Difference between revisions of "4.09 I Know What You Did Last Summer (transcript)"

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<br />
 
<br />
 
PSYCHOLOGIST<br />
 
PSYCHOLOGIST<br />
Anna? Do you know where you are?<br />
+
Anna? Do you know where you are? You're at the Connor Beverly Behavioral Medicine Center. [ ANNA looks at her hospital's wristband ] Do you know why you're here? [ ANNA shrugs ] Do you remember what you did? [ ANNA nods ] You were hysterical. It took four people to restrain you.<br />
You're at the Connor Beverly Behavioral Medicine Center. [ ANNA looks at her hospital's wristband ] Do you know why you're here? [ ANNA shrugs ] Do you remember what you did? [ ANNA nods ] You were hysterical. It took four people to restrain you.<br />
 
 
<br />
 
<br />
 
ANNA <br />
 
ANNA <br />
Line 23: Line 22:
 
<br />
 
<br />
 
ANNA<br />
 
ANNA<br />
Everyone.<br />
+
Everyone. Forget it. It was stupid.<br />
Forget it. It was stupid.<br />
 
 
<br />
 
<br />
 
PSYCHOLOGIST<br />
 
PSYCHOLOGIST<br />
Line 36: Line 34:
 
<br />
 
<br />
 
ANNA<br />
 
ANNA<br />
The end... Is coming.<br />
+
The end... is coming. The apocalypse.<br />
The apocalypse.<br />
 
 
<br />
 
<br />
 
PSYCHOLOGIST<br />
 
PSYCHOLOGIST<br />
The apocalypse. Like in the bible?<br />
+
The apocalypse. Like in the Bible?<br />
 
<br />
 
<br />
 
ANNA<br />
 
ANNA<br />
Kind of. I mean, same bottom line.<br />
+
Kind of. I mean, same bottom line. This demon, Lilith, is trying to break the 66 seals to free Lucifer from Hell. Lucifer... Will bring the apocalypse. So... Smoke 'em if you got 'em.<br />
This demon, Lilith, is trying to break the 66 seals to free Lucifer from hell.<br />
 
Lucifer... Will bring the apocalypse.<br />
 
So... Smoke 'em if you got 'em.<br />
 
 
<br />
 
<br />
ANNA turns her head as she is listening to a distant whispering.<br />
+
ANNA turns her head and listens to a distant whispering.<br />
 
<br />
 
<br />
 
PSYCHOLOGIST<br />
 
PSYCHOLOGIST<br />
Line 63: Line 57:
 
<br />
 
<br />
 
PSYCHOLOGIST<br />
 
PSYCHOLOGIST<br />
So,you were saying that there are, uh, 66 of these seals in the world?<br />
+
So, you were saying that there are, uh, 66 of these seals in the world?<br />
 
<br />
 
<br />
 
ANNA<br />
 
ANNA<br />
No. No. There are about 6,000 possible seals, and Lilith only has to break 66 of them, and no one knows which 66 she's gonna break.<br />
+
No. No. There are about 600 possible seals, and Lilith only has to break 66 of them, and no one knows which 66 she's gonna break.<br />
 
<br />
 
<br />
 
PSYCHOLOGIST<br />
 
PSYCHOLOGIST<br />
Line 72: Line 66:
 
<br />
 
<br />
 
ANNA<br />
 
ANNA<br />
That's why it's nearly impossible to stop her.<br />
+
That's why it's nearly impossible to stop her. And that's why the angels are losing. That's why we're all gonna die.<br />
And that's why the angels are losing.<br />
 
That's why we're all gonna die.<br />
 
 
<br />
 
<br />
 
An hospital attendant enters Anna's room.<br />
 
An hospital attendant enters Anna's room.<br />
 
<br />
 
<br />
 
ATTENDANT<br />
 
ATTENDANT<br />
Time for your meds, Anna<br />
+
Time for your meds, Anna. Anna?<br />
Anna ?<br />
 
 
<br />
 
<br />
ANNA turns around and her face turn into horror when she notices the attendant.<br />
+
ANNA turns around and looks horrified when she notices the attendant.<br />
 
<br />
 
<br />
 
ATTENDANT<br />
 
ATTENDANT<br />
Line 93: Line 84:
 
I know.<br />
 
I know.<br />
 
<br />
 
<br />
The ATTENDANT's eyes turn black revealing he's possessed by a demon<br />
+
The ATTENDANT's eyes turn black, revealing he's possessed by a demon.<br />
 
<br />
 
<br />
 
ATTENDANT<br />
 
ATTENDANT<br />
 
I'm downright kissable. Shh.<br />
 
I'm downright kissable. Shh.<br />
 
<br />
 
<br />
ANNA push with her mind a chest of drawers against the ATTENDANT and knocked him unconscious. <br />
+
ANNA uses her mind to push a chest of drawers against the ATTENDANT and knock him unconscious. <br />
 
<br />
 
<br />
 
<br />
 
<br />
Line 104: Line 95:
 
<br />
 
<br />
 
'''INT. BAR'''<br />
 
'''INT. BAR'''<br />
SAM is  drunk and betting with some guy on a pool table.<br />
+
SAM appears to be drunk and is playing pool with a man from the bar.<br />
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
Line 128: Line 119:
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
Let's make it $500.<br />
+
Let's make it five hundred.<br />
 
<br />
 
<br />
 
DEAN<br />
 
DEAN<br />
$500?<br />
+
Five hundred?<br />
 
<br />
 
<br />
 
BRIAN<br />
 
BRIAN<br />
 
Sure.<br />
 
Sure.<br />
 
<br />
 
<br />
SAM<br />
+
SAM puts the money down on the pool table.<br />
500<br />
 
 
<br />
 
<br />
 
BRIAN<br />
 
BRIAN<br />
Your break.<br />
+
Five hundred. Your break.<br />
 
<br />
 
<br />
SAM looks soberly  to DEAN,  for a second there's no trace of drunkenness, and DEAN stares at SAM meaningfully. SAM sees RUBY across the bar. <br />
+
While BRIAN is looking down, SAM raises his eyebrows at DEAN. For a second there's no trace of drunkenness. DEAN raises his eyebrows at SAM. SAM breaks, sinking several balls, then sees RUBY across the bar. <br />
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
 
Keep the money.<br />
 
Keep the money.<br />
 +
<br />
 +
SAM puts his cue down on the pool table and walks towards RUBY.<br />
 
<br />
 
<br />
 
DEAN<br />
 
DEAN<br />
 
Keep the money? What --<br />
 
Keep the money? What --<br />
 +
<br />
 +
After a moment, DEAN follows SAM.
 +
<br />
 +
SAM<br />
 +
Hey.<br />
 
<br />
 
<br />
 
DEAN<br />
 
DEAN<br />
Line 166: Line 163:
 
<br />
 
<br />
 
RUBY<br />
 
RUBY<br />
Girl named Anna Milton escaped from a locked ward yesterday. The demons seem pretty keen on finding her. Apparently, some real heavy hitters turned out for the easter-egg hunt.<br />
+
Girl named Anna Milton escaped from a locked ward yesterday. The demons seem pretty keen on finding her. Apparently, some real heavy hitters turned out for the Easter-egg hunt.<br />
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
Line 175: Line 172:
 
<br />
 
<br />
 
RUBY<br />
 
RUBY<br />
But I'm thinking that she's important, 'cause the order is to capture her alive.<br />
+
But I'm thinking that she's important, 'cause the order is to capture her alive. I just figured that whatever the deal is, you might want to find this girl before the demons do.<br />
I just figured that whatever the deal is, you might want to find this girl before the demons do.<br />
 
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
Line 194: Line 190:
 
<br />
 
<br />
 
DEAN<br />
 
DEAN<br />
Yeah, well, it sure ain't goose chasing after some chick who, for all we know, doesn't even exist, just because you say she's important.<br />
+
Yeah, well, it sure ain't goose-chasing after some chick who, for all we know, doesn't even exist, just because you say she's important.<br />
 
<br />
 
<br />
 
RUBY<br />
 
RUBY<br />
Line 206: Line 202:
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
Can I get a copy of the missing-persons report? Great. Okay. Thanks.<br />
+
Can I get a copy of the missing persons report? Great. Okay. Thanks.<br />
 +
<br />
 +
SAM hangs up.<br />
 +
<br />
 +
SAM<br />
 
Well, Anna Milton's definitely real.<br />
 
Well, Anna Milton's definitely real.<br />
 
<br />
 
<br />
 
DEAN<br />
 
DEAN<br />
Don't mean the case is real.<br />
+
Don't mean the case is real. And this hospital's a three-day drive.<br />
And this hospital's a three-day drive.<br />
 
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
We've driven further for less, Dean. [ DEAN shakes his head ]<br />
+
We've driven further for less, Dean. [ DEAN shakes his head ] You got something to say, say it.<br />
You got something to say, say it.<br />
 
 
<br />
 
<br />
 
DEAN<br />
 
DEAN<br />
Line 227: Line 225:
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
I told you,Dean, she helped me go after Lilith<br />
+
I told you, Dean, she helped me go after Lilith.<br />
 
