angel radar.
<br />
+
 
DEAN rubs his ribs to illustrate the point.<br />
+
DEAN rubs his ribs to illustrate the point.
<br />
+
 
 +
'''Co-Producers'''<br />
 +
'''JERRY WANEK'''<br />
 +
'''SERGE LADOUCEUR'''
 +
 
 
CASTIEL<br />
 
CASTIEL<br />
You are. Bobby told me where you were.<br />
+
You are. Bobby told me where you were.
<br />
+
 
CASTIEL looks around the motel room, which has no signs of SAM's presence, not even a second bed.<br />
+
'''Producer'''<br />
<br />
+
'''TODD ARONAUER'''
 +
 
 +
CASTIEL looks around the motel room, which has no signs of SAM's presence, not even a second bed.
 +
 
 
CASTIEL<br />
 
CASTIEL<br />
Where's Sam?<br />
+
Where's Sam?
<br />
+
 
DEAN puts on his jacket without looking at CASTIEL.<br />
+
'''Co-Executive Producer'''<br />
<br />
+
'''PETER JOHNSON'''
 +
 
 +
DEAN puts on his jacket without looking at CASTIEL.
 +
 
 
DEAN<br />
 
DEAN<br />
Me and Sam are taking separate vacations for a while. So, you find God yet? More importantly, can I have my damn necklace back, please?<br />
+
Me and Sam are taking separate vacations for a while. So.
<br />
+
 
 +
'''Executive Producer'''<br />
 +
'''SERA GAMBLE'''
 +
 
 +
DEAN<br />
 +
You find God yet? More importantly, can I have my damn necklace back, please?
 +
 
 +
'''Executive Producer'''<br />
 +
'''BEN EDLUND'''
 +
 
 
CASTIEL<br />
 
CASTIEL<br />
No, I haven't found him. That's why I'm here. I need your help.<br />
+
No, I haven't found him. That's why I'm here. I need your help.
<br />
+
 
 +
'''Executive Producer'''<br />
 +
'''PHIL SGRICCIA'''
 +
 
 
DEAN<br />
 
DEAN<br />
With what? God hunt?<br />
+
With what? God hunt? Not interested.
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
It's not God. It's someone else.<br />
+
It's not God. It's someone else.
<br />
+
 
 +
'''Executive Producer'''<br />
 +
'''McG'''
 +
 
 
DEAN<br />
 
DEAN<br />
Who?<br />
+
Who?
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
Archangel. The one who killed me.<br />
+
Archangel. The one who killed me.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
'Scuse me?<br />
+
'Scuse me?
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
His name is Raphael.<br />
+
His name is Raphael.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
You were wasted by a teenage mutant ninja angel?<br />
+
You were wasted by a teenage mutant ninja angel?
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
I've heard whispers that he's walking the earth. This is a rare opportunity.<br />
+
I've heard whispers that he's walking the earth. This is a rare opportunity.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
For what? Revenge?<br />
+
For what? Revenge?
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
Information.<br />
+
Information.
<br />
+
 
 +
'''Produced by'''<br />
 +
'''JIM MICHAELS'''
 +
 
 +
DEAN goes back over to the sink, picks up his knife and a washcloth, and starts to clean the knife.
 +
 
 
DEAN<br />
 
DEAN<br />
So, what, you think you can find this dude and he's just gonna spill God's address?<br />
+
So, what, you think you can find this dude and he's just gonna spill God's address?
<br />
+
 
 +
'''Created by'''<br />
 +
'''ERIC KRIPKE'''
 +
 
 
CASTIEL<br />
 
CASTIEL<br />
Yes, because we are going to trap him and interrogate him.<br />
+
Yes, because we are gonna trap him and interrogate him.
<br />
+
 
 +
DEAN pauses and turns back.
 +
 
 +
DEAN<br />
 +
You're serious about this.
 +
 
 +
CASTIEL turns around to face DEAN. DEAN drops the washcloth and walks back toward CASTIEL.
 +
 
 +
'''Written by'''<br />
 +
'''JEREMY CARVER'''
 +
 
 
DEAN<br />
 
DEAN<br />
You're serious about this. So, what, I'm Thelma and you're Louise and we're just going to hold hands and sail off this cliff together?<br />
+
So, what, I'm Thelma and you're Louise and we're just going to hold hands and sail off this cliff together?
<br />
+
 
CASTIEL stares at DEAN, confused.<br />
+
'''Directed by'''<br />
<br />
+
'''J. MILLER TOBIN'''
 +
 
 +
CASTIEL stares at DEAN, confused. DEAN goes around CASTIEL and does something offscreen with the knife.
 +
 
 
DEAN<br />
 
DEAN<br />
Give me one good reason why I should do this.<br />
+
Give me one good reason why I should do this.
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
Because you're Michael's vessel and no angel will dare harm you.<br />
+
Because you're Michael's vessel and no angel will dare harm you.
<br />
+
 
 +
DEAN looks at CASTIEL.
 +
 
 
DEAN<br />
 
DEAN<br />
Oh, so I'm your bullet shield.<br />
+
Oh, so I'm your bullet shield.
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
I need your help because you are the only one who'll help me. Please.<br />
+
I need your help because you are the only one who'll help me. Please.
<br />
+
 
 +
DEAN considers.
 +
 
 
DEAN<br />
 
DEAN<br />
All right, fine. Where is he?<br />
+
All right, fine. Where is he?
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
Maine. Let's go.<br />
+
Maine. Let's go.
<br />
+
 
CASTIEL reaches to touch DEAN's forehead with two fingers. DEAN leans away.<br />
+
CASTIEL reaches to touch DEAN's forehead with two fingers. DEAN leans away.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
Whoa.<br />
+
Whoa.
<br />
+
 
CASTIEL removes his hand.<br />
+
CASTIEL removes his hand.
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
What?<br />
+
What?
<br />
+
 
 
DEAN<br />
 
DEAN<br />
Last time you zapped me someplace I didn't poop for a week. We're driving.<br />
+
Last time you zapped me someplace I didn't poop for a week. We're driving.
<br />
+
 
INT. BAR - NIGHT<br />
+
===BAR===
<br />
+
 
The WAITRESS is throwing darts; they land near the center of the target. SAM is at the bar next to the BARTENDER.<br />
+
''INT. BAR &ndash; NIGHT''
<br />
+
 
WAITRESS<br />
+
LINDSEY is throwing darts; they land near the center of the target. SAM is at the bar next to the BARTENDER.
Hey Keith, you play?<br />
+
 
<br />
+
LINDSEY<br />
 +
Hey Keith, you play?
 +
 
 
SAM<br />
 
SAM<br />
That depends. What are we playing for?<br />
+
That depends. What are we playing for?
<br />
+
 
WAITRESS<br />
+
LINDSEY<br />
World peace.<br />
+
World peace.
<br />
+
 
 
SAM<br />
 
SAM<br />
Oh, is that all?<br />
+
Oh, is that all?
<br />
+
 
WAITRESS<br />
+
LINDSEY<br />
Can I ask you something?<br />
+
Can I ask you something?
<br />
+
 
 
SAM<br />
 
SAM<br />
Shoot.<br />
+
Shoot.
<br />
+
 
WAITRESS<br />
+
SAM wipes his hands off on a cloth and tosses it at the bar. LINDSEY retrieves her darts.
You finished that crossword puzzle in the kitchen?<br />
+
 
<br />
+
LINDSEY<br />
 +
You finished that crossword puzzle in the kitchen?
 +
 
 
SAM<br />
 
SAM<br />
Uh, I guess. Why?<br />
+
Uh, I guess. Why?
<br />
+
 
WAITRESS<br />
+
LINDSEY<br />
The ''New York Times'' Saturday crossword?<br />
+
The ''New York Times'' Saturday crossword?
<br />
+
 
 +
SAM looks down.
 +
 
 
SAM<br />
 
SAM<br />
Was it?<br />
+
Was it?
<br />
+
 
WAITRESS<br />
+
LINDSEY<br />
Uh-huh. You blow into town last week, you don't talk to anybody, you're obviously highly educated. You're like this...<br />
+
Uh-huh. You blow into town last week, you don't talk to anybody, you're obviously highly educated. You're like this...
<br />
+
 
 
SAM<br />
 
SAM<br />
Riddle wrapped inside an enigma wrapped inside a taco?<br />
+
Riddle wrapped inside an enigma wrapped inside a taco?
<br />
+
 
WAITRESS<br />
+
LINDSEY nods, smiling.
Here's what we play for. When I win, you buy me dinner and tell me your life story.<br />
+
 
<br />
+
LINDSEY<br />
 +
Here's what we play for. When I win, you buy me dinner and tell me your life story.
 +
 
 
SAM<br />
 
SAM<br />
Sounds fair.<br />
+
Sounds fair.
<br />
+
 
SAM throws all three darts into the center of the target.<br />
+
NEWS ANCHOR JOHN (on  TV in background)<br />
<br />
+
&mdash;last year alone, standards of ??? and see how that turns out&mdash;
WAITRESS<br />
+
 
Very mysterioso.<br />
+
SAM throws all three darts into the center of the target.
<br />
+
 
TV<br />
+
NEWS ANCHOR JOHN<br />
&mdash;large hail, lightning strikes, and now fire&mdash;<br />
+
And now ??? with ???&mdash;
<br />
+
 
WAITRESS<br />
+
LINDSEY<br />
I like it.<br />
+
Very mysterioso.
<br />
+
 
SAM's attention is on the TV.<br />
+
NEWS ANCHOR JOHN<br />
<br />
+
Spring hail, lightning strikes, and now fire&mdash;
TV<br />
+
 
&mdash;the town of ??? tonight, John. Locals say that what started as a torrential hailstorm late this afternoon suddenly turned to massive lightning strikes that triggered the fires now consuming more than twenty acres here along the Route 17 corridor. County officials are advising all ??? residents to prepare for what could become mandatory evacuations.<br />
+
LINDSEY<br />
<br />
+
I like it.
The BARTENDER shuts the TV off.<br />
+
 
<br />
+
SAM's attention is on KPJT 6 News on the TV, which shifts from one video of a hailstorm to another, then to video of trees on fire, then to the REPORTER live with fire and firemen in the background. While the REPORTER is onscreen, so is a box that says "LIVE REPORT" next to a scrollbar repeating "FIRE CONSUMES TOWN, RESIDENTS FORCED TO EVACUATE..."
 +
 
 +
REPORTER<br />
 +
&mdash;the town of Tully? tonight, John. Locals say that what started as a torrential hailstorm late this afternoon suddenly turned to massive lightning strikes that triggered the fires now consuming more than twenty acres here along the Route 17 corridor. County officials are advising all Tully residents to prepare for what could become mandatory evacuations.
 +
 
 +
The BARTENDER shuts the TV off.
 +
 
 
BARTENDER<br />
 
BARTENDER<br />
Damn. Makes it seem like it's the end of the world.<br />
+
Damn. Is it me or does it seem like it's the end of the world?
<br />
+
 
SAM looks away.<br />
+
SAM looks away.
<br />
+
 
EXT. STREET - DAY<br />
+
===WATERVILLE SHERIFF'S DEPARTMENT===
<br />
+
 
DEAN and CASTIEL get out of the Impala. Caption: "Waterville, Maine"<br />
+
''EXT. STREET &ndash; DAY''
<br />
+
 
 +
DEAN and CASTIEL get out of the Impala.
 +
 
 +
'''Waterville, Maine'''
 +
 
 
DEAN<br />
 
DEAN<br />
And we're here why?<br />
+
And we're here why?
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
A deputy sheriff laid eyes on the archangel.<br />
+
A deputy sheriff laid eyes on the archangel.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
And he still has eyes? All right, what's the plan?<br />
+
And he still has eyes? All right, what's the plan?
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
We'll...tell the officer that he witnessed an angel of the Lord, and the officer will tell us where the angel is.<br />
+
We'll...tell the officer that he witnessed an angel of the Lord, and the officer will tell us where the angel is.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
Seriously? You're going to walk in there and tell him the truth?<br />
+
Seriously? You're going to walk in there and tell him the truth?
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
Why not?<br />
+
Why not?
<br />
+
 
 
DEAN<br />
 
DEAN<br />
Because we're humans.<br />
+
Because we're humans.
<br />
+
 
DEAN pulls out another fake ID and stashes it inside CASTIEL's coat, then adjusts CASTIEL's coat and tie.<br />
+
DEAN pulls out another fake ID and stashes it inside CASTIEL's coat, then adjusts CASTIEL's coat and tie.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
And when humans want something really, really bad, we lie.<br />
+
And when humans want something really, really bad, we lie.
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
Why?<br />
+
Why?
<br />
+
 
 
DEAN<br />
 
DEAN<br />
Because that's how you become President.<br />
+
Because that's how you become President.
<br />
+
 
INT. SHERIFF'S DEPARTMENT - DAY<br />
+
''INT. SHERIFF'S DEPARTMENT &ndash; DAY''
<br />
+
 
 
DEAN<br />
 
DEAN<br />
Deputy Framingham?<br />
+
Deputy Framingham?
<br />
+
 
The DEPUTY turns around. DEAN holds up an FBI ID.<br />
+
The DEPUTY turns around. DEAN holds up an FBI ID.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
Hi. ?? Mosely, FBI. This is my partner, Eddie Moscone.<br />
+
Hi. Alonzo Mosely, FBI. This is my partner, Eddie Moscone.
<br />
+
 
CASTIEL does nothing.<br />
+
CASTIEL does nothing.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
Also FBI.<br />
+
Also FBI.
<br />
+
 
CASTIEL does nothing. DEAN stares at him. CASTIEL catches on and pulls out his FBI ID, which he displays upside-down. DEAN turns it over for him.<br />
+
CASTIEL does nothing. DEAN stares at him. CASTIEL catches on and pulls out his FBI ID, which he displays upside-down. DEAN turns it over for him.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
He's, uh, he's new. Mind if we ask you a few questions?<br />
+
He's, uh, he's new. Mind if we ask you a few questions?
<br />
+
 
