5.15 Dead Men Don't Wear Plaid (Transcript)
5.15 Dead Men Don't Wear Plaid
Written by: Jeremy Carver
Directed by: John Showalter
Air Date: 25 Mar 2010
Contents
THEN
From: 5.02 Good God, Y'All
PRIEST
Are you saying that this is the... Apocalypse?
DEAN
And these specific omens – they're prelude to what?
PRIEST
The four horsemen.
DEAN
And which one rides the red horse?
PRIEST
War.
From: 5.14 My Bloody Valentine
CASTIEL
This town is suffering from famine.
SAM
A-as in the horseman?
DEAN
Great.
From: 5.10 Abandon All Hope...
BOBBY
The angel of death must be brought into this world through a place of awful carnage.
LUCIFER
Hello, death.
From: 3.10 Dream a Little Dream of Me
DEAN
Bobby, who is that?
BOBBY
She's my wife.
From: 5.11 Sam, Interrupted
DEAN
It's the end of the world. And if I don't stop it and save everyone, then no one will, and we all die.
From: 4.20 The Rapture
DEAN
I'm just tired, man. I'm done. I am just done.
From: 5.14 My Bloody Valentine
DEAN (praying)
I need some help.
NOW
EXT. CEMETERY – NIGHT
(In front of a headstone marked Clay James Thompson, a man reaches up through the soil and drags himself out of the grave.)
INT. BENNY SUTTON’S TRAILER – NIGHT
(Benny Sutton reclines on the sofa watching a documentary about cheetahs. A thunderstorm rages outside.)
DOCUMENTARY VOICEOVER
Here on the savannah, the wildebeest lounges, lazy and self-content, and is oblivious to the fierce predator that stalks him from the shadows.
The great wildebeest herds migrate south in search of water, drinking their fill in preparation for the long dry season to come. The wildebeest are on edge. Every movement could be a sound of potential attack. Merely a rustle of the wind through the bushes could scare the entire herd into a bone-crushing stampede.
(The trailer door rattles. Benny investigates, but it seems to be just the wind. He returns to the sofa.)
DOCUMENTARY VOICEOVER
At first the animal reacts with confusion…
(The wind blows the door open. Benny closes the door and locks it.)
DOCUMENTARY VOICEOVER
The wildebeest returns warily to its watering hole, where…
(Suddenly, behind him is a man covered in mud. Benny tries to fire a shotgun, but it’s empty.)
DOCUMENTARY VOICEOVER
...who are closing in for the kill. When it attacks, it attacks quickly.
BENNY
No.
(The man begins to strangle Benny.)
BENNY
Please! God! No!
SUPERNATURAL (Title Card)
ACT ONE
EXT. DINER, SIOUX FALLS, SOUTH DAKOTA – DAY
(Sam and Dean get out of the Impala.)
SAM (on phone)
Bobby, listen, when you get this message, call! Okay?
DEAN (to Sam)
Is he still not home? How far could he get in that chair?
INT. DINER – DAY
SAM
So, what do we do?
DEAN
Well... Guess we just do it ourselves.
(They sit down at a table opposite a man.)
DEAN
Mr. Wells, why don't you tell us what you saw in your own words.
DIGGER
Call me Digger.
DEAN
Digger? Who gave you that name?
DIGGER
I did.
DEAN
You gave yourself your own nickname? You can't do that.
DIGGER
Who died and made you queen?
SAM
Okay. Uh, why don't you just tell us what you saw?
DIGGER
I saw Clay Thompson climb into Benny Sutton’s trailer through the window. Couple minutes later, Clay walked out, and Benny's dead.
DEAN
And, uh... (holds up photo) ...Is this the guy you saw?
DIGGER
Well, he was all covered with mud, but, yeah. That's Clay.
SAM
And you are aware that Clay Thompson died five years ago?
DIGGER
Yep.
DEAN
And you're positive that it was this guy.
DIGGER
You calling me a liar?
SAM
No, no, no. Of course not. Look. Can you think of any reason why Clay Thompson, alive or dead, would want to kill Benny Sutton?
DIGGER
Hell, yeah. Well, five years ago, Benny's the one that killed Clay in the first place.
DEAN
Is that a fact?
