Difference between revisions of "4.09 I Know What You Did Last Summer (transcript)"
(New page: {{TranscriptHead |Episode=4.09 I Know What You Did Last Summer }} <br /> {{UnderConstruction}}<br> <center><b>SUPERNATURAL</b><br> <br /> 4.09 I Know What You Did Last Summer</cent...) |
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Written by: [[Sera Gamble]]<br> | Written by: [[Sera Gamble]]<br> | ||
Directed by: [[Charles Beeson]]<br> | Directed by: [[Charles Beeson]]<br> | ||
+ | |||
+ | <br /> | ||
+ | |||
+ | == TEASER == | ||
+ | <br /> | ||
+ | '''INT. HOSPITAL - DAY'''<br /> | ||
+ | A young girl is sitting in a hospital bed in a contemplative way like she's listening some distant whispering.<br /> | ||
+ | <br /> | ||
+ | PSYCHOLOGIST<br /> | ||
+ | Anna? Do you know where you are?<br /> | ||
+ | You're at the Connor Beverly Behavioral Medicine Center. [.ANNA looks at her hospital's wristband ] Do you know why you're here? [.ANNA shrugs ] Do you remember what you did? [ ANNA nods ] You were hysterical. It took four people to restrain you.<br /> | ||
+ | <br /> | ||
+ | ANNA <br /> | ||
+ | I was trying to warn them.<br /> | ||
+ | <br /> | ||
+ | PSYCHOLOGIST<br /> | ||
+ | Warn who?<br /> | ||
+ | <br /> | ||
+ | ANNA<br /> | ||
+ | Everyone.<br /> | ||
+ | Forget it. It was stupid.<br /> | ||
+ | <br /> | ||
+ | PSYCHOLOGIST<br /> | ||
+ | What were you trying to warn them about?<br /> | ||
+ | <br /> | ||
+ | ANNA<br /> | ||
+ | Look... I get it. You think I'm nuts. If I were you, I'd think I was nuts. But it's all true.<br /> | ||
+ | <br /> | ||
+ | PSYCHOLOGIST<br /> | ||
+ | It's okay. You can tell me. I'm here to listen.<br /> | ||
+ | <br /> | ||
+ | ANNA<br /> | ||
+ | The end... Is coming.<br /> | ||
+ | The apocalypse.<br /> | ||
+ | <br /> | ||
+ | PSYCHOLOGIST<br /> | ||
+ | The apocalypse. Like in the bible?<br /> | ||
+ | <br /> | ||
+ | ANNA<br /> | ||
+ | Kind of. I mean, same bottom line.<br /> | ||
+ | This demon, Lilith, is trying to break the 66 seals to free Lucifer from hell.<br /> | ||
+ | Lucifer... Will bring the apocalypse.<br /> | ||
+ | So... Smoke 'em if you got 'em.<br /> | ||
+ | <br /> | ||
+ | ANNA turns her head as she is listening to a distant whispering.<br /> | ||
+ | <br /> | ||
+ | PSYCHOLOGIST<br /> | ||
+ | Anna?<br /> | ||
+ | <br /> | ||
+ | ANNA<br /> | ||
+ | Sorry.<br /> | ||
+ | <br /> | ||
+ | PSYCHOLOGIST<br /> | ||
+ | What were you doing?<br /> | ||
+ | <br /> | ||
+ | ANNA<br /> | ||
+ | Nothing. Just listening.<br /> | ||
+ | <br /> | ||
+ | PSYCHOLOGIST<br /> | ||
+ | So,you were saying that there are, uh, 66 of these seals in the world?<br /> | ||
+ | <br /> | ||
+ | ANNA<br /> | ||
+ | No. No. There are about 6,000 possible seals, and Lilith only has to break 66 of them, and no one knows which 66 she's gonna break.<br /> | ||
+ | <br /> | ||
+ | PSYCHOLOGIST<br /> | ||
+ | I see.<br /> | ||
+ | <br /> | ||
+ | ANNA<br /> | ||
+ | That's why it's nearly impossible to stop her.<br /> | ||
