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4.18 The Monster at the End of This Book (transcript)

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TEASER: fix tag
{{TranscriptHead
|Episode=[[4.18 The Monster At The at the End Of of This Book]]
|Writer=[[Julie Siege]]
|Director=[[Mike Rohl]]
|AirDate= 2 Apr 2009}}
=== TEASER ===
<br>
INT. CHUCK’S HOME – NIGHT<br>
<br>
CHUCK is sprawled on a couch sleeping with papers clutched to his chest; the coffee table is littered with unfinished food and drinks. He is in the throes of an intense dream: we see quick flashes of Sam SAM and DeanDEAN, the ImpalaIMPALA, and Chuck CHUCK himself. Cut to:<br>
<br>
INT. COMIC BOOK SHOP – DAY<br>
<br>
MAN BEHIND COUNTER<br>
Uh...can I help you?<br>
<br>
DEAN<br>
<br>
MAN BEHIND COUNTER<br>
Uh, I don't think so. Why?<br>
<br>
SAM<br>
"Supernatural" by Carver Edlund.<br>
(he flips the book over, reads the back cover)<br>
"Along a lonely california California highway, a mysterious woman in white lures men to their deaths."<br>
<br>
SAM<br>
(to the MAN)<br>
We're gonna need all the copies of "Supernatural" you've got.<br>
<br>
An altered title sequence follows, with illustrations from the book that include Romance-novel-style illustrations of SAM, DEAN, and other characters and ending with the title card: <br>
<br>
<br>
=== ACT ONE===
INT. MOTEL ROOM – NIGHT<br>
<br>
<br>
DEAN<br>
Everything is in here. I mean everything. From the [[1.13_Route_666|racist truck]] to -- to me having sex. I'm full-frontal in here, dude. <br>
(he gets up and crosses to SAM)<br>
How come we haven't heard of them before?<br>
<br>
SAM<br>
They're pretty obscure. I mean, almost zero circulation. Uh, started in '05. The publisher put out a couple dozen before going bankrupt. And, uh, the last one --<br>"No Rest For The Wicked" --<br>
(he turns the laptop towards DEAN, displaying a web site listing the books)<br>
Ends with you going to hell.<br>
I reiterate. Freaking insane.<br>
(browsing the site)<br>
Check it out. There’s actually fans. There’s not many of them, but still. Did you read this?<br>
<br>
SAM<br>
<br>
DEAN<br>
Although for fans, they sure do complain a lot. Listen to this – Simpatico says "the demon story line is trite, cliche'dclichéd, and overall craptastic." Yeah, well, screw you, Simpatico. We lived it.<br>
<br>
SAM<br>
Yeah. Well, keep on reading. It gets better. <br><br>DEAN<br>There are "Sam girls" and "Dean girls" and -- what's a "slash fan"?<br>
<br>
SAM<br>
As in... Sam-Slashslash-Dean. Together.<br>
<br>
DEAN<br>
<br>
SAM<br>
AhYeah, that might not be so easy.<br>
<br>
DEAN<br>
<br>
PUBLISHER<br>
Yep. Yeah. Gosh. These books... You know, they never really got the attention they deserved. All anybody wants to read anymore is that romance crap. You know -- "Doctor Sexy, M.D."?<br>
(scoffs)<br>
Please.<br>
<br>
SAM<br>
Right. Well, we're hoping that our article can ... shine a light on an underappreciated series.<br>
<br>
PUBLISHER<br>
<br>
DEAN<br>
Oh No, no, no, no god. God, no. I mean, why -- why would you want to do that? You know, it's, uh, such a complete series, what with Dean going to hell and all.<br>
<br>
PUBLISHER<br>
(getting very emotional)<br>
My Oh, my god! That was one of my favorite ones, because Dean was so... strong... and sad and brave. And Sam... I mean, the best parts are when they'd cry. You know, like in -- In "Heart," When when Sam had to kill Madison, the first woman since Jessica he really loved. And in "Home," when Dean had to call John and ask him for help.<br>