DIGGER
Well, yeah, so-called "hunting accident." Now, if you ask me... Clay came back from the grave to get a little payback.
DEAN
Go on.
(Sheriff Jody Mills enters the diner, talking on a cell phone.)
SHERIFF MILLS
Owen, put down the cupcake and pick up an apple… Okay? Okay. I love you.
DIGGER
Heads up. "Fargo."
SHERIFF MILLS
Digger.
DIGGER
Sheriff.
SHERIFF MILLS
Gentlemen. I'm Sheriff Jody Mills. I don't believe we've had the pleasure.
DEAN
Agents Dorfman and Neidermeyer. FBI.
SHERIFF MILLS
Welcome to Sioux Falls, gentlemen. Can I ask you what you're doing with Digger here?
DIGGER
They’re doing their job. They believe me, Sheriff.
SHERIFF MILLS
The FBI believes a dead man committed a murder?
SAM
Look, we're just asking a few questions, Sheriff. That's all.
DEAN
Of course, if a dead man didn't commit the murder, then, uh, who did?
SHERIFF MILLS
What'd you say your jurisdiction here was again?
DEAN
Our jurisdiction is wherever the United States government sends us.
SHERIFF MILLS
Oh, yeah. How 'bout me and your supervisor have a little chat about that?
SAM
Absolutely. (He hands her a business card.)
(Sheriff Mills calls the number on the card, and Bobby answers, pretending to be the FBI supervisor.)
BOBBY
Agent Willis speaking.
SHERIFF MILLS
Agent Willis, this is Sheriff Jody Mills… Bobby?
BOBBY
Oh… Excuse me?
SHERIFF MILLS
Is this Bobby Singer?
BOBBY
Listen, I don't know who this is, but... this is Agent Tom Willis of the FBI.
SHERIFF MILLS
Bull crap. FBI, huh?
SAM
So, uh... So you know Bobby Singer?
DEAN
That is... a fun coincidence.
SHERIFF MILLS
Here's what I know about Bobby Singer. He's a menace around here, ass-full of drunk-and-disorderlies and mail fraud. You understanding me?
DEAN
I think we all can agree that you've made yourself perfectly clear, yes.
SHERIFF MILLS
So, whatever the three of you are planning, it ends here. Now. Ten-four on that, Agents?
DEAN
Yeah.
INT. BOBBY’S HOUSE – DAY
DEAN
You know how many times we called? Where have you been?
BOBBY
Playing murderball.
DEAN
What's that smell? Is that soap? Did you clean?
BOBBY
What are you, my mother? Bite me!
SAM
Bobby, seriously.
BOBBY
I been working. You know, trying to find a way to stop the devil.
DEAN
Find anything?
BOBBY
What do you think?
SAM
Bobby, it's just… there's a case less than five miles from your house.
BOBBY
What, the – the Benny Sutton thing? That's what this is about?
DEAN
You knew about this?
BOBBY
Hell, yes. I checked into it already. There's nothing here.
SAM
Except a witness who saw a dead guy commit murder.
BOBBY
What witness? Digger Wells?
DEAN
Yeah. So?
BOBBY
So, he's a drunk.
SAM
Well, what about the lightning storms? They look like omens.
BOBBY
Except in February in South Dakota in storm season. Guys, I thought it was something, too. Sometimes a cigar is just a cigar.
SAM
So who killed the guy?
BOBBY
Take your pick. This Benny Sutton guy was a grade-a son of a bitch. There's a list of the living a year long wouldn't mind putting a cap in his ass.
DEAN
So, you're telling us... nothing?
BOBBY
Sorry. Looks like you wasted a tank of gas on this one.
DEAN
Great.
INT. IMPALA – NIGHT
(Dean parks the Impala near St. Anthony’s Cemetery.)
SAM
What's up?
DEAN
Isn't that the graveyard back there?
SAM
Yeah. So what? Bobby already checked it out.
DEAN
And? What, Bobby's never wrong? Come on. We'll take a peek, and then we'll hit the road. Can't hurt.
EXT. ST. ANTHONY’S CEMETERY – NIGHT
(Walking through the cemetery, Sam and Dean see a grave with overturned soil.)
SAM
Hey.
(Sam stops at Clay Thompson’s headstone.)