CASTIEL looks at the ID, curious.<br />
+
CASTIEL looks at the ID, curious.
<br />
+
 
 
FRAMINGHAM<br />
 
FRAMINGHAM<br />
Yeah, sure. Talk here, though.<br />
+
Yeah, sure. Talk here, though.
<br />
+
 
FRAMINGHAM indicates his right ear, leading DEAN and CASTIEL to his office.<br />
+
FRAMINGHAM indicates his right ear, leading DEAN and CASTIEL to his office.
<br />
+
 
 
FRAMINGHAM<br />
 
FRAMINGHAM<br />
Hearing's all blown to hell in this one.<br />
+
Hearing's all blown to hell in this one.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
That happen recently?<br />
+
That happen recently?
<br />
+
 
 
FRAMINGHAM<br />
 
FRAMINGHAM<br />
Yeah. Gas station. Why you're here, isn't it?<br />
+
Yeah. Gas station. Why you're here, isn't it?
<br />
+
 
 
DEAN<br />
 
DEAN<br />
Yes, it is.<br />
+
Yes, it is.
<br />
+
 
They all sit down.<br />
+
They all sit down.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
You mind just, uh, running us through what happened?<br />
+
You mind just, uh, running us through what happened?
<br />
+
 
 
FRAMINGHAM<br />
 
FRAMINGHAM<br />
A call came in. Disturbance out at the Pump and Go on Route 4.<br />
+
A call came in. Disturbance out at the Pump and Go on Route 4.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
What kind of disturbance?<br />
+
What kind of disturbance?
<br />
+
 
 
FRAMINGHAM<br />
 
FRAMINGHAM<br />
Would not have believed my eyes if I hadn't seen it myself. We're talking a riot. Full scale.<br />
+
Would not have believed my eyes if I hadn't seen it myself. We're talking a riot. Full scale.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
How many?<br />
+
How many?
<br />
+
 
 
FRAMINGHAM<br />
 
FRAMINGHAM<br />
Thirty, forty, in all-out kill-or-be-killed combat?<br />
+
Thirty, forty, in all-out kill-or-be-killed combat?
<br />
+
 
 
DEAN<br />
 
DEAN<br />
Any idea what set them off?<br />
+
Any idea what set them off?
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
It's angels and demons, probably.<br />
+
It's angels and demons, probably.
<br />
+
 
FRAMINGHAM looks at CASTIEL. CASTIEL looks back.<br />
+
FRAMINGHAM looks at CASTIEL. CASTIEL looks back.
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
They're skirmishing all over the globe.<br />
+
They're skirmishing all over the globe.
<br />
+
 
 
FRAMINGHAM<br />
 
FRAMINGHAM<br />
Come again?<br />
+
Come again?
<br />
+
 
FRAMINGHAM turns back to DEAN.<br />
+
FRAMINGHAM turns back to DEAN.
<br />
+
 
 
FRAMINGHAM<br />
 
FRAMINGHAM<br />
What did he say?<br />
+
What did he say?
<br />
+
 
DEAN and CASTIEL speak simultaneously.<br />
+
DEAN and CASTIEL speak simultaneously.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
Nothing. Nothing.<br />
+
Nothing. Nothing.
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
Demons. Demons.<br />
+
Demons. Demons.
<br />
+
 
CASTIEL shuts up.<br />
+
CASTIEL shuts up.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
Demons, you know, drink, adultery. We all have our demons, Walt.<br />
+
Demons, you know, drink, adultery. We all have our demons, Walt.
<br />
+
 
FRAMINGHAM looks back and forth.<br />
+
FRAMINGHAM looks back and forth.
<br />
+
 
 
FRAMINGHAM<br />
 
FRAMINGHAM<br />
I guess.<br />
+
I guess.
<br />
+
 
DEAN looks at CASTIEL.<br />
+
DEAN looks at CASTIEL.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
Anyway.<br />
+
Anyway.
<br />
+
 
DEAN returns his attention to FRAMINGHAM.<br />
+
DEAN returns his attention to FRAMINGHAM.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
What happened next?<br />
+
What happened next?
<br />
+
 
 
FRAMINGHAM<br />
 
FRAMINGHAM<br />
Freaking explosion, that's what. They said it was one of those underground gas tanks, but, uh, I don't think so.<br />
+
Freaking explosion, that's what. They said it was one of those underground gas tanks, but, uh, I don't think so.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
Why not?<br />
+
Why not?
<br />
+
 
 
FRAMINGHAM<br />
 
FRAMINGHAM<br />
Wasn't your usual fireball. It was, um&mdash;<br />
+
Wasn't your usual fireball. It was, um&mdash;
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
Pure white.<br />
+
Pure white.
<br />
+
 
 
FRAMINGHAM<br />
 
FRAMINGHAM<br />
Yeah. Gas station was leveled. Everyone was...it was just horrible. And I see this one guy, kneeling, real focused-like, not a damn scratch on him.<br />
+
Yeah. Gas station was leveled. Everyone was...it was just horrible. And I see this one guy, kneeling, real focused-like, not a damn scratch on him.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
You know him?<br />
+
You know him?
<br />
+
 
 
FRAMINGHAM<br />
 
FRAMINGHAM<br />
Donnie Finneman. Mechanic there.<br />
+
Donnie Finneman. Mechanic there.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
Let me guess, he just, uh, vanished into thin air?<br />
+
Let me guess, he just, uh, vanished into thin air?
<br />
+
 
 
FRAMINGHAM<br />
 
FRAMINGHAM<br />
Uh, no, cold shock. He's down at Saint Pete's.<br />
+
Uh, no, Kolchak. He's down at Saint Pete's.
<br />
+
 
CASTIEL turns to DEAN.<br />
+
CASTIEL turns to DEAN.
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
Saint Pete's.<br />
+
Saint Pete's.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
Thank you.<br />
+
Thank you.
<br />
+
 
INT. HOSPITAL - DAY<br />
+
===ST. PETER'S HOSPITAL===
<br />
+
 
DONNIE is sitting in a wheelchair, catatonic. DEAN and CASTIEL observe him from the hallway window.<br />
+
''INT. HOSPITAL &ndash; DAY''
<br />
+
 
 +
DONNIE is sitting in a wheelchair, catatonic. DEAN and CASTIEL observe him from the hallway window.
 +
 
 
DEAN<br />
 
DEAN<br />
I take it that's not Raphael anymore.<br />
+
I take it that's not Raphael anymore.
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
Just an empty vessel.<br />
+
Just an empty vessel.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
So is this what I'm looking at if Michael jumps in my bones?<br />
+
So is this what I'm looking at if Michael jumps in my bones?
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
No, not at all. Michael is much more powerful. It'll be far worse for you.<br />
+
No, not at all. Michael is much more powerful. It'll be far worse for you.
<br />
+
 
DEAN looks away.<br />
+
DEAN looks away.
<br />
+
 
INT. MOTEL ROOM - NIGHT<br />
+
===PHONE CONVERSATION===
<br />
+
 
SAM has his laptop open to a calligraphed page of the Book of Revelation in Latin. He highlights a section and magnifies it, then picks up the phone and scrolls past Adele, Alana, Bobby, Butcher, Cassidy, Cory, Courtenay, Dan, Darilyn, and Deborah to Dean. He stares at the highlighted number for a moment and scrolls up to Bobby.<br />
+
''INT. MOTEL ROOM &ndash; NIGHT''
<br />
+
 
INT. BOBBY'S HOUSE - NIGHT alternating with INT. MOTEL ROOM - NIGHT<br />
+
SAM has his laptop open to a calligraphed page of the Book of Revelation in Latin. SAM highlights a section and magnifies it, then picks up the phone and scrolls past Adele, Alana, Bobby, Butcher, Cassidy, Cory, Courtenay, Dan, Darilyn, and Deborah to Dean. He stares at the highlighted number for a moment, (212) 555-0113, and scrolls up to Bobby.
<br />
+
 
The phone rings. BOBBY answers.<br />
+
''INT. BOBBY'S HOUSE &ndash; NIGHT'' alternating with ''INT. MOTEL ROOM &ndash; NIGHT''
<br />
+
 
 +
The phone rings. BOBBY answers.
 +
 
 
BOBBY<br />
 
BOBBY<br />
Sam?<br />
+
Sam?
<br />
+
 
 
SAM<br />
 
SAM<br />
Hey Bobby. How you doing?<br />
+
Hey Bobby. How you doing?
<br />
+
 
 
BOBBY<br />
 
BOBBY<br />
Well I ain't running any marathons, but I'll live.<br />
+
Well I ain't running any marathons, but I'll live.
<br />
+
 
SAM laughs.<br />
+
SAM laughs.
<br />
+
 
 
BOBBY<br />
 
BOBBY<br />
Where are you?<br />
+
Where are you?
<br />
+
 
 
SAM<br />
 
SAM<br />
Uh, Garber, Oklahoma. I found a town up the road showing some Revelation omens.<br />
+
Uh, Garber, Oklahoma. I found a town up the road showing some Revelation omens.
<br />
+
 
 
BOBBY<br />
 
BOBBY<br />
What omens?<br />
+
What omens?
<br />
+
 
 
SAM<br />
 
SAM<br />
All right, listen to this. 'And upon his rising there shall be hail and fire mixed with blood.'<br />
+
All right, listen to this. 'And upon his rising there shall be hail and fire mixed with blood.'
<br />
+
 
 
BOBBY<br />
 
BOBBY<br />
Ain't that delightful.<br />
+
Well ain't that delightful.
<br />
+
 
 
SAM<br />
 
SAM<br />
Yeah. But we already got hailstorms and fire so I'm guessing blood can't be too far behind.<br />
+
Yeah. But we already got hailstorms and fire so I'm guessing blood can't be too far behind.
<br />
+
 
 
BOBBY<br />
 
BOBBY<br />
Okay.<br />
+
Okay.
<br />
+
 
 
SAM<br />
 
SAM<br />
What?<br />
+
What?
<br />
+
 
 
BOBBY<br />
 
BOBBY<br />
There a reason you're calling?<br />
+
There a reason you're calling?
<br />
+
 
 
SAM<br />
 
SAM<br />
Dean didn't tell you?<br />
+
Dean didn't tell you?
<br />
+
 
 
BOBBY<br />
 
BOBBY<br />
He told me.<br />
+
He told me.
<br />
+
 
 
SAM<br />
 
SAM<br />
Yeah. So I just thought you might want to find out who's in the area and put a man on this.<br />
+
Yeah. So I just thought you might want to find out who's in the area and put a man on this.
<br />
+
 
 
BOBBY<br />
 
BOBBY<br />
Okay, let me see if I can think of the best hunter who might be in the immediate vicinity&mdash;oh, that'd be you.<br />
+
Okay, let me see if I can think of the best hunter who might be in the immediate vicinity&mdash;oh, that'd be you.
<br />
+
 
 
SAM<br />
 
SAM<br />
I can't, Bobby, I'm sitting this one out.<br />
+
I can't, Bobby, I'm sitting this one out.
<br />
+
 
 
BOBBY<br />
 
BOBBY<br />
Sam&mdash;<br />
+
Sam&mdash;
<br />
+
 
 
SAM<br />
 
SAM<br />
I gotta go. I'm so sorry.<br />
+
I gotta go. I'm so sorry.
<br />
+
 
 
BOBBY<br />
 
BOBBY<br />
Hold on, Sam&mdash;<br />
+
Hold on, Sam&mdash;
<br />
+
 
SAM hangs up. BOBBY throws down the phone.<br />
+
SAM hangs up. BOBBY throws down the phone.
<br />
+
 
 
==ACT TWO==
 
==ACT TWO==
<br />
+
 
<br />
+
===ABANDONED HOUSE===
INT. HOUSE - DAY<br />
+
 
<br />
+
''INT. HOUSE &ndash; DAY''
DEAN walks through the empty cabin, paging through John's journal. He sets it down on the table and turns. CASTIEL is there, holding a ceramic jar.<br />
+
 
<br />
+
DEAN walks through the empty cabin, paging through John's journal. He sets it down on the table and turns. CASTIEL is there, holding a ceramic jar.
 +
 
 
DEAN<br />
 
DEAN<br />
Where've you been?<br />
+
Where've you been?
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
Jerusalem.<br />
+
Jerusalem.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
Oh, how was it?<br />
+
Oh, how was it?
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
Arid.<br />
+
Arid.
<br />
+
 
CASTIEL sets the jar on the table.<br />
+
CASTIEL sets the jar on the table.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
What's that?<br />
+
What's that?
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
It's oil. It's very special. Very rare.<br />
+
It's oil. It's very special. Very rare.
<br />
+
 
CASTIEl sits down.<br />
+
CASTIEl sits down.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
Okay, so we trap Raphael with a nice vinaigrette?<br />
+
Okay, so we trap Raphael with a nice vinaigrette?
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
No.<br />
+
No.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
So this ritual of yours, when does it got to go down?<br />
+
So this ritual of yours, when does it got to go down?
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
Sunrise.<br />
+
Sunrise.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
Tell me something. You keep saying we're gonna trap this guy. Isn't that kinda like trapping a hurricane with a butterfly net?<br />
+
Tell me something. You keep saying we're gonna trap this guy. Isn't that kinda like trapping a hurricane with a butterfly net?
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
No, it's harder.<br />
+
No, it's harder.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
Do we have any chance of surviving this?<br />
+
Do we have any chance of surviving this?
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
You do.<br />
+
You do.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
So odds are you're a dead man tomorrow.<br />
+
So odds are you're a dead man tomorrow.
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
Yes.<br />
+
Yes.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
Well. Last night on earth. What are your plans?<br />
+
Well. Last night on earth. What are your plans?
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
I just thought I'd sit here quietly.<br />
+
I just thought I'd sit here quietly.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
Come on, anything? Booze, women?<br />
+
Come on, anything? Booze, women?
<br />
+
 