(she turns away)<br>
Gosh... if only real men were so open and in- in touch with their feelings.<br>
<br>
DEAN<br>
<br>
SAM<br>
No! No, no, no. Never. (stammering)<br>
<br>
DEAN<br>
<br>
SAM<br>
We -- We are actually, um... big fans.<br>
<br>
PUBLISHER<br>
DEAN<br>
Cover to cover.<br>
<br>
SAM<br>
Um-hmm.<br>
<br>
PUBLISHER<br>
<br>
DEAN<br>
It’s a 1967 Chevy Impala.<br>
<br>
PUBLISHER<br>
<br>
SAM<br>
That's my -- Uh... that's Sam's birthday.<br>
<br>
DEAN<br>
<br>
PUBLISHER<br>
Sam's score on the lsatLSAT?<br>
<br>
SAM<br>
One...<br>
(looking at DEAN, at a loss)<br>
Seventy -four.?<br>
<br>
PUBLISHER<br>
<br>
PUBLISHER<br>
Oh, no. I – No. I’m sorrySorry, I can’tdo that. <br>
<br>
SAM<br>
We just want to talk to him. You know, get the "supernaturalSupernatural" story in his own words.<br>
<br>
PUBLISHER<br>
<br>
SAM<br>
Please. Like I said -- we are, um...<br>(he unbuttons his shirt, cringing a little, to reveal his demon-protection [[3.12_Jus_in_BelloTattoos|tattoo]])<br>...big...big fans.<br>
<br>
Off SAM’s pointed look, DEAN rolls his eyes and displays his own tattoo. The woman licks her lips.<br>
<br>
PUBLISHER<br>
Okay.<br>
(she scribbles something on a pad of paper)<br>
His name's Chuck ShirleyShurley. And he's a genius, so don't piss him off.<br>
<br>
INT. CHUCK’S HOME – DAY<br>
CHUCK<br>
(reading)<br>
"Sam and Dean approached the run-Downdown..."<br>
(sighs, makes a correction on the page)<br>
"...Approached approached the ramshackle house with trepidation."<br>
<br>
EXT. CHUCK’S HOME – DAY<br>
<br>
DEAN<br>
You Chuck ShirleyShurley?<br>
<br>
SAM<br>
The Chuck Shirley Shurley who wrote the "Supernatural" books? <br>
<br>
CHUCK<br>
DEAN<br>
I'm Dean. This is Sam. The Dean and Sam you've been writing about.<br>
<br>
(CHUCK closes the door. DEAN rings the bell again and CHUCK opens the door.) <br>
<br>
CHUCK<br>
<br>
DEAN<br>
Then how do you know so much about demons? <br>(he advances on CHUCK, who falls onto the couch) <br>And Tulpas, and changelings?<br>
<br>
CHUCK<br>
EXT. CHUCK’S HOME – DAY<br>
<br>
DEAN opens the trunk of the IMPALA, displaying the arsenal. We pan up to CHUCK’S CHUCK’s shocked face.<br>
<br>
CHUCK<br>
<br>
DEAN<br>
Yup. This is real rock salt, these are real fake idsIDs.<br>
<br>
CHUCK<br>
DEAN<br>
Chuck, stop.<br>
<br>
CHUCK<br>
Please wait. Wait. Please, don't hurt me.<br>
<br>
SAM<br>
<br>
DEAN<br>
The question is how do you know.<br>
<br>
CHUCK<br>
<br>
CHUCK<br>
Yeah, even after the publisher went bankrupt, but those books never came out. Okay, wait a minute. This is some kind of joke, right? Did that -- Did Phil put you up to this?<br>
<br>
DEAN<br>
<br>
CHUCK<br>
The last names were never in the books. I never told any anybody about that. I never even wrote that down.<br>
<br>
INT. CHUCK’S HOUSE – DAY<br>
<br>
CHUCK<br>
How else do you explain it? I write things and then they come to life. Yeah, no, I'm definitely a god. A cruel, cruel, capricious god. The things I put<br>you through -- The physical beatings alone.<br>
<br>
DEAN<br>
<br>
CHUCK<br>
All for what? All for the sake of literary symmetry. I toyed with your lives, your emotions, for...Entertainmententertainment.<br>
<br>
DEAN<br>
INT. LAUNDROMAT – NIGHT<br>
<br>
