10.07 Girls, Girls, Girls (transcript)
Written by: Robert Berens
Directed by: Robert Singer
Air Date: November 25, 2014TEASER
[The scene opens on a dark alley, a drunk lying on the ground drinking out of a bottle in a brown paper bag. A woman - Tiana - runs into the alley. As she turns a corner she stops, looks behind her and sees a shadow on the building across the street She resumes running, breaks a heel on her boot and falls to the ground.]
WOMAN
Ow!
[She grabs her broken heel, resumes running, turns another corner and runs into a man dressed in black.]
TIANA
Raul
MAN
You better think fast, Tiana,'cause this looks bad.
TIANA
I'm sor--I'll do anything. I'll come back. I'll make it up to you. Just please don't hurt me.
[Raul moves in and runs a finger down Tiana’s lips]
RAUL
Now… What kind of message would that send the other girls, huh?
[Tiana places her broken heel between her fingers like a spike and stabs Raul in the eye with it]
RAUL
Aah!!
[Raul covers his eye]
[Tiana pulls out the heel and it is covered in blood and eye ‘goop’. Raul pulls his hand away from his eye and smiles]
Oh, Tiana, Tiana. I'd say I'm sorry to lose you, but...
[Raul places his hands on Tiana’s face…]
There's plenty more where you came from.
[and snaps her neck]
ACT ONE
[The scene opens in a restaurant. The camera is looking over Sam’s shoulder and we see Dean looking at his phone and eating French fries with a fork. The camera pulls back to show Sam reading a paper]
SAM
What? This? Um, cattle deaths a few towns over? A demon possibility or something?
DEAN
No, it says right there. It's probably just 'cause of the drought.
SAM
So, what are we doing here?
[Dean looks at Sam’s plate and points to it with his fork]
DEAN
Uh, reason's right on your plate. Lizardo's porterhouse --U.S.D.A. prime.
[Cell phone chiming]
It's the only place between Connecticut and the bunker you can get a decent steak under 10 bucks.
[Cell phone chiming]
SAM
[Sam leans over to look towards Dean’s cell phone.]
Dude, you are blowing up. Who is that?
DEAN
[Dean is scrolling on his phone]
Ah, it's just, uh, you know, these alert thingies.
SAM
For what?
DEAN
You know, monster...stuff.
[Sam nods his head, smirks and grabs Dean’s cell phone]
Hey, hey. Unh-unh. No. Give it back.
SAM
[Sam hold Deans’ cell phone against his chest]
What? Wh-why?
DEAN
Because privacy...And stuff.
SAM
Oh, priv—
[Sam looks down at cell phone. We see Sam’s view of Dean’s phone-A picture of Dean with the caption ‘Impala67’ and Dean’s status information:
Dean Winchester
Age: 35 Years old
Location: Lebanon, Kansas Unites States
Seeking: Woman
Status: Never Married
About: Rolling through (can’t see if this says anything more)
No strings attached]
SAM
You're on a dating app?
DEAN
Yeah, and you know what? Don't knock it until you try it.
SAM
Nice screen name, Dean --
{Deep Voice] Impala67.
DEAN
[Dean reaches for the phone]
All right, give it back. Come on.
SAM
Shaylene, huh?
Dean, there are like a million messages here.
DEAN
Yeah, uh, check out her pic.
SAM
Uh...Oh. Wow. Okay.
[Camera view of phone shows a beautiful woman with dark hair in a blue dress]
Um, okay. She's hot. But...
DEAN
"But," what?
SAM
But she seems, um... Kind of...available. Like too available. "Oh, baby, whatever you want. I'm burning up just thinking about you."
DEAN
They get raunchier.
SAM
Yeah. Yeah, I -- I see that. It's like a, uh --like a Penthouse letter.
DEAN
Yeah. Is that bad?
SAM
No, it's not bad, Dean. It's too good to be true.
DEAN
I'm sorry, is it --is it so hard to believe that an attractive, red-blooded, American female could be interested in someone like me?
SAM
You realize there's no guarantee "Shaylene" is even Shaylene. I mean, for all you know, it could be some...
Canadian trucker n-named Bruce.
[Sam gets distracted by something behind Dean. Camera pans around to show “Shaylene” in a purple dress smiling at Dean]
DEAN
[Dean looks over his shoulder and smiles. He waves at Shaylene and she waves back. Dean turns to Sam]
That look like a Bruce to you?