DEAN
That look fresh to you?
SAM
Yeah, actually.
(Sam and Dean dig up the grave and discover the coffin is empty.)
SAM
What is going on here?
DEAN
I don't know, but something stinks.
INT. CLAY THOMPSON’S HOUSE – NIGHT
(Sam and Dean break into the house and look around. A man attacks Dean, thinking he is a burglar. Dean pushes him to the ground.)
CLAY
Don't shoot me! Please! There's money in the safe.
DEAN
We don't want your money.
CLAY THOMPSON
What do you want? Anything. Please...
SAM
You're Clay Thompson, right?
CLAY
Who are you?
SAM
Um, FBI.
CLAY
FBI? Oh, my God. This is about Benny.
DEAN
Wha… what about Benny?
CLAY
He killed me! He shot me in the back! I'm supposed to let him get away with that?
DEAN
Hold up. Are… are you confessing?
CLAY
Please. I'll go with you. Just… just don't wake my kids.
SAM
Y-you'll go with us where?
CLAY
Jail.
DEAN
Let me get this straight. You're Clay Thompson, and you died five years ago?
CLAY
Yes.
DEAN
And three days ago you climbed out of your grave, and you killed Benny Sutton?
CLAY
Yes.
DEAN
So you are, in fact, a dead guy.
CLAY
I guess. I – I – I don't know what I am.
(Clay’s wife enters.)
CLAY’S WIFE
Clay? I called 911.
CLAY
It's okay, honey. These men are the FBI. They're here about Benny.
DEAN
Why don't you come with us, Mr. Thompson? I think that'd be best.
EXT. CLAY THOMPSON’S HOUSE – NIGHT
SAM
Dean.
DEAN
He's a monster.
SAM
He's a soccer dad.
DEAN
What do you want to do with him?
(Sheriff Mills and another police officer suddenly intercept them.)
SHERIFF MILLS
Freeze! Drop your guns!
DEAN
Whoa, whoa, whoa, whoa. All right. Hey.
DEAN
Remember the guy you said that was dead and couldn't possibly commit murder? There he is.
SHERIFF MILLS
And?
DEAN
"And"? And you're welcome – for catching the undead killer zombie.
SHERIFF MILLS
Whatever he is or isn't that don't give you the right to shoot him in the middle of the street.
(Sheriff Mills handcuffs Dean.)
CLAY
Shoot me?
SHERIFF MILLS
You're free to go, Mr. Thompson.
DEAN
Free to go?!
CLAY
I can't believe you were gonna kill me.
DEAN
You're a zombie!
CLAY
I'm a taxpayer!
INT. JAIL CELL – NIGHT
DEAN
So, what? Sheriff's on the take?
SAM
Yeah. No. The zombies are paying her off?
(Sam sees Sheriff Mills and Bobby talking in the police station.)
SAM
Hey.
DEAN
So, what? Now they're friends?
INT. POLICE STATION – NIGHT
(Sam and Dean leave with Bobby. Sam pushes Bobby’s wheelchair.)
SAM
Bobby, I thought the sheriff hated you?
BOBBY
She did till five days ago.
DEAN
What happened five days ago?
BOBBY
The dead started rising all over town.
SAM
So you knew about this?
BOBBY
Yep.
DEAN
I think what Sam meant to say is, you lied to us?
BOBBY
Look, I told you there was nothing here. And there isn't. Not for you.
DEAN
There are zombies here.
BOBBY
There are zombies... And then there are zombies. Come with me.
INT. BOBBY’S HOUSE – NIGHT
DEAN
You want to tell us what the hell…
(A woman wearing an apron walks to the table carrying a plate.)
KAREN SINGER
Oh, hey. I didn't realize you were bringing company.
BOBBY
It’s four a.m., babe. You didn't need to cook.
KAREN
Oh, please! I’ll get some more plates.
DEAN
Who was that?
BOBBY
Karen. My wife.
DEAN
Your new wife?
BOBBY
My dead wife.
ACT TWO
INT. BOBBY’S HOUSE – NIGHT
DEAN (eating pie)
This is incredible, Mrs. Singer.
KAREN
Thank you, Dean.
(Sam frowns at Dean and gives him a pointed look.)