CASTIEL looks at DEAN and away, uncomfortable.<br />
+
CASTIEL looks at DEAN and away, uncomfortable.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
You have been with women before. Right? Or an angel, at least?<br />
+
You have been with women before. Right? Or an angel, at least?
<br />
+
 
CASTIEL rubs the back of his neck.<br />
+
CASTIEL rubs the back of his neck.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
You mean to tell me you've never been up there doing a little cloud-seeding?<br />
+
You mean to tell me you've never been up there doing a little cloud-seeding?
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
I've never had occasion, okay?<br />
+
I've never had occasion, okay?
<br />
+
 
 
DEAN<br />
 
DEAN<br />
All right.<br />
+
All right.
<br />
+
 
DEAN grabs his jacket.<br />
+
DEAN grabs his jacket.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
Let me tell you something. There are two things I know for certain. One, Bert and Ernie are gay. Two, you are not gonna die a virgin. Not on my watch. Let's go.<br />
+
Let me tell you something. There are two things I know for certain. One, Bert and Ernie are gay. Two, you are not gonna die a virgin. Not on my watch. Let's go.
<br />
+
 
DEAN leaves. CASTIEL stares after him, then follows.<br />
+
DEAN leaves. CASTIEL stares after him, then follows.
<br />
+
 
INT. BAR - NIGHT<br />
+
===BAR===
<br />
+
 
A patron plays pool. SAM takes a tray of drinks.<br />
+
''INT. BAR - NIGHT''
<br />
+
 
 +
A patron plays pool. SAM takes a tray of empty glasses and trash.
 +
 
 
MAN<br />
 
MAN<br />
Hey, Sam. Sam.<br />
+
Hey, Sam.
<br />
+
 
SAM looks over.<br />
+
SAM ignores him.
<br />
+
 
WAITRESS<br />
+
MAN<br />
Sam? What happened to Keith?<br />
+
Sam.
<br />
+
 
 +
LINDSEY<br />
 +
Sam? What happened to Keith?
 +
 
 +
SAM puts down the tray and looks over.
 +
 
 
SAM<br />
 
SAM<br />
Wait, what?<br />
+
Wait, what?
<br />
+
 
WAITRESS<br />
+
LINDSEY gestures at the MAN, whose name is HANK, and his two companions, REGGIE and STEVE.
He called you Sam.<br />
+
 
<br />
+
LINDSEY<br />
 +
He called you Sam.
 +
 
 
SAM<br />
 
SAM<br />
Yeah. Uh. Sam's my middle name.<br />
+
Yeah. Uh. Sam's my middle name.
<br />
+
 
WAITRESS<br />
+
LINDSEY laughs.
Keith Sam? Man, I'm sorry.<br />
+
 
<br />
+
LINDSEY<br />
MAN<br />
+
Keith Sam? Man, I'm sorry.
Well, actually, it's Samuel, so it's not quite as dumb as it sounds.<br />
+
 
<br />
+
HANK<br />
WAITRESS<br />
+
Well, actually, it's Samuel, so it's not quite as dumb as it sounds.
Are you guys friends?<br />
+
 
<br />
+
LINDSEY<br />
SECOND MAN<br />
+
Are you guys friends?
Hunting buddies. With his dad. But Samuel here is quite the hunter himself.<br />
+
 
<br />
+
STEVE<br />
WAITRESS<br />
+
Hunting buddies. With his dad. Samuel here is quite the hunter himself.
Wow. You kill deer and things?<br />
+
 
<br />
+
LINDSEY<br />
FIRST MAN<br />
+
Wow. You killed deer and things?
Yeah, and things.<br />
+
 
<br />
+
HANK<br />
 +
Yeah, and things.
 +
 
 
SAM<br />
 
SAM<br />
Um. Why don't I get you guys some drinks?<br />
+
Um. Why don't I get you guys some drinks?
<br />
+
 
The three hunters sit at a table. SAM puts beers in front of them and takes the fourth seat.<br />
+
The three hunters sit at a table. SAM puts beers in front of them and takes the fourth seat.
<br />
+
 
FIRST MAN<br />
+
HANK<br />
Sorry. Didn't mean to bust you back there.<br />
+
Sorry. Didn't mean to bust you back there.
<br />
+
 
 
SAM<br />
 
SAM<br />
No, uh, it's all right. So what's up?<br />
+
It's all right. So what's up?
<br />
+
 
FIRST MAN<br />
+
HANK<br />
Well, Bobby called.<br />
+
Bobby called.
<br />
+
 
 
SAM<br />
 
SAM<br />
And?<br />
+
And?
<br />
+
 
FIRST MAN<br />
+
HANK<br />
You were right. Major demon block party going on.<br />
+
You were right. Major demon block party going on.
<br />
+
 
 
SAM<br />
 
SAM<br />
But why? What are they up to?<br />
+
But why? What are they up to?
<br />
+
 
SECOND MAN<br />
+
STEVE<br />
Don't know yet.<br />
+
Don't know yet.
<br />
+
 
THIRD MAN<br />
+
REGGIE<br />
Bobby told us you were off limits. That true?<br />
+
Bobby told us you were off limits. That true?
<br />
+
 
 
SAM<br />
 
SAM<br />
Yeah, that's right.<br />
+
Yeah, that's right.
<br />
+
 
FIRST MAN<br />
+
HANK<br />
That's fine in theory and all, but we could really use all hands on deck here.<br />
+
That's fine in theory and all, but we could really use all hands on deck here.
<br />
+
 
 
SAM<br />
 
SAM<br />
I know you could. But I can't. I'm sorry.<br />
+
I know you could. But I can't. I'm sorry.
<br />
+
 
SECOND MAN<br />
+
STEVE<br />
Why not?<br />
+
Why not?
<br />
+
 
 
SAM<br />
 
SAM<br />
It's personal.<br />
+
It's personal.
<br />
+
 
FIRST MAN<br />
+
HANK<br />
Look, Sam, no offense, but what baggage is so heavy it can't be stowed away for the freaking apocalypse?<br />
+
Look, man, what baggage is so heavy it can't be stowed away for the freaking apocalypse?
<br />
+
 
 
SAM<br />
 
SAM<br />
Like I said&mdash;<br />
+
Like I said&mdash;
<br />
+
 
THIRD MAN<br />
+
REGGIE<br />
Yeah. You're sorry. Heard it the first time.<br />
+
Yeah. You're sorry. Heard it the first time.
<br />
+
 
FIRST MAN<br />
+
HANK<br />
Suit yourself. More for us then, right?<br />
+
Suit yourself. More for us then, right?
<br />
+
 
 
SAM<br />
 
SAM<br />
Good luck.<br />
+
Good luck.
<br />
+
 
FIRST MAN<br />
+
HANK<br />
But hey. Beers are on you when we get back.<br />
+
But hey. Beers are on you when we get back.
<br />
+
 
 
SAM<br />
 
SAM<br />
Yeah, you bet.<br />
+
Yeah, you bet.
<br />
+
 
WAITRESS<br />
+
LINDSEY<br />
So your parents were drunk when they named you and you shoot Bambi?<br />
+
So your parents were drunk when they named you and you shoot Bambi?
<br />
+
 
 
SAM<br />
 
SAM<br />
It's a long story.<br />
+
It's a long story.
<br />
+
 
WAITRESS<br />
+
LINDSEY<br />
That is it. Enough with the kung fu wandering the earth thing. I'm gonna buy you dinner and we're gonna talk.<br />
+
That is it. Enough with the kung fu wandering the earth thing. I'm gonna buy you dinner and we're gonna talk.
<br />
+
 
 
SAM<br />
 
SAM<br />
Lindsey, I can't.<br />
+
Lindsey, I can't.
<br />
+
 
 
LINDSEY<br />
 
LINDSEY<br />
No. The only way to avoid bloodshed is to say yes.<br />
+
No. The only way to avoid bloodshed is to say yes.
<br />
+
 
INT. BROTHEL BAR - NIGHT<br />
+
===BROTHEL===
<br />
+
 
DEAN drinks. CASTIEL looks terrified.<br />
+
''INT. BROTHEL BAR &ndash; NIGHT''
<br />
+
 
 +
DEAN drinks. CASTIEL looks terrified.
 +
 
 
DEAN<br />
 
DEAN<br />
Hey. Relax.<br />
+
Hey. Relax.
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
This is a den of iniquity. I should not be here.<br />
+
This is a den of iniquity. I should not be here.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
Dude, you full-on rebelled against heaven. Iniquity is one of the perks.<br />
+
Dude, you full-on rebelled against heaven. Iniquity is one of the perks.
<br />
+
 
A HOOKER approaches. DEAN notices.<br />
+
A HOOKER approaches. DEAN notices.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
Showtime.<br />
+
Showtime.
<br />
+
 
 
HOOKER<br />
 
HOOKER<br />
Hi. What's your name?<br />
+
Hi. What's your name?
<br />
+
 
CASTIEL tries not to look at her.<br />
+
CASTIEL tries not to look at her.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
Cas.<br />
+
Cas.
<br />
+
 
CASTIEL startles.<br />
+
CASTIEL startles.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
His name is Cas. What's your name?<br />
+
His name is Cas. What's your name?
<br />
+
 
 
HOOKER<br />
 
HOOKER<br />
Chastity.<br />
+
Chastity.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
Chastity.<br />
+
Chastity.
<br />
+
 
CASTIEL drinks his beer.<br />
+
CASTIEL drinks his beer.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
Wow. Is that kismet or what, buddy? Well, he likes you, you like him, so dayenu.<br />
+
Wow. Is that kismet or what, buddy? Well, he likes you, you like him, so dayenu.
<br />
+
 
CHASTITY tugs CASTIEL up.<br />
+
CHASTITY tugs CASTIEL up.
<br />
+
 
 
CHASTITY<br />
 
CHASTITY<br />
Come on, baby.<br />
+
Come on, baby.
<br />
+
 
DEAN catches CASTIEL on the way past.<br />
+
DEAN catches CASTIEL on the way past.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
Hey, listen. Take this.<br />
+
Hey, listen. Take this.
<br />
+
 
DEAN holds out a handful of money.<br />
+
DEAN holds out a handful of money.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
If she asks for a credit card, no. Now just stick to the basics, okay? Do not order off the menu. Go get her, tiger.<br />
+
If she asks for a credit card, no. Now just stick to the basics, okay? Do not order off the menu. Go get her, tiger.
<br />
+
 
CASTIEL stays still.<br />
+
CASTIEL stays still.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
Don't make me push you.<br />
+
Don't make me push you.
<br />
+
 
CASTIEL takes the money and turns to follow CHASTITY. Another HOOKER walks past; DEAN follows her. She and DEAN clink glasses at the bar.<br />
+
CASTIEL takes the money and turns to follow CHASTITY. Another HOOKER walks past; DEAN follows her. She and DEAN clink glasses at the bar.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
Well, cheers to you.<br />
+
Well, cheers to you.
<br />
+
 
A scream offscreen. DEAN goes to investigate.<br />
+
A scream offscreen. DEAN goes to investigate.
<br />
+
 
 +
''INT. BROTHEL BACK CORRIDOR &ndash; NIGHT''
 +
 
 
CHASTITY<br />
 
CHASTITY<br />
Get out of my face! Leave me alone! Bastard! Screw you, jerk!<br />
+
Get out of my face! Leave me alone! Bastard! Screw you, jerk!
<br />
+
 
She throws something at CASTIEL, who is a little disheveled.<br />
+
She throws something at CASTIEL, who is a little disheveled.
<br />
+
 
 
CHASTITY<br />
 
CHASTITY<br />
I'll kill you!<br />
+
I'll kill you!
<br />
+
 
She storms past DEAN.<br />
+
She storms past DEAN.
<br />
+
 
 
CHASTITY<br />
 
CHASTITY<br />
Screw you too! God! Oh! Jerk!<br />
+
Screw you too! God! Oh! Jerk!
<br />
+
 
DEAN approaches CASTIEL.<br />
+
DEAN approaches CASTIEL.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
The hell did you do?<br />
+
The hell did you do?
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
I don't know. I just looked her in the eyes and told her it wasn't her fault that her father Gene ran off. It was because he hated his job at the post office.<br />
+
I don't know. I just looked her in the eyes and told her it wasn't her fault that her father Gene ran off. It was because he hated his job at the post office.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
Oh, no, man.<br />
+
Oh, no, man.
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
What?<br />
+
What?
<br />
+
 
 
DEAN<br />
 
DEAN<br />
This whole industry runs on absent fathers. It's, it's the natural order.<br />
+
This whole industry runs on absent fathers. It's, it's the natural order.
<br />
+
 
Two BOUNCERS enter from the door CHASTITY left through.<br />
+
Two BOUNCERS enter from the door CHASTITY left through.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
We should go. Come on.<br />
+
We should go. Come on.
<br />
+
 
He and CASTIEL head for the door at the opposite end of the corridor.<br />
+
He and CASTIEL head for the door at the opposite end of the corridor.
<br />
+
 
EXT. ALLEY - NIGHT<br />
+
''EXT. ALLEY &ndash; NIGHT''
<br />
+
 
DEAN is laughing as he closes the door behind himself and CASTIEL.<br />
+
DEAN is laughing as he closes the door behind himself and CASTIEL.
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
What's so funny?<br />
+
What's so funny?
<br />
+
 
 
DEAN<br />
 
DEAN<br />
Oh, nothing. Whoo. It's been a long time since I've laughed that hard. It's been more than a long time. Years.<br />
+
Oh, nothing. Whoo. It's been a long time since I've laughed that hard. It's been more than a long time. Years.
<br />
+
 
DEAN's face falls as he realizes.<br />
+
DEAN's face falls as he realizes.
<br />
+
 
INT. BAR - NIGHT<br />
+
===BAR===
<br />
+
 
SAM and LINDSEY are sitting at a table, eating.<br />
+
''INT. BAR &ndash; NIGHT''
<br />
+
 