+ | And that's why the angels are losing.<br /> | ||
+ | That's why we're all gonna die.<br /> | ||
+ | <br /> | ||
+ | An hospital attendant enters Anna's room.<br /> | ||
+ | <br /> | ||
+ | ATTENDANT<br /> | ||
+ | Time for your meds, Anna<br /> | ||
+ | Anna ?<br /> | ||
+ | <br /> | ||
+ | ANNA turns around and her face turn into horror when she notices the attendant.<br /> | ||
+ | <br /> | ||
+ | ATTENDANT<br /> | ||
+ | What's the matter, sweetie?<br /> | ||
+ | <br /> | ||
+ | ANNA<br /> | ||
+ | Your face -- what happened to your face?<br /> | ||
+ | <br /> | ||
+ | ATTENDANT<br /> | ||
+ | I know.<br /> | ||
+ | <br /> | ||
+ | The ATTENDANT's eyes turn black revealing he's possessed by a demon<br /> | ||
+ | <br /> | ||
+ | ATTENDANT<br /> | ||
+ | I'm downright kissable. Shh.<br /> | ||
+ | <br /> | ||
+ | ANNA push with her mind a chest of drawers against the ATTENDANT and knocked him unconscious. <br /> | ||
+ | <br /> | ||
+ | <br /> | ||
+ | == ACT ONE == | ||
+ | <br /> | ||
+ | '''INT. BAR'''<br /> | ||
+ | SAM is drunk and betting with some guy on a pool table.<br /> | ||
+ | <br /> | ||
+ | SAM<br /> | ||
+ | Brian, come on, man, just one more. Just -- just give me a chance to win it back.<br /> | ||
+ | <br /> | ||
+ | BRIAN<br /> | ||
+ | It's your cash.<br /> | ||
+ | <br /> | ||
+ | DEAN<br /> | ||
+ | Excuse me. My brother's a little sauced to be making bets.<br /> | ||
+ | <br /> | ||
+ | BRIAN<br /> | ||
+ | He insisted.<br /> | ||
+ | <br /> | ||
+ | DEAN<br /> | ||
+ | Yeah, but you've already taken, what, two bills off him? I'm just saying.<br /> | ||
+ | <br /> | ||
+ | SAM<br /> | ||
+ | Hey, shut up, Dean. I'm fine.<br /> | ||
+ | <br /> | ||
+ | DEAN<br /> | ||
+ | No, you're not fine. You're drunk!<br /> | ||
+ | <br /> | ||
+ | SAM<br /> | ||
+ | Let's make it $500.<br /> | ||
+ | <br /> | ||
+ | DEAN<br /> | ||
+ | $500?<br /> | ||
+ | <br /> | ||
+ | BRIAN<br /> | ||
+ | Sure.<br /> | ||
+ | <br /> | ||
+ | SAM<br /> | ||
+ | 500<br /> | ||
+ | <br /> | ||
+ | BRIAN<br /> | ||
+ | Your break.<br /> | ||
+ | <br /> | ||
+ | SAM looks soberly to DEAN, for a second there's no trace of drunkenness, and DEAN stares at SAM meaningfully. SAM sees RUBY across the bar. <br /> | ||
+ | <br /> | ||
+ | SAM<br /> | ||
+ | Keep the money.<br /> | ||
+ | <br /> | ||
+ | DEAN<br /> | ||
+ | Keep the money? What --<br /> | ||
+ | <br /> | ||
+ | DEAN<br /> | ||
+ | Well, you got a lot of nerve showing up anywhere near me.<br /> | ||
+ | <br /> | ||
+ | RUBY<br /> | ||
+ | I just have some info, and then I'm gone.<br /> | ||
+ | <br /> | ||
+ | SAM<br /> | ||
+ | What is it?<br /> | ||
+ | <br /> | ||
+ | RUBY<br /> | ||
+ | I'm hearing a few whispers.<br /> | ||
+ | <br /> | ||
+ | DEAN<br /> | ||
+ | Ooh, great, demon whisperers -- that's reliable.<br /> | ||
+ | <br /> | ||
+ | RUBY<br /> | ||
+ | Girl named Anna Milton escaped from a locked ward yesterday. The demons seem pretty keen on finding her. Apparently, some real heavy hitters turned out for the easter-egg hunt.<br /> | ||