DEAN
What? It is.
BOBBY
It's great, Karen. Thanks. Could you, um, just give us a minute?
(Karen leaves the room.)
DEAN
Are you crazy? What the hell?
BOBBY
Dean, I can explain.
DEAN
Explain what? Lying to us? Or the American girl zombie making cupcakes in your kitchen?!
BOBBY
First of all, that's my wife, so watch it.
SAM
Bobby, whatever that thing is in there, it is not your wife.
BOBBY
And how do you know that?
SAM
Are you serious?
BOBBY
You think I'm an idiot, boy? My dead wife shows up on my doorstep, I'm not gonna test her every way I ever learned?
DEAN
So what is it? Zombies? Revenant?
BOBBY
Hell if I can tell. She's got no scars, no wounds, no reaction to salt, silver, holy water...
DEAN
Bobby, she crawled out of her coffin.
BOBBY
No, she didn't. I cremated her. Somehow, some way, she's back.
SAM
That's impossible.
BOBBY
Tell me about it.
SAM
You bury her ashes?
BOBBY
Yeah.
DEAN
Where?
BOBBY
In the cemetery. That's where they all rose from.
DEAN
How many?
BOBBY
15, 20, I made a list. (He hands the list to Sam.) Uh, there's Karen... Clay... Sheriff Mills – her little boy came back.
SAM
And there were no signs? No omens?
BOBBY
Well, there were the lightning storms.
DEAN
That's what we said. What else?
BOBBY (reads from the Book of Revelation)
"And through the fire stood before me a pale horse. And he that sat atop him carried a scythe, and I saw since he had risen, they, too, shall rise, and from him and through him."
DEAN
So, what, Death is behind this?
SAM
Death, Death? Like “Grim Reaper" death?
BOBBY
Yeah.
DEAN
Awesome. Another horseman. Must be Thursday.
SAM
Bobby... Why would Death raise 15 people in a podunk town like Sioux Falls?
BOBBY
I don't know.
DEAN
You know, if Death is behind this, then whatever these things are... it's not good. You know what we have to do here.
BOBBY
She doesn't remember anything, you know.
DEAN
What do you mean?
BOBBY
Being possessed, me killing her... her coming back.
DEAN
Bobby...
BOBBY
No, no, don't "Bobby" me. Just... just listen, okay? (Karen can be heard humming.) She hums when she cooks. She always... used to hum when she cooked. Tone deaf as all hell, but... And I never thought I would hear it again. Look, just read Revelation. The dead rise during the apocalypse. There's nothing in there that says that's bad! Hell, maybe it's the one good thing that comes out of this whole bloody mess.
DEAN
And what would you do if you were us?
BOBBY
I know what I'd do. And I know what you think you got to do. But... I'm begging you. Please. Please. Leave her be.
INT. DINER – DAY
SAM
So, what do you think?
DEAN
There's nothing to think about. I'm not gonna leave Bobby at home with the bride of Frankenstein.
SAM
Then what do you want to do? Just walk in there in front of Bobby and blow her skull off?
DEAN
If she decides that Bobby's face is the blue plate special, I'd like to be there.
SAM
Fine. See what else we can find out.
EXT. BOBBY’S SALVAGE YARD – DAY
(Dean is leaning against the Impala. He jumps at the sight of Karen next to him.)
KAREN
Oops. Did I scare you?
DEAN
No. No. No. There's... nothing scary about you at all.
KAREN
Feel like some lunch?
DEAN
Uh... I'm good. Thanks.
KAREN
Come on, there's more pie.
DEAN
I don't think that Bobby wants me inside.
KAREN
Guess it'll have to be our secret, then, huh? Come on.
EXT. SHERIFF MILL’S HOUSE – DAY
(Sam sneaks up to the window and sees Sheriff Mills and her husband reading a book to their young son.)
INT. BOBBY’S KITCHEN – DAY
(Dean is eating a piece of pie. There are many other pies in the room.)
DEAN
I'm gonna go out on a limb and guess that you like pies. Did you bake all these?
KAREN
I don't know what it is. Since I got back, I can't stop baking.
DEAN
Yeah, when do you have time to sleep?
KAREN
I don't. Must be the excitement.