[Dean starts to get up from his chair]
SAM
We -- we detoured eight hours so you could get laid?
DEAN
Yeah. Yeah. Oh, and, uh, you know what? Lunch is on me.
[Dean takes some bills out of his wallet and puts them on the table]
And, uh...don't wait up.
[Dean walks over to Shaylene who appears to be talking with another woman and puts his arm around her waist.]
DEAN
Excuse me. Hi.
SHAYLENE
Hey.
{Dean and Shaylene turn to walk out of the restaurant. Dean looks over his shoulder and smiles at Sam. Sam ‘checks her out’ as they leave]
ACT TWO
[Scene changes to a wall covered with a large map. There are photographs of faces pinned to the map. Some of them have ‘X’s’ through them. We see Hannah pin up another picture of a man and then place a large ‘X’ through his face with a red Sharpie marker.
Camera turns to Castiel sitting on the bed (in what is now revealed to be a hotel room) behind Hannah with a laptop on his lap. The camera turns so we see the web page ‘Websummon’ and the search string ‘Tennessee, miracles’. The mouse hovers over the first entry ‘Why Pastor Chris Miracles May Be Fake’.
HANNAH
It's getting easier.
[Castiel clicks on the link and opens to a the page ‘NEWS WebNET’ with the headline ‘Local Pastor Christopher Sherman Works Miracles in His Parish’]
HANNAH
Isaac came back willingly --didn't even resist. There are still some angels down here, but the higher-profile rogues
are back.
CASTIEL
We find them all --that's the mission.
[Castiel gets up and brings the laptop over to Hannah and shows her the page]
CASTIEL
Here. Christopher Sherman --pastor. Local paper in Tennessee says he's working miracles in his Parish.
HANNAH
Figure of speech?
CASTIEL
Perhaps.
[Hannah walks away as Castiel looks at the pictures on the wall. As she’s walking Hannah removes her suit jacket and hangs it on a hook on the wall]
CASTIEL
The best lead we have. Until we find something stronger, we should...
[Hannah is undressing as Castiel talks. As he turns back to face her she drops her shirt. The camera view is from behind Hannah so we see her naked back and Castiel facing her from across the room with a surprised look on his face
CASTIEL
...uh...check it out.
[Castiel is trying to NOT look at Hannah]
CASTIEL
Hannah?
HANNAH
Yes?
CASTIEL
What are you doing?
HANNAH
I'm taking a shower.
CASTIEL
Um...We don't need to shower.
HANNAH
I know.
[Hannah looks confused by Castiel’s reaction]
Are you --Does this bother you?
CASTIEL
Bothered? I...I'm not.
HANNAH
[Hannah smirks]
Good.
[Hannah turns to enter the bathroom. A door closes and we hear water running].
[Scene changes to the Impala parked outside a motel.]
[Scene changes to Dean being slammed up against the motel room wall. Shaylene moves in and talks off Dean’s button down shirt. Heavy kissing and panting]
SHAYLENE
I forgot something. We still need to discuss my terms.
DEAN
Oh, like, rules? Like, sexy rules?
SHAYLENE
Um, more an issue of payment.
DEAN
Oh.
SHAYLENE
Yeah.
[Shaylene moves away from Dean and turns her back to him]
Sweetie [laughs] thought you figured it out. I mean, shy of coming out and saying it, I thought I made it pretty obvious.
DEAN
Yeah, yeah, no. I-I just, uh... See, I have this code. Uh, "No cash for ass."
SHAYLENE
[Shayene faces Dean]
Oh, well you're in luck, honey, 'cause I don't want your money.
[Shaylene walks back to Dean and leans into his chest]
All I want from you is one little thing --a trifle, really.
DEAN
I'm listening.
SHAYLENE
Your soul.
DEAN
My soul?
SHAYLENE
[Laughs] It's nothing, baby. Who knows what a soul is, really,
[Dean rolls his eyes]
if it even exists? All I know is you say yes, my guy comes up, you sign some papers, and then it's you and me --good to go.
DEAN
Mm.
[Dean moves away from the wall and Shaylene]
So that's it?
[Dean has his back to Shaylene and is looking around the motel room as if looking for something]
Just...sign over my life.