 +
SAM and LINDSEY are sitting at a table, eating.
 +
 
 
LINDSEY<br />
 
LINDSEY<br />
So...you gonna tell me who those guys back there really were? And don't say hunting buddies.<br />
+
So...you gonna tell me who those guys back there really were? And don't say hunting buddies.
<br />
+
 
 
SAM<br />
 
SAM<br />
Okay. Um. We used to be in the same business together.<br />
+
Okay. Um. We used to be in the same business together.
<br />
+
 
 
LINDSEY<br />
 
LINDSEY<br />
What business?<br />
+
What business?
<br />
+
 
 
SAM<br />
 
SAM<br />
How's your salad?<br />
+
How's your salad?
<br />
+
 
 
LINDSEY<br />
 
LINDSEY<br />
Witness protection, right? From Mafia?<br />
+
Witness protection, right? From Mafia?
<br />
+
 
 
SAM<br />
 
SAM<br />
I'm not Mafia.<br />
+
I'm not Mafia.
<br />
+
 
 
LINDSEY<br />
 
LINDSEY<br />
Okay, I get it. Don't mean to pry, my bad.<br />
+
Okay, I get it. Don't mean to pry, my bad.
<br />
+
 
 
SAM<br />
 
SAM<br />
I used to be in business with my brother. Truth is I was pretty good at the job. But...I made some mistakes, I did some stuff I'm not so proud of, and people got hurt. A lot of people.<br />
+
I used to be in business with my brother. Truth is I was pretty good at the job. But...I made some mistakes, I did some stuff I'm not so proud of, and people got hurt. A lot of people.
<br />
+
 
 
LINDSEY<br />
 
LINDSEY<br />
What was your poison?<br />
+
What was your poison?
<br />
+
 
 
SAM<br />
 
SAM<br />
Sorry?<br />
+
Sorry?
<br />
+
 
 
LINDSEY<br />
 
LINDSEY<br />
Come on. You were hooked on something, I know the look.<br />
+
Come on. You were hooked on something, I know the look.
<br />
+
 
LINDSEY pulls a medallion out of her pocket.<br />
+
LINDSEY pulls a medallion out of her pocket.
<br />
+
 
 
LINDSEY<br />
 
LINDSEY<br />
Three years sober.<br />
+
Three years sober.
<br />
+
 
 
SAM<br />
 
SAM<br />
You work in a bar.<br />
+
You work in a bar.
<br />
+
 
 
LINDSEY<br />
 
LINDSEY<br />
So do you. Look, Keith. I don't know you and I'm the last person to be giving advice, but I do know that no one has ever done anything so bad that they can't be forgiven. They can't change.<br />
+
So do you. Look, Keith. I don't know you and I'm the last person to be giving advice, but I do know that no one has ever done anything so bad that they can't be forgiven. They can't change.
<br />
+
 
 
==ACT THREE==
 
==ACT THREE==
<br />
+
 
<br />
+
===ST. PETER'S HOSPITAL===
INT. HOSPITAL - DAY<br />
+
 
<br />
+
''INT. HOSPITAL &ndash; DAY''
A nurse walks down the hallway. DEAN watches her go and slips into the room, shutting the door behind him and closing the shades. CASTIEL is already inside; he pours the oil in a circle around DONNIE's wheelchair.<br />
+
 
<br />
+
A nurse walks down the hallway. DEAN watches her go and slips into the room, shutting the door behind him and closing the shades. CASTIEL is already inside; he pours the oil in a circle around DONNIE's wheelchair.
 +
 
 
CASTIEL<br />
 
CASTIEL<br />
When the oil burns, no angel can touch or pass through the flames, or he dies.<br />
+
When the oil burns, no angel can touch or pass through the flames, or he dies.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
Okay, so we trap him in a steel cage of holy fire, but one question. How the hell do we get him here?<br />
+
Okay, so we trap him in a steel cage of holy fire, but one question. How the hell do we get him here?
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
Very simple. There's, well, almost an open phone line between a vessel and his angel. One just has to know how to dial.<br />
+
Very simple. There's, well, almost an open phone line between a vessel and his angel. One just has to know how to dial.
<br />
+
 
CASTIEL leans down to DONNIE's ear and chants in Enochian.<br />
+
CASTIEL leans down to DONNIE's ear and chants in Enochian.
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
I'm here, Raphael. Come and get me, you little bastard.<br />
+
I'm here, Raphael. Come and get me, you little bastard.
<br />
+
 
CASTIEL leaves the oil circle.<br />
+
CASTIEL leaves the oil circle.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
Just out of curiosity, what is the average customer wait time to speak to an archangel?<br />
+
Just out of curiosity, what is the average customer wait time to speak to an archangel?
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
Be ready.<br />
+
Be ready.
<br />
+
 
CASTIEL lights a match and drops it on the oil, which bursts into a ring of flame.<br />
+
CASTIEL lights a match and drops it on the oil, which bursts into a ring of flame.
<br />
+
 
EXT. ROAD - NIGHT<br />
+
===ABANDONED HOUSE===
<br />
+
 
DEAN and CASTIEL drive up to a house.<br />
+
''EXT. ROAD &ndash; NIGHT''
<br />
+
 
 +
DEAN and CASTIEL drive up to a house.
 +
 
 
DEAN<br />
 
DEAN<br />
Well that's a day I'll never get back.<br />
+
Well that's a day I'll never get back.
<br />
+
 
INT. HOUSE - NIGHT<br />
+
''INT. HOUSE &ndash; NIGHT''
<br />
+
 
DEAN and CASTIEL enter the house.<br />
+
DEAN and CASTIEL enter the house.
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
Dean, wait.<br />
+
Dean, wait.
<br />
+
 
Bright light.<br />
+
Bright light.
<br />
+
 
DONNIE is already inside the cabin, flaring with lightning in the shape of wings; now he is RAPHAEL. Lightbulbs shatter.<br />
+
DONNIE is already inside the cabin, flaring with lightning in the shape of wings; now he is RAPHAEL. Lightbulbs shatter.
<br />
+
 
 
RAPHAEL<br />
 
RAPHAEL<br />
Castiel.<br />
+
Castiel.
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
Raphael.<br />
+
Raphael.
<br />
+
 
CASTIEL and DEAN walk closer.<br />
+
CASTIEL and DEAN walk closer.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
And I thought you were supposed to be impressive. All you do is black out the room.<br />
+
And I thought you were supposed to be impressive. All you do is black out the room.
<br />
+
 
 
RAPHAEL<br />
 
RAPHAEL<br />
And the Eastern Seaboard.<br />
+
And the Eastern Seaboard.
<br />
+
 
Lightning flashes outside.<br />
+
Lightning flashes outside.
<br />
+
 
 
RAPHAEL<br />
 
RAPHAEL<br />
It is a testament to my unending mercy that I do not smite you here and now.<br />
+
It is a testament to my unending mercy that I do not smite you here and now.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
Or maybe you're full of crap. Maybe you're afraid God will bring Cas back to life again and smite you and your candy-ass skirt. By the way, hi, I'm Dean.<br />
+
Or maybe you're full of crap. Maybe you're afraid God will bring Cas back to life again and smite you and your candy-ass skirt. By the way, hi, I'm Dean.
<br />
+
 
 
RAPHAEL<br />
 
RAPHAEL<br />
I know who you are. And now, thanks to him, I know where you are.<br />
+
I know who you are. And now, thanks to him, I know where you are.
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
You won't kill him. You wouldn't dare.<br />
+
You won't kill him. You wouldn't dare.
<br />
+
 
 
RAPHAEL<br />
 
RAPHAEL<br />
But I will take him to Michael.<br />
+
But I will take him to Michael.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
Well then. Sounds terrifying. It does. But, uh, hate to tell you, I'm not going anywhere with you.<br />
+
Well then. Sounds terrifying. It does. But, uh, hate to tell you, I'm not going anywhere with you.
<br />
+
 
DEAN grabs a beer.<br />
+
DEAN grabs a beer.
<br />
+
 
 
RAPHAEL<br />
 
RAPHAEL<br />
Surely you remember Zachariah giving you stomach cancer?<br />
+
Surely you remember Zachariah giving you stomach cancer?
<br />
+
 
 
DEAN<br />
 
DEAN<br />
Yeah, that was, that was hilarious.<br />
+
Yeah, that was, that was hilarious.
<br />
+
 
 
RAPHAEL<br />
 
RAPHAEL<br />
Well, he doesn't have anything close to my imagination.<br />
+
Well, he doesn't have anything close to my imagination.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
Yeah? I bet you didn't imagine one thing.<br />
+
Yeah? I bet you didn't imagine one thing.
<br />
+
 
 
RAPHAEL<br />
 
RAPHAEL<br />
What?<br />
+
What?
<br />
+
 
 
DEAN<br />
 
DEAN<br />
We knew you were coming, you stupid son of a bitch.<br />
+
We knew you were coming, you stupid son of a bitch.
<br />
+
 
DEAN lights his lighter and drops it. Holy oil ignites in a circle around RAPHAEL.<br />
+
DEAN lights his lighter and drops it. Holy oil ignites in a circle around RAPHAEL.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
Don't look at me, it was his idea.<br />
+
Don't look at me, it was his idea.
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
Where is he?<br />
+
Where is he?
<br />
+
 
 
RAPHAEL<br />
 
RAPHAEL<br />
God? Didn't you hear? He's dead, Castiel. Dead.<br />
+
God? Didn't you hear? He's dead, Castiel. Dead.
<br />
+
 
INT. BAR - NIGHT<br />
+
===BAR===
<br />
+
 
SAM wipes down a table. The door chimes open and someone comes in.<br />
+
''INT. BAR &ndash; NIGHT''
<br />
+
 
 +
SAM wipes down a table. The door chimes open and someone comes in.
 +
 
 
SAM<br />
 
SAM<br />
Bar's closed.<br />
+
Bar's closed.
<br />
+
 
SAM turns around; it's the FIRST MAN from earlier.<br />
+
SAM turns around.
<br />
+
 
 
SAM<br />
 
SAM<br />
Hank.<br />
+
Hey.
<br />
+
 
 
HANK<br />
 
HANK<br />
Something you want to tell me, Sam?<br />
+
Something you want to tell me, Sam?
<br />
+
 
 
SAM<br />
 
SAM<br />
What? No.<br />
+
What? No.
<br />
+
 
 
HANK<br />
 
HANK<br />
You sure about that?<br />
+
You sure about that?
<br />
+
 
 
SAM<br />
 
SAM<br />
I&mdash;I don't know&mdash;jeez. Are you okay? Where are Reggie and Steve?<br />
+
I&mdash;I don't know&mdash;jeez. Are you okay? Where are Reggie and Steve?
<br />
+
 
 
HANK<br />
 
HANK<br />
Oh, Steve's good, he's, uh, his guts are lying roadside outside the ??? five and dime.<br />
+
Oh, Steve's good, he's, uh, his guts are lying roadside outside the ??? five and dime.
<br />
+
 
 
SAM<br />
 
SAM<br />
I'm sorry.<br />
+
I'm sorry.
<br />
+
 
 
HANK<br />
 
HANK<br />
Sorry don't cut it, Sam.<br />
+
Sorry don't cut it, Sam.
<br />
+
 
 
SAM<br />
 
SAM<br />
What do you want me to say?<br />
+
What do you want me to say?
<br />
+
 
 
HANK<br />
 
HANK<br />
The truth.<br />
+
The truth.
<br />
+
 
SAM says nothing.<br />
+
SAM says nothing.
<br />
+
 
 
HANK<br />
 
HANK<br />
Okay, fine. Let me give you some of my own, then. We go into town, we catch ourselves a demon, we get jumped by ten more. Steve bought it.<br />
+
Okay, fine. Let me give you some of my own, then. We go into town, we catch ourselves a demon, we get jumped by ten more. Steve bought it.
<br />
+
 
 
SAM<br />
 
SAM<br />
I'm sorry.<br />
+
I'm sorry.
<br />
+
 
 
HANK<br />
 
HANK<br />
Saying it twice don't make it so, Sam. You see, this demon, he, uh, he told us things. Crazy things, things about you, Sam.<br />
+
Saying it twice don't make it so, Sam. You see, this demon, he, uh, he told us things. Crazy things, things about you, Sam.
<br />
+
 
 
SAM<br />
 
SAM<br />
Demons lie.<br />
+
Demons lie.
<br />
+
 
 
HANK<br />
 
HANK<br />
Yeah. I'm gonna ask you one last time. The truth. Now.<br />
+
Yeah. I'm gonna ask you one last time. The truth. Now.
<br />
+
 
The door chimes again. The THIRD MAN, who must be REGGIE, comes in, hauling LINDSEY.<br />
+
The door chimes again. REGGIE comes in, hauling LINDSEY.
<br />
+
 
 
SAM<br />
 
SAM<br />
Lindsey!<br />
+
Lindsey!
<br />
+
 
REGGIE holds a knife to LINDSEY's neck.<br />
+
REGGIE holds a knife to LINDSEY's neck.
<br />
+
 
 
LINDSEY<br />
 
LINDSEY<br />
What's going on?<br />
+
What's going on?
<br />
+
 
 
==ACT FOUR==
 
==ACT FOUR==
<br />
+
 
<br />
+
===ABANDONED HOUSE===
 +
 
 +
''INT. HOUSE &ndash; NIGHT''
 +
 
 
RAPHAEL<br />
 
RAPHAEL<br />
But there's no other explanation. He's gone for good.<br />
+
But there's no other explanation. He's gone for good.
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
You're lying.<br />
+
You're lying.
<br />
+
 
 
RAPHAEL<br />
 
RAPHAEL<br />
Am I? Do you remember the twentieth century? Think the twenty-first is going any better? Do you think God would have let any of that happen if he were alive?<br />
+
Am I? Do you remember the twentieth century? Think the twenty-first is going any better? Do you think God would have let any of that happen if he were alive?
<br />
+
 