DEAN
Or being dead.
KAREN
I know you don't trust me.
DEAN
Why would you say that?
KAREN
Come on, Dean. That's why you're here, isn't it? Keeping an eye on me? I know who you are. Just like I know Bobby's not the same mild-mannered scrap dealer I married. You hunt things. I – I'm a thing. I get it.
DEAN
So then you know that Sam and I would never let anything happen to Bobby. That he's like a father to us.
KAREN
I understand. And he's lucky to have you looking out for him, Dean. But you're not the only one.
DEAN
Is that so?
KAREN
I remember everything, you know. When I died. That demon taking over my body... and the things it made me do. And Bobby having no choice but to... Well, you know what he did. But I can see it in his eyes when he looks at me. The guilt. It weighs on him.
DEAN
So why don't you just tell him you remember?
KAREN
I'm gonna go out on a limb here and say you've never been in love. He's my husband. My job is to bring him peace... not pain.
EXT. HOUSE – DAY
(Sam looks at Bobby’s list and then knocks on the door.)
SAM
Mrs. Jones?!
(He opens the unlocked door.)
INT. EZRA JONES’ HOUSE – DAY
SAM
Ezra Jones? Um... Ezra Jones?
(An old lady lies in a bed, obviously sick, coughing and foaming at the mouth. She gestures for Sam to come closer.)
SAM
W-what is it? You think maybe you could tell me from here? Yeah. I'm gonna regret this.
(Sam leans close as she tries to say something. She attacks him, spitting mucous onto him in the process. Sam notices a dead man on the floor with his stomach bloodied. Sam shoots Mrs. Jones in the head through her open mouth.)
ACT THREE
INT. BOBBY’S HOUSE – NIGHT
BOBBY
Keep your damn voices down. Karen's upstairs.
DEAN
Oh, I'm sorry. We're a little tense right now. Who's old lady Jones?
BOBBY
The first one to come up.
SAM
First one to go bad.
BOBBY
Ah, she was always a nutty broad.
DEAN
Nutty how? Nutty like the way she ate her husband's stomach? Was that the level of nutty she was in life?
BOBBY
No.
DEAN
Look, Bobby, I feel for you. But you have got to acknowledge that you're not exactly seeing this straight!
SAM
Bobby, whether you admit it or not, these things are turning. We have to stop them – all of them.
(Bobby pulls out a gun and rests it on his lap.)
BOBBY
Time to go.
DEAN
What?
BOBBY
You heard me. Off my property.
SAM
Or what? You'll shoot?
BOBBY
If Karen turns, I will handle it my way.
DEAN
This is dangerous.
BOBBY (cocks gun)
I'm not telling you twice.
(Sam and Dean leave.)
INT. IMPALA – NIGHT I don't know.
DEAN
He's crazy.
SAM
It's his wife, Dean.
DEAN
So he goes "Full Metal Jacket" on us? We're his family, Sam.
SAM
Look, man. Bigger fish, okay? I mean, we got a bunch of zombies about to turn this town into a giant chew toy.
DEAN
Yeah, and he's alone in the house making pie with one of 'em!
SAM
All right? So?
DEAN
So! I'm gonna have to go back there and… and… and kill her. That's the only thing I can think of.
SAM
If he sees you, you're a dead man.
DEAN
Well, then, I guess I won't let him see me.
SAM
Okay. I'll... head to town and rescue everyone – should be easy.
DEAN
Sounds like.
SAM
I'm gonna need some help.
DEAN
What about the sheriff?
SAM
Uh, last time I checked, the sheriff was pretty pro-zombie.
DEAN
Well, I guess you'll just have to convince her.
SAM
How?
DEAN
I don't know. You're just gonna.
INT. SHERIFF MILLS’ HOUSE – NIGHT
(Sheriff Mills’ young son is lying on the couch, obviously sick.)
SHERIFF MILLS
There. Does that feel better, honey?
SHERIFF MILLS’ SON
I'm so hungry, mommy.
SHERIFF MILLS
Oh, I know. I know. Mommy's gonna make you some soup, okay?
SHERIFF MILLS’ SON
Okay.
SHERIFF MILLS’ HUSBAND (talking on phone)
I don't know what else to tell you, doc. We checked the thermometer three times. His temperature is 111 degrees.