SHAYLENE
It's a signature, baby.
[Dean turns to face Shaylene. Shaylene is now leaning against the motel room wall in a sensual manner]
What's a little paperwork compared to absolute physical bliss?
DEAN
Well, you make a strong case.
SHAYLENE
I love my job.
DEAN
Do you?
SHAYLENE
[Shaylene looks nervous]
Yeah.
DEAN
'Cause it doesn't look like love to me.
[Shaylene clears her throat.]
[Scene changes to Hannah and Castiel walking through the motel restaurant]
HANNAH
Get the car. I'll check us out.
{Hannah opens her wallet. We see her driver’s license as she pulls out a credit card. As she places it down on the hotel desk a hand comes across and grabs her hand. Hannah turns around with surprised look on her face.]
MAN
Caroline.
HANNAH
Uh...
MAN
I -- I put an alert on your credit card. Saw a charge here. I drove all night.
[Camera turns to Hannah who looks upset]
[Scene changes to a man entering Dean and Shaylene’s hotel room.]
MAN
How we doing?
[Dean and Shaylene are sitting on opposite corners of the hotel bed, backs to each other]
MAN
Everybody ready for a good time?
[Man walks further into the room and pulls a blue paper out of his jacket pocket]
MAN
Okay. John Hancock right here. Then we can get this party started.
[Dean stands up and faces the man as Sam walks into the room and stands next to Dean, who has an Angel blade in his hands)
MAN
Winchesters.
[Sam and Dean look up towards the ceiling. The man looks up also and sees a red Devil’s Trap painted on the ceiling directly over him.]
DEAN
She told us everything.
SAM
Abduction, forced prostitution -- it's pretty gnarly, even for a demon.
MAN
She's got her version, I've got mine.
SHAYLENE
Liar.
DEAN
Let me guess --she came to you begging for you to pimp her out.
MAN
Yeah, 'cause that Harvard degree was working out so well for her.
DEAN
How many girls are there, hmm? How big is this?
MAN
Just me and Shay.
SHAYLENE
He's lying. There's a brothel. I heard him on the phone. They told me what you are -- a demon from hell.
MAN
Beats trash from the street. Face it, Missy -- without me, you would've been dead of drugs or worse in a year. Frankly, this little ho should be thanking me.
[Shaylene grabs the demon blade from Dean, jumps up from the bed and stabs the man (demon).]
DEAN
Whoa!
[The demon dies in typical manner and falls to the floor]
DEAN
Okay. Well, that just happened.
SAM
Yeah, and he was our best shot at the location of the brothel. Do you have any idea where it is?
SHAYLENE
No, but, um...
[Shaylene goes to the dead demon, reaches into his jacket pocket, pulls out a business card and hands it to Dean]
I saw him give these out at the bars.
[We see the card-‘Raul’s Girls-1482 Willis Blvd.’]
[Scene changes to the inside of a bar. A man is holding a skimpy outfit on his hand]
MAN
What did you say?
[Camera turns to CAITLIN – Caitlin - sitting in a chair]
CAITLIN
I said, "If you like it so much, why don't you wear it?"
[Raul (wearing an eye patch) enters from door behind ‘man’]
MAN
She won't wear the clothes you picked. What should I do?
RAUL
Gerald, what do you think? Don't leave any marks.
[Gerald turns to girl and smiles creepily. The door to the bar opens and a woman with red hair, in a black dress walks in (she is the woman from the end of 10.03 Soul Survivor - ROWENA)]
GERALD
Hey, lady, I think you're in the wrong place.
ROWENA
[Speaking with a Scottish accent]
This is Raul's girls, isn't it? Clever name, by the way.
RAUL
Sorry, but we're not hiring at the moment. And, no offense, but even if we were, you're a little...old. Unless you're here as a customer.
ROWENA
No disrespect to your girls, but I'd sooner die than do business of any kind with filth like you.
[Rowena throws a hex bag with red markings to Raul, who catches it.]
RAUL
You.
[Raul starts gasping and groaning, black goop comes pouring out of his mouth. As he collapse to the floor we see a blonde woman – Elle - come in from the other side of the bar area, behind Gerald]
GERALD
Boss?
ROWENA
Ladies, you may want to stand back. This will get messy.