+ | <br /> | ||
+ | SAM<br /> | ||
+ | Why? Who is she?<br /> | ||
+ | <br /> | ||
+ | RUBY<br /> | ||
+ | No idea.<br /> | ||
+ | <br /> | ||
+ | RUBY<br /> | ||
+ | But I'm thinking that she's important, 'cause the order is to capture her alive.<br /> | ||
+ | I just figured that whatever the deal is, you might want to find this girl before the demons do.<br /> | ||
+ | <br /> | ||
+ | SAM<br /> | ||
+ | Look, maybe we should check it out.<br /> | ||
+ | <br /> | ||
+ | DEAN<br /> | ||
+ | Actually, we're working a case, but thanks.<br /> | ||
+ | <br /> | ||
+ | RUBY<br /> | ||
+ | What case?<br /> | ||
+ | <br /> | ||
+ | DEAN<br /> | ||
+ | Uh, we've got leads, big leads.<br /> | ||
+ | <br /> | ||
+ | RUBY<br /> | ||
+ | Sounds dangerous.<br /> | ||
+ | <br /> | ||
+ | DEAN<br /> | ||
+ | Yeah, well, it sure ain't goose chasing after some chick who, for all we know, doesn't even exist, just because you say she's important.<br /> | ||
+ | <br /> | ||
+ | RUBY<br /> | ||
+ | I'm just delivering the news. You can do whatever you want with it. Far as I'm concerned, I told you, I'm done.<br /> | ||
+ | <br /> | ||
+ | SAM<br /> | ||
+ | Wait, wait, wait. This hospital Anna escaped from -- it got a name?<br /> | ||
+ | <br /> | ||
+ | '''EXT. IMPALA – NIGHT '''<br /> | ||
+ | DEAN is driving and SAM is speaking on the phone.<br /> | ||
+ | <br /> | ||
+ | SAM<br /> | ||
+ | Can I get a copy of the missing-persons report? Great. Okay. Thanks.<br /> | ||
+ | Well,Anna Milton's definitely real.<br /> | ||
+ | <br /> | ||
+ | DEAN<br /> | ||
+ | Don't mean the case is real.<br /> | ||
+ | And this hospital's a three-day drive.<br /> | ||
+ | <br /> | ||
+ | SAM<br /> | ||
+ | We've driven further for less, Dean. [ DEAN shakes his head ]<br /> | ||
+ | You got something to say, say it.<br /> | ||
+ | <br /> | ||
+ | DEAN<br /> | ||
+ | Oh, I'm saying it -- this sucks.<br /> | ||
+ | <br /> | ||
+ | SAM<br /> | ||
+ | You're not pissed we're going after the girl. You're pissed Ruby threw us the tip.<br /> | ||
+ | <br /> | ||
+ | DEAN<br /> | ||
+ | Right. 'Cause as far as you're concerned, the hell-bitch is practically family. Yeah, boy, something major must've happened while I downstairs, 'cause I come back, and -- and you're BFF with a demon?<br /> | ||
+ | <br /> | ||
+ | SAM<br /> | ||
+ | I told you,Dean, she helped me go after Lilith<br /> | ||
+ | <br /> | ||
+ | DEAN<br /> | ||
+ | Well,thanks for the thumbnail -- real vivid. You want to fill in a little detail?<br /> | ||
+ | <br /> | ||
+ | SAM<br /> | ||
+ | Sure, Dean, let's trade stories. You first. How was hell? Don't spare the details.<br /> | ||
+ | <br /> | ||
+ | '''''Six Months Earlier'''''<br /> | ||
+ | <br /> | ||
+ | '''EXT. CROSSROAD - NIGHT'''<br /> | ||
+ | SAM is burying a box in a crossroad to summon a CROSSROAD DEMON. He is drunk.<br /> | ||
+ | <br /> | ||
+ | SAM<br /> | ||
+ | Come on! Where the hell are you?<br /> | ||
+ | <br /> | ||
+ | CROSSROAD DEMON<br /> | ||