 
DEAN<br />
 
DEAN<br />
Oh yeah? Well then who invented the Chinese basket trick?<br />
+
Oh yeah? Well then who invented the Chinese basket trick?
<br />
+
 
 
RAPHAEL<br />
 
RAPHAEL<br />
Careful. That's my father you're talking about, boy.<br />
+
Careful. That's my father you're talking about, boy.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
Yeah, who would be so proud to know his sons started the frigging apocalypse.<br />
+
Yeah, who would be so proud to know his sons started the frigging apocalypse.
<br />
+
 
 
RAPHAEL<br />
 
RAPHAEL<br />
Who ran off and disappeared. Who left no instructions and a world to run.<br />
+
Who ran off and disappeared. Who left no instructions and a world to run.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
Daddy ran away and disappeared. He didn't happen to work for the post office, did he?<br />
+
Daddy ran away and disappeared. He didn't happen to work for the post office, did he?
<br />
+
 
 
RAPHAEL<br />
 
RAPHAEL<br />
This is funny to you? You're living in a godless universe.0<br />
+
This is funny to you? You're living in a godless universe.0
<br />
+
 
 
DEAN<br />
 
DEAN<br />
And? What, you and the other kids just decided to throw an apocalypse while he was gone?<br />
+
And? What, you and the other kids just decided to throw an apocalypse while he was gone?
<br />
+
 
 
RAPHAEL<br />
 
RAPHAEL<br />
We're tired. We just want it to be over. We just want...paradise.<br />
+
We're tired. We just want it to be over. We just want...paradise.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
So, what, God dies and makes you the boss and you decide you can do whatever you want?<br />
+
So, what, God dies and makes you the boss and you decide you can do whatever you want?
<br />
+
 
 
RAPHAEL<br />
 
RAPHAEL<br />
Yes. And whatever we want, we get.<br />
+
Yes. And whatever we want, we get.
<br />
+
 
The windows burst in.<br />
+
The windows burst in.
<br />
+
 
INT. BAR - NIGHT<br />
+
===BAR===
<br />
+
 
 +
''INT. BAR &ndash; NIGHT''
 +
 
 
SAM<br />
 
SAM<br />
Just take it easy, okay? Put the knife down.<br />
+
Just take it easy, okay? Put the knife down.
<br />
+
 
REGGIE puts the knife down on the bar but keeps hold of LINDSEY.<br />
+
REGGIE puts the knife down on the bar but keeps hold of LINDSEY.
<br />
+
 
 
SAM<br />
 
SAM<br />
It's true. What the demons said, it's all true.<br />
+
It's true. What the demons said, it's all true.
<br />
+
 
 
HANK<br />
 
HANK<br />
Keep going.<br />
+
Keep going.
<br />
+
 
 
SAM<br />
 
SAM<br />
Why? You gonna hate me any less? Am I gonna hate myself any less? What do you want?<br />
+
Why? You gonna hate me any less? Am I gonna hate myself any less? What do you want?
<br />
+
 
 
HANK<br />
 
HANK<br />
I want to hear you say it.<br />
+
I want to hear you say it.
<br />
+
 
 
SAM<br />
 
SAM<br />
I did it. I started the apocalypse.<br />
+
I did it. I started the apocalypse.
<br />
+
 
INT. HOUSE - NIGHT<br />
+
===ABANDONED HOUSE===
<br />
+
 
 +
''INT. HOUSE &ndash; NIGHT''
 +
 
 
CASTIEL<br />
 
CASTIEL<br />
If God is dead, why have I returned? Who brought me back?<br />
+
If God is dead, why have I returned? Who brought me back?
<br />
+
 
 
RAPHAEL<br />
 
RAPHAEL<br />
Did it ever occur to you that maybe Lucifer raised you?<br />
+
Did it ever occur to you that maybe Lucifer raised you?
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
No.<br />
+
No.
<br />
+
 
 
RAPHAEL<br />
 
RAPHAEL<br />
Think about it. He needs all the rebellious angels he can find. You know it adds up.<br />
+
Think about it. He needs all the rebellious angels he can find. You know it adds up.
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
Let's go.<br />
+
Let's go.
<br />
+
 
 
RAPHAEL<br />
 
RAPHAEL<br />
Castiel, I'm warning you. Do not leave me here. I will find you.<br />
+
Castiel, I'm warning you. Do not leave me here. I will find you.
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
Maybe one day. But today, you're my little bitch.<br />
+
Maybe one day. But today, you're my little bitch.
<br />
+
 
CASTIEL leaves. DEAN follows, pausing.<br />
+
CASTIEL leaves. DEAN follows, pausing.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
What he said.<br />
+
What he said.
<br />
+
 
INT. BAR - NIGHT<br />
+
===BAR===
<br />
+
 
HANK holds up a test tube of red liquid. SAM stares at it.<br />
+
''INT. BAR &ndash; NIGHT''
<br />
+
 
 +
HANK holds up a test tube of red liquid. SAM stares at it.
 +
 
 
SAM<br />
 
SAM<br />
What is that?<br />
+
What is that?
<br />
+
 
 
HANK<br />
 
HANK<br />
What do you think it is? It's go juice, Sammy boy.<br />
+
What do you think it is? It's go juice, Sammy boy.
<br />
+
 
 
SAM<br />
 
SAM<br />
Get that away from me.<br />
+
Get that away from me.
<br />
+
 
 
HANK<br />
 
HANK<br />
Away from you? This is for you. Hell if that demon wasn't right as rain. Down the hatch, son.<br />
+
Away from you? This is for you. Hell if that demon wasn't right as rain. Down the hatch, son.
<br />
+
 
 
SAM<br />
 
SAM<br />
You're insane.<br />
+
You're insane.
<br />
+
 
 
HANK<br />
 
HANK<br />
Here's what's gonna happen. You're gonna drink this, Hulk out, and you're gonna waste every one of the demon scum that killed my best friend.<br />
+
Here's what's gonna happen. You're gonna drink this, Hulk out, and you're gonna waste every one of the demon scum that killed my best friend.
<br />
+
 
HANK nods at LINDSEY, whom REGGIE has just handcuffed to the bar.<br />
+
HANK nods at LINDSEY, whom REGGIE has just handcuffed to the bar.
<br />
+
 
 
HANK<br />
 
HANK<br />
Or she dies.<br />
+
Or she dies.
<br />
+
 
 
SAM<br />
 
SAM<br />
You wouldn't do that.<br />
+
You wouldn't do that.
<br />
+
 
 
HANK<br />
 
HANK<br />
It's funny how watching your best friend die changes that.<br />
+
It's funny how watching your best friend die changes that.
<br />
+
 
REGGIE and HANK advance on SAM, who retreats.<br />
+
REGGIE and HANK advance on SAM, who retreats.
<br />
+
 
 
HANK<br />
 
HANK<br />
Come on, you know you want it, Sam. Just reach out and take it.<br />
+
Come on, you know you want it, Sam. Just reach out and take it.
<br />
+
 
REGGIE charges SAM, who tosses him into the pool table. HANK joins in, he and REGGIE restraining SAM and pouring the demon blood into his mouth, then holding his mouth closed so he'll swallow. They drop SAM and back away. SAM gets up.<br />
+
REGGIE charges SAM, who tosses him into the pool table. HANK joins in, he and REGGIE restraining SAM and pouring the demon blood into his mouth, then holding his mouth closed so he'll swallow. They drop SAM and back away. SAM gets up.
<br />
+
 
 
HANK<br />
 
HANK<br />
There, was that really so bad?<br />
+
There, was that really so bad?
<br />
+
 
SAM spits it in HANK's eye and pounds him and REGGIE both, then grabs HANK, slams him into the bar, takes REGGIE's knife, and holds it to HANK's throat. He notices LINDSEY watching, scared, and throws HANK over to REGGIE.<br />
+
SAM spits it in HANK's eye and pounds him and REGGIE both, then grabs HANK, slams him into the bar, takes REGGIE's knife, and holds it to HANK's throat. He notices LINDSEY watching, scared, and throws HANK over to REGGIE.
<br />
+
 
 
SAM<br />
 
SAM<br />
Go.<br />
+
Go.
<br />
+
 
 
HANK<br />
 
HANK<br />
Don't think we won't be back.<br />
+
Don't think we won't be back.
<br />
+
 
 
SAM<br />
 
SAM<br />
Don't think I won't be here.<br />
+
Don't think I won't be here.
<br />
+
 
 
==ACT FIVE==
 
==ACT FIVE==
<br />
+
 
<br />
+
===IMPALA===
INT. IMPALA - NIGHT<br />
+
 
<br />
+
''INT. IMPALA &ndash; NIGHT''
DEAN drives. CASTIEL rides shotgun.<br />
+
 
<br />
+
DEAN drives. CASTIEL rides shotgun.
 +
 
 
DEAN<br />
 
DEAN<br />
You okay?<br />
+
You okay?
<br />
+
 
CASTIEL is silent.<br />
+
CASTIEL is silent.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
Look, I'll be the first to tell you that this little crusade of yours is nuts, but I do know a little something about missing fathers.<br />
+
Look, I'll be the first to tell you that this little crusade of yours is nuts, but I do know a little something about missing fathers.
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
What do you mean?<br />
+
What do you mean?
<br />
+
 
 
DEAN<br />
 
DEAN<br />
I mean every time I was looking for my dad when all logic said that he was dead, but I knew in my heart he was still alive. Who cares what some ninja turtle says, Cas, what do you believe?<br />
+
I mean every time I was looking for my dad when all logic said that he was dead, but I knew in my heart he was still alive. Who cares what some ninja turtle says, Cas, what do you believe?
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
I believe he's out there.<br />
+
I believe he's out there.
<br />
+
 
 
DEAN<br />
 
DEAN<br />
Good. Go find him.<br />
+
Good. Go find him.
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
What about you?<br />
+
What about you?
<br />
+
 
 
DEAN<br />
 
DEAN<br />
What about me? I don't know. Honestly, I'm good. I can't believe I'm saying that, but I am, I'm really good.<br />
+
What about me? I don't know. Honestly, I'm good. I can't believe I'm saying that, but I am, I'm really good.
<br />
+
 
 
CASTIEL<br />
 
CASTIEL<br />
Even without your brother?<br />
+
Even without your brother?
<br />
+
 
 
DEAN<br />
 
DEAN<br />
Especially without my brother. I mean, I spent so much time worrying about the son of a bitch. I mean, I've had more fun with you in the past twenty-four hours than I've had with Sam in years, and you're not that much fun. It's funny, you know, I've been so chained to my family, but now that I'm alone, hell, I'm happy.<br />
+
Especially without my brother. I mean, I spent so much time worrying about the son of a bitch. I mean, I've had more fun with you in the past twenty-four hours than I've had with Sam in years, and you're not that much fun. It's funny, you know, I've been so chained to my family, but now that I'm alone, hell, I'm happy.
<br />
+
 
DEAN looks over; the shotgun seat is empty.<br />
+
DEAN looks over; the shotgun seat is empty.
<br />
+
 
EXT. GREAT PLAINS MOTEL - NIGHT<br />
+
===SAM'S MOTEL ROOM===
<br />
+
 
INT. MOTEL ROOM - NIGHT<br />
+
''EXT. GREAT PLAINS MOTEL &ndash; NIGHT''
<br />
+
 
SAM sleeps alone.<br />
+
''INT. MOTEL ROOM &ndash; NIGHT''
<br />
+
 
 +
SAM sleeps alone.
 +
 
 
JESS<br />
 
JESS<br />
Sam. Sam.<br />
+
Sam. Sam.
<br />
+
 
SAM wakes up and looks around. JESS is back. He kisses her on the neck; she rolls over to face him.<br />
+
SAM wakes up and looks around. JESS is back. He kisses her on the neck; she rolls over to face him.
<br />
+
 
 
JESS<br />
 
JESS<br />
So. This is your life now? Think you can just live forever with your head buried in the sand?<br />
+
So. This is your life now? Think you can just live forever with your head buried in the sand?
<br />
+
 
 
SAM<br />
 
SAM<br />
I love you, Jess.<br />
+
I love you, Jess.
<br />
+
 
SAM sits up in bed, turning away from JESS, who sits up too.<br />
+
SAM sits up in bed, turning away from JESS, who sits up too.
<br />
+
 
 
SAM<br />
 
SAM<br />
God knows how much I miss you, too. But you're wrong. People can change. There is reason for hope.<br />
+
God knows how much I miss you, too. But you're wrong. People can change. There is reason for hope.
<br />
+
 
 
JESS<br />
 
JESS<br />
No, Sam. There isn't.<br />
+
No, Sam. There isn't.
<br />
+
 
JESS puts a hand on SAM's shoulder and morphs into NICK from [[5.01 Sympathy For The Devil]]; JESS has been LUCIFER all along.<br />
+
JESS puts a hand on SAM's shoulder and morphs into NICK from [[5.01 Sympathy For The Devil]]; JESS has been LUCIFER all along.
<br />
+
 
 
SAM<br />
 
SAM<br />
How can you be so sure?<br />
+
How can you be so sure?
<br />
+
 
 
LUCIFER<br />
 
LUCIFER<br />
Because you freed me.<br />
+
Because you freed me.
<br />
+
 
SAM turns, sees LUCIFER where he expected JESS, and stands up and backs away.<br />
+
SAM turns, sees LUCIFER where he expected JESS, and stands up and backs away.
<br />
+
 
 
LUCIFER<br />
 
LUCIFER<br />
That's right. You know who I am.<br />
+
That's right. You know who I am.
<br />
+
 
 
SAM<br />
 
SAM<br />
Lucifer.<br />
+
Lucifer.
<br />
+
 
 
LUCIFER<br />
 
LUCIFER<br />
You are a hard one to find, Sam. Harder than most humans. I don't suppose you'd tell me where you are?<br />
+
You are a hard one to find, Sam. Harder than most humans. I don't suppose you'd tell me where you are?
<br />
+
 