[Black smoke pours out of Gerald’s mouth and exits through the air vent while Raul continues to vomit black goop on the floor. He falls to his back, convulses and dies]
ROWENA
Hardly the most appetizing process in the world, but killing demons always makes me hungry.
[Woman turns her back to the women and then looks over her shoulder to them]
You coming? I mean, you're welcome to stay here.
[Caitlin and Elle, looking horrified, look at each other, nod their heads and leave with the woman]
ROWENA
Fabulous!
ACT THREE
[Scene opens on Hannah and the man from the hotel lobby, now in a hotel room]
MAN
Caroline, you've been gone a year. Disappeared.
I don't know what's happened to you, I don't know who's gotten into your head, but something's going on, and I'm not walking away till I know what.
HANNAH
Well, there is a reason, an answer for all of this.
MAN
Th-then tell me.
HANNAH
I can't. You wouldn't understand.
MAN
Then I'm not going anywhere.
[Man sits on the bad as Castiel enters the hotel room]
CASTIEL
I waited at the car, but the desk man said --
HANNAH
Castiel. This is Joe...my husband.
CASTIEL
Oh? [looking puzzled]
Oh.
JOE
Who is this guy?
HANNAH
He...Uh...
JOE
You saying you're...together?
HANNAH
What? Yes. [Hannah takes Castiel’s hand in hers] I left you. For him. He's the reason.
JOE
No. No, I don't believe it. This guy? You? No, there's something... You're not that kind of person, okay? You wouldn't do that. You couldn't do that.
[Hannah turns and kisses Castiel passionately. As the break apart we see Joe, looking devastated. Hannah and Castiel look at each other]
HANNAH
[To Joe] I'm sorry.
[To Castiel] Let's go.
[Hannah and Castiel leave the room]
[Scene changes back to the bar. We see Gerald (dead/unconscious) on the floor and Raul laying in a puddle of black goop]
DEAN
Can't believe somebody got to kill this Raul tool before we could. Check I.D.s.
SAM
All right.
[Sam kneels down by the bodies while Dean goes behind the bar and pours himself a drink]
Uh, Dean, from the look and...smell of it, pure demon. I think this is Raul.
DEAN
What? Did he puke himself to death?
SAM
Yeah, literally.
DEAN
Okay, so... Something went down here. There was a standoff. One demon smokes out and Raul... What can even kill a demon like this?
SAM
Apparently...
[Sam reaches by Raul’s hand and picks up the hex bag]
A witch.
[Scene changes to woman drinking champagne and sitting with WOMANs in an upscale restaurant. French music is playing in the background]
ELLE
Uh, ma'am, why are we here?
ROWENA
I thought you'd be hungry. I doubt that swine Raul fed you properly.
CAITLIN
Yeah, but... We don't belong here.
[Waiter walks up to the table]
WAITER 1
Apologies for the interruption, ma'am.
ROWENA
That word again.
WAITER 1
But I'm afraid that the bistro des moules has a very strict dress code, a sartorial standard certain members of your party fall well short of.
CAITLIN
Now can we go?
WOMAN
Stay in your seats. We're not going anywhere.
[Woman turns to reach into her bag]
WAITER 1
Excuse me?
ROWENA
You heard me
[Woman hands the waiter a small hex bag]
[to Waiter] Famalatus
[Scene changes to plates of food being laid on the table. Camera pulls back and we see a line of waiters coming to the table with plates of food and drinks]
WAITER 1
A Krug '95 -- an excellent vintage. With our compliments, of course.
ELLE
This is awesome.
CAITLIN
How did you do it?
ROWENA
Magic.
[Scene changes to Crowley sitting on his throne.]
Gerald...
[Crowley gets up and walks toward ‘Gerald’ who is now a construction worker]
A bordello? You opened a whorehouse in my name?
GERALD
Well, technically, the place was called Raul's girls, but...Yes. Look, Raul said that --
CROWLEY
Oh, Raul said?
GERALD
Your decree last month -- soul deals way down after the war with Abaddon. Said that you were looking for proactive and out-of-the-box strategies to get numbers back up.
CROWLEY
So, you and your half-wit pal threw me into the sex trade? I'm evil. That's just tacky.
GERALD
We tried running it past you, but we were told you weren't taking meetings, that you were distracted. I mean, busy. Look, this witch took Raul down like that. Whole operation -- kaput. I smoked out.