+ | I was wondering whether to come or not. I mean, you shot one of my co-workers.<br /> | ||
+ | Don't take this the wrong way,Sam, but you don't look so hot,buddy.<br /> | ||
+ | I guess burying your brother didn't agree with you.<br /> | ||
+ | <br /> | ||
+ | SAM<br /> | ||
+ | Well...<br /> | ||
+ | <br /> | ||
+ | CROSSROAD DEMON<br /> | ||
+ | Well,let's see that special little knife of yours first.<br /> | ||
+ | <br /> | ||
+ | SAM<br /> | ||
+ | No devil's traps,either. I'm not here to play games.<br /> | ||
+ | <br /> | ||
+ | CROSSROAD DEMON<br /> | ||
+ | Well,let me guess.<br /> | ||
+ | You want to make a deal.<br /> | ||
+ | And 'round and 'round the Winchesters go.<br /> | ||
+ | I'm sorry, Sam. That's not gonna happen.<br /> | ||
+ | <br /> | ||
+ | SAM stabs the knife into the CROSSROAD DEMON hand.<br /> | ||
+ | <br /> | ||
+ | SAM<br /> | ||
+ | I don't want 10 years. I don't want one year. I don't want candy! I want to trade places with Dean.<br /> | ||
+ | <br /> | ||
+ | CROSSROAD DEMON<br /> | ||
+ | No.<br /> | ||
+ | <br /> | ||
+ | SAM<br /> | ||
+ | Just take me! It's a fair trade!<br /> | ||
+ | <br /> | ||
+ | CROSSROAD DEMON<br /> | ||
+ | No!<br /> | ||
+ | <br /> | ||
+ | SAM<br /> | ||
+ | Why not? Lilith wants me dead. Just let Dean go, and she can have me.<br /> | ||
+ | <br /> | ||
+ | CROSSROAD DEMON<br /> | ||
+ | Don't you understand,Sam? It's not about your soul. Dean's in hell, right where we want him. We've got everything exactly the way we want it. You want to kill me? Go ahead. I've made peace with my lord.<br /> | ||
+ | <br /> | ||
+ | '''EXT. IMPALA – NIGHT '''<br /> | ||
+ | Back to present<br /> | ||
+ | <br /> | ||
+ | '''INT. HOSPITAL DAY'''<br /> | ||
+ | <br /> | ||
+ | PSYCHOLOGIST<br /> | ||
+ | [ out of sign ] Of course I wanna help her if I can.<br /> | ||
+ | <br /> | ||
+ | SAM<br /> | ||
+ | Now,the orderly has no recollection of Anna's escape?<br /> | ||
+ | <br /> | ||
+ | PSYCHOLOGIST<br /> | ||
+ | Apparently, she knocked him unconscious. The blow caused some amnesia. He doesn't even remember coming into her room.<br /> | ||
+ | <br /> | ||
+ | DEAN<br /> | ||
+ | That's a hell of a right hook to knock out a guy that's got 80 pounds on her.<br /> | ||
+ | <br /> | ||
+ | PSYCHOLOGIST<br /> | ||
+ | We think she may have planned this, waited behind the door.<br /> | ||
+ | <br /> | ||
+ | SAM<br /> | ||
+ | Right. Uh, you mentioned Anna's illness was recent.<br /> | ||
+ | <br /> | ||
+ | PSYCHOLOGIST<br /> | ||
+ | Two months ago, she was happy, well-adjusted, journalism major, lots of friends -- Bright future.<br /> | ||
+ | <br /> | ||
+ | DEAN<br /> | ||
+ | So,what happened -- she just... Flipped?<br /> | ||
+ | <br /> | ||
+ | PSYCHOLOGIST<br /> | ||
+ | Well,that's the tragedy of schizophrenia. Within weeks, Anna was overtaken by delusions.<br /> | ||
+ | <br /> | ||
+ | SAM<br /> | ||
+ | What kind of delusions?<br /> | ||
+ | <br /> | ||
+ | PSYCHOLOGIST<br /> | ||