 
SAM<br />
 
SAM<br />
What do you want with me?<br />
+
What do you want with me?
<br />
+
 
 
LUCIFER<br />
 
LUCIFER<br />
Thanks to you, I walk the earth. I want to give you a gift. I want to give you everything.<br />
+
Thanks to you, I walk the earth. I want to give you a gift. I want to give you everything.
<br />
+
 
 
SAM<br />
 
SAM<br />
I don't want anything from you.<br />
+
I don't want anything from you.
<br />
+
 
 
LUCIFER<br />
 
LUCIFER<br />
I'm so sorry, Sam, I, I really am, but Nick here is just an improvisation. Plan B. He can barely contain me without spontaneously combusting.<br />
+
I'm so sorry, Sam, I, I really am, but Nick here is just an improvisation. Plan B. He can barely contain me without spontaneously combusting.
<br />
+
 
 
SAM<br />
 
SAM<br />
What are you talking about?<br />
+
What are you talking about?
<br />
+
 
LUCIFER stands and moves closer to SAM.<br />
+
LUCIFER stands and moves closer to SAM.
<br />
+
 
 
LUCIFER<br />
 
LUCIFER<br />
Why do you think you were in that chapel? You're the one, Sam. You're my vessel. My true vessel.<br />
+
Why do you think you were in that chapel? You're the one, Sam. You're my vessel. My true vessel.
<br />
+
 
 
SAM<br />
 
SAM<br />
No.<br />
+
No.
<br />
+
 
 
LUCIFER<br />
 
LUCIFER<br />
Yes.<br />
+
Yes.
<br />
+
 
 
SAM<br />
 
SAM<br />
No. That'll never happen.<br />
+
No. That'll never happen.
<br />
+
 
 
LUCIFER<br />
 
LUCIFER<br />
I'm sorry, but it will. I will find you. And when I do, you will let me in. I'm sure of it.<br />
+
I'm sorry, but it will. I will find you. And when I do, you will let me in. I'm sure of it.
<br />
+
 
 
SAM<br />
 
SAM<br />
You need my consent.<br />
+
You need my consent.
<br />
+
 
 
LUCIFER<br />
 
LUCIFER<br />
Of course. I'm an angel.<br />
+
Of course. I'm an angel.
<br />
+
 
 
SAM<br />
 
SAM<br />
I will kill myself before letting you in.<br />
+
I will kill myself before letting you in.
<br />
+
 
 
LUCIFER<br />
 
LUCIFER<br />
I'll just bring you back.<br />
+
I'll just bring you back.
<br />
+
 
LUCIFER sighs.<br />
+
LUCIFER sighs.
<br />
+
 
 
LUCIFER<br />
 
LUCIFER<br />
Sam. My heart breaks for you. The weight on your shoulders, what you've done, what you still have to do. It is more than anyone could bear. If there was some other way...but there isn't. I will never lie to you. I will never trick you. But you will say yes to me.<br />
+
Sam. My heart breaks for you. The weight on your shoulders, what you've done, what you still have to do. It is more than anyone could bear. If there was some other way...but there isn't. I will never lie to you. I will never trick you. But you will say yes to me.
<br />
+
 
 
SAM<br />
 
SAM<br />
You're wrong.<br />
+
You're wrong.
<br />
+
 
 
LUCIFER<br />
 
LUCIFER<br />
I'm not. I think I know you better than you know yourself.<br />
+
I'm not. I think I know you better than you know yourself.
<br />
+
 
 
SAM<br />
 
SAM<br />
Why me?<br />
+
Why me?
<br />
+
 
 
LUCIFER<br />
 
LUCIFER<br />
Because it had to be you, Sam. It always had to be you.<br />
+
Because it had to be you, Sam. It always had to be you.
<br />
+
 
 
SAM looks up. LUCIFER is gone.
 
SAM looks up. LUCIFER is gone.

Revision as of 03:52, 15 March 2010


SUPERNATURAL

5.03 Free To Be You And Me

Written by: Jeremy Carver

Directed by: J. Miller Tobin

Air Date: 24 Sep 2009

THEN

From 5.02 Good God Y'All, SAM stares at the blood on Ruby's knife, runs his thumb along the blade to collect some blood, and stares at that.

SAM (voiceover from 5.02 Good God Y'All)
You think I'll take one look at a demon and then suddenly fall off the wagon.

From 5.02 Good God Y'All, SAM talks to DEAN.

SAM
As if after everything, I haven't learned my lesson.

DEAN
Well, have you?

SAM shoves DEAN into the wall.

From 1.01 Pilot, JESS stands in their apartment in the Smurfs shirt.

SAM
This is my girlfriend, Jessica.

From 1.01 Pilot, SAM lies on their bed, staring at the ceiling and screaming.

SAM
No! Jess!

From 1.01 Pilot, JESS burns on the ceiling.

From 1.05 Bloody Mary, JESS stands on a street corner. SAM watches her as the car drives by.

DEAN (voiceover from 1.01 Pilot)
What are you going to do? Just live some normal apple-pie life?

SAM (voiceover from 1.01 Pilot)
Not normal. Safe.

From 5.01 Sympathy For The Devil, DEAN talks to ZACHARIAH.

DEAN
I'm a vessel?

ZACHARIAH
You're the vessel. Michael's vessel.

DEAN
The answer's no.

From 4.10 Heaven And Hell, CASTIEL vanishes in Angel Banishing Sigil-induced blue light.

DEAN (voiceover from 5.01 Sympathy For The Devil)
Where's Cas?

From 5.01 Sympathy For The Devil, CHUCK answers DEAN.

CHUCK
The archangel smote the crap out of him.

From 5.01 Sympathy For The Devil, ZACHARIAH talks to CASTIEL.

ZACHARIAH
How are you—

CASTIEL
Alive? That's a good question.

From 4.01 Lazarus Rising, CASTIEL spreads his wings.

From 5.02 Good God Y'All, SAM talks to DEAN.

SAM
I just wish I could save people. Like I used to.

From 4.22 Lucifer Rising, SAM's eyes go black.

From 5.02 Good God Y'All, DEAN answers SAM.

DEAN
Like when you were all hopped up on demon blood?

From (...help...), SAM exorcises a demon with his mind.

From 5.02 Good God Y'All, CASTIEL talks to DEAN.

CASTIEL
Your plan—

From 5.01 Sympathy For The Devil, NICK stands on his front walk and looks back.

CASTIEL (voiceover from 5.02 Good God Y'All)
—to kill Lucifer, it's foolish—

From 5.01 Sympathy For The Devil, white light flares from the window of NICK's house.

CASTIEL (voiceover from 5.02 Good God Y'All)
—can't be done. I have the solution.

From 5.02 Good God Y'All, CASTIEL talks to DEAN.

CASTIEL
I'm gonna find God.

DEAN
Try New Mexico. I hear he's on a tortilla.

From 5.02 Good God Y'All, CASTIEL talks to DEAN.

CASTIEL
I killed two angels this week. I rebelled, and I did it, all of it, for you, and you failed.

From 5.02 Good God Y'All, SAM talks to DEAN.

SAM
I'm in no shape to be hunting.

From 5.02 Good God Y'All, DEAN sits at a picnic table and SAM walks away.

SAM (voiceover from 5.02 Good God Y'All)
Maybe it's best we just go our separate ways.

From 5.02 Good God Y'All, DEAN looks up, silent.

DEAN (voiceover from 5.02 Good God Y'All)
Well, I think you're right.

PROLOGUE

SAM'S MOTEL ROOM

EXT. GREAT PLAINS MOTEL – NIGHT

INT. MOTEL ROOM – NIGHT

SAM lies in an otherwise empty bed, trying to sleep. He opens his eyes, sighs, and rolls over. He sits up and sees JESS beside him.

JESS
Hey, baby.

SAM stares.

JESS
I missed you.

SAM keeps staring.

SAM
Jessica. I'm dreaming.

JESS
Or you're not. What's the difference? I'm here.

SAM
I miss you so much.

JESS
I know.

JESS reaches out to take SAM's hand.

JESS
I miss you too. What are you doing, Sam?

SAM
What do you mean?

JESS
Running away. Haven't we been down this road before?

SAM
No. It's different now.

JESS
Really?

SAM
Last time I wanted to be normal. This time I know I'm a freak.

JESS
Which is all a big ball of semantics. You know that.

SAM
No.

JESS
Even at Stanford you knew. You knew there was something dark inside of you. Deep down, maybe, but you knew. Maybe that's what got me killed.

SAM looks up, startled.

SAM
No.

JESS
I was dead from the moment we said hello.

SAM
No.

JESS
Don't you get it? You can't run from yourself. Why are you running now?

SAM
Why are you here, Jess?

JESS
Would you believe I'm actually trying to protect you?

SAM
From what?

JESS
You. Sooner or later the past is going to catch up to you like it always does. You know what happens then?

SAM looks down.

JESS
People die. Baby, the people closest to you die.

SAM
Don't worry because I won't make that mistake again.

JESS
Same song, different verse. Things are never gonna change with you. Ever.

SAM looks down, then back up. JESS is gone.

ACT ONE

One Week Earlier

LYNYRD SKYNYRD'S "SIMPLE MAN" MONTAGE

EXT. GREAT PLAINS MOTEL – DAY

A car pulls up in front of the motel.

Garber, Oklahoma

SAM gets out of the shotgun seat.

SAM
Thanks.

DRIVER
You're welcome.

SAM goes around to the back of the car and opens the trunk.

EXT. TAFT MEMORIAL HOSPITAL – DAY

DEAN closes the trunk of the Impala. He is wearing a suit and tie, in contrast to SAM's casual dress. DEAN hides a long knife under the coat and goes into the hospital.

MUSIC
Mama told me

Greeley, Pennsylvania

MUSIC
When I was young

INT. MOTEL ROOM – DAY''

MUSIC
Come sit beside me

SAM squirts lighter fluid onto papers in a sink.

MUSIC
My only son

SAM lights a match and drops it in. SAM's fake IDs and credit cards, including one for the Pennsylvania state police, catch fire.

INT. HOSPITAL – DAY

MUSIC
And listen closely

DEAN shows his Pennsylvania state police ID to a doctor.

DEAN
Hi, Detective Bill Buckner.

DOCTOR
Yes. How can I help you, Detective?

MUSIC
To what I say

DEAN
I'm here about those patients, the exsanguinated ones.

INT. BAR – DAY

MUSIC
And if you do this it'll help you some sunny day

SAM is visible through the window walking up to the bar. A sign that reads "BUSBOY WANTED" is on the door.

FREE TO BE YOU AND ME

INT. BAR

SAM holds a crate full of fruit and dumps it out.

EXT. NIGHT

DEAN shoves a MAN onto the ground. The MAN bares vampire fangs.

DEAN
Eat it, Twilight.

DEAN brings his knife down on the vampire's neck.

INT. BAR

SAM chops lemons.

EXT. NIGHT

DEAN, face blood-spattered, hacks at the vampire's neck.

Starring
JARED PADALECKI

INT. BAR

SAM slices lemons and wipes his forehead.

EXT. NIGHT

DEAN wipes his cheek, smearing some of the blood.

MUSIC
Oh take your time

EXT. NIGHT

DEAN opens the trunk of the Impala.

MUSIC
Don't live too fast

JENSEN ACKLES

INT. BAR

MUSIC
Troubles will come

SAM carries a rag over to the bar and starts wiping it down.

MISHA COLLINS

MUSIC
And they will pass

A WAITRESS (her name is LINDSEY) eyes him appreciatively and carries off somebody's glass and beer bottle.

Guest Starring
ADRIANNE PALICKI

MUSIC
Go find a woman and you'll find love

SAM continues to clean the bar with soapy liquid.

EXT. NIGHT

DEAN washes the car.

JIM BEAVER

MUSIC
And don't forget, son

INT. IMPALA – NIGHT

DEAN drives, listening to music.

MUSIC
There is someone up above

MARK PELLEGRINO

MUSIC
And be a simple

DEMORE BARNES

MUSIC
Kind of man

EMMA BELL

MUSIC
Oh won't you do this

SCOTT MICHAEL CAMPBELL

MUSIC
For me son, if you can
Baby be a simple

EXT. ROAD – NIGHT

The Impala drives on.

MUSIC
Be a simple man

DEAN'S MOTEL ROOM

INT. MOTEL ROOM – NIGHT

DEAN dampens a washcloth in the motel room sink and starts to clean his jacket. CASTIEL appears behind him. DEAN sees him in the mirror and startles.

DEAN
God.

DEAN thumps the sink.

DEAN
Don't do that.

CASTIEL
Hello, Dean.

DEAN turns around; CASTIEL is inches from him.

DEAN
Cas, we've talked about this. Personal space?

CASTIEL
My apologies.

CASTIEL steps back. DEAN grabs his jacket and walks toward the bed.

Co-Producer
JEREMY CARVER

DEAN
How'd you find me? I thought I was flying below the angel radar.

DEAN rubs his ribs to illustrate the point.

Co-Producers
JERRY WANEK
SERGE LADOUCEUR

CASTIEL
You are. Bobby told me where you were.

Producer
TODD ARONAUER

CASTIEL looks around the motel room, which has no signs of SAM's presence, not even a second bed.

CASTIEL
Where's Sam?

Co-Executive Producer
PETER JOHNSON

DEAN puts on his jacket without looking at CASTIEL.

DEAN
Me and Sam are taking separate vacations for a while. So.

Executive Producer
SERA GAMBLE

DEAN
You find God yet? More importantly, can I have my damn necklace back, please?

Executive Producer
BEN EDLUND

CASTIEL
No, I haven't found him. That's why I'm here. I need your help.

Executive Producer
PHIL SGRICCIA

DEAN
With what? God hunt? Not interested.

CASTIEL
It's not God. It's someone else.

Executive Producer
McG

DEAN
Who?

CASTIEL
Archangel. The one who killed me.

DEAN
'Scuse me?