CROWELY
Ran away.
GERALD
Possessed the nearest meatsuit I could find.
CROWLEY
Apparently so.
GERALD
Because I thought that you should know what happened. Act of aggression like that didn't seem like something you could let stand.
CROWLEY
[Rolling his eyes] Hmm.
[Scene changes Sam and Dean driving in the Impala at night]
SAM
Here we go.
[We see Sam’s laptop open to a page ‘Witchcraft and the Occult…To Bind and Purge]
Um, so it looks like in the 18th century, there were accounts of demons killed by witchcraft. Apparently they were vanquished by a spell called defigere et depurgare which is Latin for "to bind and purge."
DEAN
You think that's the same kind of spell that took out Raul?
SAM
Sounds like it. But from what I can tell, that spell hasn't been used in over 300 years. And it was only ever known by one person, the witch who created it.
DEAN
That is?
SAM
Rowena.
[Scene changes back to Rowena and the women in the restaurant]
ROWENA
According to the grand coven, there are three recognized kinds of witch in the world. Most common are the borrowers -- those who harness the power of a demon in order to practice the art. Owing to recent experience, I doubt you'd have the stomach for that.
Secondly, and rarest of all, are the naturals -- those who are... Born with the gift.
ELLE
You're one of those.
ROWENA
Well you are correct.
CAITLIN
And what's the third?
ROWENA
The students -- those with no natural ability who, with enough practice and training and a grand coven-approved mentor to show them the path, can eke out a modicum of witchly power.
ELLE
Will... You be our mentor?
ROWENA
Well...I'm about as far from grand-coven-approvedas it's possible to be. They threw me out many years ago. Disapproved of my methods. Said my magic was too extreme. I was forbidden from using magic, from taking students, from forming a coven. I've been on the run from those utter fannies ever since.
CAITLIN
So, you can't teach us?
ROWENA
Screw the grand coven and their silly rules. You two stick with me, and you can have anything, do anything you want whenever you want.
ELLE
When do we start?
ROWENA
[Waiter 1 is walking over with two plates and starts to stumble, looking confused]
Soon, but not here.
[Waiter 1 starts to sweat. His eyes and head are turning red and the plates drop to the floor. People in the restaurant turn to look]
Whoops. I believe that's our cue.
[Rowena and the womenm get up to leave. Waiters’ head is now bright red and peeling. He collapses to the floor]
CAITLIN
Did you do that?
ROWENA
Oh, he'll be fine -- worker's comp and all that. Are you coming?
[Voice off scene]
Call 911!
[Rowena walks past dead waiter]
[Scene changes to a Demon tied to a chair over a Devil’s Trap]
DEMON
I'm not afraid... 'Cause you're a noob.
[Person off screen throws Holy Water on Demon. Demon hisses in pain]
DEMON
[Laughing] I'm your first. That's why you're drawing this out. 'Cause you're studying me. You're training.
[More Holy Water is thrown on the demon. Demon grunts in pain, his face is burning]
It's gonna take a lot more than that to make me talk.
COLE
Boy, you will talk. You will talk, and you will tell me everything you know about your buddy Dean Winchester.
ACT FOUR
[Scene opens with Castiel and Hannah at a gas station. Castiel is putting gas in the car. Hannah is standing at the front of the car]
CASTIEL
At some point, we have to talk about what happened. The, uh...
[Camera changes to close up of Hannah]
HANNAH
He wouldn't listen, Castiel. He wouldn't let me go. I didn't want to hurt him. I could've erased his memories, but... It didn't feel right. I thought if he truly believed we were together, he'd give up. And it worked. So, why does it feel so bad?
CASTIEL
You did the right thing. You hurt him, but you gave him a reason, something he could use to move forward and make sense of his loss.
I had to take my vessel from his family -- twice, actually.
Jimmy Novak. He was a good man. He was married, had a daughter...Claire.
HANNAH
And?
CASTIEL
And it was difficult, but necessary.
The mission comes first -- always.
[Gas nozzle clicks and Castiel turns away from Hannah to replace the nozzle on the pump. When he turns back Hannah is gone]
[Scene changes to Dean (in FBI suit) talking to a waiter at the restaurant where the first waiter died]
WAITER 2
Middle of my shift, there's Marty falling down, clutching his head, stroking out right there on the floor, sweating, turning red, like...like...