<br />
 
<br />
 
DEAN<br />
 
DEAN<br />
Well,thanks for the thumbnail -- real vivid. You want to fill in a little detail?<br />
+
Well, thanks for the thumbnail -- real vivid. You want to fill in a little detail?<br />
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
Sure, Dean, let's trade stories. You first. How was hell? Don't spare the details.<br />
+
Sure, Dean, let's trade stories. You first. How was Hell? Don't spare the details.<br />
 
<br />
 
<br />
 
'''''Six Months Earlier'''''<br />
 
'''''Six Months Earlier'''''<br />
Line 244: Line 242:
 
<br />
 
<br />
 
CROSSROAD DEMON<br />
 
CROSSROAD DEMON<br />
I was wondering whether to come or not. I mean, you shot one of my co-workers.<br />
+
I was wondering whether to come or not. I mean, you shot one of my co-workers. Don't take this the wrong way, Sam, but you don't look so hot, buddy. I guess burying your brother didn't agree with you.<br />
Don't take this the wrong way, Sam, but you don't look so hot, buddy.<br />
 
I guess burying your brother didn't agree with you.<br />
 
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
Well...<br />
+
Well?<br />
 
<br />
 
<br />
 
CROSSROAD DEMON<br />
 
CROSSROAD DEMON<br />
 
Well, let's see that special little knife of yours first.<br />
 
Well, let's see that special little knife of yours first.<br />
 +
<br />
 +
SAM takes out the knife and slams it down on an outdoor table.<br />
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
Line 258: Line 256:
 
<br />
 
<br />
 
CROSSROAD DEMON<br />
 
CROSSROAD DEMON<br />
Well, let me guess.<br />
+
Well, let me guess. You want to make a deal. And 'round and 'round the Winchesters go. I'm sorry, Sam. That's not gonna happen.<br />
You want to make a deal.<br />
 
And 'round and 'round the Winchesters go.<br />
 
I'm sorry, Sam. That's not gonna happen.<br />
 
 
<br />
 
<br />
SAM stabs the knife into the CROSSROAD DEMON hand.<br />
+
SAM stabs the knife into the CROSSROAD DEMON's hand.<br />
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
I don't want 10 years. I don't want one year. I don't want candy! I want to trade places with Dean.<br />
+
I don't want ten years. I don't want one year. I don't want candy! I want to trade places with Dean.<br />
 
<br />
 
<br />
 
CROSSROAD DEMON<br />
 
CROSSROAD DEMON<br />
Line 281: Line 276:
 
<br />
 
<br />
 
CROSSROAD DEMON<br />
 
CROSSROAD DEMON<br />
Don't you understand,Sam? It's not about your soul. Dean's in hell, right where we want him. We've got everything exactly the way we want it. You want to kill me? Go ahead. I've made peace with my lord.<br />
+
Don't you understand, Sam? It's not about your soul. Dean's in Hell, right where we want him. We've got everything exactly the way we want it. You want to kill me? Go ahead. I've made peace with my lord.<br />
 
<br />
 
<br />
 
'''EXT. IMPALA - NIGHT '''<br />
 
'''EXT. IMPALA - NIGHT '''<br />
Line 289: Line 284:
 
<br />
 
<br />
 
PSYCHOLOGIST<br />
 
PSYCHOLOGIST<br />
[ out of sign ] Of course I wanna help her if I can.<br />
+
[ out of sign ] Of course I want to help however I can.<br />
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
Line 310: Line 305:
 
<br />
 
<br />
 
DEAN<br />
 
DEAN<br />
So,what happened -- she just... Flipped?<br />
+
So, what happened -- she just... flipped?<br />
 
<br />
 
<br />
 
PSYCHOLOGIST<br />
 
PSYCHOLOGIST<br />
Well,that's the tragedy of schizophrenia. Within weeks, Anna was overtaken by delusions.<br />
+
Well, that's the tragedy of schizophrenia. Within weeks, Anna was overtaken by delusions.<br />
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
Line 319: Line 314:
 
<br />
 
<br />
 
PSYCHOLOGIST<br />
 
PSYCHOLOGIST<br />
She thought demons were everywhere. [ gives a sketch book to SAM ]<br />
+
She thought demons were everywhere. [ Gives a sketch book to SAM ]<br />
 
<br />
 
<br />
 
DEAN<br />
 
DEAN<br />
Line 328: Line 323:
 
<br />
 
<br />
 
DEAN<br />
 
DEAN<br />
Well,that -- that's just batty.<br />
+
Well, that -- that's just batty.<br />
 
<br />
 
<br />
SAM turns the pages and they see some meaningful sketches and the text 'Raising of The Witnesses' and in the next page 'Samhain the next seal is broken'<br />
+
SAM turns the pages and they see some meaningful sketches and the text 'Raising of the Witnesses' and in the next page 'Samhain the next seal is broken'.<br />
 
<br />
 
<br />
 
DEAN<br />
 
DEAN<br />
That's revelations.<br />
+
That's Revelations.<br />
 
<br />
 
<br />
 
PSYCHOLOGIST<br />
 
PSYCHOLOGIST<br />
Since when does the book of revelations have jack-o'-lanterns?<br />
+
Since when does the Book of Revelations have jack-o'-lanterns?<br />
 
<br />
 
<br />
 
DEAN<br />
 
DEAN<br />
Line 345: Line 340:
 
<br />
 
<br />
 
EXT. MILTON HOME - DAY<br />
 
EXT. MILTON HOME - DAY<br />
DEAN knock on the front door.<br />
+
DEAN knocks on the front door.<br />
 
<br />
 
<br />
 
DEAN<br />
 
DEAN<br />
Line 353: Line 348:
 
Both cars in the driveway.<br />
 
Both cars in the driveway.<br />
 
<br />
 
<br />
DEAN tries the door and it's unlock so they come into the house.<br />
+
DEAN tries the door. It's unlocked and they enter the house.<br />
 
<br />
 
<br />
 
INT. MILTON HOME - DAY<br />
 
INT. MILTON HOME - DAY<br />
 
<br />
 
<br />
 
DEAN<br />
 
DEAN<br />
Mr. And Mrs. Milton? We're from the sheriff's department.<br />
+
Mr. And Mrs. Milton?<br />
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
We just wanted to ask you a couple of questions.<br />
+
We're from the sheriff's department. We just wanted to ask you a couple of questions.<br />
 
<br />
 
<br />
There are two dead bodies lying in the floor.<br />
+
There are two dead bodies lying in the floor. Their throats have been cut.<br />
 
<br />
 
<br />
 
<br />
 
<br />
 
==  ACT TWO ==
 
==  ACT TWO ==
 
'''INT. MILTON HOME - DAY'''<br />
 
'''INT. MILTON HOME - DAY'''<br />
SAM checks some stuff near the dead bodies.<br />
+
SAM checks some powder on the floor near the dead bodies.<br />
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
Sulfur.<br />
+
Sulfur. The demons beat us here. Whatever the deal is with this Anna girl --<br />
The demons beat us here. Whatever the deal is with this Anna girl --<br />
+
<br />
 
DEAN<br />
 
DEAN<br />
Yeah, they want her. They're not screwing around.<br />
+
Yeah, they want her. They're not screwing around. All right, so, I'm "Girl, Interrupted," [ DEAN picks up some addressed envelopes ] and I know the score of the apocalypse, just busted out of the nut-box... Possibly using superpowers, by the way. Where do I go?<br />
All right, so, I'm "girl,interrupted," [ DEAN checks the mail ] and I know the score of the apocalypse, just busted out of the nut-box... Possibly using superpowers, by the way. Where do I go?<br />
 
 
<br />
 
<br />
SAM is checking the family portraits when he picks one<br />
+
SAM looks at family photographs and picks one up.<br />
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
Line 384: Line 378:
 
DEAN<br />
 
DEAN<br />
 
Yeah.<br />
 
Yeah.<br />
 +
<br />
 
SAM<br />
 
SAM<br />
Let me see 'em. [ SAM picks a drawing of a rose window ]Check this out.<br />
+
Let me see 'em. Check this out. [ SAM picks out a drawing of a stained-glass window ]<br />
 
<br />
 
<br />
 
DEAN<br />
 
DEAN<br />
Line 391: Line 386:
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
Over and over.<br />
+
Over and over. If you were religious, scared, and had demons on your ass, where would you go to feel safe?<br />
If you were religious, scared, and had demons on your ass, where would you go to feel safe?<br />
 
 
<br />
 
<br />
 
'''EXT. CHURCH - DAY'''<br />
 
'''EXT. CHURCH - DAY'''<br />
The Impala is parked in front of the church. Through a window two figures are seen going upstairs.<br />
+
The Impala is parked in front of the church. Through a window, two figures can be seen going upstairs.<br />
 
<br />
 
<br />
 
'''INT. CHURCH'S ATTIC - DAY'''<br />
 
'''INT. CHURCH'S ATTIC - DAY'''<br />
SAM and DEAN enter in the attic at gun point.<br />
+
SAM and DEAN enter the attic with their guns drawn.<br />
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
Dean. [ SAM points with his gun to a hidden figure ]<br />
+
Dean. [ SAM points with his gun towards a person hiding ] Anna? [ They put away their guns ] We're not gonna hurt you. We're here to help. My name is Sam. This is my brother, Dean.<br />
Anna? [ They put away their guns ]<br />
 