SHERIFF MILLS’ SON
Mommy.
SHERIFF MILLS’ HUSBAND
Hold on, doc. (He hands the phone to Sheriff Mills.)
SHERIFF MILLS’ SON
I'm hungry!
SHERIFF MILLS
Can you take that in to him?
SHERIFF MILLS (on phone)
Dr. Dwight, it's Jody Mills.
EXT. BOBBY’S SALVAGE YARD – NIGHT
(Dean walks toward the house, loading a shotgun.)
INT. BOBBY’S HOUSE - NIGHT
BOBBY
Karen, stay away from the windows. Karen?
(Karen collapses in the kitchen.)
BOBBY
Karen?! Karen?
KAREN
(coughing) I'm… I'm okay.
BOBBY
Yeah?
KAREN
I'm okay. I just... I'm okay. I – I just got to be dizzy.
BOBBY
You're burning up.
KAREN
Oh, I'm okay. I – I just need something to eat. And I'll be fine. Really. (She coughs heavily.)
INT. SHERIFF MILLS’ HOUSE – NIGHT
SHERIFF MILLS (on phone)
I don't know how to explain it, doctor. That's… that's why we're calling you. I...
(A noise comes from the living room and Sheriff Mills drops the phone.)
SHERIFF MILLS
Sean? Owen?
(She finds her husband dead and her son eating his flesh.)
SHERIFF MILLS
Oh, my God.
(Sheriff Mills’ son stands up and slowly approaches her. Sam suddenly bursts in and pulls her outside.)
SAM
Let's go!
SHERIFF MILLS
No!
SAM
Go!
EXT. SHERIFF MILLS’ HOUSE – NIGHT
SHERIFF MILLS
My husband!
SAM
Leave it! He's dead!
SHERIFF MILLS
That was not my son!
SAM
You're right. It wasn't. Listen, Sheriff. Your town is in danger. People are in danger, and we need to help them now. Can you do that for me? (Sheriff Mills shakes her head.) Can you focus for me, Sheriff? Sheriff?
SHERIFF MILLS
How do we put them down?
SAM
Head shot.
SHERIFF MILLS
(nods) We're gonna need weapons.
SAM
We can start by rounding up everybody we can find. Where is there a safe place we can take people?
SHERIFF MILLS
Jail.
SAM
Right. Just, um... (he takes out his gun) give me a minute.
(Sam goes back into the house. A gunshot is heard.)
INT. BOBBY’S HOUSE – NIGHT
(Karen lies in bed, sick. Bobby is at her bedside, holding her hand.)
KAREN
I'm so hungry, Bobby.
BOBBY
I'll fix you something to eat in a minute.
KAREN
I can feel it. It's happening.
BOBBY
Shh, it’s gonna be alright.
KAREN
No. It's not. I'm turning, Bobby. You know I am.
(Bobby looks at his gun on a table nearby.)
KAREN
It's okay. Do it.
BOBBY
No way.
KAREN
Please.
BOBBY
No.
KAREN
I remember.
BOBBY
You remember what?
KAREN
Everything. The demon inside me. You killing me. I remember.
BOBBY
Then you know... why I can't do it again.
KAREN
I remember something else, too. When I came back... There was a man.
BOBBY
What do you mean, a man?
KAREN
At the grave. He was so thin. Like a skeleton. And he told me to give you a message.
BOBBY
Me? W-why didn't you tell me this before?
KAREN
You've seen so much. I just... I just wanted to see you smile.
BOBBY
What was the message?
(Dean opens the front door and enters. A gunshot is heard.)
DEAN
Bobby?!
(Dean finds Karen dead and Bobby holding her hand.)
INT. POLICE STATION – NIGHT
(Sheriff Mills is taking guns out of a cabinet. A group of people is gathered in the room.)
SAM
All right, if I hand you a gun and you see a dead person, I don't care if it's your friend, your neighbor, or your wife, you shoot for the head. That's the only way we survive.
MAN
Uh, you mind telling us who the hell you are?
SAM
Friend of Bobby Singer's.
MAN
Town drunk.
SAM
No, I – I thought... (nods at Digger) he was the town drunk.