DEAN
Like his brains were boiling? Was there anything else unusual?
WAITER 2
More unusual than our head waiter dropping dead in front of me?
DEAN
Before that.
WAITER 2
I don't know, I mean I thought getting two hookers in here was pretty damn unusual, but that was before Marty keeled over.
DEAN
Uh, two hookers?
WAITER 2
Based on what they were wearing, yeah.
DEAN
Were they alone?
WAITER 2
No. Came in with a lady.
DEAN
Thank you for your time.
[Scene changes to Sam (in FBI suit) sitting at an outside table talking on the phone]
SAM
No, that is strange. All right, I hear you. Thank you.
[Dean approaches Sam]
DEAN
Hey.
DEAN
So, it looks like our witch was here with two new friends.
SAM
Really? Raul's girls? What does she want with them?
DEAN
I don't know. What'd you get from the Hunter network?
SAM
This guy Darrell's been working a case, a series of grisly hotel murders one at the Kensington, another at the Waldorf in Cleveland -- bodies stabbed, impaled on the ceiling.
DEAN
Sounds a little more homicidal maniac than witchy.
SAM
That's what Darrell thought, too, until the autopsy came back. Actual cause of death --
DEAN
Let me guess -- boiled brains.
SAM
Yeah, same as our waiter.
DEAN
Well, I'll give this to the witch -- she's got deep pockets. The Kensington, the Waldorf, this restaurant -- that can't be cheap.
DEAN
Yeah. Let's get.
[Sam gets up from his seat]
DEAN
Where we going?
SAM
Check out every five-star hotel in the area.
DEAN
Oh.
[Scene changes to Hannah standing on a wood bridge over a stream. Castiel approaches her]
CASTIEL
What's going on?
HANNAH
I'm sorry, Castiel. I'm not going with you. I'm done.
[Scene changes to Hannah and Castiel walking on a path along the stream]
HANNAH
It's hard letting go... of a story, a mission. But what of the humans whose lives we sacrifice in the name of that mission?
CASTIEL
What of them?
HANNAH
We always said the humans were our original mission. Maybe it's time, Castiel -- time to put them first.
CASTIEL
Where is all this coming from?
HANNAH
Being on earth, working with you, I've felt things. Human things -- passions, hungers. To shower, feel water on my skin... to get closer to you. But all of that was nothing compared to what I felt when I saw him.
Her husband -- his anger and his grief. And Caroline was inside of me, screaming out for him, for her life back. These f-feelings, they aren't for me, for us. They belong to her. I know it's time to step aside.
[Hannah smiles, leans forward and kisses Castiel on the cheek. Castiel nods.]
Goodbye, Castiel.
[Hannah leans her head back and a bluish white light comes out of her mouth and rises into the air. Hannah collapses onto Castiel for a moment and then stands up again. She looks at her hands and then Castiel, slightly confused]
CASTIEL
Caroline, I'm --
CAROLINE (HANNNAH)
Castiel.
I know.
[Caroline looks at her hands again, smiling and laughing, and places her hands on her stomach, as if feeling her body]
ACT FIVE
[Scene changes to the exterior of a hotel. There is a knocking sound and the scene changes to Rowena and the WOMANs in a hotel room]
ROWNENA
Okay.
You two ready for some practice?
CAITLIN
Who is it?
ROWENA
Probably the hotel manager, probably here to complain that I haven't paid the bill. You have those spells I gave you?
ELLE
Yeah, about that? I don't read Spanish.
ROWENA
It's Latin. Phonetics are on the back, darling.
ELLE
[Looking puzzled] "Phonetics."
[Rowena walks to the door and looks through the peep hole. She sees the face of a pissed off looking bellman]
ROWENA
Get ready. And on my word...
[Rowena opens the door and sees the bellman with his throat slit. He falls forward to the floor. The WOMANs look scared. A man and woman lean into the doorframe, their eyes turn black.]
[Scene changes to the WOMANs and Rowena being led down the hotel hallway. Rowena’s mouth is covered with duct tape.]
FEMALE DEMON
You're in for a world of hurt when we deliver you to our boss.
CAITLIN
What about us?
I'm not going back to that place.
FEMALE DEMON
[Turning back towards the women]
Operation skank has been terminated. The only place you two are going is the dumpster out back.