We're not gonna hurt you. We're here to help.<br />
 
My name is Sam. This is my brother, Dean.<br />
 
 
<br />
 
<br />
 
ANNA<br />
 
ANNA<br />
Sam? Not Sam winchester?<br />
+
Sam? Not Sam Winchester?<br />
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
Line 419: Line 410:
 
<br />
 
<br />
 
ANNA<br />
 
ANNA<br />
It's really you. Oh, my god. The angels talk about you. You were in hell, but Castiel pulled you out, and some of them think you can help save us. And some of them don't like you at all. They talk about you all the time lately. I feel like I know you.<br />
+
It's really you. Oh, my god. The angels talk about you. You were in Hell, but Castiel pulled you out, and some of them think you can help save us. And some of them don't like you at all. [looking at Sam] They talk about you all the time lately. I feel like I know you.<br />
 
<br />
 
<br />
 
DEAN<br />
 
DEAN<br />
Line 425: Line 416:
 
<br />
 
<br />
 
ANNA<br />
 
ANNA<br />
Oh, no. No, no way. Um, they probably don't even know I exist. I just kind of... Overhear them.<br />
+
Oh, no. No, no way. Um, they probably don't even know I exist. I just kind of... overhear them.<br />
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
You over hear them?<br />
+
You overhear them?<br />
 
<br />
 
<br />
 
ANNA<br />
 
ANNA<br />
Yeah, they talk, and sometimes I just... Hear them in my head.<br />
+
Yeah, they talk, and sometimes I just... hear them in my head.<br />
 
<br />
 
<br />
 
DEAN<br />
 
DEAN<br />
Like... Right now?<br />
+
Like... right now?<br />
 
<br />
 
<br />
 
ANNA<br />
 
ANNA<br />
Line 440: Line 431:
 
<br />
 
<br />
 
DEAN<br />
 
DEAN<br />
So, they lock you up with a case of the crazies when really you were just... Tuning in to angel radio?<br />
+
So, they lock you up with a case of the crazies when really you were just... tuning in to angel radio?<br />
 
<br />
 
<br />
 
ANNA<br />
 
ANNA<br />
Line 452: Line 443:
 
<br />
 
<br />
 
DEAN<br />
 
DEAN<br />
The day I got out of hell.<br />
+
The day I got out of Hell.<br />
 
<br />
 
<br />
 
ANNA<br />
 
ANNA<br />
Line 458: Line 449:
 
<br />
 
<br />
 
DEAN<br />
 
DEAN<br />
what do you think?<br />
+
What do you think?<br />
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
Line 467: Line 458:
 
<br />
 
<br />
 
ANNA<br />
 
ANNA<br />
Hey,um,do you know -- are my parents okay? I -- I didn't go home. I was afraid.<br />
+
Hey, um, do you know -- are my parents okay? I -- I didn't go home. I was afraid.<br />
 
<br />
 
<br />
 
RUBY enters into the attic in a rush.<br />
 
RUBY enters into the attic in a rush.<br />
 
<br />
 
<br />
 
RUBY<br />
 
RUBY<br />
You got the girl. Good,let's go.<br />
+
You got the girl. Good, let's go.<br />
 +
<br />
 
ANNA<br />
 
ANNA<br />
 
Her face!<br />
 
Her face!<br />
Line 478: Line 470:
 
SAM<br />
 
SAM<br />
 
It's okay. She's here to help.<br />
 
It's okay. She's here to help.<br />
 +
<br />
 
DEAN<br />
 
DEAN<br />
 
Yeah, don't be so sure.<br />
 
Yeah, don't be so sure.<br />
Line 483: Line 476:
 
RUBY<br />
 
RUBY<br />
 
We have to hurry.<br />
 
We have to hurry.<br />
 +
<br />
 
DEAN<br />
 
DEAN<br />
 
Why?<br />
 
Why?<br />
Line 490: Line 484:
 
<br />
 
<br />
 
DEAN<br />
 
DEAN<br />
Well, that's pretty convenient -- showing up right when we find the girl with some big wig on your tail?<br />
+
Well, that's pretty convenient -- showing up right when we find the girl with some bigwig on your tail?<br />
 
<br />
 
<br />
 
RUBY<br />
 
RUBY<br />
 
I didn't bring him here. You did.<br />
 
I didn't bring him here. You did.<br />
 +
<br />
 
DEAN<br />
 
DEAN<br />
 
What?<br />
 
What?<br />
Line 503: Line 498:
 
Dean.<br />
 
Dean.<br />
 
<br />
 
<br />
SAM points to a statue that's bleeding through her eyes.<br />
+
SAM points to a statue that's bleeding from the eyes.<br />
 
<br />
 
<br />
 
RUBY<br />
 
RUBY<br />
 
It's too late. He's here.<br />
 
It's too late. He's here.<br />
 
<br />
 
<br />
SAM takes ANNA apart and hide her in a closet.<br />
+
SAM takes ANNA by the arm and hides her in a closet.<br />
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
 
Okay. Stay in there. Don't move.<br />
 
Okay. Stay in there. Don't move.<br />
 +
<br />
 +
ANNA<br />
 +
Okay.<br />
 +
<br />
 +
SAM takes out a flask of holy water.<br />
 
<br />
 
<br />
 
RUBY<br />
 
RUBY<br />
No, Sam,you got to pull him right away.<br />
+
No, Sam, you got to pull him right away.<br />
 
<br />
 
<br />
 
DEAN<br />
 
DEAN<br />
Line 520: Line 520:
 
<br />
 
<br />
 
RUBY<br />
 
RUBY<br />
Now's not the time to bellyache about Sam going dark side. He does his thing, he exorcises that demon, or we die.<br />
+
Now's not the time to bellyache about Sam going darkside. He does his thing, he exorcises that demon, or we die.<br />
 
<br />
 
<br />
SAM does his thing to the demon, but it doesn't work.<br />
+
SAM puts the flask away again. The demon enters and SAM tries to exorcise him, but it doesn't work.<br />
 
<br />
 
<br />
ALISTAIR<br />
+
ALASTAIR<br />
 
That tickles. You don't have the juice to take me on, Sam.<br />
 
That tickles. You don't have the juice to take me on, Sam.<br />
 
<br />
 
<br />
ALISTER throws SAM downstairs. DEAN attacks him with RUBY's knife but ALISTAIR beats him.<br />
+
ALASTAIR throws SAM downstairs. DEAN attacks him with RUBY's knife, but ALASTAIR wins their fight.<br />
 
<br />
 
<br />
ALISTAIR<br />
+
ALASTAIR<br />
 
Hello again, Dean.<br />
 
Hello again, Dean.<br />
 
<br />
 
<br />
RUBY takes ANNA from the closet<br />
+
ANNA screams as RUBY pulls her from the closet.<br />
 
<br />
 
<br />
ALISTAIR<br />
+
ALASTAIR<br />
Come on, Dean. Don't you recognize me? Oh,I forgot -- I'm wearing a pediatrician. But we were so close... In hell.<br />
+
Come on, Dean. Don't you recognize me? Oh, I forgot -- I'm wearing a pediatrician. But we were so close... in Hell.<br />
 
<br />
 
<br />
 
DEAN<br />
 
DEAN<br />
 
Alastair.<br />
 
Alastair.<br />
 
<br />
 
<br />
SAM stabs ALISTAIR with RUBY's knife<br />
+
SAM stabs ALASTAIR with RUBY's knife but barely missed his heart and essentially only hitshis shoulder.<br />
 
<br />
 
<br />
ALISTAIR<br />
+
ALASTAIR<br />
 
You're gonna have to try a whole lot harder than that, son.<br />
 
You're gonna have to try a whole lot harder than that, son.<br />
 
<br />
 
<br />
SAM and DEAN jump through the window.<br />
+
SAM grabs DEAN and they look at a large stained-glass window. As ALASTAIR pulls out the knife, SAM and DEAN jump through the window.<br />
 
<br />
 
<br />
 
'''INT. MOTEL ROOM'''<br />
 
'''INT. MOTEL ROOM'''<br />
SAM is sewing his own wound while DEAN is in the bathroom.<br />
+
SAM is sewing a cut in his left arm while DEAN is in the bathroom.<br />
 
<br />
 
<br />
 
DEAN<br />
 
DEAN<br />
Line 558: Line 558:
 
DEAN<br />
 
DEAN<br />
 
Good, 'cause you know I got a dislocated shoulder over here.<br />
 
Good, 'cause you know I got a dislocated shoulder over here.<br />
 +
<br />
 +
DEAN picks up a whiskey bottle and drinks from it.<br />
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
Line 563: Line 565:
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
Give me that.<br />
+
Gimme that.<br />
 +
<br />
 +
SAM gestures for the bottle and pours whiskey over his wound.<br />
 
<br />
 
<br />
 
DEAN<br />
 
DEAN<br />
Line 569: Line 573:
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
Yeah,saving your ass. Who the hell was that demon?<br />
+
Yeah, saving your ass. Who the hell was that demon?<br />
 
<br />
 
<br />
 
DEAN<br />
 
DEAN<br />
No one good. We got to find Anna<br />
+
No one good. We got to find Anna.<br />
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
Ruby's got her. I'm sure she's okay. All right. Come on.<br />
+
Ruby's got her. I'm sure she's okay. All right. Come on. On three. One...<br />
On three. One...<br />
+
<br />
 +
SAM forces DEAN's shoulder back into place.<br />
 