MAN
Who told you that?
SAM
Bobby Singer…. Stay sharp. I'll watch the front door.
EXT. BOBBY’S SALVAGE YARD – NIGHT
DEAN
You know, Bobby, if you want to sit this one out...
BOBBY
Let's just get going.
(A noise indicates someone is approaching and Dean goes to investigate.)
INT. POLICE STATION – NIGHT
(Sam opens the door and looks out, then closes the door again and shakes his head at Sheriff Mills.)
EXT. BOBBY’S SALVAGE YARD – NIGHT
(Dean walks through the salvage yard while Bobby sits in his wheelchair.)
BOBBY
Dean? Dean!
(Bobby fires at a zombie, which tackles Dean to the ground.)
ACT FOUR
EXT. BOBBY’S SALVAGE YARD – NIGHT
(Dean punches the zombie and tries to reach his gun.)
BOBBY
Dean?
(Bobby shoots at and kills a zombie as it runs at him, then shoots at another zombie which is moving behind cars. Dean finally gets to his gun and shoots the zombie that attacked him.)
BOBBY
Dean!
(Multiple zombies attack both Dean and Bobby. One of them throws Bobby out of his wheelchair onto the ground. Dean shoots it.)
BOBBY
Little help here? (Dean helps Bobby back into his wheelchair and picks up his gun.)
DEAN
Guns?
BOBBY
Yeah. All right.
(Dean and Bobby shoot zombies as they hurry back into the house.)
INT. BOBBY’S HOUSE – NIGHT
DEAN
Got any more ammo? I'm low.
BOBBY
Yeah, we got plenty. Just run back past the zombies. It's in the van, where we left it.
DEAN
A simple "no" would have been fine. What are they all doing here, anyway?!
BOBBY
I think I get it.
DEAN
What?
(Zombies begin to break in through the roof and windows.)
BOBBY
Oh, that ain't good.
DEAN
I'm out.
BOBBY
Me too.
DEAN
Come on!
(Dean and Bobby lock themselves in a closet, fighting zombies on the way. Zombies pound on the door.)
BOBBY
Kind of a tight fit, don't you think?
DEAN
It's all right. They're idiots. They can't pick a lock.
(The pounding stops and the door handle moves.)
BOBBY
Don't you ever get tired of being wrong?
DEAN
I'm making this stuff up as I go. Sue me.
(The closet door opens and Dean hits zombies with the butt of his shotgun.)
SAM
Get down!
(Sam and Sheriff Mills shoot all the zombies.)
SAM
Are you okay?
ACT FIVE
EXT. CEMETERY – DAY
(Dean and Sheriff Mills join Sam in front of a massive funeral pyre.)
DEAN
Well, if there's any zombies left out there, we can't find them.
SAM
How are the townspeople?
SHERIFF MILLS
Pretty freaked out. Hell, traumatized. A few of them are calling the papers. As far as I can tell, nobody's believed 'em yet.
SAM
Would you? (Sheriff Mills shakes her head.) How are you holding up?
DEAN
Is that everyone?
SAM
All but one.
EXT. BOBBY’S SALVAGE YARD – DAY
(Sam and Dean join Bobby in front of another funeral pyre.)
BOBBY
So, thinking maybe I should apologize for losing my head back there.
SAM
Bobby, you don't owe us anything.
DEAN
Hey, look, I don't know squat from shinola about love, but... At least you got to spend five days with her, right?
BOBBY
Right. Which makes things about a thousand times worse. She was the love of my life. How many times do I got to kill her?
SAM
Are you gonna be okay, Bobby?
BOBBY
You boys should know... Karen told me why Death was here.
SAM
What do you mean?
BOBBY
I know why he took a stroll through a cemetery in the sticks of South Dakota. He came for me.
DEAN
What do you mean, you?
BOBBY
Death came for me. He brought Karen back to send me a message.
DEAN
You? Why you?
BOBBY
Because I've been helping you, you sons of bitches. I'm one of the reasons you're still saying no to Lucifer, Sam.
DEAN
So this was like a hit on your life?
BOBBY
I don't know if they wanted to take my life or... my spirit. Either way, they wanted me out of the way.
SAM
But you're gonna be all right. Right, Bobby?
END