SAM is doing laundry as DEAN sits nearby, reading from CHUCK’S CHUCK’s latest manuscript.<br>
<br>
DEAN<br>
"I’m sitting in a laundromat, reading about myself sitting in a laundromat reading about myself -–" . My head hurts.<br>
<br>
SAM<br>
<br>
DEAN<br>
"Sam tossed his gigantic darks into the machine. "He was starting to have doubts about Chuck, about whether he was telling the whole truth.<br>
<br>
SAM<br>
Stop it.<br>
<br>
DEAN<br>
"'Stop it,' Sam said." Guess what you do next.<br>
<br>
=== ACT TWO ===
INT. CHUCK’S HOUSE – DAY<br>
<br>
CHUCK<br>
No, uh, this time she's a -- "Comely comely dental hygienist from Bloomington, Indiana."<br>
<br>
DEAN<br>
Great. Perfect. So what happens after the... "Fiery fiery demonic" whatever?<br>
<br>
CHUCK<br>
<br>
CHUCK<br>
It flowed. It just, it kept flowing. Still It still does. I-I can't stop it, really.<br>
<br>
SAM<br>
You can't seriously believe --<br>
<br>
DEAN<br>
Take a look at these and see what's what.<br>
(to CHUCK)<br>
You --<br>
<br>
CHUCK<br>
EXT. ROAD – DAY<br>
<br>
DEAN is driving, . SAM sits beside him reading the latest chapter.<br>
<br>
SAM<br>
Dean, come on.<br>
(reading)<br>
"The minivan accident wasn't that bad, but Dean was still seeing stars. He scratched absently at the pink-Flower bandflower Band-Aids on his face."<br>
<br>
DEAN<br>
<br>
SAM<br>
So, I've seen you gushing blood. You'd use duct tape and bar rags before you'd put on a pink-Flower bandflower Band-Aid.<br>
<br>
DEAN<br>
<br>
SAM<br>
My point is this -- all of this -- is-is totally implausible, it's nuts.<br>
<br>
DEAN<br>
SAM<br>
(scoffs, continues reading)<br>
Huh. "Dean slid behind the wheel of his beloved Impala and drove off, the plastic tarp on the rear window flapping like the wings of a crow."<br>
<br>
DEAN<br>
<br>
DEPUTY<br>
To get to the highway, you have to cross that river. To cross the river, you have to take that bridge.<br>
<br>
DEAN<br>
<br>
DEAN<br>
It's a blueprint of what not to do. I mean, if the pages<br>say that we go left --–<br><br>
SAM<br>
Then we go right.<br>
WAITRESS<br>
Well, if you like burgers, Oprah's girlfriend said we have the best bacon cheeseburgers in the country.<br>
<br>
(SAM laughs) <br>
<br>
DEAN<br>
<br>
DEAN<br>
Are you --<br>
(trying very hard not to get angry)<br>
It frustrates me when you say such reckless things.<br>
Thank you.<br>
(The waitress leaves; DEAN leans in close.)<br>
It's not hiding. It's being smart. It's picking your battles. And this This is a battle that we are not ready to fight.<br>
(He takes a huge bite of his burger and his eyes widen in surprise.)<br>
Oh, my god. This is delicious. Tofu is amazing!<br>
(approaching, flustered)<br>
I am so sorry. I gave you the bacon cheeseburger by mistake.<br>
(she takes his plate away) <br>
<br>
SAM scowls.<br>
<br>
DEAN<br>
Couple of hex bags ought to Lilith-Proof proof the room.<br>
<br>
SAM<br>
<br>
DEAN<br>
That's exactly what you're gonna do, okay? And no research. I don't care what you do -- Use – use the magic fingers [[Magic Fingers]] or, watch Casa Erotica on Pay-Per-View.<br>
(He reaches into SAM’s bag and pulls out SAM’s laptop, smiling.)<br>
<br>
<br>
He smiles, pleased with himself, and leaves. Sam fumes.<br>
<br>
EXT.– DAY<br>
<br>
As DEAN drives away from the motel, we pan up to the neon sign out front. The word "Toreador" sputters and several of the lights burn out. The remaining letters spell: RE D<br>
<br>