<br />
 
<br />
 
DEAN<br />
 
DEAN<br />
Line 585: Line 590:
 
<br />
 
<br />
 
DEAN<br />
 
DEAN<br />
Yeah. Well,why hasn't she called to tell us where she is?<br />
+
Yeah. Well, why hasn't she called to tell us where she is?<br />
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
Line 597: Line 602:
 
<br />
 
<br />
 
DEAN<br />
 
DEAN<br />
How's she gonna do that?<br />
+
How's she gonna do that? [ pause ] Why do you trust her so much?<br />
<br />
 
DEAN<br />
 
Why do you trust her so much?<br />
 
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
Line 609: Line 611:
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
Because... She saved my life.<br />
+
Because... she saved my life.<br />
 
<br />
 
<br />
 
'''''Six Months Earlier'''''<br />
 
'''''Six Months Earlier'''''<br />
 
<br />
 
<br />
 
'''INT. MOTEL ROOM - NIGHT'''<br />
 
'''INT. MOTEL ROOM - NIGHT'''<br />
SAM is drunk, as he goes into the room a man and a women attack him. The woman takes RUBY's knife.<br />
+
SAM is drunk, and after he enters the room a man and a women attack him. The woman takes RUBY's knife.<br />
 
<br />
 
<br />
RUBY<br />
+
WOMAN<br />
 
Thanks for keeping this warm for me, Sam.<br />
 
Thanks for keeping this warm for me, Sam.<br />
 
<br />
 
<br />
Line 623: Line 625:
 
<br />
 
<br />
 
RUBY<br />
 
RUBY<br />
It's nice to be back. Where I was, even for hell, it was nasty. I guess I really pissed Lilith off. Imagine my relief when she gave me one last chance to take it topside. And all I had to do was find you and kill you.<br />
+
It's nice to be back. Where I was, even for Hell, it was nasty. I guess I really pissed Lilith off. Imagine my relief when she gave me one last chance to take it topside. And all I had to do was find you and kill you.<br />
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
 
Fine. Go ahead! Do it.<br />
 
Fine. Go ahead! Do it.<br />
 
<br />
 
<br />
RUBY stabs the demon instead of SAM.<br />
+
RUBY stabs the other demon instead of SAM.<br />
 
<br />
 
<br />
 
RUBY<br />
 
RUBY<br />
Line 640: Line 642:
 
<br />
 
<br />
 
RUBY<br />
 
RUBY<br />
you know what sounds good? French fries.<br />
+
You know what sounds good? French fries. I'm starving. I just escaped Hell. I deserve a treat. You know, a "thank you" would be nice.<br />
I'm starving. I just escaped hell. I deserve a treat.<br />
 
You know, a "thank you" would be nice.<br />
 
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
Line 648: Line 648:
 
<br />
 
<br />
 
RUBY<br />
 
RUBY<br />
You have no idea what I've been through.<br />
+
You have no idea what I've been through. When Lilith gets pissed, she gets creative. You want to hear about the corners of Hell I've seen, Sam?<br />
When Lilith gets pissed, she gets creative. You want to hear about the corners of hell I've seen,Sam?<br />
 
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
Line 658: Line 657:
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
Well,this'll definitely get you a fat Christmas bonus.<br />
+
Well, this'll definitely get you a fat Christmas bonus.<br />
 
<br />
 
<br />
 
RUBY<br />
 
RUBY<br />
Very funny.<br />
+
Very funny. I'm a fugitive... For you, Sam. I took all of this risk to get back to you, so, yeah, I deserve a damn "thank you."<br />
I'm a fugitive... For you, Sam. I took all of this risk to get back to you, so, yeah, I deserve a damn "thank you."<br />
 
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
Line 676: Line 674:
 
No. Nothing I know of is powerful enough to do that.<br />
 
No. Nothing I know of is powerful enough to do that.<br />
 
<br />
 
<br />
SAM stops the car in the roadside<br />
+
SAM stops the car by the roadside.<br />
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
Line 683: Line 681:
 
RUBY<br />
 
RUBY<br />
 
What?<br />
 
What?<br />
 +
<br />
 
SAM<br />
 
SAM<br />
 
Get out.<br />
 
Get out.<br />
Line 703: Line 702:
 
SAM<br />
 
SAM<br />
 
Let her go.<br />
 
Let her go.<br />
 +
<br />
 
RUBY<br />
 
RUBY<br />
 
Sam...<br />
 
Sam...<br />
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
Or I send you right back to hell.<br />
+
Or I send you right back to Hell.<br />
 
<br />
 
<br />
 
'''INT. HOSPITAL ROOM - NIGHT'''<br />
 
'''INT. HOSPITAL ROOM - NIGHT'''<br />
There's a woman in coma on an hospital's bed with the name "Doe, Jane" on it.<br />
+
A woman lies in coma on an hospital bed with the name "Doe, Jane" on it.<br />
 
<br />
 
<br />
 
DOCTOR<br />
 
DOCTOR<br />
 
All right, pull it.<br />
 
All right, pull it.<br />
 
<br />
 
<br />
The machine begins to beep as the woman dies but she gets up as she's possessed by RUBY.<br />
+
The machine begins to beep as the woman dies, but she sits up as she is possessed.<br />
 
<br />
 
<br />
 
RUBY<br />
 
RUBY<br />
Who do I have to kill to get some french fries around here?<br />
+
Who do I have to kill to get some French fries around here?<br />
 
<br />
 
<br />
 
'''INT. ABANDONED HOUSE - DAY'''<br />
 
'''INT. ABANDONED HOUSE - DAY'''<br />
While SAM is cleaning a gun someone knocks in the door. SAM grabs a shotgun and opens the door revealing RUBY possessing the coma girl<br />
+
SAM is cleaning a gun. Someone knocks on the door. SAM grabs a shotgun and opens the door, revealing RUBY possessing the coma girl. She holds up a piece of paper.<br />
 
<br />
 
<br />
 
RUBY<br />
 
RUBY<br />
Proof. This body is 100% socially conscious. I recycle. Al gore would be proud.<br />
+
Proof. This body is 100% socially conscious. I recycle. Al Gore would be proud.<br />
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
Line 739: Line 739:
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
And, uh... What's that?<br />
+
And, uh... what's that?<br />
 
<br />
 
<br />
 
RUBY<br />
 
RUBY<br />
Line 748: Line 748:
 
<br />
 
<br />
 
RUBY<br />
 
RUBY<br />
Look,I know that it spooks you --<br />
+
Look, I know that it spooks you --<br />
 +
<br />
 
SAM<br />
 
SAM<br />
 
Skip the speech. I'm ready. Let's go.<br />
 
Skip the speech. I'm ready. Let's go.<br />
Line 759: Line 760:
 
<br />
 
<br />
 
RUBY<br />
 
RUBY<br />
Look, Lilith is one scary bitch. When I was in the pit, there was talk. She's cooking up something big -- apocalyptic big.<br />
+
Look, Lilith is one scary bitch. When I was in the Pit, there was talk. She's cooking up something big -- apocalyptic big.<br />
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
Line 768: Line 769:
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
Okay.<br />
+
Okay. What do you want from me?<br />
What do you want from me?<br />
 
 
<br />
 
<br />
 
RUBY<br />
 
RUBY<br />
Well,a little patience... And sobriety.<br />
+
Well, a little patience... and sobriety. Promise me that... and I will teach you everything I know.<br />
Promise me that... And I will teach you everything I know.<br />
 
 
<br />
 
<br />
 
'''INT. MOTEL ROOM - NIGHT '''<br />
 
'''INT. MOTEL ROOM - NIGHT '''<br />
Line 782: Line 781:
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
Well, the first thing I learned...I'm a crappy student.<br />
+
Well, the first thing I learned... I'm a crappy student.<br />
 
<br />
 
<br />
 
'''INT. ABANDONED HOUSE - DAY'''<br />
 
'''INT. ABANDONED HOUSE - DAY'''<br />
SAM is trying to exorcise a demon trapped in a devil's trap, but he can't so as the demon begins to laugh on SAM RUBY kills him with her knife.<br />
+
SAM is trying to exorcise a demon tied to a chair in a devil's trap, but can't. Some black smoke comes out of the demon's mouth, but then it goes back in. SAM holds his head in pain. As the demon begins to laugh, RUBY kills him with her knife.<br />
 
<br />
 
<br />
 
RUBY<br />
 
RUBY<br />
Line 791: Line 790:
 
<br />
 
<br />
 
RUBY<br />
 
RUBY<br />
Just give it time,Sam. It'll get better.<br />
+
Just give it time, Sam. It'll get better.<br />
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
Line 797: Line 796:
 
<br />
 
<br />
 
RUBY<br />
 
RUBY<br />
I'm not talking about pulling demons.<br />
+
I'm not talking about pulling demons. I know losing Dean was --<br />
I know losing Dean was --<br />
+
<br />
 
SAM<br />
 
SAM<br />
Hey! I don't want to talk about it.<br />
+
Hey! I don't want to talk about it. You know what? Where do you get off slapping me with that greeting-card, time-heals crap? What the hell do you know?<br />
You know what? Where do you get off slapping me with that greeting-card, time-heals crap? What the hell do you know?<br />
 