[Female demon faces forward and turns right into Sam and Dean. Dean stabs the female demon in the stomach with the angel blade. She dies and falls to the ground. Rowena and the women run to the end of the hallway. The male demon moves forward and throws Dean to the ground. Sam fights with the male demon and is thrown to the ground. Dean comes up behind him and stabs him in the back with the angel blade. Sam and Dean move down the hallway to the women as Rowena removes her gag.]
CAITLIN
Who are those guys?
ROWENA
Hunters.
Let's get out of here.
ROWENA
That's not an exit.
DEAN
Don't worry, ladies. Our beef's not with you.We're here for the witch. Rowena.
ROWENA
Always nice to be recognized.
ELLE
Do something -- a spell!
ROWENA
[Looking towards the blonde WOMAN, placing a hex bag in her hand]]
That's an excellent idea.
Impetus bestiarum.
[Elle bends over with her head down and screams]
DEAN
What did you do to her?
[Rowena laughs as blonde WOMAN lifts up her head. Her eyes are read and blood is dripping from her nose. She snarls and punches Dean in the head and then Sam. They both fall to the floor. Rowena and the CAITLIN run past them down the hallway. Sam and Dean get up and face ELLE.]
SAM
[to Dean] Go! Go!
[ELLE advances toward Sam and the scene changes to Rowena and the CAITLIN running down an alley]
CAITLIN
What'd you do? What did you do to her?
ROWENA
Attack-dog spell. We needed a decoy.
CAITLIN
But... But she'll die, just like the waiter. Probably.Few humans are built to survive magic like that, and Elle was weak. But you're not.I saw it the second we met. You're strong.
CAITLIN
You're right. I am.
[CAITLIN punches Rowena in the face and walks out of the alley. Rowena lifts her head and points towards the CAITLIN]
Occideris ingrat
DEAN
Not another word!
[Dean has a gun pointed to the back of Rowena’s head. She turns and faces Dean]
Lady, your luck has just run out.
ROWENA
[Laughing]
I'm pretty sure that's not true.
[Camera pulls back and we see a gun pointed at the back of Dean’s head. There is a whistle and Dean turns his head to see Cole holding the gun on him]
DEAN
Pal, we got to work on your timing.
COLE
Drop the gun, Dean-o.
DEAN
All right, she may not look like much, but letting this one go -- big mistake.
COLE
Uh-huh.
ROWENA
You heard the boy.
[Dean drops his gun to the ground. Rowena smirks and walks away. Dean turns and faces Cole]
DEAN
Look, man, I am sorry about the last time we met, okay? I'm sorry about a lot of things. I'm not the same person that I was.
COLE
You're not a person at all. See, I know all about your kind now.
DEAN
My kind? Listen –
[Cole throws Holy Water in Dean’s face. He looks confused when Dean does not react.]
I'm not a demon anymore.
COLE
So, were you a demon when you murdered my father?
No.
COLE
Then you're still a monster.
[Cole hits Dean in the face with his gun. As he pulls back Dean grabs Coles’ hands to control the gun. They struggle and Dean grabs the gun, throws it to the side and punches Cole in the face.]
COLE
[Raising his hands to fight]
Let's go.
{Dean and Cole start to fight]
[Scene changes to the blonde WOMAN (Elle) in a linen closet. She’s hitting the door with her hands and body. Sam is on the other side trying to keep her inside]
ELLE
Let...Me...Out!
SAM
Look...Whatever she did to you, you have to fight it.
ELLE
I...Can't.
[Screams]
[Scene changes to Dean and Cole fighting. Cole gets thrown to the ground and makes a move to grab his gun. Dean kicks it away, grabs his gun and points it at COLE]
DEAN
Don't.
[Scene changes to Sam leaning against the closet door as Elle tries to break it down. He draws his gun and aims it at the door. He waits several seconds and the banging stops. He opens the door and sees Elle, bleeding from her eyes and nose. Her skin is white and her eyes are open. She falls dead to the floor]
[Scene changes back to Cole and Dean in the alley]
COLE
What are you waiting for? Do it.
DEAN
No. Now, I'm gonna clean this mess up once and for all. You're gonna give me five minutes, and we're gonna talk.
Get up.