+ | She thought demons were everywhere. [ gives a sketch book to SAM ]<br /> | ||
+ | <br /> | ||
+ | DEAN<br /> | ||
+ | Interesting.<br /> | ||
+ | <br /> | ||
+ | PSYCHOLOGIST<br /> | ||
+ | It's not uncommon for our patients to believe that monsters are real.<br /> | ||
+ | <br /> | ||
+ | DEAN<br /> | ||
+ | Well,that -- that's just batty.<br /> | ||
+ | <br /> | ||
+ | SAM turns the pages and they see some meaningful sketches and the text 'Raising of The Witnesses' and 'Samhain the next seal is broken'<br /> | ||
+ | <br /> | ||
+ | DEAN<br /> | ||
+ | That's revelations.<br /> | ||
+ | <br /> | ||
+ | PSYCHOLOGIST<br /> | ||
+ | Since when does the book of revelations have jack-o'-lanterns?<br /> | ||
+ | <br /> | ||
+ | DEAN<br /> | ||
+ | It's a,uh,it's a little-known translation.<br /> | ||
+ | <br /> | ||
+ | PSYCHOLOGIST<br /> | ||
+ | Well,Anna's father was a church deacon. When she became ill, her paranoia took on religious overtones. She was convinced the devil was about to rise up and end the world. I hope you find her. It's dangerous for her to be out there alone right now.<br /> | ||
+ | <br /> | ||
+ | EXT. MILTON HOME - DAY<br /> | ||
+ | DEAN knock on the front door.<br /> | ||
+ | <br /> | ||
+ | DEAN<br /> | ||
+ | Maybe they're not home.<br /> | ||
+ | <br /> | ||
+ | SAM<br /> | ||
+ | Both cars in the driveway.<br /> | ||
+ | <br /> | ||
+ | DEAN tries the door and it's unlock so they come into the house.<br /> | ||
+ | |||
+ | <br /> | ||
+ | DEAN<br /> | ||
+ | Mr. And Mrs. Milton? We're from the sheriff's department.<br /> | ||
+ | <br /> | ||
+ | SAM<br /> | ||
+ | We just wanted to ask you a couple of questions.<br /> | ||
+ | <br /> | ||
+ | There are two dead bodies lying in the floor.<br /> | ||
+ | <br /> | ||
+ | <br /> | ||
+ | == ACT TWO == | ||
+ | |||
+ | <br /> | ||
+ | <br /> | ||
+ | == ACT THREE == | ||
+ | |||
+ | <br /> | ||
+ | <br /> | ||
+ | == ACT FOUR == | ||
<br /> | <br /> | ||
+ | |||
+ | [[Category:Transcripts]] |
Revision as of 23:43, 17 March 2009
4.09 I Know What You Did Last Summer
Written by:
Directed by:
Air Date:
Under Construction This page is currently being developed by a single author. Editing by others may cause a conflict of information. If you'd still like to contribute, see the discussion page. |
Written by: Sera Gamble
Directed by: Charles Beeson
Contents
TEASER
INT. HOSPITAL - DAY
A young girl is sitting in a hospital bed in a contemplative way like she's listening some distant whispering.
PSYCHOLOGIST
Anna? Do you know where you are?
You're at the Connor Beverly Behavioral Medicine Center. [.ANNA looks at her hospital's wristband ] Do you know why you're here? [.ANNA shrugs ] Do you remember what you did? [ ANNA nods ] You were hysterical. It took four people to restrain you.
ANNA
I was trying to warn them.
PSYCHOLOGIST
Warn who?
ANNA
Everyone.
Forget it. It was stupid.
PSYCHOLOGIST
What were you trying to warn them about?
ANNA
Look... I get it. You think I'm nuts. If I were you, I'd think I was nuts. But it's all true.