 
<br />
 
<br />
 
RUBY<br />
 
RUBY<br />
 
I used to be human. And I still remember what it feels like to lose someone. I'm sorry.<br />
 
I used to be human. And I still remember what it feels like to lose someone. I'm sorry.<br />
 +
<br />
 +
RUBY puts a hand on SAM's shoulder. <br />
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
Don't.<br />
+
Uhn-huh. Don't. I can't.<br />
I can't.<br />
 
 
<br />
 
<br />
 
RUBY<br />
 
RUBY<br />
 
Sam, you're not alone.<br />
 
Sam, you're not alone.<br />
 +
<br />
 +
RUBY kisses SAM. He stands up and walks away from her. <br />
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
Line 826: Line 827:
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
What's wrong?<br />
+
What's wrong? Where do I start?<br />
Where do I start?<br />
 
 
<br />
 
<br />
 
RUBY<br />
 
RUBY<br />
Is it because of the body? Because I told you -- it's all me inside of here. There is no one else. And it's nice inside this body,Sam. Soft and warm.<br />
+
Is it because of the body? Because I told you -- it's all me inside of here. There is no one else. And it's nice inside this body, Sam. Soft and warm.<br />
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
Line 856: Line 856:
 
<br />
 
<br />
 
DEAN<br />
 
DEAN<br />
Yeah, but now I feel dirty.<br />
+
Yeah, but now I feel dirty. Okay, well, uh, brain-stabbing imagery aside... So far, all you've told me about is a manipulative bitch who, uh, screwed you, played mind games with you, and did everything in the book to get you to go bad.<br />
Okay, well, uh, brain-stabbing imagery aside... So far, all you've told me about is a manipulative bitch who, uh, screwed you, played mind games with you, and did everything in the book to get you to go bad.<br />
 
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
Yeah,well, there's more to the story.<br />
+
Yeah, well, there's more to the story.<br />
 
<br />
 
<br />
 
DEAN<br />
 
DEAN<br />
Just... Skip the nudity, please.<br />
+
Just... skip the nudity, please.<br />
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
Pretty soon after... That, um...<br />
+
Pretty soon after... that, um... I put together some signs... Omens.<br />
I put together some signs... Omens.<br />
 
 
<br />
 
<br />
 
DEAN<br />
 
DEAN<br />
Line 873: Line 871:
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
Lilith was in town.<br />
+
Lilith was in town. And I wanted to strike her first.<br />
And I wanted to strike her first.<br />
 
 
<br />
 
<br />
 
'''''Five Months Earlier'''''<br />
 
'''''Five Months Earlier'''''<br />
Line 887: Line 884:
 
<br />
 
<br />
 
RUBY<br />
 
RUBY<br />
No,we got to wait until you get it right. You haven't been too successful.<br />
+
No, we got to wait until you get it right. You haven't been too successful.<br />
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
Line 906: Line 903:
 
RUBY<br />
 
RUBY<br />
 
You don't want to survive this.<br />
 
You don't want to survive this.<br />
 +
<br />
 
SAM<br />
 
SAM<br />
 
Come on.<br />
 
Come on.<br />
 
<br />
 
<br />
 
RUBY<br />
 
RUBY<br />
It's a kamikaze attack. You want to die fighting Lilith<br />
+
It's a kamikaze attack. You want to die fighting Lilith.<br />
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
Line 933: Line 931:
 
<br />
 
<br />
 
'''EXT. SUBURBAN HOUSE - DAY'''<br />
 
'''EXT. SUBURBAN HOUSE - DAY'''<br />
SAM sees a little girl in a house, she's sitting in a table full of cakes and candies<br />
+
SAM sees a little girl in a house, who is sitting in a table full of cakes and candies.<br />
 
<br />
 
<br />
 
'''INT. SUBURBAN HOUSE - DAY'''<br />
 
'''INT. SUBURBAN HOUSE - DAY'''<br />
Line 939: Line 937:
 
<br />
 
<br />
 
GIRL<br />
 
GIRL<br />
Please,I want to go home.<br />
+
Please, I want to go home.<br />
 
<br />
 
<br />
A couple of demons attack SAM from behind and SAM lose the knife.<br />
+
Two demons attack SAM from behind and SAM loses the knife.<br />
 
<br />
 
<br />
 
DEMON<br />
 
DEMON<br />
Line 951: Line 949:
 
Take the girl and run!<br />
 
Take the girl and run!<br />
 
<br />
 
<br />
The DEMON beats RUBY and she lose the knife<br />
+
The DEMON beats RUBY and she loses the knife.<br />
 
<br />
 
<br />
 
DEMON<br />
 
DEMON<br />
Ruby, you're in so much trouble. When we get you down in the basement. The things we're gonna do to you.<br />
+
Ruby, you're in so much trouble. When we get you down in the basement -- the things we're gonna do to you.<br />
 
<br />
 
<br />
SAM came back and exorcises the DEMON with his mind.<br />
+
SAM comes back and exorcises the DEMON with his mind.<br />
 
<br />
 
<br />
 
RUBY<br />
 
RUBY<br />
Line 962: Line 960:
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
I'm okay.<br />
+
I'm okay. Thanks.<br />
Thanks.<br />
 
 
<br />
 
<br />
 
'''INT. MOTEL ROOM - NIGHT '''<br />
 
'''INT. MOTEL ROOM - NIGHT '''<br />
Line 969: Line 966:
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
Ruby came back for me.<br />
+
Ruby came back for me. Whatever you have to say, she saved me. More than that, she got through to me. What she said to me... It's what you would've said. If it wasn't for her, I wouldn't be here.<br />
Whatever you have to say, she saved me. More than that, she got through to me. What she said to me... It's what you would've said.<br />
 
If it wasn't for her, I wouldn't be here.<br />
 
 
<br />
 
<br />
 
MAID<br />
 
MAID<br />
Line 980: Line 975:
 
<br />
 
<br />
 
MAID<br />
 
MAID<br />
Sir,I've got clean towels.<br />
+
Sir, I've got clean towels.<br />
 
<br />
 
<br />
DEAN opens the door and the MAID enters<br />
+
DEAN opens the door and the MAID enters.<br />
 
<br />
 
<br />
 
DEAN<br />
 
DEAN<br />
Line 1,000: Line 995:
 
<br />
 
<br />
 
MAID<br />
 
MAID<br />
Okay,yes,so I'm possessing this maid for a hot minute. Sue me.<br />
+
Okay, yes, so I'm possessing this maid for a hot minute. Sue me.<br />
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
What about<br />
+
What about --<br />
 +
<br />
 
MAID<br />
 
MAID<br />
- coma girl? Slowly rotting on the floor back at the cabin with Anna, so I've got to hurry back. See you when you get there. Go!<br />
+
Coma girl? Slowly rotting on the floor back at the cabin with Anna, so I've got to hurry back. See you when you get there. Go!<br />
 
<br />
 
<br />
 
'''INT. CABIN - NIGHT'''<br />
 
'''INT. CABIN - NIGHT'''<br />
Line 1,011: Line 1,007:
 
RUBY<br />
 
RUBY<br />
 
Glad you could make it.<br />
 
Glad you could make it.<br />
 +
<br />
 
SAM<br />
 
SAM<br />
Yeah,thanks.<br />
+
Yeah, thanks.<br />
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
Line 1,021: Line 1,018:
 
<br />
 
<br />
 
DEAN<br />
 
DEAN<br />
Yeah,I hear she does that.<br />
+
Yeah, I hear she does that. I guess I... You know.<br />
I guess I... You know.<br />
+
<br />
 
RUBY<br />
 
RUBY<br />
 
What?<br />
 
What?<br />
 
<br />
 
<br />
 
DEAN<br />
 
DEAN<br />
I guess I owe you for... Sam. And just I want to you know?<br />
+
I guess I owe you for... Sam. And I just wanted... you know...<br />
 
<br />
 
<br />
 
RUBY<br />
 
RUBY<br />
Line 1,033: Line 1,030:
 
<br />
 
<br />
 
DEAN<br />
 
DEAN<br />
Okay, then. Is the moment over? [ RUBY nods ] Good,'cause that was awkward.<br />
+
Okay, then. Is the moment over? [ RUBY nods ] Good, 'cause that was awkward.<br />
 
<br />
 
<br />
 
ANNA<br />
 
ANNA<br />
Hey, Sam, you think it'd be safe to make a quick call, Just to tell my parents I'm okay? They must be completely freaked.<br />
+
Hey, Sam, you think it'd be safe to make a quick call, just to tell my parents I'm okay? They must be completely freaked.<br />
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
Uh<br />
+
Uh...<br />
 
<br />
 
<br />
 
ANNA<br />
 
ANNA<br />
Line 1,055: Line 1,052:
 
ANNA<br />
 
ANNA<br />
 
No, they're not...<br />
 
No, they're not...<br />
 +
<br />
 
SAM<br />
 
SAM<br />
 
Anna, I'm sorry.<br />
 
Anna, I'm sorry.<br />
 
<br />
 
<br />
 
ANNA<br />
 
ANNA<br />
Why is this happening to me<br />
+
Why is this happening to me?<br />
 +
<br />
 
SAM<br />
 
SAM<br />
 
I don't know.<br />
 
I don't know.<br />
Line 1,067: Line 1,066:
 