ELSEWHERE, DEAN parks the Impala IMPALA and gets out. He checks the doors, then walks away across the street. Moments later, he looks back to see two teenagers attempting to break into the car. He runs towards them.<br>
<br>
DEAN<br>
<br>
SAM<br>
Have you seen visions of me When when I'm not with Dean?<br>
<br>
CHUCK<br>
<br>
SAM<br>
What choice have I got? If it helps me kill Lilith and stop the apocalypse --<br>
<br>
CHUCK<br>
I thought that was Dean's job. That's what the Angels angels say, right?<br>
<br>
SAM<br>
Dean’s not...he's not Dean lately. Since Ever since he got out of hell. He needs help.<br>
<br>
CHUCK<br>
<br>
SAM<br>
Well, he's looked after out for me my whole life. I can't return the favor?<br>
<br>
CHUCK<br>
Yeah, sure you can. I mean , if that's what this is.<br>
<br>
SAM<br>
<br>
CHUCK<br>
I'm sorry, Sam. I know it's a terrible burden -- feeling that it all rests on your shoulders.<br>
<br>
SAM<br>
DEAN<br>
(incoherently)<br>
Stars.<br>
<br>
WOMAN<br>
You're all better now.<br>
<br>
We finally see the left side of DEAN’s face, which is covered in pink flowery Band-Aids. He looks across the street and stares in horror: The Impala’s IMPALA’s back window is shattered.<br>
<br>
DEAN<br>
NoOh, no...<br>
<br>
He approaches the car, fuming. He catches a glimpse of himself in the side window and sees the Band-Aids. Frowning, he slowly peels one off.<br>
<br>
DEAN<br>
That it? Every damn thing you write about me comes true; that’s all you have to say to me is "oh"?!<br>
<br>
CHUCK<br>
<br>
=== ACT THREE ===
<br>
CHUCK<br>
<br>
CASTIEL<br>
It's an honor to meet you, Chuck. I...admire your work.<br>
<br>
CASTIEL picks up one of the books and starts paging through it.<br>
<br>
DEAN<br>
Whoa, whoa, what? This guy, a prophet? Come on, he's -- he's... he's practically a penthouse forum Penthouse Forum writer.<br>
(to CHUCK)<br>
Did you know about this?<br>
<br>
DEAN<br>
(more quietly, to CastielCASTIEL)<br>
This is the guy who decides our fate?<br>
<br>
CASTIEL<br>
He isn't deciding anything. He's a mouthpiece -- A – a conduit for the inspired word.<br>
<br>
DEAN<br>
<br>
CASTIEL<br>
One day, these books -- They– they'll be known as the Winchester gospel.<br>
<br>
DEAN and CHUCK (unison)<br>
<br>
CHUCK<br>
(fed up)<br>
If you'd both please excuse me one minute.<br>
<br>
EXT. "RE D MOTEL" - NIGHT<br>
<br>
DEAN drives to the motel, parks, and gets out of the car. He notices that the altered sign, that it now reads as CHUCK’S CHUCK’s manuscript had predicted. He shakes his head and goes to the room.<br>
<br>
INT. MOTEL ROOM - NIGHT<br>
<br>
DEAN<br>
Anywhere, okay? Out of this motel, out of this town. I don't care if we got to<br>swim, we are getting out. <br>
(He looks around, confused.)<br>
Dude, where are all the hex bags?<br>
<br>
SAM<br>
Look, if Lilith is coming, which is a big "if" --<br>
<br>
DEAN<br>
<br>
DEAN<br>
Well, I feel stupid doing this. But...I am fresh out of options. So please. I need some help. I'm praying, okay? Come on. Please.<br>
<br>
CASTIEL<br>
Prayer is a sign of faith. This is a good thing,Dean.<br>
<br>
DEAN<br>
<br>
DEAN<br>
Drag Sam out of here -- Now, now. Before Lilith shows up.<br>
<br>
CASTIEL<br>
CASTIEL<br>
What you're asking, it's... not within my power to do.<br>
<br>
DEAN<br>
Why? 'Cause it's "divine prophecy"?<br>
<br>
DEAN<br>
So,what -- We're just supposed to sit around and, and wait for it to happen?<br>
<br>