PSYCHOLOGIST
It's okay. You can tell me. I'm here to listen.
ANNA
The end... Is coming.
The apocalypse.
PSYCHOLOGIST
The apocalypse. Like in the bible?
ANNA
Kind of. I mean, same bottom line.
This demon, Lilith, is trying to break the 66 seals to free Lucifer from hell.
Lucifer... Will bring the apocalypse.
So... Smoke 'em if you got 'em.
ANNA turns her head as she is listening to a distant whispering.
PSYCHOLOGIST
Anna?
ANNA
Sorry.
PSYCHOLOGIST
What were you doing?
ANNA
Nothing. Just listening.
PSYCHOLOGIST
So,you were saying that there are, uh, 66 of these seals in the world?
ANNA
No. No. There are about 6,000 possible seals, and Lilith only has to break 66 of them, and no one knows which 66 she's gonna break.
PSYCHOLOGIST
I see.
ANNA
That's why it's nearly impossible to stop her.
And that's why the angels are losing.
That's why we're all gonna die.
An hospital attendant enters Anna's room.
ATTENDANT
Time for your meds, Anna
Anna ?
ANNA turns around and her face turn into horror when she notices the attendant.
ATTENDANT
What's the matter, sweetie?
ANNA
Your face -- what happened to your face?
ATTENDANT
I know.
The ATTENDANT's eyes turn black revealing he's possessed by a demon
ATTENDANT
I'm downright kissable. Shh.
ANNA push with her mind a chest of drawers against the ATTENDANT and knocked him unconscious.
ACT ONE
INT. BAR
SAM is drunk and betting with some guy on a pool table.
SAM
Brian, come on, man, just one more. Just -- just give me a chance to win it back.
BRIAN
It's your cash.
DEAN
Excuse me. My brother's a little sauced to be making bets.
BRIAN
He insisted.
DEAN
Yeah, but you've already taken, what, two bills off him? I'm just saying.
SAM
Hey, shut up, Dean. I'm fine.
DEAN
No, you're not fine. You're drunk!
SAM
Let's make it $500.
DEAN
$500?
BRIAN
Sure.
SAM
500
BRIAN
Your break.
SAM looks soberly to DEAN, for a second there's no trace of drunkenness, and DEAN stares at SAM meaningfully. SAM sees RUBY across the bar.
SAM
Keep the money.
DEAN
Keep the money? What --
DEAN
Well, you got a lot of nerve showing up anywhere near me.
RUBY
I just have some info, and then I'm gone.
SAM
What is it?
RUBY
I'm hearing a few whispers.
DEAN
Ooh, great, demon whisperers -- that's reliable.
RUBY
Girl named Anna Milton escaped from a locked ward yesterday. The demons seem pretty keen on finding her. Apparently, some real heavy hitters turned out for the easter-egg hunt.
SAM
Why? Who is she?
RUBY
No idea.
RUBY
But I'm thinking that she's important, 'cause the order is to capture her alive.
I just figured that whatever the deal is, you might want to find this girl before the demons do.
SAM
Look, maybe we should check it out.
DEAN
Actually, we're working a case, but thanks.
RUBY
What case?
DEAN
Uh, we've got leads, big leads.
RUBY
Sounds dangerous.
DEAN
Yeah, well, it sure ain't goose chasing after some chick who, for all we know, doesn't even exist, just because you say she's important.
RUBY
I'm just delivering the news. You can do whatever you want with it. Far as I'm concerned, I told you, I'm done.
SAM
Wait, wait, wait. This hospital Anna escaped from -- it got a name?
EXT. IMPALA – NIGHT
DEAN is driving and SAM is speaking on the phone.
SAM
Can I get a copy of the missing-persons report? Great. Okay. Thanks.
Well,Anna Milton's definitely real.
DEAN
Don't mean the case is real.
And this hospital's a three-day drive.
SAM
We've driven further for less, Dean. [ DEAN shakes his head ]
You got something to say, say it.
DEAN
Oh, I'm saying it -- this sucks.