<br />
 
<br />
 
DEAN<br />
 
DEAN<br />
Back room<br />
+
Back room.<br />
 
<br />
 
<br />
SAM takes ANNA to the back room<br />
+
SAM takes ANNA to the back room, then comes back.<br />
 
<br />
 
<br />
 
RUBY<br />
 
RUBY<br />
Where's the knife<br />
+
Where's the knife?<br />
 
<br />
 
<br />
 
DEAN<br />
 
DEAN<br />
Uh...about that<br />
+
Uh... about that... <br />
 +
<br />
 
RUBY<br />
 
RUBY<br />
 
You're kidding.<br />
 
You're kidding.<br />
 
<br />
 
<br />
 
DEAN<br />
 
DEAN<br />
Hey, don't look at me<br />
+
Hey, don't look at me.<br />
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
Line 1,086: Line 1,086:
 
<br />
 
<br />
 
RUBY<br />
 
RUBY<br />
Great. Just peachy. Impeccable timing, guys, really<br />
+
Great. Just peachy. Impeccable timing, guys, really.<br />
 
<br />
 
<br />
The doors opens with a blast and CASTIEL and URIEL come into.<br />
+
The door rattles violently and bursts open.
 +
<br />
 +
<br />
 +
==  ACT FIVE ==
 +
'''INT. CABIN - NIGHT'''<br />
 +
CASTIEL and URIEL enter.<br />
 
<br />
 
<br />
 
DEAN<br />
 
DEAN<br />
Line 1,094: Line 1,099:
 
<br />
 
<br />
 
URIEL<br />
 
URIEL<br />
Well, I can see that.<br />
+
Well, I can see that. You want to explain why you have that stain in the room?<br />
You want to explain why you have that stain in the room<br />
 
 
<br />
 
<br />
 
CASTIEL<br />
 
CASTIEL<br />
We're here for Anna<br />
+
We're here for Anna.<br />
 
<br />
 
<br />
 
DEAN<br />
 
DEAN<br />
Here for her like... Here for her<br />
+
Here for her like... here for her?<br />
 
<br />
 
<br />
 
URIEL<br />
 
URIEL<br />
Stop talking. Give her to us<br />
+
Stop talking. Give her to us.<br />
 
<br />
 
<br />
 
SAM<br />
 
SAM<br />
Are you gonna help her<br />
+
Are you gonna help her?<br />
 
<br />
 
<br />
 
CASTIEL<br />
 
CASTIEL<br />
No she has to die.<br />
+
No, she has to die.<br />
 
<br />
 
<br />
 
'''''TO BE CONTINUED...'''''<br />
 
'''''TO BE CONTINUED...'''''<br />

Latest revision as of 15:15, 21 February 2021


SUPERNATURAL

4.09 I Know What You Did Last Summer

Written by: Sera Gamble

Directed by: Charles Beeson

Air Date: 13 Nov 2008


TEASER


INT. HOSPITAL - DAY
A young girl is sitting in a hospital bed in a contemplative way like she's listening some distant whispering.

PSYCHOLOGIST
Anna? Do you know where you are? You're at the Connor Beverly Behavioral Medicine Center. [ ANNA looks at her hospital's wristband ] Do you know why you're here? [ ANNA shrugs ] Do you remember what you did? [ ANNA nods ] You were hysterical. It took four people to restrain you.

ANNA
I was trying to warn them.

PSYCHOLOGIST
Warn who?

ANNA
Everyone. Forget it. It was stupid.

PSYCHOLOGIST
What were you trying to warn them about?

ANNA
Look... I get it. You think I'm nuts. If I were you, I'd think I was nuts. But it's all true.

PSYCHOLOGIST
It's okay. You can tell me. I'm here to listen.

ANNA
The end... is coming. The apocalypse.

PSYCHOLOGIST
The apocalypse. Like in the Bible?

ANNA
Kind of. I mean, same bottom line. This demon, Lilith, is trying to break the 66 seals to free Lucifer from Hell. Lucifer... Will bring the apocalypse. So... Smoke 'em if you got 'em.

ANNA turns her head and listens to a distant whispering.

PSYCHOLOGIST
Anna?

ANNA
Sorry.

PSYCHOLOGIST
What were you doing?

ANNA
Nothing. Just listening.

PSYCHOLOGIST
So, you were saying that there are, uh, 66 of these seals in the world?

ANNA
No. No. There are about 600 possible seals, and Lilith only has to break 66 of them, and no one knows which 66 she's gonna break.

PSYCHOLOGIST
I see.

ANNA
That's why it's nearly impossible to stop her. And that's why the angels are losing. That's why we're all gonna die.

An hospital attendant enters Anna's room.

ATTENDANT
Time for your meds, Anna. Anna?

ANNA turns around and looks horrified when she notices the attendant.

ATTENDANT
What's the matter, sweetie?

ANNA
Your face -- what happened to your face?

ATTENDANT
I know.

The ATTENDANT's eyes turn black, revealing he's possessed by a demon.

ATTENDANT
I'm downright kissable. Shh.

ANNA uses her mind to push a chest of drawers against the ATTENDANT and knock him unconscious.


ACT ONE


INT. BAR
SAM appears to be drunk and is playing pool with a man from the bar.

SAM
Brian, come on, man, just one more. Just -- just give me a chance to win it back.

BRIAN
It's your cash.

DEAN
Excuse me. My brother's a little sauced to be making bets.

BRIAN
He insisted.

DEAN
Yeah, but you've already taken, what, two bills off him? I'm just saying.

SAM
Hey, shut up, Dean. I'm fine.

DEAN
No, you're not fine. You're drunk!

SAM
Let's make it five hundred.

DEAN
Five hundred?

BRIAN
Sure.

SAM puts the money down on the pool table.

BRIAN
Five hundred. Your break.

While BRIAN is looking down, SAM raises his eyebrows at DEAN. For a second there's no trace of drunkenness. DEAN raises his eyebrows at SAM. SAM breaks, sinking several balls, then sees RUBY across the bar.

SAM
Keep the money.

SAM puts his cue down on the pool table and walks towards RUBY.

DEAN
Keep the money? What --

After a moment, DEAN follows SAM.
SAM
Hey.

DEAN
Well, you got a lot of nerve showing up anywhere near me.

RUBY
I just have some info, and then I'm gone.

SAM
What is it?

RUBY
I'm hearing a few whispers.

DEAN
Ooh, great, demon whisperers -- that's reliable.

RUBY
Girl named Anna Milton escaped from a locked ward yesterday. The demons seem pretty keen on finding her. Apparently, some real heavy hitters turned out for the Easter-egg hunt.

SAM
Why? Who is she?

RUBY
No idea.

RUBY
But I'm thinking that she's important, 'cause the order is to capture her alive. I just figured that whatever the deal is, you might want to find this girl before the demons do.

SAM
Look, maybe we should check it out.

DEAN
Actually, we're working a case, but thanks.

RUBY
What case?

DEAN
Uh, we've got leads, big leads.

RUBY
Sounds dangerous.

DEAN
Yeah, well, it sure ain't goose-chasing after some chick who, for all we know, doesn't even exist, just because you say she's important.

RUBY
I'm just delivering the news. You can do whatever you want with it. Far as I'm concerned, I told you, I'm done.

SAM
Wait, wait, wait. This hospital Anna escaped from -- it got a name?

EXT. IMPALA – NIGHT
DEAN is driving and SAM is speaking on the phone.

SAM
Can I get a copy of the missing persons report? Great. Okay. Thanks.

SAM hangs up.

SAM
Well, Anna Milton's definitely real.

DEAN
Don't mean the case is real. And this hospital's a three-day drive.

SAM
We've driven further for less, Dean. [ DEAN shakes his head ] You got something to say, say it.

DEAN
Oh, I'm saying it -- this sucks.

SAM
You're not pissed we're going after the girl. You're pissed Ruby threw us the tip.

DEAN
Right. 'Cause as far as you're concerned, the hell-bitch is practically family. Yeah, boy, something major must've happened while I downstairs, 'cause I come back, and -- and you're BFF with a demon?

SAM
I told you, Dean, she helped me go after Lilith.

DEAN
Well, thanks for the thumbnail -- real vivid. You want to fill in a little detail?

SAM
Sure, Dean, let's trade stories. You first. How was Hell? Don't spare the details.

Six Months Earlier

EXT. CROSSROAD - NIGHT
SAM is burying a box in a crossroad to summon a CROSSROAD DEMON. He is drunk.

SAM
Come on! Where the hell are you?

CROSSROAD DEMON
I was wondering whether to come or not. I mean, you shot one of my co-workers. Don't take this the wrong way, Sam, but you don't look so hot, buddy. I guess burying your brother didn't agree with you.

SAM
Well?

CROSSROAD DEMON
Well, let's see that special little knife of yours first.

SAM takes out the knife and slams it down on an outdoor table.

SAM
No devil's traps, either. I'm not here to play games.

CROSSROAD DEMON
Well, let me guess. You want to make a deal. And 'round and 'round the Winchesters go. I'm sorry, Sam. That's not gonna happen.

SAM stabs the knife into the CROSSROAD DEMON's hand.

SAM
I don't want ten years. I don't want one year. I don't want candy! I want to trade places with Dean.

CROSSROAD DEMON
No.

SAM
Just take me! It's a fair trade!

CROSSROAD DEMON
No!

