Difference between revisions of "1.06 Art of Dying"
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'''Dean:''' ''Hunting has a way of changing a person. After a while, right, wrong, good, evil, they all start to look the same. And then it makes you start to wonder, "Who's really the monster here--them or me?"'' | '''Dean:''' ''Hunting has a way of changing a person. After a while, right, wrong, good, evil, they all start to look the same. And then it makes you start to wonder, "Who's really the monster here--them or me?"'' | ||
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− | While Latika tries to meditate, John and Carlos argue. John wants to continue searching for the radio tower that is sending out the signal calling monsters to Lawrence, while Carlos wants to wait until they get some intel they are waiting on. | + | While Latika tries to meditate, John and Carlos argue. John wants to continue searching for the radio tower that is sending out the signal calling monsters to Lawrence, while Carlos wants to wait until they get some intel they are waiting on. Mary interrupts, noting Carlos is wearing her robe, when a phone rings. It's not the house phone, but a phone hidden in a credenza that is just for hunters. The call is from Tracy Gellar, a retired hunter, who has found Darla, an old hunting partner dead in her barn. As they head to Tracy's place, MAry explains how Tracy leaving hunting and having a life has been an inspiration for her. |
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+ | At Tracy's farm they examine Darla's body, which looks as though she was killed by a werewolf. However, Carlos find a claw in the rafters, which suggests another creature is responsible. Together they help Tracy give Darla a hunter's funeral. | ||
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Revision as of 08:19, 28 November 2022
Title | Art of Dying |
Episode # | Season 1, Episode 6 |
First aired | November 22, 2022 |
Directed by | Geary McLeod |
Written by | Jessica Kardos |
On IMDB | Art of Dying |
Outline | |
Monster | Vengeful Spirit |
Timeline | |
Location(s) | |
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Contents
Synopsis
Dean: Hunting has a way of changing a person. After a while, right, wrong, good, evil, they all start to look the same. And then it makes you start to wonder, "Who's really the monster here--them or me?"
While Latika tries to meditate, John and Carlos argue. John wants to continue searching for the radio tower that is sending out the signal calling monsters to Lawrence, while Carlos wants to wait until they get some intel they are waiting on. Mary interrupts, noting Carlos is wearing her robe, when a phone rings. It's not the house phone, but a phone hidden in a credenza that is just for hunters. The call is from Tracy Gellar, a retired hunter, who has found Darla, an old hunting partner dead in her barn. As they head to Tracy's place, MAry explains how Tracy leaving hunting and having a life has been an inspiration for her.
At Tracy's farm they examine Darla's body, which looks as though she was killed by a werewolf. However, Carlos find a claw in the rafters, which suggests another creature is responsible. Together they help Tracy give Darla a hunter's funeral.
Dean: Hunting's not for everyone. You have to be strong, stay sharp, make tough decisions, and it's not easy, But then again, the righteous things never are.
Characters
- Mary Campbell
- John Winchester
- Latika Dar
- Carlos Cervantez
- Ada Monroe
- Millie Winchester
- Dean Winchester
- Tracy Gellar
- Mac
Definitions
- Akrida
- Ectoplasm
- Hex Bag
- Hunters
- Hunter's Funeral Pyre
- John's Journal
- Men of Letters Clubhouse
- Possession
- Soucouyant
- Table of Death
- Vengeful Spirit
Music
- "Joan of Arc" by Judy Collins
- (plays as Darla's body is being prepared for a hunter's funeral)
Quotes
Carlos: I like to think of it as our robe.
Carlos: Okay, so I embellished for dramatic effect. Are we really gonna act surprised by that now?
Tracy: In the ten years since, I've read hundreds of books, stepped foot on almost every continent. I went to college, cultivated the land... Broke nearly a dozen hearts.
Mary: Okay!
John: I don't need you or my mom psychoanalyzing me.
Trivia & References
Anton: Interesting. I'm--I'm more of a "Rear Window" kind of guy myself, so...
- Psycho and Rear Window are both movies by Alfred Hitchcock.