SAM
You're not pissed we're going after the girl. You're pissed Ruby threw us the tip.
DEAN
Right. 'Cause as far as you're concerned, the hell-bitch is practically family. Yeah, boy, something major must've happened while I downstairs, 'cause I come back, and -- and you're BFF with a demon?
SAM
I told you,Dean, she helped me go after Lilith
DEAN
Well,thanks for the thumbnail -- real vivid. You want to fill in a little detail?
SAM
Sure, Dean, let's trade stories. You first. How was hell? Don't spare the details.
Six Months Earlier
EXT. CROSSROAD - NIGHT
SAM is burying a box in a crossroad to summon a CROSSROAD DEMON. He is drunk.
SAM
Come on! Where the hell are you?
CROSSROAD DEMON
I was wondering whether to come or not. I mean, you shot one of my co-workers.
Don't take this the wrong way,Sam, but you don't look so hot,buddy.
I guess burying your brother didn't agree with you.
SAM
Well...
CROSSROAD DEMON
Well,let's see that special little knife of yours first.
SAM
No devil's traps,either. I'm not here to play games.
CROSSROAD DEMON
Well,let me guess.
You want to make a deal.
And 'round and 'round the Winchesters go.
I'm sorry, Sam. That's not gonna happen.
SAM stabs the knife into the CROSSROAD DEMON hand.
SAM
I don't want 10 years. I don't want one year. I don't want candy! I want to trade places with Dean.
CROSSROAD DEMON
No.
SAM
Just take me! It's a fair trade!
CROSSROAD DEMON
No!
SAM
Why not? Lilith wants me dead. Just let Dean go, and she can have me.
CROSSROAD DEMON
Don't you understand,Sam? It's not about your soul. Dean's in hell, right where we want him. We've got everything exactly the way we want it. You want to kill me? Go ahead. I've made peace with my lord.
EXT. IMPALA – NIGHT
Back to present
INT. HOSPITAL DAY
PSYCHOLOGIST
[ out of sign ] Of course I wanna help her if I can.
SAM
Now,the orderly has no recollection of Anna's escape?
PSYCHOLOGIST
Apparently, she knocked him unconscious. The blow caused some amnesia. He doesn't even remember coming into her room.
DEAN
That's a hell of a right hook to knock out a guy that's got 80 pounds on her.
PSYCHOLOGIST
We think she may have planned this, waited behind the door.
SAM
Right. Uh, you mentioned Anna's illness was recent.
PSYCHOLOGIST
Two months ago, she was happy, well-adjusted, journalism major, lots of friends -- Bright future.
DEAN
So,what happened -- she just... Flipped?
PSYCHOLOGIST
Well,that's the tragedy of schizophrenia. Within weeks, Anna was overtaken by delusions.
SAM
What kind of delusions?
PSYCHOLOGIST
She thought demons were everywhere. [ gives a sketch book to SAM ]
DEAN
Interesting.
PSYCHOLOGIST
It's not uncommon for our patients to believe that monsters are real.
DEAN
Well,that -- that's just batty.
SAM turns the pages and they see some meaningful sketches and the text 'Raising of The Witnesses' and 'Samhain the next seal is broken'
DEAN
That's revelations.
PSYCHOLOGIST
Since when does the book of revelations have jack-o'-lanterns?
DEAN
It's a,uh,it's a little-known translation.
PSYCHOLOGIST
Well,Anna's father was a church deacon. When she became ill, her paranoia took on religious overtones. She was convinced the devil was about to rise up and end the world. I hope you find her. It's dangerous for her to be out there alone right now.
EXT. MILTON HOME - DAY
DEAN knock on the front door.
DEAN
Maybe they're not home.
SAM
Both cars in the driveway.
DEAN tries the door and it's unlock so they come into the house.
DEAN
Mr. And Mrs. Milton? We're from the sheriff's department.
SAM
We just wanted to ask you a couple of questions.
There are two dead bodies lying in the floor.
ACT TWO
ACT THREE
ACT FOUR