SAM
Why not? Lilith wants me dead. Just let Dean go, and she can have me.

CROSSROAD DEMON
Don't you understand, Sam? It's not about your soul. Dean's in Hell, right where we want him. We've got everything exactly the way we want it. You want to kill me? Go ahead. I've made peace with my lord.

EXT. IMPALA - NIGHT
Back to present

INT. HOSPITAL - DAY

PSYCHOLOGIST
[ out of sign ] Of course I want to help however I can.

SAM
Now, the orderly has no recollection of Anna's escape?

PSYCHOLOGIST
Apparently, she knocked him unconscious. The blow caused some amnesia. He doesn't even remember coming into her room.

DEAN
That's a hell of a right hook to knock out a guy that's got 80 pounds on her.

PSYCHOLOGIST
We think she may have planned this, waited behind the door.

SAM
Right. Uh, you mentioned Anna's illness was recent.

PSYCHOLOGIST
Two months ago, she was happy, well-adjusted, journalism major, lots of friends -- Bright future.

DEAN
So, what happened -- she just... flipped?

PSYCHOLOGIST
Well, that's the tragedy of schizophrenia. Within weeks, Anna was overtaken by delusions.

SAM
What kind of delusions?

PSYCHOLOGIST
She thought demons were everywhere. [ Gives a sketch book to SAM ]

DEAN
Interesting.

PSYCHOLOGIST
It's not uncommon for our patients to believe that monsters are real.

DEAN
Well, that -- that's just batty.

SAM turns the pages and they see some meaningful sketches and the text 'Raising of the Witnesses' and in the next page 'Samhain the next seal is broken'.

DEAN
That's Revelations.

PSYCHOLOGIST
Since when does the Book of Revelations have jack-o'-lanterns?

DEAN
It's a, uh, it's a little-known translation.

PSYCHOLOGIST
Well, Anna's father was a church deacon. When she became ill, her paranoia took on religious overtones. She was convinced the devil was about to rise up and end the world. I hope you find her. It's dangerous for her to be out there alone right now.

EXT. MILTON HOME - DAY
DEAN knocks on the front door.

DEAN
Maybe they're not home.

SAM
Both cars in the driveway.

DEAN tries the door. It's unlocked and they enter the house.

INT. MILTON HOME - DAY

DEAN
Mr. And Mrs. Milton?

SAM
We're from the sheriff's department. We just wanted to ask you a couple of questions.

There are two dead bodies lying in the floor. Their throats have been cut.


ACT TWO

INT. MILTON HOME - DAY
SAM checks some powder on the floor near the dead bodies.

SAM
Sulfur. The demons beat us here. Whatever the deal is with this Anna girl --

DEAN
Yeah, they want her. They're not screwing around. All right, so, I'm "Girl, Interrupted," [ DEAN picks up some addressed envelopes ] and I know the score of the apocalypse, just busted out of the nut-box... Possibly using superpowers, by the way. Where do I go?

SAM looks at family photographs and picks one up.

SAM
Hey, you got those sketches from Anna's notebook?

DEAN
Yeah.

SAM
Let me see 'em. Check this out. [ SAM picks out a drawing of a stained-glass window ]

DEAN
She was drawing the window of her church.

SAM
Over and over. If you were religious, scared, and had demons on your ass, where would you go to feel safe?

EXT. CHURCH - DAY
The Impala is parked in front of the church. Through a window, two figures can be seen going upstairs.

INT. CHURCH'S ATTIC - DAY
SAM and DEAN enter the attic with their guns drawn.

SAM
Dean. [ SAM points with his gun towards a person hiding ] Anna? [ They put away their guns ] We're not gonna hurt you. We're here to help. My name is Sam. This is my brother, Dean.

ANNA
Sam? Not Sam Winchester?

SAM
Uh, yeah.

ANNA
And you're Dean. The Dean?

DEAN
Well, yeah. The Dean, I guess.

ANNA
It's really you. Oh, my god. The angels talk about you. You were in Hell, but Castiel pulled you out, and some of them think you can help save us. And some of them don't like you at all. [looking at Sam] They talk about you all the time lately. I feel like I know you.

DEAN
So, you talk to angels?

ANNA
Oh, no. No, no way. Um, they probably don't even know I exist. I just kind of... overhear them.

SAM
You overhear them?

ANNA
Yeah, they talk, and sometimes I just... hear them in my head.

DEAN
Like... right now?

ANNA
Not right this second, but a lot. And I can't shut them out, there are so many of them.

DEAN
So, they lock you up with a case of the crazies when really you were just... tuning in to angel radio?

ANNA
Yes. Thank you.

SAM
Anna, when did the voices start? Do you remember?

ANNA
I can tell you exactly -- September 18th.

DEAN
The day I got out of Hell.

ANNA
First words I heard, clear as a bell -- "Dean Winchester is saved."

DEAN
What do you think?

SAM
It's above my pay grade, man.

DEAN
Well, at least now we know why the demons want you so bad. They get a hold of you, they can hear everything the other side's cooking. You're 1-900-angel.

ANNA
Hey, um, do you know -- are my parents okay? I -- I didn't go home. I was afraid.

RUBY enters into the attic in a rush.

RUBY
You got the girl. Good, let's go.

ANNA
Her face!

SAM
It's okay. She's here to help.

DEAN
Yeah, don't be so sure.

RUBY
We have to hurry.

DEAN
Why?

RUBY
Because a demon's coming -- big-timer. We can fight later, Dean.

DEAN
Well, that's pretty convenient -- showing up right when we find the girl with some bigwig on your tail?

RUBY
I didn't bring him here. You did.

DEAN
What?

RUBY
He followed you from the girl's house. We got to go now.

SAM
Dean.

SAM points to a statue that's bleeding from the eyes.

RUBY
It's too late. He's here.

SAM takes ANNA by the arm and hides her in a closet.

SAM
Okay. Stay in there. Don't move.

ANNA
Okay.

SAM takes out a flask of holy water.

RUBY
No, Sam, you got to pull him right away.

DEAN
Whoa, hold on a sec.

RUBY
Now's not the time to bellyache about Sam going darkside. He does his thing, he exorcises that demon, or we die.

SAM puts the flask away again. The demon enters and SAM tries to exorcise him, but it doesn't work.

ALASTAIR
That tickles. You don't have the juice to take me on, Sam.

ALASTAIR throws SAM downstairs. DEAN attacks him with RUBY's knife, but ALASTAIR wins their fight.

ALASTAIR
Hello again, Dean.

ANNA screams as RUBY pulls her from the closet.

ALASTAIR
Come on, Dean. Don't you recognize me? Oh, I forgot -- I'm wearing a pediatrician. But we were so close... in Hell.

DEAN
Alastair.

SAM stabs ALASTAIR with RUBY's knife but barely missed his heart and essentially only hitshis shoulder.

ALASTAIR
You're gonna have to try a whole lot harder than that, son.

SAM grabs DEAN and they look at a large stained-glass window. As ALASTAIR pulls out the knife, SAM and DEAN jump through the window.

INT. MOTEL ROOM
SAM is sewing a cut in his left arm while DEAN is in the bathroom.

DEAN
Are you almost done?

SAM
I'm going as fast as I can.

DEAN
Good, 'cause you know I got a dislocated shoulder over here.

DEAN picks up a whiskey bottle and drinks from it.

SAM
Yeah. I'll pop it back when I'm finished.

SAM
Gimme that.

SAM gestures for the bottle and pours whiskey over his wound.

DEAN
So, you lost the magic knife, huh?

SAM
Yeah, saving your ass. Who the hell was that demon?

DEAN
No one good. We got to find Anna.

SAM
Ruby's got her. I'm sure she's okay. All right. Come on. On three. One...

SAM forces DEAN's shoulder back into place.

DEAN
You sure about Ruby? 'Cause I think it's just as likely she used us to find radio girl and then brought that demon in to kill us.

SAM
No, she took Anna to keep her safe.

DEAN
Yeah. Well, why hasn't she called to tell us where she is?

SAM
Because that demon is probably watching us right now, waiting to follow us right back to Anna again. That's why he let us go.

DEAN
You call this letting us go?

SAM
Yeah, I do. Look, killing us would've been no problem to that thing. That's why, for now, we just got to lay low and wait for Ruby to contact us.

DEAN
How's she gonna do that? [ pause ] Why do you trust her so much?

SAM
I told you.

DEAN
You got to do better than that. Hey, and I'm not trying to pick a fight here. I mean, I really want to understand. But I need to know more. I mean, I deserve to know more.

SAM
Because... she saved my life.

Six Months Earlier

INT. MOTEL ROOM - NIGHT
SAM is drunk, and after he enters the room a man and a women attack him. The woman takes RUBY's knife.

WOMAN
Thanks for keeping this warm for me, Sam.

SAM
Ruby.

RUBY
It's nice to be back. Where I was, even for Hell, it was nasty. I guess I really pissed Lilith off. Imagine my relief when she gave me one last chance to take it topside. And all I had to do was find you and kill you.

SAM
Fine. Go ahead! Do it.

RUBY stabs the other demon instead of SAM.

RUBY
Grab your keys. We got to go. Now!


ACT THREE

Six Months Earlier

INT. IMPALA - NIGHT

RUBY
You know what sounds good? French fries. I'm starving. I just escaped Hell. I deserve a treat. You know, a "thank you" would be nice.