CASTIEL<br>
<br>
DEAN<br>
Screw you. You and your mission. Your God. If you don't help me now, then when the time comes and you need me...don't bother knocking.<br>
<br>
DEAN brushes past CASTIEL and begins to walk away, but he stops at CASTIEL'S s voice.<br>
<br>
CASTIEL<br>
Dean. Dean.<br>
<br>
DEAN<br>
<br>
CASTIEL<br>
If anything threatens a prophet, anything at all, an archangel will appear<br>to destroy that threat. Archangels are fierce. They're absolute. They're heaven's most terrifying weapon.<br>
<br>
DEAN<br>
<br>
DEAN<br>
So if a prophet was in the same room as a demon --<br>
<br>
CASTIEL<br>
<br>
CHUCK<br>
Are you insane? Lilith? I know what she's capable of, Dean -- . I<br>wrote her.<br>
<br>
DEAN<br>
All right, listen to me. You have an archangel tethered to you,okay? All you got to do is show up and boom! -- Lilith gets smoked.<br>
<br>
CHUCK<br>
But I-I haven't seen that yet. Th-the story --<br>
<br>
DEAN<br>
<br>
CHUCK<br>
But...I'm just a writer.<br>
<br>
DEAN<br>
<br>
DEAN<br>
Okay, well, then, how about this -- I've got a gun in my pocket, and if you don't come with me, I'll blow your brains out.<br>
<br>
CHUCK<br>
INT. MOTEL ROOM - NIGHT<br>
<br>
SAM hears a knock at the door and approaches it slowly. He turns the handle carefully, then flings the door open. The doorway is empty. CautiouslyHe closes the door, he turns around and sees:<br>
<br>
LILITH<br>
Hello,Sam.<br>
<br>
SAM<br>
<br>
=== ACT FOUR ===
<br>
LILITH<br>
<br>
LILITH<br>
For it to go back to the way it was. Before I had angels to deal with 24/7. The good old days, When when it was all baby blood all the time.<br>
<br>
SAM<br>
<br>
LILITH<br>
Your head on a stick. Dean's, too. Call it a consolation prize. So what do you say, Sam? Self-Sacrifice sacrifice is the Winchester way, isn't it?<br>
<br>
SAM<br>
(She pats the bed.)<br>
<br>
SAM approaches; LILITH runs a hand up his leg as her eyes turn white. She takes him by the collar and pulls him down on top of her. When he gets close enough, he grabs the knife and tries to stab her with it. She counters his attack and flips him over, grabs grabbing the knife. Before she can attack, the door bursts open and in rushes:DEAN and CHUCK enter.<br>
<br>
CHUCK<br>
You've got to be joking.<br>
<br>
She leaves SAM and approaches CHUCK.<br>
<br>
DEAN<br>
This Oh, this is no joke.<br>
(The room begins to tremble, and a great white light pours in through the windows. This builds over the following.)<br>
SeeYou see, Chuck here's got an archangel on his shoulder. You've got about 10 seconds before this room is full of wrath and you're a piece of charcoal. You sure you want to tangle with that?<br>
<br>
LILITH gives SAM one last look, then pours screaming out of her vessel's mouth.<br>
<br>
END ACT FOUR<br>
<br>
=== EPILOGUE ===
<br>
EXT. ROAD – NIGHT<br>
<br>
DEAN<br>
To call the whole thing off -- Angels– angels, seals, Lucifer rising, the whole nine?<br>
<br>
SAM<br>
<br>
SAM<br>
She would have found some way to weasel out of it. And all it would have<br>cost us was our lives.<br>
<br>
DEAN<br>
INT. CHUCK’S HOUSE - NIGHT<br>
<br>
CHUCK is in bedasleep on the couch, having another dream. We don't see what he's seeing. He wakes suddenly, violently.<br>
<br>
ZACHARIAH<br>
CHUCK<br>
(he nods)<br>
Is it true? Is all of that...really going to happen?<br>
<br>
ZACHARIAH<br>
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