COLE
After that... If you don't like what you hear...[Dean turns his gun and hands it to Cole]…you still want me dead, you take your shot.
[Cole takes the gun and points it towards Dean]
DEAN
What I do... is hunt monsters. Your dad, Cole -- your dad was a monster.
COLE
Yeah, you say that now, but last time we fought, you couldn't even remember his name.
DEAN
2003, Nyack, New York, Ed Trenton. I was working a case. Three dead --livers ripped out and eaten by your father.
COLE
Livers?
DEAN
Yeah, I tracked him down that night to your house.
COLE
Well, you say he was a monster.
What kind of monster was he?
DEAN
I don't know. Never seen that kind before, never seen it again. All I know is that he came home that night looking to kill -- could've been you, could've been your mom.
COLE
No.
DEAN
The only reason that didn't happen is because I was there to stop him.
COLE
I heard his voice. It was a human voice, and he begged you to stop!
DEAN
It's a ploy. It's a monster's trick.
I know what you heard, but know this -- that was not your father, Cole. Your father was already gone.
DEAN
[Looks over Cole’s shoulder and points.
Put it down. Sam, put it down!
[Cole turns and sees Sam aiming a gun at him. Cole aims his gun at Dean]
DEAN
Cole, it's fine.
SAM
Dean?
DEAN
Put it down!
[Sam lowers his gun and Cole turns his gun back towards Dean]
DEAN
Cole, hey, right here. We're talking, okay?
COLE
How can I believe you, huh?
{shouts] How can I believe you?!
My whole life, I've been...
DEAN
I get it. That was your story. Look, man, I got one of those, too. Okay, but those stories that we tell to keep us going? Man, sometimes they blind us. They take us to dark places --the kind of place where I might beat the crap out of a good man just for the fun of it. The people who love me, they pulled me back from that edge.
Cole, once you touch that darkness... It never goes away. Now, the truth is... I'm past saving. I know how my story ends. It's at the edge of a blade or the barrel of a gun. So, the question is, is that gonna be today?That gonna be that gun?
SAM
You've got a family, Cole.
[Dean and Cole face Sam]
I heard you on the phone that night. I'm guessing they need you to come back, and they need you to come back whole.
[Cole, crying, hand Dean back his gun]
[Scene changes to Caroline standing at the door to a house and Joe on the other side of the door. Joe opens the door and the look at each other. Camera pulls back to show Castiel sitting in his car at the curb in front of the house, looking at Caroline and Joe]
CAROLINE
I'm...
JOE
Hi.
CAROLINE
Hi.
[Joe and Caroline hug and walk back into the house. The door closes. In the car, Castiel open his laptop to ‘Websummon’ and types ‘Jimmy Novack’ in the search bar. Four pictures come up, one which shoes him as ‘Missing’]
[Scene changes to Cole driving his Jeep out of the alley. Sam and Dean remain in the alley]
SAM
He say where he's going?
DEAN
Home.
SAM
Rowena?
DEAN
In the wind.
SAM
What you said earlier, back there, about being past saving -- were you really --
DEAN
I was just telling the guy what he needed to hear.
We better go.
[Scene changes to Crowley and Gerald walking down a staircase. As they’re talking the approach a cell door]
GERALD
Winchesters showed up. Alpha team went down. But Beta team's working contingency -- Had a perimeter around the hotel. We got her. Right in there -- tortured. If you'd like, I could finish her off.
CROWLEY
Wipe that ridiculous smile off your face. What do you want, a medal? A "thank you" for cleaning up the mess you made?!
[Gerald walks away]
CROWLEY
Everyone working for me touched?
[Crowley opens the cell door and walks through]
Bunch of needy, squalling, incompetent infants.
[Rowena is chained to a wall in the cell. Her face is cut and bruised]
ROWENA
The king at last. King of what? Lilliput? I mean, I'd heard you were short, but...[laughs] Well?! Get to it. Time for the coup de grace. Wee boy, is something the matter with you? Cat got your tongue, hmm? Meow.
CROWLEY
Mother?
END CREDITS
DELETED SCENE
EXT. FOREST - DAY
CASTIEL finds HANNNAH standing on a wooden bridge over a stream.
CASTIEL
What's going on?
HANNAH
I'm sorry, Castiel. I'm not going with you. I'm done.
CASTIEL looks saddened.