SAM
Who asked for your help?

RUBY
You have no idea what I've been through. When Lilith gets pissed, she gets creative. You want to hear about the corners of Hell I've seen, Sam?

SAM
No, I don't.

RUBY
And the things I had to do to convince her I was sorry? That I could be trusted?

SAM
Well, this'll definitely get you a fat Christmas bonus.

RUBY
Very funny. I'm a fugitive... For you, Sam. I took all of this risk to get back to you, so, yeah, I deserve a damn "thank you."

SAM
Who asked you to save me?

RUBY
I'm just trying to help.

SAM
Can you help me save Dean?

RUBY
No. Nothing I know of is powerful enough to do that.

SAM stops the car by the roadside.

SAM
Then I have no use for you.

RUBY
What?

SAM
Get out.

RUBY
Sam

SAM
Whose body are you riding, Ruby?

RUBY
What do you care? You've never asked me that before.

SAM
I'm asking now.

RUBY
Some secretary.

SAM
Let her go.

RUBY
Sam...

SAM
Or I send you right back to Hell.

INT. HOSPITAL ROOM - NIGHT
A woman lies in coma on an hospital bed with the name "Doe, Jane" on it.

DOCTOR
All right, pull it.

The machine begins to beep as the woman dies, but she sits up as she is possessed.

RUBY
Who do I have to kill to get some French fries around here?

INT. ABANDONED HOUSE - DAY
SAM is cleaning a gun. Someone knocks on the door. SAM grabs a shotgun and opens the door, revealing RUBY possessing the coma girl. She holds up a piece of paper.

RUBY
Proof. This body is 100% socially conscious. I recycle. Al Gore would be proud.

SAM
You grabbed a coma patient?

RUBY
You didn't want me to take a body with someone in it, and I made sure that the spirit was gone. Apartment was empty. You happy?

SAM
Why are you here?

RUBY
I can't bring Dean back. But I can get you something else that you want.

SAM
And, uh... what's that?

RUBY
Lilith.

SAM
You want me to use my psychic whatever.

RUBY
Look, I know that it spooks you --

SAM
Skip the speech. I'm ready. Let's go.

RUBY
Slow down there, cowboy.

SAM
Just tell me what I have to do.

RUBY
Look, Lilith is one scary bitch. When I was in the Pit, there was talk. She's cooking up something big -- apocalyptic big.

SAM
So let's kill her.

RUBY
You want to go in there and half-ass it like before? We have the time to get it right. Let's get it right.

SAM
Okay. What do you want from me?

RUBY
Well, a little patience... and sobriety. Promise me that... and I will teach you everything I know.

INT. MOTEL ROOM - NIGHT
We are back to the present.

DEAN
So? What'd she teach you?

SAM
Well, the first thing I learned... I'm a crappy student.

INT. ABANDONED HOUSE - DAY
SAM is trying to exorcise a demon tied to a chair in a devil's trap, but can't. Some black smoke comes out of the demon's mouth, but then it goes back in. SAM holds his head in pain. As the demon begins to laugh, RUBY kills him with her knife.

RUBY
Not funny.

RUBY
Just give it time, Sam. It'll get better.

SAM
What? I need more practice?

RUBY
I'm not talking about pulling demons. I know losing Dean was --

SAM
Hey! I don't want to talk about it. You know what? Where do you get off slapping me with that greeting-card, time-heals crap? What the hell do you know?

RUBY
I used to be human. And I still remember what it feels like to lose someone. I'm sorry.

RUBY puts a hand on SAM's shoulder.

SAM
Uhn-huh. Don't. I can't.

RUBY
Sam, you're not alone.

RUBY kisses SAM. He stands up and walks away from her.

SAM
What are you doing?

RUBY
Sam, it's okay!

SAM
No, that is anything but okay!

RUBY
What's wrong?

SAM
What's wrong? Where do I start?

RUBY
Is it because of the body? Because I told you -- it's all me inside of here. There is no one else. And it's nice inside this body, Sam. Soft and warm.

SAM
What are you doing?

RUBY
Isn't it 'cause you're really scared to go there with a demon? Because it's wrong and it's bad and we shouldn't?

RUBY and SAM begin to have sex.

INT. MOTEL ROOM - NIGHT
We are back to the present.

DEAN
Sam?

SAM
Yeah?

DEAN
Too much information.

SAM
Hey, I told you I was coming clean.

DEAN
Yeah, but now I feel dirty. Okay, well, uh, brain-stabbing imagery aside... So far, all you've told me about is a manipulative bitch who, uh, screwed you, played mind games with you, and did everything in the book to get you to go bad.

SAM
Yeah, well, there's more to the story.

DEAN
Just... skip the nudity, please.

SAM
Pretty soon after... that, um... I put together some signs... Omens.

DEAN
Saying what?

SAM
Lilith was in town. And I wanted to strike her first.

Five Months Earlier

INT. ABANDONED HOUSE - DAY

RUBY
You're not ready yet.

SAM
It's now or never.

RUBY
No, we got to wait until you get it right. You haven't been too successful.

SAM
All right, I'll use this.

RUBY
Stop. You can't just fly in there reckless, Sam. We need you to take the bitch out.

SAM
Oh, I'll take her out all right.

RUBY
You get one shot, and you're it. You're the only one who can do it, Sam. So if she kills you first...

SAM
What?

RUBY
You don't want to survive this.

SAM
Come on.

RUBY
It's a kamikaze attack. You want to die fighting Lilith.

SAM
That's stupid.

RUBY
No, it's the truth, because if you kill her and you survive this, then you have to go on without your brother! This isn't what Dean would've wanted. This isn't what he died for.

RUBY try to stop him, getting in his way in front of the door.

SAM
Get out of my way.

RUBY
No, Sam. This is suicide!

SAM puts RUBY aside with her knife on her throat and walks out through the door.


ACT FOUR

Five Months Earlier

EXT. SUBURBAN HOUSE - DAY
SAM sees a little girl in a house, who is sitting in a table full of cakes and candies.

INT. SUBURBAN HOUSE - DAY
SAM sneaks into the house with RUBY's knife ready to kill the Lilith.

GIRL
Please, I want to go home.

Two demons attack SAM from behind and SAM loses the knife.

DEMON
Lilith sends her regrets. She couldn't make it.

RUBY takes the knife from the floor and kills one of the demons.

RUBY
Take the girl and run!

The DEMON beats RUBY and she loses the knife.

DEMON
Ruby, you're in so much trouble. When we get you down in the basement -- the things we're gonna do to you.

SAM comes back and exorcises the DEMON with his mind.

RUBY
Sam.

SAM
I'm okay. Thanks.

INT. MOTEL ROOM - NIGHT
We are back to the present.

SAM
Ruby came back for me. Whatever you have to say, she saved me. More than that, she got through to me. What she said to me... It's what you would've said. If it wasn't for her, I wouldn't be here.

MAID
Housekeeping.

DEAN
Not now!

MAID
Sir, I've got clean towels.

DEAN opens the door and the MAID enters.

DEAN
Couldn't you just leave 'em at the door?

MAID
I'm at this address.

SAM
I'm sorry. What?

MAID
Go now. Go through the bathroom window, don't stop, don't take your car, don't pass go. There are demons in the hallway and in the parking lot.

SAM
Ruby?

MAID
Okay, yes, so I'm possessing this maid for a hot minute. Sue me.

SAM
What about --

MAID
Coma girl? Slowly rotting on the floor back at the cabin with Anna, so I've got to hurry back. See you when you get there. Go!

INT. CABIN - NIGHT

RUBY
Glad you could make it.

SAM
Yeah, thanks.

SAM
Anna, are you okay?

ANNA
Yeah. I think so. Ruby's not like other demons. She saved my life.

DEAN
Yeah, I hear she does that. I guess I... You know.

RUBY
What?

DEAN
I guess I owe you for... Sam. And I just wanted... you know...

RUBY
Don't strain yourself.

DEAN
Okay, then. Is the moment over? [ RUBY nods ] Good, 'cause that was awkward.

ANNA
Hey, Sam, you think it'd be safe to make a quick call, just to tell my parents I'm okay? They must be completely freaked.

SAM
Uh...

ANNA
What?

SAM
Anna, um... Your parents...

ANNA
What about them?

SAM
Look, I'm sorry.

ANNA
No, they're not...

SAM
Anna, I'm sorry.

ANNA
Why is this happening to me?

SAM
I don't know.

ANNA
They're coming.

DEAN
Back room.

SAM takes ANNA to the back room, then comes back.

RUBY
Where's the knife?

DEAN
Uh... about that...

RUBY
You're kidding.

DEAN
Hey, don't look at me.

SAM
Thanks a lot.

RUBY
Great. Just peachy. Impeccable timing, guys, really.

The door rattles violently and bursts open.

ACT FIVE

INT. CABIN - NIGHT
CASTIEL and URIEL enter.

DEAN
Please tell me you're here to help. We've been having demon issues all day.

URIEL
Well, I can see that. You want to explain why you have that stain in the room?

CASTIEL
We're here for Anna.

DEAN
Here for her like... here for her?

URIEL
Stop talking. Give her to us.

SAM
Are you gonna help her?

CASTIEL
No, she has to die.

TO BE CONTINUED...