CASTIEL
His name is Raphael.

DEAN
You were wasted by a teenage mutant ninja angel?

CASTIEL
I've heard whispers that he's walking the earth. This is a rare opportunity.

DEAN
For what? Revenge?

CASTIEL
Information.

Produced by
JIM MICHAELS

DEAN goes back over to the sink, picks up his knife and a washcloth, and starts to clean the knife.

DEAN
So, what, you think you can find this dude and he's just gonna spill God's address?

Created by
ERIC KRIPKE

CASTIEL
Yes, because we are gonna trap him and interrogate him.

DEAN pauses and turns back.

DEAN
You're serious about this.

CASTIEL turns around to face DEAN. DEAN drops the washcloth and walks back toward CASTIEL.

Written by
JEREMY CARVER

DEAN
So, what, I'm Thelma and you're Louise and we're just going to hold hands and sail off this cliff together?

Directed by
J. MILLER TOBIN

CASTIEL stares at DEAN, confused. DEAN goes around CASTIEL and does something offscreen with the knife.

DEAN
Give me one good reason why I should do this.

CASTIEL
Because you're Michael's vessel and no angel will dare harm you.

DEAN looks at CASTIEL.

DEAN
Oh, so I'm your bullet shield.

CASTIEL
I need your help because you are the only one who'll help me. Please.

DEAN considers.

DEAN
All right, fine. Where is he?

CASTIEL
Maine. Let's go.

CASTIEL reaches to touch DEAN's forehead with two fingers. DEAN leans away.

DEAN
Whoa.

CASTIEL removes his hand.

CASTIEL
What?

DEAN
Last time you zapped me someplace I didn't poop for a week. We're driving.

BAR

INT. BAR – NIGHT

LINDSEY is throwing darts; they land near the center of the target. SAM is at the bar next to the BARTENDER.

LINDSEY
Hey Keith, you play?

SAM
That depends. What are we playing for?

LINDSEY
World peace.

SAM
Oh, is that all?

LINDSEY
Can I ask you something?

SAM
Shoot.

SAM wipes his hands off on a cloth and tosses it at the bar. LINDSEY retrieves her darts.

LINDSEY
You finished that crossword puzzle in the kitchen?

SAM
Uh, I guess. Why?

LINDSEY
The New York Times Saturday crossword?

SAM looks down.

SAM
Was it?

LINDSEY
Uh-huh. You blow into town last week, you don't talk to anybody, you're obviously highly educated. You're like this...

SAM
Riddle wrapped inside an enigma wrapped inside a taco?

LINDSEY nods, smiling.

LINDSEY
Here's what we play for. When I win, you buy me dinner and tell me your life story.

SAM
Sounds fair.

NEWS ANCHOR JOHN (on TV in background)
—last year alone, standards of ??? and see how that turns out—

SAM throws all three darts into the center of the target.

NEWS ANCHOR JOHN
And now ??? with ???—

LINDSEY
Very mysterioso.

NEWS ANCHOR JOHN
Spring hail, lightning strikes, and now fire—

LINDSEY
I like it.

SAM's attention is on KPJT 6 News on the TV, which shifts from one video of a hailstorm to another, then to video of trees on fire, then to the REPORTER live with fire and firemen in the background. While the REPORTER is onscreen, so is a box that says "LIVE REPORT" next to a scrollbar repeating "FIRE CONSUMES TOWN, RESIDENTS FORCED TO EVACUATE..."

REPORTER
—the town of Tully? tonight, John. Locals say that what started as a torrential hailstorm late this afternoon suddenly turned to massive lightning strikes that triggered the fires now consuming more than twenty acres here along the Route 17 corridor. County officials are advising all Tully residents to prepare for what could become mandatory evacuations.

The BARTENDER shuts the TV off.

BARTENDER
Damn. Is it me or does it seem like it's the end of the world?

SAM looks away.

WATERVILLE SHERIFF'S DEPARTMENT

EXT. STREET – DAY

DEAN and CASTIEL get out of the Impala.

Waterville, Maine

DEAN
And we're here why?

CASTIEL
A deputy sheriff laid eyes on the archangel.

DEAN
And he still has eyes? All right, what's the plan?

CASTIEL
We'll...tell the officer that he witnessed an angel of the Lord, and the officer will tell us where the angel is.

DEAN
Seriously? You're going to walk in there and tell him the truth?

CASTIEL
Why not?

DEAN
Because we're humans.

DEAN pulls out another fake ID and stashes it inside CASTIEL's coat, then adjusts CASTIEL's coat and tie.

DEAN
And when humans want something really, really bad, we lie.

CASTIEL
Why?

DEAN
Because that's how you become President.

INT. SHERIFF'S DEPARTMENT – DAY

DEAN
Deputy Framingham?

The DEPUTY turns around. DEAN holds up an FBI ID.

DEAN
Hi. Alonzo Mosely, FBI. This is my partner, Eddie Moscone.

CASTIEL does nothing.

DEAN
Also FBI.

CASTIEL does nothing. DEAN stares at him. CASTIEL catches on and pulls out his FBI ID, which he displays upside-down. DEAN turns it over for him.

DEAN
He's, uh, he's new. Mind if we ask you a few questions?

CASTIEL looks at the ID, curious.

FRAMINGHAM
Yeah, sure. Talk here, though.

FRAMINGHAM indicates his right ear, leading DEAN and CASTIEL to his office.

FRAMINGHAM
Hearing's all blown to hell in this one.

DEAN
That happen recently?

FRAMINGHAM
Yeah. Gas station. Why you're here, isn't it?

DEAN
Yes, it is.

They all sit down.

DEAN
You mind just, uh, running us through what happened?

FRAMINGHAM
A call came in. Disturbance out at the Pump and Go on Route 4.

DEAN
What kind of disturbance?

FRAMINGHAM
Would not have believed my eyes if I hadn't seen it myself. We're talking a riot. Full scale.

DEAN
How many?

FRAMINGHAM
Thirty, forty, in all-out kill-or-be-killed combat?

DEAN
Any idea what set them off?

CASTIEL
It's angels and demons, probably.

FRAMINGHAM looks at CASTIEL. CASTIEL looks back.

CASTIEL
They're skirmishing all over the globe.

FRAMINGHAM
Come again?

FRAMINGHAM turns back to DEAN.

FRAMINGHAM
What did he say?

DEAN and CASTIEL speak simultaneously.

DEAN
Nothing. Nothing.

CASTIEL
Demons. Demons.

CASTIEL shuts up.

DEAN
Demons, you know, drink, adultery. We all have our demons, Walt.

FRAMINGHAM looks back and forth.

FRAMINGHAM
I guess.

DEAN looks at CASTIEL.

DEAN
Anyway.

DEAN returns his attention to FRAMINGHAM.

DEAN
What happened next?

FRAMINGHAM
Freaking explosion, that's what. They said it was one of those underground gas tanks, but, uh, I don't think so.

DEAN
Why not?

FRAMINGHAM
Wasn't your usual fireball. It was, um—

CASTIEL
Pure white.

FRAMINGHAM
Yeah. Gas station was leveled. Everyone was...it was just horrible. And I see this one guy, kneeling, real focused-like, not a damn scratch on him.

DEAN
You know him?

FRAMINGHAM
Donnie Finneman. Mechanic there.

DEAN
Let me guess, he just, uh, vanished into thin air?

FRAMINGHAM
Uh, no, Kolchak. He's down at Saint Pete's.

CASTIEL turns to DEAN.

CASTIEL
Saint Pete's.

DEAN
Thank you.

ST. PETER'S HOSPITAL

INT. HOSPITAL – DAY

DONNIE is sitting in a wheelchair, catatonic. DEAN and CASTIEL observe him from the hallway window.

DEAN
I take it that's not Raphael anymore.

CASTIEL
Just an empty vessel.

DEAN
So is this what I'm looking at if Michael jumps in my bones?

CASTIEL
No, not at all. Michael is much more powerful. It'll be far worse for you.

DEAN looks away.

PHONE CONVERSATION

INT. MOTEL ROOM – NIGHT

SAM has his laptop open to a calligraphed page of the Book of Revelation in Latin. SAM highlights a section and magnifies it, then picks up the phone and scrolls past Adele, Alana, Bobby, Butcher, Cassidy, Cory, Courtenay, Dan, Darilyn, and Deborah to Dean. He stares at the highlighted number for a moment, (212) 555-0113, and scrolls up to Bobby.

INT. BOBBY'S HOUSE – NIGHT alternating with INT. MOTEL ROOM – NIGHT

The phone rings. BOBBY answers.

BOBBY
Sam?

SAM
Hey Bobby. How you doing?

BOBBY
Well I ain't running any marathons, but I'll live.

SAM laughs.

BOBBY
Where are you?

SAM
Uh, Garber, Oklahoma. I found a town up the road showing some Revelation omens.

BOBBY
What omens?

SAM
All right, listen to this. 'And upon his rising there shall be hail and fire mixed with blood.'

BOBBY
Well ain't that delightful.

SAM
Yeah. But we already got hailstorms and fire so I'm guessing blood can't be too far behind.

BOBBY
Okay.

SAM
What?

BOBBY
There a reason you're calling?

SAM
Dean didn't tell you?

BOBBY
He told me.

SAM
Yeah. So I just thought you might want to find out who's in the area and put a man on this.

BOBBY
Okay, let me see if I can think of the best hunter who might be in the immediate vicinity—oh, that'd be you.

SAM
I can't, Bobby, I'm sitting this one out.

BOBBY
Sam—

SAM
I gotta go. I'm so sorry.

BOBBY
Hold on, Sam—

SAM hangs up. BOBBY throws down the phone.

ACT TWO

ABANDONED HOUSE

INT. HOUSE – DAY

DEAN walks through the empty cabin, paging through John's journal. He sets it down on the table and turns. CASTIEL is there, holding a ceramic jar.

DEAN
Where've you been?

CASTIEL
Jerusalem.

DEAN
Oh, how was it?

CASTIEL
Arid.

CASTIEL sets the jar on the table.

DEAN
What's that?

CASTIEL
It's oil. It's very special. Very rare.

CASTIEl sits down.

DEAN
Okay, so we trap Raphael with a nice vinaigrette?

CASTIEL
No.

DEAN
So this ritual of yours, when does it got to go down?

CASTIEL
Sunrise.

DEAN
Tell me something. You keep saying we're gonna trap this guy. Isn't that kinda like trapping a hurricane with a butterfly net?

CASTIEL
No, it's harder.

DEAN
Do we have any chance of surviving this?

CASTIEL
You do.

DEAN
So odds are you're a dead man tomorrow.

CASTIEL
Yes.

DEAN
Well. Last night on earth. What are your plans?

CASTIEL
I just thought I'd sit here quietly.

DEAN
Come on, anything? Booze, women?

CASTIEL looks at DEAN and away, uncomfortable.

DEAN
You have been with women before. Right? Or an angel, at least?

CASTIEL rubs the back of his neck.

DEAN
You mean to tell me you've never been up there doing a little cloud-seeding?

CASTIEL
I've never had occasion, okay?

DEAN
All right.

DEAN grabs his jacket.

DEAN
Let me tell you something. There are two things I know for certain. One, Bert and Ernie are gay. Two, you are not gonna die a virgin. Not on my watch. Let's go.

DEAN leaves. CASTIEL stares after him, then follows.

BAR

INT. BAR - NIGHT

A patron plays pool. SAM takes a tray of empty glasses and trash.

MAN
Hey, Sam.

SAM ignores him.

MAN
Sam.

LINDSEY
Sam? What happened to Keith?

SAM puts down the tray and looks over.

SAM
Wait, what?

LINDSEY gestures at the MAN, whose name is HANK, and his two companions, REGGIE and STEVE.

LINDSEY
He called you Sam.

SAM
Yeah. Uh. Sam's my middle name.

LINDSEY laughs.

LINDSEY
Keith Sam? Man, I'm sorry.

HANK
Well, actually, it's Samuel, so it's not quite as dumb as it sounds.

LINDSEY
Are you guys friends?

STEVE
Hunting buddies. With his dad. Samuel here is quite the hunter himself.

LINDSEY
Wow. You killed deer and things?

HANK
Yeah, and things.

SAM
Um. Why don't I get you guys some drinks?

The three hunters sit at a table. SAM puts beers in front of them and takes the fourth seat.

HANK
Sorry. Didn't mean to bust you back there.

SAM
It's all right. So what's up?

HANK
Bobby called.

SAM
And?

HANK
You were right. Major demon block party going on.

SAM
But why? What are they up to?

STEVE
Don't know yet.

REGGIE
Bobby told us you were off limits. That true?

SAM
Yeah, that's right.

HANK
That's fine in theory and all, but we could really use all hands on deck here.

SAM
I know you could. But I can't. I'm sorry.

STEVE
Why not?

SAM
It's personal.

HANK
Look, man, what baggage is so heavy it can't be stowed away for the freaking apocalypse?

SAM
Like I said—

REGGIE
Yeah. You're sorry. Heard it the first time.

HANK
Suit yourself. More for us then, right?

SAM
Good luck.

HANK
But hey. Beers are on you when we get back.

SAM
Yeah, you bet.

LINDSEY
So your parents were drunk when they named you and you shoot Bambi?

SAM
It's a long story.

LINDSEY
That is it. Enough with the kung fu wandering the earth thing. I'm gonna buy you dinner and we're gonna talk.

SAM
Lindsey, I can't.

LINDSEY
No. The only way to avoid bloodshed is to say yes.

BROTHEL

INT. BROTHEL BAR – NIGHT

DEAN drinks. CASTIEL looks terrified.

DEAN
Hey. Relax.

CASTIEL
This is a den of iniquity. I should not be here.

DEAN
Dude, you full-on rebelled against heaven. Iniquity is one of the perks.

A HOOKER approaches. DEAN notices.

DEAN
Showtime.

HOOKER
Hi. What's your name?

CASTIEL tries not to look at her.

DEAN
Cas.

CASTIEL startles.

DEAN
His name is Cas. What's your name?

HOOKER
Chastity.

DEAN
Chastity.

CASTIEL drinks his beer.

DEAN
Wow. Is that kismet or what, buddy? Well, he likes you, you like him, so dayenu.

CHASTITY tugs CASTIEL up.

CHASTITY
Come on, baby.

DEAN catches CASTIEL on the way past.

DEAN
Hey, listen. Take this.

DEAN holds out a handful of money.

DEAN
If she asks for a credit card, no. Now just stick to the basics, okay? Do not order off the menu. Go get her, tiger.

CASTIEL stays still.

DEAN
Don't make me push you.

CASTIEL takes the money and turns to follow CHASTITY. Another HOOKER walks past; DEAN follows her. She and DEAN clink glasses at the bar.

DEAN
Well, cheers to you.

A scream offscreen. DEAN goes to investigate.

INT. BROTHEL BACK CORRIDOR – NIGHT

CHASTITY
Get out of my face! Leave me alone! Bastard! Screw you, jerk!

She throws something at CASTIEL, who is a little disheveled.

CHASTITY
I'll kill you!

She storms past DEAN.

CHASTITY
Screw you too! God! Oh! Jerk!

DEAN approaches CASTIEL.

DEAN
The hell did you do?

CASTIEL
I don't know. I just looked her in the eyes and told her it wasn't her fault that her father Gene ran off. It was because he hated his job at the post office.

DEAN
Oh, no, man.

CASTIEL
What?

DEAN
This whole industry runs on absent fathers. It's, it's the natural order.

Two BOUNCERS enter from the door CHASTITY left through.

DEAN
We should go. Come on.

He and CASTIEL head for the door at the opposite end of the corridor.

EXT. ALLEY – NIGHT

DEAN is laughing as he closes the door behind himself and CASTIEL.

CASTIEL
What's so funny?

DEAN
Oh, nothing. Whoo. It's been a long time since I've laughed that hard. It's been more than a long time. Years.

DEAN's face falls as he realizes.

BAR

INT. BAR – NIGHT

SAM and LINDSEY are sitting at a table, eating.

LINDSEY
So...you gonna tell me who those guys back there really were? And don't say hunting buddies.

SAM
Okay. Um. We used to be in the same business together.

LINDSEY
What business?

SAM
How's your salad?

LINDSEY
Witness protection, right? From Mafia?

SAM
I'm not Mafia.

LINDSEY
Okay, I get it. Don't mean to pry, my bad.

SAM
I used to be in business with my brother. Truth is I was pretty good at the job. But...I made some mistakes, I did some stuff I'm not so proud of, and people got hurt. A lot of people.

LINDSEY
What was your poison?

SAM
Sorry?

LINDSEY
Come on. You were hooked on something, I know the look.

LINDSEY pulls a medallion out of her pocket.

LINDSEY
Three years sober.

SAM
You work in a bar.

LINDSEY
So do you. Look, Keith. I don't know you and I'm the last person to be giving advice, but I do know that no one has ever done anything so bad that they can't be forgiven. They can't change.

ACT THREE

ST. PETER'S HOSPITAL

INT. HOSPITAL – DAY

A nurse walks down the hallway. DEAN watches her go and slips into the room, shutting the door behind him and closing the shades. CASTIEL is already inside; he pours the oil in a circle around DONNIE's wheelchair.

CASTIEL
When the oil burns, no angel can touch or pass through the flames, or he dies.

DEAN
Okay, so we trap him in a steel cage of holy fire, but one question. How the hell do we get him here?

CASTIEL
Very simple. There's, well, almost an open phone line between a vessel and his angel. One just has to know how to dial.

CASTIEL leans down to DONNIE's ear and chants in Enochian.

CASTIEL
I'm here, Raphael. Come and get me, you little bastard.

CASTIEL leaves the oil circle.

DEAN
Just out of curiosity, what is the average customer wait time to speak to an archangel?

CASTIEL
Be ready.

CASTIEL lights a match and drops it on the oil, which bursts into a ring of flame.

ABANDONED HOUSE

EXT. ROAD – NIGHT

DEAN and CASTIEL drive up to a house.

DEAN
Well that's a day I'll never get back.

INT. HOUSE – NIGHT

DEAN and CASTIEL enter the house.

CASTIEL
Dean, wait.

Bright light.

DONNIE is already inside the cabin, flaring with lightning in the shape of wings; now he is RAPHAEL. Lightbulbs shatter.

RAPHAEL
Castiel.

CASTIEL
Raphael.

CASTIEL and DEAN walk closer.

DEAN
And I thought you were supposed to be impressive. All you do is black out the room.

RAPHAEL
And the Eastern Seaboard.

Lightning flashes outside.

RAPHAEL
It is a testament to my unending mercy that I do not smite you here and now.

DEAN
Or maybe you're full of crap. Maybe you're afraid God will bring Cas back to life again and smite you and your candy-ass skirt. By the way, hi, I'm Dean.

RAPHAEL
I know who you are. And now, thanks to him, I know where you are.

CASTIEL
You won't kill him. You wouldn't dare.

RAPHAEL
But I will take him to Michael.

DEAN
Well then. Sounds terrifying. It does. But, uh, hate to tell you, I'm not going anywhere with you.

DEAN grabs a beer.

RAPHAEL
Surely you remember Zachariah giving you stomach cancer?

DEAN
Yeah, that was, that was hilarious.

RAPHAEL
Well, he doesn't have anything close to my imagination.

DEAN
Yeah? I bet you didn't imagine one thing.

RAPHAEL
What?

DEAN
We knew you were coming, you stupid son of a bitch.

DEAN lights his lighter and drops it. Holy oil ignites in a circle around RAPHAEL.

DEAN
Don't look at me, it was his idea.

CASTIEL
Where is he?

RAPHAEL
God? Didn't you hear? He's dead, Castiel. Dead.

BAR

INT. BAR – NIGHT

SAM wipes down a table. The door chimes open and someone comes in.

SAM
Bar's closed.

SAM turns around.

SAM
Hey.

HANK
Something you want to tell me, Sam?

SAM
What? No.

HANK
You sure about that?

SAM
I—I don't know—jeez. Are you okay? Where are Reggie and Steve?

HANK
Oh, Steve's good, he's, uh, his guts are lying roadside outside the ??? five and dime.

SAM
I'm sorry.

HANK
Sorry don't cut it, Sam.

SAM
What do you want me to say?

HANK
The truth.

SAM says nothing.

HANK
Okay, fine. Let me give you some of my own, then. We go into town, we catch ourselves a demon, we get jumped by ten more. Steve bought it.

SAM
I'm sorry.

HANK
Saying it twice don't make it so, Sam. You see, this demon, he, uh, he told us things. Crazy things, things about you, Sam.

SAM
Demons lie.

HANK
Yeah. I'm gonna ask you one last time. The truth. Now.

The door chimes again. REGGIE comes in, hauling LINDSEY.

SAM
Lindsey!

REGGIE holds a knife to LINDSEY's neck.

LINDSEY
What's going on?

ACT FOUR

ABANDONED HOUSE

INT. HOUSE – NIGHT

RAPHAEL
But there's no other explanation. He's gone for good.

CASTIEL
You're lying.

RAPHAEL
Am I? Do you remember the twentieth century? Think the twenty-first is going any better? Do you think God would have let any of that happen if he were alive?

DEAN
Oh yeah? Well then who invented the Chinese basket trick?

RAPHAEL
Careful. That's my father you're talking about, boy.

DEAN
Yeah, who would be so proud to know his sons started the frigging apocalypse.

RAPHAEL
Who ran off and disappeared. Who left no instructions and a world to run.

DEAN
Daddy ran away and disappeared. He didn't happen to work for the post office, did he?

RAPHAEL
This is funny to you? You're living in a godless universe.0

DEAN
And? What, you and the other kids just decided to throw an apocalypse while he was gone?

RAPHAEL
We're tired. We just want it to be over. We just want...paradise.

DEAN
So, what, God dies and makes you the boss and you decide you can do whatever you want?

RAPHAEL
Yes. And whatever we want, we get.

The windows burst in.

BAR

INT. BAR – NIGHT

SAM
Just take it easy, okay? Put the knife down.

REGGIE puts the knife down on the bar but keeps hold of LINDSEY.

SAM
It's true. What the demons said, it's all true.

HANK
Keep going.

SAM
Why? You gonna hate me any less? Am I gonna hate myself any less? What do you want?

HANK
I want to hear you say it.

SAM
I did it. I started the apocalypse.

ABANDONED HOUSE

INT. HOUSE – NIGHT

CASTIEL
If God is dead, why have I returned? Who brought me back?

RAPHAEL
Did it ever occur to you that maybe Lucifer raised you?

CASTIEL
No.

RAPHAEL
Think about it. He needs all the rebellious angels he can find. You know it adds up.

CASTIEL
Let's go.

RAPHAEL
Castiel, I'm warning you. Do not leave me here. I will find you.

CASTIEL
Maybe one day. But today, you're my little bitch.

CASTIEL leaves. DEAN follows, pausing.

DEAN
What he said.

BAR

INT. BAR – NIGHT

HANK holds up a test tube of red liquid. SAM stares at it.

SAM
What is that?

HANK
What do you think it is? It's go juice, Sammy boy.

SAM
Get that away from me.

HANK
Away from you? This is for you. Hell if that demon wasn't right as rain. Down the hatch, son.

SAM
You're insane.

HANK
Here's what's gonna happen. You're gonna drink this, Hulk out, and you're gonna waste every one of the demon scum that killed my best friend.

HANK nods at LINDSEY, whom REGGIE has just handcuffed to the bar.

HANK
Or she dies.

SAM
You wouldn't do that.

HANK
It's funny how watching your best friend die changes that.

REGGIE and HANK advance on SAM, who retreats.

HANK
Come on, you know you want it, Sam. Just reach out and take it.

REGGIE charges SAM, who tosses him into the pool table. HANK joins in, he and REGGIE restraining SAM and pouring the demon blood into his mouth, then holding his mouth closed so he'll swallow. They drop SAM and back away. SAM gets up.

HANK
There, was that really so bad?

SAM spits it in HANK's eye and pounds him and REGGIE both, then grabs HANK, slams him into the bar, takes REGGIE's knife, and holds it to HANK's throat. He notices LINDSEY watching, scared, and throws HANK over to REGGIE.

SAM
Go.

HANK
Don't think we won't be back.

SAM
Don't think I won't be here.

ACT FIVE

IMPALA

INT. IMPALA – NIGHT

DEAN drives. CASTIEL rides shotgun.

DEAN
You okay?

CASTIEL is silent.

DEAN
Look, I'll be the first to tell you that this little crusade of yours is nuts, but I do know a little something about missing fathers.

CASTIEL
What do you mean?

DEAN
I mean every time I was looking for my dad when all logic said that he was dead, but I knew in my heart he was still alive. Who cares what some ninja turtle says, Cas, what do you believe?

CASTIEL
I believe he's out there.

DEAN
Good. Go find him.

CASTIEL
What about you?

DEAN
What about me? I don't know. Honestly, I'm good. I can't believe I'm saying that, but I am, I'm really good.

CASTIEL
Even without your brother?

DEAN
Especially without my brother. I mean, I spent so much time worrying about the son of a bitch. I mean, I've had more fun with you in the past twenty-four hours than I've had with Sam in years, and you're not that much fun. It's funny, you know, I've been so chained to my family, but now that I'm alone, hell, I'm happy.

DEAN looks over; the shotgun seat is empty.

SAM'S MOTEL ROOM

EXT. GREAT PLAINS MOTEL – NIGHT

INT. MOTEL ROOM – NIGHT

SAM sleeps alone.

JESS
Sam. Sam.

SAM wakes up and looks around. JESS is back. He kisses her on the neck; she rolls over to face him.

JESS
So. This is your life now? Think you can just live forever with your head buried in the sand?

SAM
I love you, Jess.

SAM sits up in bed, turning away from JESS, who sits up too.

SAM
God knows how much I miss you, too. But you're wrong. People can change. There is reason for hope.

JESS
No, Sam. There isn't.

JESS puts a hand on SAM's shoulder and morphs into NICK from 5.01 Sympathy For The Devil; JESS has been LUCIFER all along.

SAM
How can you be so sure?

LUCIFER
Because you freed me.

SAM turns, sees LUCIFER where he expected JESS, and stands up and backs away.

LUCIFER
That's right. You know who I am.

SAM
Lucifer.

LUCIFER
You are a hard one to find, Sam. Harder than most humans. I don't suppose you'd tell me where you are?

SAM
What do you want with me?

LUCIFER
Thanks to you, I walk the earth. I want to give you a gift. I want to give you everything.

SAM
I don't want anything from you.

LUCIFER
I'm so sorry, Sam, I, I really am, but Nick here is just an improvisation. Plan B. He can barely contain me without spontaneously combusting.

SAM
What are you talking about?

LUCIFER stands and moves closer to SAM.

LUCIFER
Why do you think you were in that chapel? You're the one, Sam. You're my vessel. My true vessel.

SAM
No.

LUCIFER
Yes.

SAM
No. That'll never happen.

LUCIFER
I'm sorry, but it will. I will find you. And when I do, you will let me in. I'm sure of it.

SAM
You need my consent.

LUCIFER
Of course. I'm an angel.

SAM
I will kill myself before letting you in.

LUCIFER
I'll just bring you back.

LUCIFER sighs.

LUCIFER
Sam. My heart breaks for you. The weight on your shoulders, what you've done, what you still have to do. It is more than anyone could bear. If there was some other way...but there isn't. I will never lie to you. I will never trick you. But you will say yes to me.

SAM
You're wrong.

LUCIFER
I'm not. I think I know you better than you know yourself.

SAM
Why me?

LUCIFER
Because it had to be you, Sam. It always had to be you.

SAM looks up. LUCIFER is gone.